Archive of Handwritten Recipes (1600 — 1960) Will Teach You How to Stew a Calf’s Head and More

If you’ve ever tried to fol­low a recipe from your grandmother’s col­lec­tion, squint­ing at her spi­dery writ­ing on a stained 3x5 card, you might be a can­di­date for the Uni­ver­si­ty of Iowa Libraries’ lat­est DIY His­to­ry project.

The University’s spe­cial col­lec­tions man­ages the Sza­th­mary Culi­nary Man­u­s­cipts and Cook­books, a hand­writ­ten col­lec­tion of Amer­i­can and Euro­pean recipes from the 1600s to the 1960s.

Help­ful food­ies, his­to­ry buffs and hand­writ­ing sleuths are invit­ed to par­tic­i­pate in UI’s crowd­sourc­ing his­to­ry project by tran­scrib­ing dig­i­tized images of recipes.

It’s not the first time the uni­ver­si­ty has out­sourced a por­tion of its archival hand­work. Last year the Civ­il War Diaries and Let­ters Tran­scrip­tion Project was pow­ered by vol­un­teers, who tran­scribed more than 15,000 pages of mate­r­i­al. All you need to do is select a page from with­in the col­lec­tion and get start­ed. So far more than 17,000 pages have been tran­scribed and vol­un­teers chat and post ques­tions on a dis­cus­sion forum.

An exam­ple of the his­tor­i­cal nuggets uncov­ered while tran­scrib­ing: a pos­net is an 18th cen­tu­ry term for a small met­al pot, a spi­der is a skil­let, and to scearce is to sift. Of course no cook­book his­to­ri­an has com­plet­ed their task until they have actu­al­ly tried the recipes them­selves. This could be inter­est­ing for the lucky tran­scriber of a recipe from Abi­gail Welling­ton Townsend’s cook­book, cir­ca 1840:

To stew a calf­shead, let the calf­shead be split and open and cleaned put it in the stew pan with water to cov­er it stew it quite ten­der take it and cut it to pieces put them on again in the stew pan with the water it was first boiled in  put with it six large onions half a pint of claret a lit­tle catch up a lit­tle mace & pep­per & salt to your taste when it is stewed ten­der thick­en the gravy with yolks of six eggs boiled hard & braid in a lit­tle of the gravy put in six yolks of eggs boiled hard & fry’d forced meat.

Kate Rix writes about dig­i­tal media and edu­ca­tion. Find more of her work at  and thenifty.blogspot.com.

Isaac Asimov Explains His Three Laws of Robots

A hand­ful of futur­ists, philoso­phers, and technophiles believe we are approach­ing what they call the “sin­gu­lar­i­ty”: a point in time when smart machines became much smarter, stronger, and faster than their cre­ators, and then become self-con­scious. If there’s any chance of this occur­ring, it’s worth­while to pon­der the con­se­quences. But we do already, all the time—in exis­ten­tial­ly bleak sce­nar­ios like Blade Run­ner, the Ter­mi­na­tor series, the reboot­ed Bat­tlestar Galac­ti­ca (and its failed pre­quel Capri­ca).

The prospects are nev­er pleas­ant. Robot­ic engi­neers in these worlds hard­ly seem to both­er teach­ing their machines the kind of moral code that would keep them from turn­ing and destroy­ing us (that is, when they aren’t explic­it­ly designed to do so).

I won­der about this con­cep­tu­al gap—convenient as it may be in nar­ra­tive terms—given that Isaac Asi­mov, one of the fore­fa­thers of robot fic­tion invent­ed just such a moral code. In the video above, he out­lines it (with his odd pro­nun­ci­a­tion of “robot”). The code con­sists of three laws; in his fic­tion these are hard­wired into each robot’s “positron­ic brain,” a fic­tion­al com­put­er that gives robots some­thing of a human-like con­scious­ness.

First Law: A robot may not injure a human being, or, through inac­tion, allow a human being to come to harm.
Sec­ond Law: A robot must obey the orders giv­en it by human beings except where such orders would con­flict with the First Law.
Third Law: A robot must pro­tect its own exis­tence as long as such pro­tec­tion does not con­flict with the First or Sec­ond Law.

