Bertrand Russell’s Improbable Appearance in a Bollywood Film (1967)

Here’s one for Rip­ley’s Believe It Or Not: Bertrand Rus­sell, the emi­nent math­e­mati­cian and philoso­pher, once made a cameo appear­ance in a Bol­ly­wood movie.

The year was 1967. Rus­sell was by then a very frail 95-year-old man. Besides fin­ish­ing work on his three-vol­ume auto­bi­og­ra­phy, Rus­sell was devot­ing much of his remain­ing time to the strug­gle for peace and nuclear dis­ar­ma­ment. To that end, he some­times made him­self avail­able to peo­ple he thought could help the cause. (See our March 2012 post, “How Bertrand Rus­sell Turned the Bea­t­les Against the Viet­nam War.”)

So when he was asked to appear in a movie called Aman, about a young Indi­an man who has just received his med­ical degree in Lon­don and wants to go to Japan to help vic­tims of the atom­ic bomb­ings at Hiroshi­ma and Nagasa­ki, Rus­sell said yes.

It’s a weird scene. The eager young grad­u­ate, played by Rajen­dra Kumar, is grant­ed an audi­ence with the famous philoso­pher, who gives him his bless­ing and offers a few words of wis­dom. Sad­ly, much of what Rus­sell has to say is drowned out by the Hin­di-lan­guage nar­ra­tion. But the clip above offers an intrigu­ing glimpse of Rus­sell at his home in Lon­don only three years before his death. Its appear­ance on the Inter­net has caused con­sid­er­able amuse­ment. One observ­er not­ed that, as an actor, Rus­sell has only three degrees of sep­a­ra­tion from Kevin Bacon. Truth real­ly is stranger than fic­tion.

Relat­ed con­tent:

Face to Face with Bertrand Rus­sell: Love is Wise, Hatred is Fool­ish

Three Pas­sions of Bertrand Rus­sell (and a Col­lec­tion of Free Texts)

Bertrand Rus­sell & Oth­er Big Thinkers in BBC Lec­ture Series (Free)

Stanford Makes Open Source Platform, Class2Go, Available to All; Launches MOOC on Platform Today

Are you on the hunt for a free, open source plat­form that will let you deliv­er free online cours­es? We’ve already told you about one option: Google Course Builder. Now here’s anoth­er: Stan­ford’s Class2Go. The plat­form is open, mean­ing that you can grab the code base for free and run it on your very own serv­er. Class2Go is also portable, giv­ing schools the abil­i­ty to move doc­u­ments and media to oth­er plat­forms if they so choose. The Stan­ford plat­form is inter­op­er­a­ble in the sense that it builds on exist­ing soft­ware (MySQL, Github, Piaz­za, MySQL, Python Djan­go, etc.). And, unlike some oth­er plat­forms, Class2Go gives edu­ca­tors imme­di­ate access to valu­able data, allow­ing them to make refine­ments to the edu­ca­tion­al expe­ri­ence.

Although still under devel­op­ment, Class2Go is ready for action. In the fall, Stan­ford offered two MOOCs through Class2Go (Com­put­er Net­work­ing and Solar Cells, Fuel Cells, & Bat­ter­ies). And it has a new MOOC get­ting start­ed today: Intro­duc­tion to Data­bas­es taught by Jen­nifer Widom, the Chair of Stan­ford’s famed Com­put­er Sci­ence depart­ment. (Watch her intro above.) You can take the course for free and learn all about data­base devel­op­ment. Or you can use it as an oppor­tu­ni­ty to see Class2Go up close.

In the com­ing months, Class2Go will be deployed at the Uni­ver­si­ty of West­ern Aus­tralia. If you’re tempt­ed to do the same at your own uni­ver­si­ty, you can get the Class2Go code here.

Relat­ed Con­tent:

A Com­plete list of MOOCs and Cer­tifi­cate Cours­es from Lead­ing Uni­ver­si­ties

650 Free Online Cours­es from Top Uni­ver­si­ties (a huge trove of video/audio lec­tures)

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The Many Ways to Mars: A Reality Show, a New Martian City, and Mapping Mars from Home

Real­i­ty tele­vi­sion has been around since at least the late ’40s. First we had Can­did Cam­era, where hap­less, but real, peo­ple became the unwit­ting butt of Allen Funt’s jokes. But it wasn’t until fifty years lat­er that the genre explod­ed, bring­ing us Big Broth­er and, of course, Sur­vivor.

Now, make way for the unbe­liev­able and ultra-expen­sive mar­riage of real­i­ty tele­vi­sion and sci­ence fic­tion. Mars One, the brain­child of Dutch entre­pre­neur Bas Lans­dorp, plans to estab­lish a per­ma­nent human set­tle­ment on the red plan­et in 2023. First, four peo­ple would land on Mars. Every two years, anoth­er group of peo­ple would arrive. The trips would be one-way and all the set­tlers would live out the rest of their lives on Mars. Fund­ing for the first phase is esti­mat­ed at $6 bil­lion.

