Opera used to be a central part of European pop culture, Pavarotti was as big a pop star as they come. But still, it’s now the quintessential art-form of the wealthy and snobbish. What gives?
Guest Sean Spyres from Springfield Regional Opera joins his sister Erica along with Mark and Brian to discuss opera’s place in culture (including its film appearances), how it’s different from music theater, the challenges it faces and how it might become more relevant.
- “Expecting Rain: Opera as Popular Culture” by John Storey
- “14 Artists Who Are Transforming The Future Of Opera” by Priscilla Frank
- “As Hip as Elvis: Caruso the Pop Idol” by John Potter
- “Emotions Unveiled: Romance at the Opera in Moonstruck (1987), Pretty Woman (1990) and Little Women (1994)” by Kordula Knaus
Watch the Shawshank Redemption opera scene or perhaps the Pretty Woman scene. What Is pop opera? Here’s Ranker’s list of artists. Paul Potts sings that famous song on Britain’s Got Talent. Plus, check out albums from brother Michael Spyres. Yes, you can hear an opera-singer sing “Take Me Out to the Ballgame,” but you probably shouldn’t.
This episode includes bonus discussion that you can only hear by supporting the podcast at patreon.com/prettymuchpop. This podcast is part of the Partially Examined Life podcast network.
Pretty Much Pop is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts or start with the first episode.
Nice! I’ve seen Michael Spyres perform several times for the Springfield Regional Opera in Missouri, which is his home state. Quality stuff.
The Metropolitan Opera does live broadcasts in select theaters, but a ticket’s more than double a regular movie ticket. Boo. There used to be student pricing, but that’s gone away with. So it sort of seems that the means are closer in terms of getting back into pop culture, but the will is not quite there yet.