The Always Bankable Banksy

You have to appre­ci­ate the para­dox of Banksy: A com­mer­cial­ly suc­cess­ful anti-cap­i­tal­ist. A van­dal who adds val­ue. It’s the sort of amus­ing con­tra­dic­tion that appears often in the artist’s own work.

A case in point: In 2009 Banksy made a wall paint­ing on an indus­tri­al estate out­side Croy­don, South Lon­don, depict­ing a spike-head­ed punk rock­er puz­zling over a set of instruc­tions. Next to him is a box labeled “LARGE GRAFFITI SLOGAN,” with a jum­bled car­go of words–“SYSTEM,” “SMASH,” “POLICE”–spilling out, wait­ing to be assem­bled. The logo on the box is also dis­as­sem­bled, but eas­i­ly rec­og­niz­able: IKEA.

The guer­ril­la artist had bare­ly fin­ished his mur­al when a pair of guer­ril­la busi­ness­men swooped in, sub­vert­ing the sub­ver­sive mes­sage. It’s an inter­est­ing sto­ry, nice­ly told in this nine-minute film pro­duced for Chan­nel 4 by Mar­tyn Gre­go­ry, shot and edit­ed by Paul Bernays and nar­rat­ed by Nick Glass.

The Story of Broke: An Animated Look at US Federal Spending and Values

Back in 2008, Annie Leonard pro­duced The Sto­ry of Stuff (see below), a 20-minute ani­mat­ed film that explores the way our con­sumerist habits take a toll on the envi­ron­ment and sus­tain­abil­i­ty. The video racked up mil­lions of views on YouTube, and now Leonard returns with the sec­ond video in a longer series. It’s called the The Sto­ry of Broke (see above) and it takes a short­er, ani­mat­ed look at U.S. gov­ern­ment spend­ing — at how we pri­or­i­tize our spend­ing, and what it says about our core nation­al val­ues.

We have a lot of mon­ey float­ing around. The fed­er­al gov­ern­ment col­lect­ed $2.16 tril­lion in tax rev­enue in FY 2010 (and we bor­rowed yet anoth­er $1.3 tril­lion more). Mean­while, rough­ly $705 bil­lion went to defense spend­ing, which is sev­en times (or $589 bil­lion) more than the next biggest defense spender, Chi­na. It turns out that oper­at­ing a bloat­ed empire with troops deployed across 150 coun­tries is a cost­ly nation­al pri­or­i­ty. Then, as Leonard points out, we also unthink­ing­ly fun­nel a lot of mon­ey, in the form of sub­si­dies and give­aways, to dinosaur indus­tries. And then we’re told that noth­ing is left over for Social Secu­ri­ty ($707 bil­lion), Medicare/Medicaid ($732 bil­lion), and edu­ca­tion. But we should­n’t take those claims at face val­ue. Where we spend mon­ey is a choice. It’s ide­al­ly our choice, but all too often it’s real­ly a mat­ter of what’s val­ued by our lead­ers and their finan­cial back­ers.…

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A Brief, Wondrous Tour of Earth (From Outer Space)

We have seen sev­er­al time-lapse views of Earth from the Inter­na­tion­al Space Sta­tion, but this may well be the best. Record­ed from August to Octo­ber, 2011, this HD footage has been smoothed, retimed, denoised, deflick­ered, cut, etc, and then cou­pled with music by Jan Jelinek. It gives you a pret­ty splen­did view of the auro­ra bore­alis from orbit (how often have you seen that?), and if you’re won­der­ing just what pro­duces those north­ern lights, you can watch a nice expla­na­tion here (scroll down to the sec­ond video). This video is housed in our col­lec­tion of Great Sci­ence Videos.

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A Stunning, Chance Encounter With Nature

Sophie Wind­sor Clive and Lib­er­ty Smith were canoe­ing some­where in Ire­land when they had a chance encounter with one of nature’s great­est and most fleet­ing phe­nom­e­na — a mur­mu­ra­tion of star­lings. The spec­ta­cle is a mag­i­cal case of math­e­mat­i­cal chaos in action. And, it’s all dri­ven by the quest for sur­vival. The Tele­graph has more.…

via Dot Earth

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Peter Gabriel and His Big Orchestra Play Live at the Ed Sullivan Theater

On Wednes­day night, Peter Gabriel brought his 46-piece orches­tra to the Ed Sul­li­van The­ater in New York City and treat­ed the audi­ence to a 65-minute con­cert fea­tur­ing orches­tral ver­sions of some clas­sic Gabriel songs: Red Rain, Sols­bury Hill, Biko, Intrud­er, Mer­cy Street, Wall­flower, San Jac­in­to, Rhythm of The Heat, Sig­nal to Noise — they were all on the setlist, though not in that par­tic­u­lar order. The con­cert, pre­sent­ed as part of the Live on Let­ter­man web­cast series, fea­tures songs and musi­cians appear­ing on Gabriel’s lat­est LP, New Blood.…

via Stere­ogum

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Christopher Hitchens: No Deathbed Conversion for Me, Thanks, But it was Good of You to Ask

Athe­ist Christo­pher Hitchens was asked ear­li­er this year how his strug­gle with can­cer has affect­ed his views on the ques­tion of an after­life. “I would say it frac­tion­al­ly increas­es my con­tempt for the false con­so­la­tion ele­ment of reli­gion and my dis­like for the dic­ta­to­r­i­al and total­i­tar­i­an part of it,” he respond­ed. “It’s con­sid­ered per­fect­ly nor­mal in this soci­ety to approach dying peo­ple who you don’t know but who are unbe­liev­ers and say, ‘Now are you gonna change your mind?’ That is con­sid­ered almost a polite ques­tion.”