Mars One back­ers say rais­ing $6 bil­lion will be easy. Every four years the Sum­mer and Win­ter Olympics gen­er­ate mil­lions of dol­lars in rev­enue because peo­ple all over the world want to watch. The Olympics held in 2005 and 2008 togeth­er made near­ly $5.5 bil­lion from pro­gram­ming and spon­sor­ship.

So, what if there were an event so fas­ci­nat­ing, so unprece­dent­ed and amaz­ing, that lit­er­al­ly every tele­vi­sion, com­put­er, and smart device would be tuned in to watch? What if the entire Mars mis­sion was an inter­na­tion­al real­i­ty tele­vi­sion show? That’s the plan. Every­thing from the selec­tion of the first group of astro­nauts to the launch, land­ing, and dai­ly life on the red plan­et would be tele­vised. The audi­ence even gets to vote on the final four space trav­el­ers.

Inter­est­ed? Mars One has issued its require­ments for astro­naut selec­tion. No mil­i­tary, flight, or sci­ence expe­ri­ence required. Appli­cants must be at least 18, in good men­tal and phys­i­cal health, and will­ing to devote eight years to train­ing before begin­ning the jour­ney to their new home plan­et. Find­ing this hard to believe? The first ques­tion in Mars One’s FAQ page sort of says it all. Is this for real? Yes, the plans are for real. Whether any or every­thing Mars One imag­ines actu­al­ly takes place is anybody’s guess.

What’s cer­tain is that Mars is a hot des­ti­na­tion at the moment, and not just for aspir­ing real­i­ty stars. SpaceX fun­der and bil­lion­aire Elon Musk wants to build a city for 80,000 on Mars. While accept­ing an award from the Roy­al Aero­nau­ti­cal Soci­ety, Musk out­lined his vision to charge $500,000 per per­son to trans­port peo­ple to the new Mar­t­ian city. He’s men­tioned want­i­ng to retire on Mars and is using SpaceX as a lab to devel­op new inter­plan­e­tary rock­et tech­nol­o­gy.

But you don’t need to be rich or pop­u­lar to see some of the red plan­et. There’s also plen­ty of explor­ing to do on the sur­face of Mars from home. Cit­i­zen sci­en­tists can help Plan­et Four iden­ti­fy fans and blotch­es in images of the Mar­t­ian sur­face. The pic­tures come from a cam­era aboard the Mars Recon­nais­sance Orbiter, a NASA mis­sion to orbit Mars and trans­mit images and data to Earth using a pow­er­ful radio fre­quen­cy called the “Ka-band,” which works like an inter­plan­e­tary Inter­net.

Using sim­ple mark­ing tools, users can mark the sur­face col­orations and spots that help sci­en­tists study changes in the planet’s weath­er. So-called “spi­ders” of dry ice form on the planet’s poles in the win­ter and then lead to fan-shaped mois­ture foot­prints.

It’s fun to imag­ine that the data you cre­ate could bring us clos­er to our dis­tant neigh­bor plan­et. Unless of course you’d rather suit up and start train­ing to go there your­self. In that case, good luck and start sav­ing.

Kate Rix writes about dig­i­tal tech­nol­o­gy and edu­ca­tion. Read more of her work at .

Watch Raymond Chandler’s Long-Unnoticed Cameo in Double Indemnity

Philip Mar­lowe’s cre­ator Ray­mond Chan­dler did not, to put it mild­ly, seek out the lime­light. Any biog­ra­phy of that most assid­u­ous­ly stud­ied noir nov­el­ist can tell you so, but none can tell you that, albeit for less than a minute, Chan­dler appeared in a clas­sic of the sil­ver screen. The books have a good excuse for leav­ing out that strik­ing­ly unchar­ac­ter­is­tic detail: it took cinephiles decades to notices the cameo. “More than 60 years after its release, a French cin­e­ma his­to­ri­an and two US crime-writ­ers almost simul­ta­ne­ous­ly hap­pened on the same bizarre dis­cov­ery — that Ray­mond Chan­dler, uncred­it­ed and pre­vi­ous­ly unno­ticed, has a tiny cameo in Dou­ble Indem­ni­ty,” writes the Guardian’s Adri­an Woot­ton. “On 14 Jan­u­ary, the Amer­i­can mys­tery writer Mark Cog­gins, tipped off by anoth­er writer, John Bill­heimer, post­ed the news on his web­site, Rior­dan’s desk, while the French jour­nal­ist Olivi­er Eyquem, wrote about on his blog on March 30.”

