Philip Roth Predicts the Death of the Novel; Paul Auster Counters

Nov­els — they’re in inevitable decline. They can’t com­pete with the movie screen, the TV screen and now the com­put­er screen. Give things 25 years, and there will be just a small cult of read­ers left. That’s the pre­dic­tion of Amer­i­can author, Philip Roth, who has 27 nov­els to his cred­it. And appar­ent­ly, Roth is per­son­al­ly has­ten­ing the process. Ear­li­er this year, he told a reporter for the Finan­cial Times: “I’ve stopped read­ing fic­tion. I don’t read it at all. I read oth­er things: his­to­ry, biog­ra­phy. I don’t have the same inter­est in fic­tion that I once did.” When asked why, he quipped: â€śI don’t know. I wised up … ”

For Paul Auster, anoth­er pro­duc­tive nov­el­ist, the reports of the nov­el­’s death are great­ly exag­ger­at­ed. Humans hunger for sto­ries. They always will. And, the nov­el, it knows how to adapt and sur­vive. Will it sur­vive with the help of tech­nol­o­gy? Auster might not be the best per­son to ask. He owns nei­ther a com­put­er nor a mobile phone. Lucky man.

Bonus: You can lis­ten to Paul Auster read The Red Note­book, a col­lec­tion of short sto­ries pub­lished in 2002, right here. (He starts read­ing at around the 8:30 mark.) We have it list­ed in our col­lec­tion of Free Audio Books.

Relat­ed Con­tent:

John Irv­ing: The Road Ahead for Aspir­ing Nov­el­ists

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Nobel Peace Prize Winner Leymah Gbowee Talks @Google

Last Wednes­day, Liber­ian peace activist Leymah Gbowee paid a vis­it to Google to talk about her mem­oir, Mighty Be Our Pow­ers: How Sis­ter­hood, Prayer, and Sex Changed a Nation at War. Two days lat­er, she was award­ed the 2011 Nobel Peace Prize along with Ellen John­son Sir­leaf and Tawakkol Kar­man. The Googlers pro­vide a quick intro­duc­tion to her activism before the con­ver­sa­tion begins.…

via Google Book Blog

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The Whole Earth Catalog Online: Stewart Brand’s “Bible” of the 60s Generation

Time to res­ur­rect anoth­er sud­den­ly rel­e­vant item we first men­tioned back in 2009…

Between 1968 and 1972, Stew­art Brand pub­lished The Whole Earth Cat­a­log. For Kevin Kel­ly, the Cat­a­log was essen­tial­ly “a paper-based data­base offer­ing thou­sands of hacks, tips, tools, sug­ges­tions, and pos­si­bil­i­ties for opti­miz­ing your life.” For Steve Jobs, it was a “Bible” of his gen­er­a­tion, a life ‑trans­form­ing pub­li­ca­tion. Speak­ing to Stan­ford grad­u­ates in 2005, in what Ken Aulet­ta has called the â€śGet­tys­burg Address of grad­u­a­tion-speechism,” Jobs explained why he drew inspi­ra­tion from this intel­lec­tu­al cre­ation of the 60s coun­ter­cul­ture:

When I was young, there was an amaz­ing pub­li­ca­tion called The Whole Earth Cat­a­log, which was one of the bibles of my gen­er­a­tion. It was cre­at­ed by a fel­low named Stew­art Brand not far from here in Men­lo Park, and he brought it to life with his poet­ic touch. This was in the late 1960’s, before per­son­al com­put­ers and desk­top pub­lish­ing, so it was all made with type­writ­ers, scis­sors, and polaroid cam­eras. It was sort of like Google in paper­back form, 35 years before Google came along: it was ide­al­is­tic, and over­flow­ing with neat tools and great notions.

Stew­art and his team put out sev­er­al issues of The Whole Earth Cat­a­log, and then when it had run its course, they put out a final issue. It was the mid-1970s, and I was your age. On the back cov­er of their final issue was a pho­to­graph of an ear­ly morn­ing coun­try road, the kind you might find your­self hitch­hik­ing on if you were so adven­tur­ous. Beneath it were the words: “Stay Hun­gry. Stay Fool­ish.” It was their farewell mes­sage as they signed off. Stay Hun­gry. Stay Fool­ish. And I have always wished that for myself. And now, as you grad­u­ate to begin anew, I wish that for you.