Hitchens spoke (see above) dur­ing a debate on the ques­tion, “Is there an after­life,” with Sam Har­ris and Rab­bis David Wolpe and Bradley Shav­it Art­son at the Amer­i­can Jew­ish Uni­ver­si­ty in Los Ange­les on Feb­ru­ary 15. (You can watch the entire event here.) Hitchens’ views on the sub­ject have remained con­sis­tent over the years. “It’s a reli­gious fal­si­fi­ca­tion that peo­ple like myself scream for a priest at the end,” Hitchens said before he was diag­nosed with stage four esophageal can­cer in the sum­mer of 2010. “Most of us go to our end with dig­ni­ty.”

Hitchens writes mem­o­rably of one such fig­ure in his 2006 book, Thomas Paine’s Rights of Man: A Biog­ra­phy:

Paine’s clos­ing years, piti­ful as they were, con­tained one clos­ing tri­umph. He might have become a scare­crow-like fig­ure. He might have been forced to sub­sist on the char­i­ty of friends. He might have been denied the right to vote by a bul­ly­ing offi­cial, when pre­sent­ing him­self at the polling sta­tion, on the grounds that the author of Com­mon Sense was not a true Amer­i­can. But as the buz­zards began to cir­cle, he ral­lied one more time. It was wide­ly believed by the devout of those days that unbe­liev­ers would scream for a priest when their own death-beds loomed. Why this was thought to be valu­able pro­pa­gan­da it is impos­si­ble to say. Sure­ly the sob­bing of a human crea­ture in extrem­is is tes­ti­mo­ny not worth hav­ing, as well as tes­ti­mo­ny extract­ed by the most con­temptible means? Boswell had been to vis­it David Hume under these con­di­tions, because he had been reluc­tant to believe that the sto­icism of the old philoso­pher would hold up, and as a result we have one excel­lent account of the refusal of the intel­li­gence to yield to such moral black­mail. Our oth­er account comes from those who attend­ed Paine. Dying in ulcer­at­ed agony, he was imposed upon by two Pres­by­ter­ian min­is­ters who pushed past his house­keep­er and urged him to avoid damna­tion by accept­ing Jesus Christ. ‘Let me have none of your Popish stuff,’ Paine respond­ed. ‘Get away with you, good morn­ing, good morn­ing.’ The same demand was made of him as his eyes were clos­ing. ‘Do you wish to believe that Jesus Christ is the son of God?’ He answered quite dis­tinct­ly: ‘I have no wish to believe on that sub­ject.’ Thus he expired with his rea­son, and his rights, both still staunch­ly defend­ed until the very last.

via 3 Quarks Dai­ly

Relat­ed Con­tent:

Steve Mar­tin Writes Song for Hymn-Deprived Athe­ists

Christo­pher Hitchens Revis­es the Ten Com­mand­ments

The Van Doos in Afghanistan (Free Until Monday)

A quick fyi: To mark Remem­brance Day, the Nation­al Film Board of Cana­da (NFB) has made Claude Guilmain’s doc­u­men­tary The Van Doos in Afghanistan avail­able online for a lim­it­ed time. You can watch it free until Mon­day. The NFB writes:

In this doc­u­men­tary, we hear direct­ly from fran­coph­o­ne sol­diers serv­ing in the Roy­al 22e Rég­i­ment (known in Eng­lish as “Van Doos”) who were filmed in the field in March 2011, dur­ing their deploy­ment to Afghanistan. They speak sim­ply and direct­ly about their work, whether on patrol or per­form­ing their duties at the base. The film’s images and inter­views bring home the com­plex­i­ty of the issues on the ground and shed light on the lit­tle-under­stood expe­ri­ences of the men and women who served in Afghanistan.

You’ll find oth­er free films by the NFB in our big col­lec­tion of Free Movies Online. It now has north of 435 films on the list.

Neil deGrasse Tyson Stars in New Symphony of Science

Elec­tron­ic musi­cian John Boswell has just released the 12th install­ment in his “Sym­pho­ny of Sci­ence” series. Onward to the Edge cel­e­brates the adven­ture of space explo­ration and fea­tures the auto-tuned voic­es of astro­physi­cist Neil deGrasse Tyson, par­ti­cle physi­cist Bri­an Cox and plan­e­tary sci­en­tist Car­olyn Por­co. It’s a mashup of mate­r­i­al from four sources: Tyson’s My Favorite Uni­verse video course, Cox’s BBC series Won­ders of the Solar Sys­tem, a TED talk by Por­co and scenes from Nation­al Geo­graph­ic’s A Trav­el­er’s Guide to the Plan­ets.

The “Sym­pho­ny of Sci­ence” grew out of Boswell’s 2009 video, A Glo­ri­ous Dawn, which stitch­es togeth­er scenes from Carl Sagan’s Cos­mos and Stephen Hawk­ing’s Uni­verse and has been viewed over six mil­lion times on YouTube. You can down­load a free dig­i­tal album of all 12 songs from the series, along with a bonus track, here. H/T Boing­Bo­ing

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