Isaac Asi­mov devot­ed a good deal of his writ­ing career to the sub­ject of robots, so it’s safe to say, he’d done quite bit of think­ing about how they would fit into the worlds he invent­ed. In doing so, Asi­mov had to solve the prob­lem of how robots would inter­act with humans once they had some degree of free will. But are his three laws suf­fi­cient? Many of Asimov’s sto­ries–I, Robot, for example–turn on some fail­ure or con­fu­sion between them. And even for their chase scenes, explo­sions, and melo­dra­ma, the three screen explo­rations of arti­fi­cial life men­tioned above thought­ful­ly exploit philo­soph­i­cal ambi­gu­i­ties and insuf­fi­cien­cies in Asimov’s sim­ple sys­tem.

For one thing, while Asimov’s robots were hunks of met­al, tak­ing only vague­ly humanoid form, the robots of our cur­rent imag­in­ings emerge from an uncan­ny val­ley with real­is­tic skin and hair or even a genet­ic code and cir­cu­la­to­ry sys­tem. They are pos­si­ble sex­u­al part­ners, friends and lovers, co-work­ers and supe­ri­ors. They can deceive us as to their nature (a fourth law by Bul­gar­i­an nov­el­ist Lyuben Dilov states that a robot “must estab­lish its iden­ti­ty as a robot in all cas­es”); they can con­ceive chil­dren or desires their cre­ators nev­er intend­ed. These dif­fer­ences beg impor­tant ques­tions: how eth­i­cal are these laws? How fea­si­ble? When the sin­gu­lar­i­ty occurs, will Skynet become aware of itself and destroy us?

Unlike Asi­mov, we now live in a time where the ques­tions have direct applic­a­bil­i­ty to robots liv­ing among us, out­side the pages of sci-fi. As Japan­ese and South Kore­an roboti­cists have found, the three laws can­not address what they call “open tex­ture risk”— unpre­dictable inter­ac­tions in unstruc­tured envi­ron­ments. Humans rely on nuanced and often pre­con­scious read­ings of com­plex social codes and the fine shades of mean­ing embed­ded in nat­ur­al lan­guage; machines have no such sub­tle­ty… yet. Whether or not they can devel­op it is an open ques­tion, mak­ing humanoid robots with arti­fi­cial intel­li­gence an “open tex­ture risk.” But as you can see from the video below, we’re per­haps much clos­er to Blade Run­ner or AI than to the clunky, inter­stel­lar min­ing machines in Asi­mov’s fic­tion.

Josh Jones is a doc­tor­al can­di­date in Eng­lish at Ford­ham Uni­ver­si­ty and a co-founder and for­mer man­ag­ing edi­tor of Guer­ni­ca / A Mag­a­zine of Arts and Pol­i­tics.

Stephen King Turns Short Story into a Free Webcomic

Pri­or to becom­ing a house­hold name, Stephen King did time as a high school Eng­lish teacher and a labor­er in an indus­tri­al laun­dry. These days, he could insu­late his love­ly Vic­to­ri­an home with crisp hun­dreds if such were his whim. Yet it seems he has­n’t for­got­ten what it’s like to watch every pen­ny, wish­ing there was enough fat in the bud­get for the pur­chase of one measly com­ic book based on an insane­ly famous author’s obscure short sto­ry…

Are gen­eros­i­ty and the remem­brance of past strug­gles moti­vat­ing King to dole out artist Den­nis “X‑Men Noir” Calero’s graph­ic adap­ta­tion of his short sto­ry, â€śThe Lit­tle Green God of Agony,”  for the next sev­en weeks?

Or is he research­ing what it feels like to be an undis­cov­ered writer in the dig­i­tal age, anx­ious­ly dan­gling free con­tent on his web­site in an attempt to build read­er­ship?