The good news is that The Whole Earth Cat­a­log and some relat­ed pub­li­ca­tions are avail­able online. You can read them for free, or down­load them for a fee. We sug­gest div­ing in right here, in Fall 1968, where it all begins. Enjoy.…

Note: If you’re hav­ing prob­lems find your way around the site, check out the Twit­ter stream for the The Whole Earth Cat­a­logue. It includes links to var­i­ous online edi­tions. We’ve also added the text to our col­lec­tion of Free eBooks.

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Kickstarter: the Future of Self-Publishing?

We all know where books come from: a human and a muse meet, fall in love, and two months to twen­ty years lat­er, a book is born. Then, as with oth­er vari­eties of babies, the sleep­less nights start as a writer search­es for a home for the book, col­lect­ing rejec­tions like badges of hon­or, tes­ta­ments to deter­mi­na­tion.

Well, that was the old-fash­ioned way. We’ve all heard how the inter­net has lev­eled the play­ing field, allow­ing any­body to pub­lish work and find an audi­ence. How­ev­er, this eas­i­er path to pub­li­ca­tion hasn’t nec­es­sar­i­ly solved an even old­er writer’s conun­drum: How to pay for it.

That is, how to make enough mon­ey to sus­tain your­self as you write (day jobs aside). And so writ­ers must become even wil­i­er. Though you may make mon­ey from the sale of a book, how do you fund your­self before the book?

Seth Har­wood, the author of three books, is at the front of the move­ment to find alter­nate and cre­ative ways of not only reach­ing audi­ences, but pur­su­ing the writ­ing life. Since grad­u­at­ing from the Iowa Writ­ers Work­shop in 2002, Har­wood has built up a loy­al fan base—his “Palms Mamas and Palms Dad­dies” (named for one of his pro­tag­o­nists, Jack Palms)—through social media and free pod­cast­ing. Har­wood is sus­tain­ing a writ­ing life along a path that is like­ly to be more and more com­mon for writ­ers.

After offer­ing his first nov­el, Jack Wakes Up, as a free audio­book, Har­wood pub­lished it in paper­back with Break­neck Books in 2008. The Ama­zon sales, pushed by Palms Mamas and Palms Dad­dies, land­ed the book in #1 in Crime/Mystery and #45 over­all, bring­ing the atten­tion of Ran­dom House, who re-pub­lished the book one year lat­er.

Look­ing out­side main­stream avenues, Har­wood secured fund­ing for pub­li­ca­tion of his next ven­ture, Young Junius, with Tyrus Books by pre­selling signed copies through Paypal—before the books exist­ed in phys­i­cal form. And now he is one of the ear­ly adopters of using Kick­starter to pay for the ges­ta­tion and birth of not one book—but five pre­vi­ous­ly-writ­ten works in the next six months–as he puts it, “rais­ing the fixed costs of bring­ing these books to the mar­ket­place.” His Kick­starter cam­paign based around This Is Life, the sequel to Jack Wakes Up was—impressively—fully fund­ed with­in 25 hours—and with a few days still left to go, it has exceed­ed the orig­i­nal goal by over $2000.

What can a writer offer besides an auto­graphed copy of the to-be-writ­ten book, or a men­tion in the acknowl­edge­ments? For Harwood’s project, the pledges range from a dol­lar to $999, with thank-yous span­ning from the afore­men­tioned to—at the $999 end—an orig­i­nal novel­la writ­ten accord­ing to the donor’s wish­es and pub­lished as a one-off hard­cov­er.

As more and more writ­ers become cyn­i­cal about the main­stream pub­lish­ing indus­try, and the lim­its it places on writ­ers, and as the inter­net breaks down bar­ri­ers between writ­ers and read­ers, alter­nate paths of draw­ing audi­ences to the writing/publishing process may become more and more pop­u­lar. In none oth­er than the New York Times Book Review, Neal Pol­lack recent­ly declared his inten­tion to self-pub­lish his next book using Kick­starter to gen­er­ate his fixed costs and “an advance,” and last week best­seller Paulo Coel­ho dis­cussed his deci­sion to offer his nov­els for free online. (You can find free ebooks by Coel­ho here.)