While I per­son­al­ly rec­om­mend using this rev­e­la­tion as an excuse to watch Bil­ly Wilder’s immor­tal James M. Cain adap­ta­tion again in its entire­ty, you can view a clip of Chan­dler’s brief appear­ance in it above, which includes a slow-motion instant replay. “We will prob­a­bly nev­er know whose idea it was it to put Chan­dler in front of the cam­era, or if it took a few drinks to get him in the mood,” writes the Los Ange­les Times’ Car­olyn Kel­logg about this rare cin­e­mat­ic glimpse of the writer who did so much to earn Los Ange­les its place on the pulp-lit map. “And no one has suc­cess­ful­ly deci­phered the cov­er of what he’s read­ing, which would be nice to know too.” Alas, from this footage of lit­tle more than a seat­ed Chan­dler look­ing up from a book, we can expect to derive no seri­ous insights into his life or work; for those, we’ll need to go right back to the biogra­phies.

Relat­ed Con­tent:

Ray­mond Chan­dler & Ian Flem­ing in Con­ver­sa­tion (1958)

Ray­mond Chan­dler: There’s No Art of the Screen­play in Hol­ly­wood

The Adven­tures of Philip Mar­lowe: The Radio Episodes

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

The ABC of Architects: An Animated Flipbook of Famous Architects and Their Best-Known Buildings

As a new-ish par­ent, I’ve been inun­dat­ed with alpha­bet books from well-mean­ing friends and fam­i­ly, and I am most grate­ful for them all. But I’m espe­cial­ly glad for a set that uses images from the Met­ro­pol­i­tan Muse­um of Art to illus­trate each let­ter. My daugh­ter gets lost in the paint­ings, prints, etch­ings, etc., and you know what? So do I. It’s that rare meet­ing of adult high art and kid for­mat­ting that keeps us both engaged.

The above video, while not strict­ly for chil­dren, could cer­tain­ly work as well. A con­cept of the Argen­tine group Ombu Archi­tec­ture and graph­ic design­er Fed­eri­co Gon­za­lez, “The ABC of Archi­tects” is a vin­tage flip­book trib­ute to the last 100 years or so in inter­na­tion­al archi­tec­ture, set to a jaun­ty, gold­en-age-of-radio score by Eugene C. Rose and George Ruble (which you can down­load for free here).

With the kind of quaint globe-hop­ping (but with­out the passé racism) of a Tintin com­ic, “The ABC of Archi­tects” skips through its list of twen­ty-six revered names from almost as many countries–from Fin­ish Alvar Aal­to to Iraqi-British Zaha Hadid. There are many names I don’t know and many famil­iar favorites. I can imag­ine this appeal­ing to preschool­ers or seri­ous stu­dents, and for some of the same rea­sons. While the cre­ators express grief at hav­ing to leave out so many artists, “The ABC of Archi­tects” is noth­ing less than joy­ous and inspir­ing.

via Dooby­Brain

h/t Jim­my Askew

Relat­ed Con­tent

The His­to­ry of West­ern Archi­tec­ture: From Ancient Greece to Roco­co (A Free Online Course)

Ice Cube & Charles Eames Rev­el in L.A. Archi­tec­ture

Archi­tec­ture in Motion

Josh Jones is a writer, musi­cian, and muse­um-hop­ping father.

‘Boom Boom’ and ‘Hobo Blues’: Great Performances by John Lee Hooker

Like mil­lions of African Amer­i­cans in the ear­ly 20th cen­tu­ry, the blues­man John Lee Hook­er made the Great Migra­tion from the rur­al South to the urban North. Trav­el­ing a cir­cuitous route from his native Clarks­dale, Mis­sis­sip­pi, Hook­er set­tled in 1943 in Detroit, Michi­gan, where he worked at a car fac­to­ry by day and played in the blues clubs by night. In 1948 his first sin­gle, “Boo­gie Chillen,’ ” rose to num­ber one on the rhythm and blues charts and intro­duced Hook­er’s unique style of elec­tric blues, which sound­ed clos­er to the Mis­sis­sip­pi Delta than Chica­go. It was a style that would have an enor­mous impact on rock and roll. Hook­er’s dri­ving, one-chord boo­gie rhythms can be heard in the music of the Rolling Stones, ZZ Top, George  Thoro­good and count­less oth­ers. Today we bring you two of our favorite videos of Hook­er. Above is a per­for­mance, cir­ca 1970, of Hook’s clas­sic 1961 sin­gle, “Boom Boom.” Below is a 1965 per­for­mance from the Amer­i­can Folk Blues Fes­ti­val of his sec­ond, less­er-known sin­gle from 1948, “Hobo Blues.”

