Stephen King Turns Short Story into a Free Webcomic

Pri­or to becom­ing a house­hold name, Stephen King did time as a high school Eng­lish teacher and a labor­er in an indus­tri­al laun­dry. These days, he could insu­late his love­ly Vic­to­ri­an home with crisp hun­dreds if such were his whim. Yet it seems he has­n’t for­got­ten what it’s like to watch every pen­ny, wish­ing there was enough fat in the bud­get for the pur­chase of one measly com­ic book based on an insane­ly famous author’s obscure short sto­ry…

Are gen­eros­i­ty and the remem­brance of past strug­gles moti­vat­ing King to dole out artist Den­nis “X‑Men Noir” Calero’s graph­ic adap­ta­tion of his short sto­ry, â€śThe Lit­tle Green God of Agony,”  for the next sev­en weeks?

Or is he research­ing what it feels like to be an undis­cov­ered writer in the dig­i­tal age, anx­ious­ly dan­gling free con­tent on his web­site in an attempt to build read­er­ship?

Bro­ken into thrice week­ly install­ments to be deliv­ered over a peri­od of eight weeks, King’s sto­ry con­cerns one Andrew New­some, the sixth rich­est man in the world, and Kat Mac­Don­ald, the expo­nen­tial­ly less well-to-do RN car­ing for him in the wake of a debil­i­tat­ing acci­dent, anoth­er sub­ject to which King is no stranger. As of this writ­ing, the com­ic is only avail­able on the author’s web­site, though the King jug­ger­naut is so unstop­pable, the next move may well be a film, a tv minis­eries or a Broad­way musi­cal. Maine win­ters are long and cold. Per­haps even the mas­ter of sus­pense warms to the prospect of some extra insu­la­tion.

You can start fol­low­ing the â€śThe Lit­tle Green God of Agony” here.

via Gal­l­ey­Cat

Ray Bradbury Appears with Groucho Marx on You Bet Your Life (1955)

In 1955, Ray Brad­bury paid a vis­it to Grou­cho Marx’s icon­ic game show You Bet Your Life. Brad­bury, then 35 years old, had already pub­lished some of his now clas­sic works. But appar­ent­ly Fahren­heit 451 and The Mar­t­ian Chron­i­cles had­n’t made their way onto Grou­cho’s read­ing list. When Marx asked Brad­bury what he did for a liv­ing, Brad­bury had to clar­i­fy things. “I’m a writer. W‑r-i-t-e‑r.” Not a “rid­er” of motor­cy­cles or ponies. Per­haps it was a seri­ous exchange. Per­haps it was all part of a script­ed joke. Either way, it’s a great clip from the increas­ing­ly dis­tant past. You can watch the com­plete episode here.

For more Brad­bury clas­sic, spend time with:

Ray Brad­bury Gives 12 Pieces of Writ­ing Advice to Young Authors (2001)

Ray Brad­bury: Lit­er­a­ture is the Safe­ty Valve of Civ­i­liza­tion

Ray Brad­bury Reads Mov­ing Poem on the Eve of NASA’s 1971 Mars Mis­sion

via i09

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Download 397 Free Art Catalogs from The Metropolitan Museum of Art

Ear­li­er this year, the Guggen­heim Muse­um put online 65 mod­ern art books, giv­ing you free access to books intro­duc­ing the work of Alexan­der CalderEdvard MunchFran­cis BaconGus­tav Klimt & Egon Schiele, and Kandin­sky. Now, just a few short months lat­er, the Met­ro­pol­i­tan Muse­um of Art has launched Met­Pub­li­ca­tions, a por­tal that will “even­tu­al­ly offer access to near­ly all books, Bul­letins, and Jour­nals” pub­lished by the Met since 1870.

Of the many resources you can explore, here’s one obvi­ous high­light: Met­Pub­li­ca­tions now makes avail­able 397 out-of-print titles, includ­ing lots of infor­ma­tive and visu­al­ly-packed art cat­a­logs from the muse­um’s past exhi­bi­tions. You can read the books online or down­load them in PDF for­mat (although I should warn you that the PDF down­loads take some time, so be patient). When you rum­mage around, you’ll come across works like these and more:

Relat­ed Con­tent:

MoMA Puts Pol­lock, Rothko & de Koon­ing on Your iPad

Google “Art Project” Brings Great Paint­ings & Muse­ums to You

The His­to­ry of West­ern Archi­tec­ture: From Ancient Greece to Roco­co (A Free Online Course)

Down­load 375 Free eBooks

 

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The Enduring Analog Underworld of Gramercy Typewriter

Are type­writ­ers going the way of vinyl?

Note to those cave dwellers who’ve yet to suc­cumb to Mad Men mania, it’s not that same route so trav­eled by the dodo. For a while it looked like the world’s sup­ply of Under­woods and Olivet­tis was being req­ui­si­tioned for hip­ster jew­el­ry, but their recent come­back is root­ed in their intend­ed pur­pose. These days, they’re near fetish objects for roman­tic young writ­ers con­ceived in the shad­ow of the Mac Clas­sic.