Indeed, now more than ever, it seems essen­tial for authors to meet read­ers at least half-way. Har­wood con­sid­ers him­self an “author-pre­neur,” devel­op­ing new busi­ness mod­els as he pub­lish­es his books. As he sees it, inno­va­tion comes much more eas­i­ly to an author act­ing alone, than to a large pub­lish­ing com­pa­ny or big cor­po­ra­tion. He aims for the new mod­els as he sees them devel­op­ing, know­ing he’s got to go out and find read­ers him­self. As Coel­ho declares, “The ivory tow­er does not exist any­more.”

This post was con­tributed by Shaw­na Yang Ryan. Her nov­el Water Ghosts was a final­ist for the 2010 Asian Amer­i­can Lit­er­ary Award. In 2012, she will be the Dis­tin­guished Writer in Res­i­dence at the Uni­ver­si­ty of Hawai’i at Manoa.

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Stephen King Reads from His Upcoming Sequel to The Shining

Late last week, Stephen King treat­ed an audi­ence at George Mason Uni­ver­si­ty to a 10-minute read­ing from his upcom­ing book Dr. Sleep . It’s not just any oth­er book. It’s the sequel to The Shin­ing, his 1977 thriller that Stan­ley Kubrick fam­mous­ly adapt­ed to film. (Don’t miss Mak­ing the Shin­ing here.)

King first start­ed talk­ing about a sequel in 2009, and now we’re get­ting our first taste of what’s to come. At long last, you will know what hap­pened to Dan­ny Tor­rance.

The read­ing appears above, and King talks some more about the unfin­ished sequel below.

via Gal­l­ey­cat

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John Hodgman Riffs on Magicians and Their Craft at Maker Faire

John Hodg­man, your favorite quirky, mus­ta­chioed humorist, made an appear­ance at the Mak­er Faire fes­ti­val in NYC ear­li­er this month. And, in the DIY spir­it of the event, he gave a 30+ minute com­ic riff on mate­r­i­al appear­ing in his upcom­ing book That is All — a com­pendi­um of “com­plete world knowl­edge” that can help you sur­vive an apoc­a­lypse. The bet­ter part of the talk focus­es, quite nat­u­ral­ly, on the mag­ic of mag­ic tricks — some­thing we all need to know more about…

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How Paulo Coelho Started Pirating His Own Books (And Where You Can Find them)

Get ready for it. This week, Knopf will release Paulo Coel­ho’s lat­est nov­el, Aleph. And we’re tak­ing bets on three ques­tions. How many copies will be legal­ly sold? (The Alchemist has sold more than 65 mil­lion copies.) How many copies will be pirat­ed and giv­en away? And to what extent will the cir­cu­la­tion of ille­gal copies actu­al­ly ben­e­fit legit sales?

In recent years, Coel­ho has become some­thing of a will­ing con­spir­a­tor in the pirat­ing of his own work. Some­times he links on his own blog to pirat­ed copies float­ing around the web. Oth­er times he makes the texts avail­able (in mul­ti­ple lan­guages) in a nice share­able wid­get.

Coel­ho explains how his adven­tures in self-pirat­ing got under­way in a Q&A appear­ing in yes­ter­day’s New York Times.

Q. You’ve also had suc­cess dis­trib­ut­ing your work free. You’re famous for post­ing pirat­ed ver­sion of your books online, a very unortho­dox move for an author.

A. I saw the first pirat­ed edi­tion of one of my books, so I said I’m going to post it online. There was a dif­fi­cult moment in Rus­sia; they didn’t have much paper. I put this first copy online and I sold, in the first year, 10,000 copies there. And in the sec­ond year it jumped to 100,000 copies. So I said, “It is work­ing.” Then I start­ed putting oth­er books online, know­ing that if peo­ple read a lit­tle bit and they like it, they are going to buy the book. My sales were grow­ing and grow­ing, and one day I was at a high-tech con­fer­ence, and I made it pub­lic.