Relat­ed con­tent:

Mar­tin Scors­ese Presents The Blues

Mud­dy Waters and Friends on the Blues and Gospel Train, 1964

Lead Bel­ly: The Only Known Footage of the Great Blues­man, 1935 and 1945

Keith Moon’s Final Performance with The Who (1978)

Last sum­mer, we revis­it­ed a mem­o­rable moment from the annals of rock ’ n’ roll — the time when Kei­th Moon, fly­ing high on PCP, passed out at a 1973 Who con­cert in Cal­i­for­nia, giv­ing an unsus­pect­ing fan, Scot Halpin, the chance to take over on the drums. (Watch it all hap­pen here.) It was a glo­ri­ous moment for Scott. For Kei­th, it was the mid­dle of the end — anoth­er exam­ple of the out­ra­geous sub­stance abuse that would kill him five years lat­er.

Fast for­ward to 1978, and we arrive at Kei­th Moon’s final live per­for­mance with The Who. It took place when the band shot live footage for the rock­u­men­tary, The Kids Are Alright. In his recent­ly-pub­lished biog­ra­phy, Who Am I?, Pete Town­shend writes that, by 1978, Moon’s addic­tions had caught up to him. His “drum­ming was get­ting so uneven that record­ing was almost impos­si­ble, so much so that work on the Who Are You album had ground to a halt.… [The Who] had just about enough tracks for a record, with very lit­tle addi­tion­al mate­r­i­al to spare. ‘Music Must Change’ was com­plet­ed with foot­steps replac­ing drums.” When it came time to shoot live footage for The Kids Are Alright, Town­shend “was ter­ri­fied that Kei­th would­n’t be able to hide his dete­ri­o­rat­ing con­di­tion,” but agreed to give it a try.

The ini­tial shoot was appalling. The band was out of prac­tice, and Kei­th could­n’t keep up. So they tried a sec­ond shoot, filmed at Shep­per­ton Stu­dios on May 25, 1978, where they played a lim­it­ed num­ber of hit songs before a small audi­ence. (Watch above and below.) “Kei­th was in a good mood but bloat­ed and unfit,” writes Town­shend, “and he found the repeat­ed takes weary­ing.” Because Moon’s ear­phones kept falling off, they taped them to his head with thick black gaffers’ tape. In the months that fol­lowed, Moon head­ed to Mal­ibu, Cal­i­for­nia where he tried to kick his alco­hol habit and then start­ed abus­ing med­ica­tions to relieve the with­draw­al symp­toms. On Sep­tem­ber 6, Moon took 32 tablets of clome­thi­a­zole, a seda­tive meant to help him cope with the with­draw­al. The next morn­ing Roger Dal­trey, The Who’s lead singer, called Pete Town­shend and sim­ply said “He’s done it.”

For more on this sto­ry, check out the audio ver­sion of Pete Town­shend’s auto­bi­og­ra­phy Who Am I?. It’s read by Town­shend him­self, which gives it a nice per­son­al touch. And you can down­load it for free if you sign up for a 30-day free tri­al with Audible.com. Find the details here. Final­ly you can also watch Town­shend dis­cussing his book and music career in a 90-minute con­ver­sa­tion with Paul Hold­en­graber here.


via Rolling Stone

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Hunter S. Thompson Mocks the Living in a New Short Animation

Dr. Hunter S. Thomp­son is back from the grave to mock the liv­ing in a Gonzo ani­ma­tion by Piotr Kabat. The inspi­ra­tion here is one of Thomp­son’s oft-repeat­ed quotes:

THE EDGE, there is no hon­est way to explain it because the only peo­ple who real­ly know where it is are the ones who have gone over.

Kabat chan­nels the spir­it of the orig­i­nal with an impres­sion­is­tic two-minute run from the Gold­en Gate Park down to San­ta Cruz, no hel­met required. Whether or not this sounds cool to you is like­ly to hinge on expe­ri­ence. Per­haps you went to high school with some­one who did­n’t live to cel­e­brate the wind-burned eye­ball sen­sa­tion of push­ing it to 100…

The Edge more than deliv­ers as a surf-rock-and-testos­terone-fueled lit romp, but still, it might’ve been inter­est­ing had Kabat pushed into unchart­ed ter­ri­to­ry. Per­haps have Thomp­son lose con­trol of his bike around the 80 mark, skid­ding hideous­ly on his bald head for how­ev­er many feet it’d take to turn the greyscale red, and roll cred­its on that.

Relat­ed Con­tent:

Hunter S. Thomp­son Inter­views Kei­th Richards, and Very Lit­tle Makes Sense

John­ny Depp Reads Let­ters from Hunter S. Thomp­son (NSFW)

Hunter S. Thomp­son Calls Tech Sup­port, Unleash­es a Tirade Full of Fear and Loathing (NSFW)

- Ayun Hal­l­i­day saw Hunter S. Thomp­son rant­i­ng like a were­wolf loony on a pri­vate uni­ver­si­ty stage. Fol­low her @AyunHalliday

 

 

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