Bro­ken into thrice week­ly install­ments to be deliv­ered over a peri­od of eight weeks, King’s sto­ry con­cerns one Andrew New­some, the sixth rich­est man in the world, and Kat Mac­Don­ald, the expo­nen­tial­ly less well-to-do RN car­ing for him in the wake of a debil­i­tat­ing acci­dent, anoth­er sub­ject to which King is no stranger. As of this writ­ing, the com­ic is only avail­able on the author’s web­site, though the King jug­ger­naut is so unstop­pable, the next move may well be a film, a tv minis­eries or a Broad­way musi­cal. Maine win­ters are long and cold. Per­haps even the mas­ter of sus­pense warms to the prospect of some extra insu­la­tion.

You can start fol­low­ing the â€śThe Lit­tle Green God of Agony” here.

via Gal­l­ey­Cat

Ray Bradbury Appears with Groucho Marx on You Bet Your Life (1955)

In 1955, Ray Brad­bury paid a vis­it to Grou­cho Marx’s icon­ic game show You Bet Your Life. Brad­bury, then 35 years old, had already pub­lished some of his now clas­sic works. But appar­ent­ly Fahren­heit 451 and The Mar­t­ian Chron­i­cles had­n’t made their way onto Grou­cho’s read­ing list. When Marx asked Brad­bury what he did for a liv­ing, Brad­bury had to clar­i­fy things. “I’m a writer. W‑r-i-t-e‑r.” Not a “rid­er” of motor­cy­cles or ponies. Per­haps it was a seri­ous exchange. Per­haps it was all part of a script­ed joke. Either way, it’s a great clip from the increas­ing­ly dis­tant past. You can watch the com­plete episode here.

For more Brad­bury clas­sic, spend time with:

Ray Brad­bury Gives 12 Pieces of Writ­ing Advice to Young Authors (2001)

Ray Brad­bury: Lit­er­a­ture is the Safe­ty Valve of Civ­i­liza­tion

Ray Brad­bury Reads Mov­ing Poem on the Eve of NASA’s 1971 Mars Mis­sion

via i09

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Download 397 Free Art Catalogs from The Metropolitan Museum of Art

Ear­li­er this year, the Guggen­heim Muse­um put online 65 mod­ern art books, giv­ing you free access to books intro­duc­ing the work of Alexan­der CalderEdvard MunchFran­cis BaconGus­tav Klimt & Egon Schiele, and Kandin­sky. Now, just a few short months lat­er, the Met­ro­pol­i­tan Muse­um of Art has launched Met­Pub­li­ca­tions, a por­tal that will “even­tu­al­ly offer access to near­ly all books, Bul­letins, and Jour­nals” pub­lished by the Met since 1870.

Of the many resources you can explore, here’s one obvi­ous high­light: Met­Pub­li­ca­tions now makes avail­able 397 out-of-print titles, includ­ing lots of infor­ma­tive and visu­al­ly-packed art cat­a­logs from the muse­um’s past exhi­bi­tions. You can read the books online or down­load them in PDF for­mat (although I should warn you that the PDF down­loads take some time, so be patient). When you rum­mage around, you’ll come across works like these and more:

Relat­ed Con­tent:

MoMA Puts Pol­lock, Rothko & de Koon­ing on Your iPad

Google “Art Project” Brings Great Paint­ings & Muse­ums to You

The His­to­ry of West­ern Archi­tec­ture: From Ancient Greece to Roco­co (A Free Online Course)

Down­load 375 Free eBooks

 

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The Enduring Analog Underworld of Gramercy Typewriter

Are type­writ­ers going the way of vinyl?

Note to those cave dwellers who’ve yet to suc­cumb to Mad Men mania, it’s not that same route so trav­eled by the dodo. For a while it looked like the world’s sup­ply of Under­woods and Olivet­tis was being req­ui­si­tioned for hip­ster jew­el­ry, but their recent come­back is root­ed in their intend­ed pur­pose. These days, they’re near fetish objects for roman­tic young writ­ers con­ceived in the shad­ow of the Mac Clas­sic.

Mean­while, the likes of Cor­mac McCarthy and David McCul­lough, author of 1776, have yet to turn their backs on their beloved, quite like­ly lucky ana­log imple­ments.