Q. Weren’t you afraid of mak­ing your pub­lish­er angry?

A. I was afraid, of course. But it was too late. When I returned to my place, the first phone call was from my pub­lish­er in the U.S. She said, “We have a prob­lem.”

Q. You’re refer­ring to Jane Fried­man, who was then the very pow­er­ful chief exec­u­tive of Harper­Collins?

A. Yes, Jane. She’s tough. So I got this call from her, and I said, “Jane, what do you want me to do?” So she said, let’s do it offi­cial­ly, delib­er­ate­ly. Thanks to her my life in the U.S. changed.

The rest of the inter­view con­tin­ues here. And, in the mean­time, you can find sev­er­al Coel­ho books cat­a­logued in our col­lec­tion of Free eBooks.

Relat­ed Con­tent:

Paulo Coel­ho on The Fear of Fail­ure

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Download 20 Popular High School Books Available as Free eBooks & Audio Books

Every year, thou­sands of Amer­i­can high school stu­dents read a com­mon selec­tion of great nov­els — clas­sics loved by young and old read­ers alike. Today, we have select­ed 20 of the most pop­u­lar books and high­light­ed ways that you can down­load ver­sions for free, most­ly as free audio books and ebooks, and some­times as movies and radio dra­mas. You will find more great works — and some­times oth­er dig­i­tal for­mats — in our twin col­lec­tions: 600 Free eBooks for iPad, Kin­dle & Oth­er Devices and 550 Free Audio Books. So please give them a good look over, and if we’re miss­ing a nov­el you want, don’t for­get Audible.com’s 14 day tri­al. It will let you down­load an audio book for free, pret­ty much any one you want.

1984 by George Orwell: Read Online
Although pub­lished in 1949, 1984 still cap­tures our imag­i­na­tion gen­er­a­tions lat­er because it offers one of the best lit­er­ary accounts of total­i­tar­i­an­ism ever pub­lished. And it’s sim­ply a great read.

Ani­mal Farm by George Orwell: Read Online — Free Ani­mat­ed Movie
Orwell’s 1945 alle­gor­i­cal novel­la took aim at the cor­rup­tion of the Sovi­et Union and its total­i­tar­i­an rule. The short book, which almost nev­er saw the light of day, appears on the Mod­ern Library’s list of the 100 Best Nov­els of the 20th cen­tu­ry.

Brave New World by Aldous Hux­ley: eText — Free Radio Drama­ti­za­tion (by Hux­ley him­self)
Lit­tle known fact. Hux­ley once taught George Orwell French at Eton. And, years lat­er his 1931 clas­sic, Brave New World, is often men­tioned in the same breath with 1984 when it comes to great books that describe a dystopi­an future.

Franken­stein by Mary Shel­ley - Free ebook — Free Audio Book (MP3) — Radio Dra­ma ver­sion (1938) — Movie
Mary Shel­ley start­ed writ­ing the great mon­ster nov­el when she was only 18 and com­plet­ed it when she was 21. The 1823 goth­ic nov­el is arguably one of your first works of sci­ence fic­tion.

Heart of Dark­ness by Joseph Con­rad: Free eBook — Free Audio Book (iTunes) — Radio Drama­ti­za­tion by Orson Welles (MP3)
More than 100 years after its pub­li­ca­tion (1902), Con­rad’s novel­la still offers the most canon­i­cal look at colo­nial­ism and impe­ri­al­ism. So pow­er­ful was its influ­ence that Orson Welles dra­ma­tized it in 1938, and the book also famous­ly inspired Cop­po­la’s Apoc­a­lypse Now in 1979.

Plays by William Shake­speare

No descrip­tion need­ed. None giv­en.

Romeo and Juli­et — Free eBook — Free Audio Book (MP3s)

Mac­Beth — Free eBook — Free Audio Book (iTunes)

Ham­let — Free eBook — Free Audio Book (MP3s)

Julius Cae­sar — Free eBook — Free Audio Book (MP3s)

Note: You can find The Com­plete Works of Shake­speare here: Free eBook – Free ver­sion for the iPad

Pride & Prej­u­dice by Jane Austen – Free eBook — Free Audio Book (iTunes)
Jane Austen’s 1813 nov­el remains as pop­u­lar as ever. To date, it has sold more than 20 mil­lion copies, and, every so often, it finds itself adapt­ed to a new film, TV or the­ater pro­duc­tion. A must read.

