Human: The Movie Features Interviews with 2,020 People from 60 Countries on What It Means to Be Human

What is it that makes us human? And how best to ensure that we all get our fair say?

For direc­tor, pho­tog­ra­ph­er, and envi­ron­men­tal activist Yann Arthus-Bertrand, the answers lay in fram­ing all of his inter­view sub­jects using the same sin­gle image lay­out. The for­mal sim­plic­i­ty and unwa­ver­ing gaze of his new doc­u­men­tary, Human, encour­age view­ers to per­ceive his 2,020 sub­jects as equals in the sto­ry­telling realm.

There’s a deep diver­si­ty of expe­ri­ences on dis­play here, arranged for max­i­mum res­o­nance.

The qui­et­ly con­tent first wife of a polyg­a­mist mar­riage is fol­lowed by a polyamorous fel­low, whose uncon­ven­tion­al lifestyle is a source of both tor­ment and joy.

There’s a death row inmate. A lady so con­fi­dent she appears with her hair in curlers.

Where on earth did he find them?

His sub­jects hail from 60 coun­tries. Arthus-Bertrand obvi­ous­ly went out of his way to be inclu­sive, result­ing in a wide spec­trum of gen­der and sex­u­al ori­en­ta­tions, and sub­jects with dis­abil­i­ties, one a Hiroshi­ma sur­vivor.

Tears, laugh­ter, con­flict­ing emo­tions… stu­dents of the­ater and psy­chi­a­try would do well to book­mark this page. There’s a lot one can glean from observ­ing these sub­jects’ unguard­ed faces.

The project was inspired by an impromp­tu chat with a Malian farmer. The direc­tor was impressed by the frank­ness with which this stranger spoke of his life and dreams:

I dreamed of a film in which the pow­er of words would res­onate with the beau­ty of the world. Putting the ills of human­i­ty at the heart of my work—poverty, war, immi­gra­tion, homophobia—I made cer­tain choic­es. Com­mit­ted, polit­i­cal choic­es. But the men talked to me about every­thing: their dif­fi­cul­ty in grow­ing as well as their love and hap­pi­ness. This rich­ness of the human word lies at the heart of Human. 

In Vol­ume I, above, the inter­vie­wees con­sid­er love, women, work, and pover­ty. Vol­ume II deals with war, for­give­ness, homo­sex­u­al­i­ty, fam­i­ly, and the after­life. Hap­pi­ness, edu­ca­tion, dis­abil­i­ty, immi­gra­tion, cor­rup­tion, and the mean­ing of life are the con­cerns of the third vol­ume .

The inter­view seg­ments are bro­ken up by aer­i­al sequences, rem­i­nis­cent of the images in Arthus-Bertrand’s book, The Earth from Above. It’s a good reminder of how small we all are in the grand scheme of things.

Appro­pri­ate­ly, giv­en the sub­ject mat­ter, and the director’s long­time inter­est in envi­ron­men­tal issues, the film­ing and pro­mo­tion were accom­plished in the most sus­tain­able way, with the sup­port of the Good­Plan­et Foun­da­tion and the Unit­ed Car­bon Action pro­gram. It would be love­ly for all human­i­ty if this is a fea­ture of film­mak­ing going for­ward.

The Google Cul­tur­al Insti­tute has a col­lec­tion of relat­ed mate­r­i­al, from the mak­ing of the sound­track to behind-the-scenes rem­i­nis­cences of the inter­view team.

Human will be added to our col­lec­tion, 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More.

Relat­ed Con­tent:

What Makes Us Human?: Chom­sky, Locke & Marx Intro­duced by New Ani­mat­ed Videos from the BBC

Richard Dawkins Explains Why There Was Nev­er a First Human Being

Biol­o­gy That Makes Us Tick: Free Stan­ford Course by Robert Sapol­sky

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Her new play, Fawn­book, opens in New York City lat­er this fall. Fol­low her @AyunHalliday.

Music for a String Quartet Made from Global Warming Data: Hear “Planetary Bands, Warming World”

In 2013, we fea­tured Daniel Craw­ford, an under­grad at the Uni­ver­si­ty of Min­neso­ta, play­ing “A Song of Our Warm­ing Plan­et” on his cel­lo. The song, pro­duced in col­lab­o­ra­tion with geog­ra­phy pro­fes­sor Scott St. George, was cre­at­ed using a method called “data soni­fi­ca­tion,” which con­verts glob­al tem­per­a­ture records into a series of musi­cal notes. (More on that here.)