Mean­while, the likes of Cor­mac McCarthy and David McCul­lough, author of 1776, have yet to turn their backs on their beloved, quite like­ly lucky ana­log imple­ments.

All due respect to the young Turks seek­ing to dig­i­tize the dinosaur, but the real hero of the type­writer’s post mil­len­ni­al sur­vival is Paul Schweitzer, the ink fin­gered med­i­cine man at the helm of Gramer­cy Type­writer. His once-robust com­pe­ti­tion con­signed to the ash heap, Schweitzer has both the stub­born­ness and exper­tise to tough it out, in an ana­log lair that’s the antithe­sis of sleek.

No one will fault you if your heart lies with your var­i­ous screens. But let’s not for­get where you came from.

Relat­ed Con­tent: 

Mak­ing Paper in L.A., Pianos in Paris: Old Crafts­men Hang­ing on in a Chang­ing World

- Ayun Hal­l­i­day is the author of a half dozen some books includ­ing the decid­ed­ly ana­log Zinester’s Guide to NYC.

Cartoonist Kate Beaton Plays on Literary Classics — The Great Gatsby, Julius Caesar & More

Lis­ten, Old Sport, as far as that Leonar­do DiCaprio Gats­by movie goes, I haven’t seen it. But I’ll bet a swim­ming pool of gin it’s nowhere near as  fun­ny as car­toon­ist Kate Beat­on’s 3‑panel takes on F. Scott Fitzger­ald’s clas­sic nov­el.

Of course, F. Scot­t’s orig­i­nal was­n’t exact­ly what one would call a knee slap­per — where­as Beat­on’s com­ic col­lec­tion, Hark! A Vagrant, mer­its a per­ma­nent spot in one’s bath­room library. Beat­on’s take on The Great Gats­by is by no means a lit­er­al adap­ta­tion, but her mean-faced, ven­om-tongued cre­ations get it spir­i­tu­al­ly right. They also do a num­ber on Bronte, Jane Austen, Niet­zsche and Shake­speare’s Julius Cae­sar, to name but a few of the author’s oth­er lit­er­ary tar­gets. (See her archive here.) Not bad for a Cana­di­an with degrees in His­to­ry and Anthro­pol­o­gy. Is it wrong to think Zel­da would approve?

At any rate, it’s high time some­one blew the lid off of what’s behind the eyes of Dr. T.J. Eck­el­berg. Grat­i­fy­ing, too, to see Tom and Daisy’s child get­ting some long past due con­sid­er­a­tion. Now that I think about it, our com­pul­sion to keep beat­ing on boats against the cur­rent is kind of fun­ny. Top draw­er stuff, Old Sport, top draw­er stuff.

Find works by F. Scott Fitzger­ald in our col­lec­tions of Free Audio Books and Free eBooks.

Relat­ed Con­tent:

Phi­los­o­phy Made Fun: Read the Free Pre­view Edi­tion of the Action Philoso­phers! Com­ic

- Ayun Hal­l­i­day is the author of a half dozen some books includ­ing No Touch Mon­key! And Oth­er Trav­el Lessons Learned Too Late.

Philosophy Made Fun: Read the Free Preview Edition of the Action Philosophers! Comic

“Imag­ine Pla­to as a wrestling super­star of ancient Greece, Niet­zsche as the orig­i­nal uber­men­sch, and Bohid­har­ma as the grand mas­ter of kung fu. These are not just great thinkers they also make great comics. Action Philoso­phers! details the lives and thoughts of his­to­ry’s A‑list brain trust in hip and humor­ous com­ic book fash­ion. ”

That’s how the Action Philoso­phers! com­ic book was pitched when its cre­ators, Fred Van Lente and Ryan Dunlavey, pub­lished it in 2009. The com­ic book is still in print, and you can read the fun pre­view edi­tion online. It starts, of course, with the Pre-Socrat­ics — Thales, Anax­i­man­der, Par­menides, and the gang. Enjoy.

Bonus — Read more Action Philoso­phers! online:

via Boing­Bo­ing

Relat­ed Con­tent:

55 Free Phi­los­o­phy Cours­es

Mon­ty Python’s Best Phi­los­o­phy Sketch­es

Ancient Greek Pun­ish­ments: The Retro Video Game

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Stephen Fry Friday: His Musings on Life, Swearing, Shakespeare, Nanoscience & More

Stephen Fry is a man of many tal­ents. He’s a nov­el­ist, con­trib­u­tor to news­pa­pers and mag­a­zines, TV per­son­al­i­ty, come­di­an, pod­cast­er, lin­guist of sorts. And accord­ing to his Twit­ter pro­file, he’s also a “Lord of Dance, Prince of Swimwear & Blog­ger.” In short, Stephen Fry cov­ers a lot of ground, and, through­out the years, we’ve shown you Fry opin­ing on many sub­jects. But you can’t real­ly appre­ci­ate his intel­lec­tu­al range until you’ve seen his mus­ings placed next to one anoth­er. So we’re pro­claim­ing today “Stephen Fry Fri­day” and we’re pre­sent­ing our favorite Fry clips from years past. We start above with Fry’s take on “The Joys of Swear­ing” and the rest fol­lows:

The Strange New World of Nanoscience

What is nano? And how will nanoscience shape our future? It’s all explained in a snap­py 17 minute video —  NANO YOU — that Fry nar­rat­ed for Cam­bridge Uni­ver­si­ty.

