Discover the Ancient Roman Shorthand Writing System with 4,000 Symbols Commissioned by Cicero

You can still type a sym­bol orig­i­nal­ly invent­ed for Cicero near­ly 21 cen­turies ago — at least if you con­fig­ure your key­board prop­er­ly.  The char­ac­ter ⁊ appears in Uni­code as U+204A, but is bet­ter known as the “Tiron­ian et”: the “et” is Latin for “and,” and the “Tiron­ian” comes from its cre­ator, a man named Tiro, or in full, Mar­cus Tul­lius Tiro. Tiro was­n’t a rel­a­tive of Mar­cus Tul­lius Cicero, as you might expect, but rather his one­time slave: after being eman­ci­pat­ed, he not only took on two of his for­mer mas­ter’s names, but also remained his sec­re­tary and con­fi­dant. It was in that capac­i­ty that, at Cicero’s request, he cre­at­ed the sys­tem since known as Tiron­ian notes.

Though now cred­it­ed as “the father of stenog­ra­phy,” Tiro did­n’t invent short­hand itself. Like so many devel­op­ments in ancient Roman civ­i­liza­tion, Hel­lenic inspi­ra­tion was involved: no soon­er did Cicero learn of the exis­tence of Greek short­hand sys­tems, so the sto­ry goes, than he asked Tiro to come up with one for Latin. It’s pos­si­ble that he did so as ear­ly as 75 BC, when Cicero was assigned to Sici­ly and need­ed to encode his com­mu­ni­ca­tions, espe­cial­ly those hav­ing to do with the cor­rup­tion of local offi­cials. Back in Rome, it became use­ful indeed for rapid­ly tran­scrib­ing onto wax-cov­ered tablets what the great ora­tor had to say, in sit­u­a­tions rang­ing from every­day deal­ings in the Forum to — as record­ed by Plutarch — denounc­ing Cati­line’s con­spir­a­cy to over­throw the Roman Repub­lic.

Tiro cre­at­ed about 4,000 sym­bols to stand in for syl­la­bles, words, and oth­er ele­ments of lan­guage, and oth­er of the sys­tem’s users, includ­ing Seneca, lat­er brought the num­ber up to 5,000. But “as Rome declined, so did short­hand,” writes Ani­ta Kre­itz­man at the Nation­al Court Reporters Asso­ci­a­tion. “The Emper­or Jus­tin­ian, in the sixth cen­tu­ry, con­temp­tu­ous­ly for­bade its use.” Yet Tiron­ian notes sur­vived, espe­cial­ly among the anno­ta­tors of man­u­scripts, expand­ing and merg­ing with oth­er sys­tems to con­tain 14,000 signs dur­ing the Car­olin­gian dynasty. Alas, “Holy Roman Emper­or Fred­er­ick II (1212–1250) con­sid­ered the use of short­hand sym­bols ‘dia­bol­i­cal’ and ‘ordered the destruc­tion of all short­hand char­ac­ters.’ As a result, short­hand quick­ly became a lost art.”

There­upon came the Dark Ages in which “learn­ing and short­hand seemed to no longer exist.” Leave it to court reporters to equate abbre­vi­a­tion with civ­i­liza­tion. Yet the asso­ci­a­tion is hard­ly spu­ri­ous, and can’t be acci­den­tal that its revival began in late six­teenth-cen­tu­ry Lon­don, when the world’s trans­for­ma­tion over the sub­se­quent cen­turies was get­ting into motion. Many short­hand sys­tems have risen and fall­en since, and the dig­i­tal tech­nolo­gies of recent decades have made the whole prac­tice super­flu­ous for most of us here in the twen­ty-first cen­tu­ry. Yet we can still have ⁊, thanks to inad­ver­tent preser­va­tion by the medieval Irish script and Gael­ic type that use it as an amper­sand. It may not have the same func­tion in Eng­lish, or even the Romance lan­guages, but typ­ing no oth­er sym­bol could make us feel quite so Ciceron­ian.

Relat­ed con­tent:

The Code of Charles Dick­ens’ Short­hand Has Been Cracked by Com­put­er Pro­gram­mers, Solv­ing a 160-Year-Old Mys­tery

Alice in Won­der­land, Ham­let, and A Christ­mas Car­ol Writ­ten in Short­hand (Cir­ca 1919)

Behold the Micro­scop­i­cal­ly Tiny Hand­writ­ing of Nov­el­ist Robert Walser, Which Took Four Decades to Deci­pher

The Sto­ry of Lorem Ipsum: How Scram­bled Text by Cicero Became Used by Type­set­ters Every­where

What Ancient Latin Sound­ed Like, And How We Know It

The Writ­ing Sys­tems of the World Explained, from the Latin Alpha­bet to the Abugi­das of India

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. He’s the author of the newslet­ter Books on Cities as well as the books 한국 요약 금지 (No Sum­ma­riz­ing Korea) and Kore­an Newtro. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.


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