The Adven­tures of Huck­le­ber­ry Finn by Mark Twain — Free eBook — Free Audio Book (iTunes)
When you think Huck­le­ber­ry Finn, you think Great Amer­i­can Nov­el. It was con­tro­ver­sial when it was first pub­lished in 1884, and it remains so today. But nonethe­less Twain’s clas­sic is a peren­ni­al favorite for read­ers around the world.

The Call of the Wild by Jack Lon­don — Free eBook — Free Audio Book (iTunes)
The Call of the Wild, first pub­lished in 1903, is regard­ed as Jack Lon­don’s mas­ter­piece. It’s “a tale about unbreak­able spir­it and the fight for sur­vival in the frozen Alaskan Klondike.”

The Cru­cible by Arthur Miller - Free Audio Book from Audible.com
Arthur Miller’s 1952 play used the Salem witch tri­als of 1692 and 1693 to offer a com­men­tary on McCarthy­ism that tar­nished Amer­i­ca dur­ing the 1950s. Today, The Cru­cible occu­pies a cen­tral place in Amer­i­ca’s lit­er­ary canon.

The Grapes of Wrath by John Stein­beck — Free Audio Book from Audible.com
This 1939 nov­el won the Pulitzer Prize in 1940 and lat­er helped Stein­beck win the Nobel Prize for Lit­er­a­ture in 1962. It’s per­haps the most impor­tant book to give lit­er­ary expres­sion to the Great Depres­sion.

The Great Gats­by by F. Scott Fitzger­ald – Free eBook — Free Audio Book from Audible.com
It’s the clas­sic por­trait of the Jazz Age, a tale of deca­dence and excess. And today The Mod­ern Library has called Fitzger­ald’s 1925 mas­ter­piece the 2nd best nov­el of the last cen­tu­ry.

The Odyssey by Homer – Free eBook — Free Audio Book
The West­ern lit­er­ary tra­di­tion begins with Home­r’s epic poems The Ili­ad (etext here) and The Odyssey, both writ­ten some 2800 years ago. It has been said that “if the Ili­ad is the world’s great­est war epic, then the Odyssey is lit­er­a­ture’s grand­est evo­ca­tion of every­man’s jour­ney through life.” And that just about gets to the heart of the poem.

The Old Man and the Sea by Ernest Hem­ing­way Free Audio Book from Audible.com
It was Hem­ing­way’s last major work of fic­tion (1951) and cer­tain­ly one of his most pop­u­lar, bring­ing many read­ers into con­tact with Hem­ing­way’s writ­ing for the first time.

The Red Badge of Courage by Stephen Crane — Free eBook — Free Audio Book (iTunes) — Free Movie
This Civ­il War nov­el won what Joseph Con­rad called “an orgy of praise” after its pub­li­ca­tion in 1895, and inspired Ernest Hem­ing­way and the Mod­ernists lat­er. The nov­el made Stephen Crane a celebri­ty at the age of 24, though he died only five years lat­er.

The Scar­let Let­ter by Nathaniel Hawthorne – Free eBooks – Free Audio Book — Movie
Though set in Puri­tan Boston between 1642 and 1649, Hawthorne’s mag­num opus explores “the moral dilem­mas of per­son­al respon­si­bil­i­ty, and the con­sum­ing emo­tions of guilt, anger, loy­al­ty and revenge” that were rel­e­vant in 1850 (when the book was pub­lished). And they remain so today.

To Kill a Mock­ing­bird by Harp­er Lee — Free Audio Book from Audible.com
Harp­er Lee’s 1960 nov­el takes an inci­sive look at atti­tudes toward race and class in the Deep South dur­ing the 1930s. It won the Pulitzer Prize a year lat­er.

Note: We list­ed Audible.com as an option when books were still under copy­right.

Mean­while, edu­ca­tors don’t miss our col­lec­tion of Free Cours­es. It fea­tures many free Lit­er­a­ture cours­es, includ­ing cours­es on Amer­i­can lit­er­a­ture.

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