What I Wish I Knew When I Was 18 

It’s a peren­ni­al fan favorite — Fry reflect­ing on his life, all 55 years of it, and offer­ing up life lessons to young­sters. Truth be told, old­er folks will get some­thing out of this video too.

On Phi­los­o­phy and the Impor­tance of Unbe­lief

Get­ting into the nit­ty grit­ty of phi­los­o­phy, Fry gives us one more life les­son: If you assume there’s no after­life, you’ll like­ly have a fuller, more enrich­ing life.

A Kinet­ic Take on Lan­guage

For a brief time in 2008, Fry pro­duced a series of pod­casts – called “Pod­grams” – that drew on his writ­ings, speech­es and col­lec­tive thoughts. In one episode, he med­i­tat­ed on lan­guage — the Eng­lish lan­guage, his own lan­guage, Barthes, Chom­sky, and Pinker — and then Matthew Rogers took that med­i­ta­tion and ran with it, pro­duc­ing a “kinet­ic typog­ra­phy ani­ma­tion” that art­ful­ly illus­trates a six minute seg­ment of Fry’s longer talk.

Shake­speare’s Satir­i­cal Son­net 130, As Read By Stephen Fry

It’s not sur­pris­ing that some­one this immersed in lan­guage would deeply admire the Shake­speare­an tra­di­tion.…

Why Fry Loves Joyce’s Ulysses

And Joyce’s Ulysses too (which you can down­load as a fine free audio book here).

Stay tuned, we’ll have more Stephen Fry in the months and years to come.…

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Hear Paul Auster Read the Entirety of The Red Notebook, an Early Collection of Stories

Nov­el­ist, screen­writer, poet, and trans­la­tor Paul Auster has carved out a place for him­self over the past sev­er­al decades as a decid­ed­ly writer’s writer, a Brook­lyn Borges of a sort, whose metafic­tion­al tales are often intri­cate­ly con­struct­ed sto­ries with­in sto­ries (with­in sto­ries). Auster is also known for writ­ing and co-direct­ing (with Wayne Wang) 1995 sleep­er indie hit Smoke, a film about the denizens of a Brook­lyn cig­ar shop. As with much of Auster’s fic­tion, a cen­tral char­ac­ter in Smoke is a bro­ken-heart­ed, soli­tary writer (played by William Hurt). Auster’s 2002 nov­el The Book of Illu­sions is cen­tered around a sim­i­lar char­ac­ter, a writer deep in mourn­ing. On April 11, 2001, Auster stopped by the Kel­ly Writ­ers House at the Uni­ver­si­ty of Penn­syl­va­nia to give a read­ing from The Book of Illu­sions. Below, you can hear him read the first two pages of the nov­el:

The com­plete UPenn event, includ­ing intro­duc­tion and a lengthy read­ing from the sec­ond chap­ter is avail­able here.

Penn Sound, which hosts the above read­ing, also has audio of Auster read­ing the entire­ly of an ear­ly col­lec­tion of sto­ries, The Red Note­book: True Sto­ries, at the Uni­ver­si­ty of Buf­fa­lo in April of 1995. Auster has argued that fic­tion is “mag­nif­i­cent­ly use­less,” but valu­able nonethe­less for the joy it brings both writ­ers and read­ers. In The Red Note­book he nar­rates what he claims are true events from his life. The col­lec­tion is divid­ed into four short sec­tions: “The Red Note­book,” “It Don’t Mean a Thing,” “Acci­dent Report,” and, the final nar­ra­tive, “Why Write?” His answers to this final question–whether they’re real­ly “true” or just mag­nif­i­cent­ly use­less inventions–show us sur­pris­ing coin­ci­dences and odd pat­terns in the seem­ing­ly ran­dom busi­ness of dai­ly life. Lis­ten to the first install­ment below. You can find the com­plete audio, with intro­duc­tion by Robert Cree­ley, here.

Penn Sound is a “cen­ter for pro­grams in con­tem­po­rary writ­ing” at the Uni­ver­si­ty of Penn­syl­va­nia and fea­tures a large archive of record­ed audio and video read­ings and dis­cus­sions on con­tem­po­rary poet­ry, fic­tion, and more.

The read­ing of The Red Note­book appears in our col­lec­tion of Free Audio Books.

Josh Jones is a doc­tor­al can­di­date in Eng­lish at Ford­ham Uni­ver­si­ty and a co-founder and for­mer man­ag­ing edi­tor of Guer­ni­ca / A Mag­a­zine of Arts and Pol­i­tics.

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