All due respect to the young Turks seek­ing to dig­i­tize the dinosaur, but the real hero of the type­writer’s post mil­len­ni­al sur­vival is Paul Schweitzer, the ink fin­gered med­i­cine man at the helm of Gramer­cy Type­writer. His once-robust com­pe­ti­tion con­signed to the ash heap, Schweitzer has both the stub­born­ness and exper­tise to tough it out, in an ana­log lair that’s the antithe­sis of sleek.

No one will fault you if your heart lies with your var­i­ous screens. But let’s not for­get where you came from.

Relat­ed Con­tent: 

Mak­ing Paper in L.A., Pianos in Paris: Old Crafts­men Hang­ing on in a Chang­ing World

- Ayun Hal­l­i­day is the author of a half dozen some books includ­ing the decid­ed­ly ana­log Zinester’s Guide to NYC.

Cartoonist Kate Beaton Plays on Literary Classics — The Great Gatsby, Julius Caesar & More

Lis­ten, Old Sport, as far as that Leonar­do DiCaprio Gats­by movie goes, I haven’t seen it. But I’ll bet a swim­ming pool of gin it’s nowhere near as  fun­ny as car­toon­ist Kate Beat­on’s 3‑panel takes on F. Scott Fitzger­ald’s clas­sic nov­el.

Of course, F. Scot­t’s orig­i­nal was­n’t exact­ly what one would call a knee slap­per — where­as Beat­on’s com­ic col­lec­tion, Hark! A Vagrant, mer­its a per­ma­nent spot in one’s bath­room library. Beat­on’s take on The Great Gats­by is by no means a lit­er­al adap­ta­tion, but her mean-faced, ven­om-tongued cre­ations get it spir­i­tu­al­ly right. They also do a num­ber on Bronte, Jane Austen, Niet­zsche and Shake­speare’s Julius Cae­sar, to name but a few of the author’s oth­er lit­er­ary tar­gets. (See her archive here.) Not bad for a Cana­di­an with degrees in His­to­ry and Anthro­pol­o­gy. Is it wrong to think Zel­da would approve?

At any rate, it’s high time some­one blew the lid off of what’s behind the eyes of Dr. T.J. Eck­el­berg. Grat­i­fy­ing, too, to see Tom and Daisy’s child get­ting some long past due con­sid­er­a­tion. Now that I think about it, our com­pul­sion to keep beat­ing on boats against the cur­rent is kind of fun­ny. Top draw­er stuff, Old Sport, top draw­er stuff.

Find works by F. Scott Fitzger­ald in our col­lec­tions of Free Audio Books and Free eBooks.

Relat­ed Con­tent:

Phi­los­o­phy Made Fun: Read the Free Pre­view Edi­tion of the Action Philoso­phers! Com­ic

- Ayun Hal­l­i­day is the author of a half dozen some books includ­ing No Touch Mon­key! And Oth­er Trav­el Lessons Learned Too Late.

Philosophy Made Fun: Read the Free Preview Edition of the Action Philosophers! Comic

“Imag­ine Pla­to as a wrestling super­star of ancient Greece, Niet­zsche as the orig­i­nal uber­men­sch, and Bohid­har­ma as the grand mas­ter of kung fu. These are not just great thinkers they also make great comics. Action Philoso­phers! details the lives and thoughts of his­to­ry’s A‑list brain trust in hip and humor­ous com­ic book fash­ion. ”

That’s how the Action Philoso­phers! com­ic book was pitched when its cre­ators, Fred Van Lente and Ryan Dunlavey, pub­lished it in 2009. The com­ic book is still in print, and you can read the fun pre­view edi­tion online. It starts, of course, with the Pre-Socrat­ics — Thales, Anax­i­man­der, Par­menides, and the gang. Enjoy.

Bonus — Read more Action Philoso­phers! online:

via Boing­Bo­ing

Relat­ed Con­tent:

55 Free Phi­los­o­phy Cours­es

Mon­ty Python’s Best Phi­los­o­phy Sketch­es

Ancient Greek Pun­ish­ments: The Retro Video Game

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