Now, two years lat­er, we have a brand new video by Craw­ford and St. George. This one is a com­po­si­tion for a string quar­tet called “Plan­e­tary Bands, Warm­ing World,” and it’s based on tem­per­a­ture data gath­ered over time by NASA’s God­dard Insti­tute for Space Stud­ies. As Craw­ford explains in the video, “Each instru­ment rep­re­sents a spe­cif­ic part of the North­ern Hemi­sphere. The cel­lo match­es the tem­per­a­ture of the equa­to­r­i­al zone. The vio­la tracks the mid lat­i­tudes. The two vio­lins sep­a­rate­ly fol­low tem­per­a­tures in the high lat­i­tudes and in the arc­tic.” Each note’s pitch “is tuned to the aver­age annu­al tem­per­a­ture in each region, so low notes rep­re­sent cold years and high notes rep­re­sent warm years.” As you lis­ten, keep in mind one obser­va­tion made by Prof. St. George says. “Lis­ten­ing to the vio­lin climb almost the entire range of the instru­ment is incred­i­bly effec­tive at illus­trat­ing the mag­ni­tude of change — par­tic­u­lar­ly in the Arc­tic which has warmed more than any oth­er part of the plan­et.” The time peri­od cov­ered here moves from 1880 to present.

Relat­ed Con­tent:

A Song of Our Warm­ing Plan­et: Cel­list Turns 130 Years of Cli­mate Change Data into Music

Glob­al Warm­ing: A Free Course from UChica­go Explains Cli­mate Change

132 Years of Glob­al Warm­ing Visu­al­ized in 26 Dra­mat­i­cal­ly Ani­mat­ed Sec­onds

How Cli­mate Change Is Threat­en­ing Your Dai­ly Cup of Cof­fee

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John Waters Narrates Offbeat Documentary on an Environmental Catastrophe, the Salton Sea

In 2004, John Waters nar­rat­ed Plagues & Plea­sures on the Salton Sea, a humor­ous doc­u­men­tary on the acci­den­tal lake cre­at­ed in the desert of South­ern Cal­i­for­nia. You can now find the film host­ed on the YouTube chan­nel of KQED, the pub­lic tele­vi­sion out­fit in San Fran­cis­co (where we’re get­ting heavy, heavy rains today). They lay the foun­da­tion for watch­ing the film as fol­lows:

Once known as the “Cal­i­for­nia Riv­iera,” the Salton Sea is now con­sid­ered one of Amer­i­ca’s worst eco­log­i­cal dis­as­ters: a fetid, stag­nant, salty lake, cough­ing up dead fish and birds by the thou­sands. Nar­rat­ed by cult-movie leg­end John Waters, Plagues & Plea­sures is an epic west­ern tale of real estate ven­tures and failed boom­towns.

Find Plagues & Plea­sures on the Salton Sea list­ed in our col­lec­tion, 285 Free Doc­u­men­taries Online.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via @Wfmu

Relat­ed Con­tent:

John Waters Makes Hand­made Christ­mas Cards, Says the “Whole Pur­pose of Life is Christ­mas”

An Anti, Anti-Smok­ing Announce­ment from John Waters

John Waters: The Point of Con­tem­po­rary Art

Glob­al Warm­ing: A Free Course from UChica­go Explains Cli­mate Change

A Year in the Life of Earth’s CO2: A Striking Visualization

Dur­ing the same week when House Repub­li­cans passed a bill for­bid­ding sci­en­tists from advis­ing the EPA on its own research, NASA cli­mate sci­en­tists (coin­ci­den­tal­ly but maybe incon­ve­nient­ly) released a video doc­u­ment­ing A Year in the Life of Earth­’s CO2. Accord­ing to NASA, “The visu­al­iza­tion is a prod­uct of a sim­u­la­tion called ‘Nature Run,’ ” which “ingests real data on atmos­pher­ic con­di­tions and the emis­sion of green­house gas­es and both nat­ur­al and man-made par­tic­u­lates. The mod­el is then left to run on its own and sim­u­late the nat­ur­al behav­ior of the Earth’s atmos­phere.”  The video above visu­al­izes how car­bon diox­ide in the atmos­phere trav­eled around the globe from Jan­u­ary 2006 through Decem­ber 2006. Hope­ful­ly the take-away isn’t look at all the pret­ty col­ors. The video is in the pub­lic domain and can be down­loaded here.

To learn more about cli­mate change, see the Uni­ver­si­ty of Chicago’s course, Glob­al Warm­ing. It’s a free 23-lec­ture course pre­sent­ed by David Archer, a pro­fes­sor in the Depart­ment of The Geo­phys­i­cal Sci­ences.

Kevin Spacey Is the Rainforest, Julia Roberts is Mother Nature: Actors Play Nature in Environmental Shorts

When Hol­ly­wood’s for­mi­da­ble pro­mo­tion­al wing dis­cov­ered it could announce a movie by not just telling you a big star is in it, but that a big star is it, they had a decades-long field day with the idea that con­tin­ues, tire­some­ly, to the present moment. Right now, many of the bill­boards up around Los Ange­les insist upon telling me that “Keanu Reaves is John Wick,” but give it a few weeks and they’ll tell us some­one else we know is some­one else we don’t (unless, of course, we buy a tick­et). Con­ser­va­tion Inter­na­tion­al has tak­en this mar­ket­ing trope and spun it into a series of shorts fea­tur­ing “A‑list” actors, the most famous of the famous, play­ing the earth­ly enti­ties with which we should, per­haps, have more famil­iar­i­ty than we do. At the top of the post, Kevin Spacey is the rain­for­est. Just below, Julia Roberts is Moth­er Nature. At the bot­tom, Har­ri­son Ford is the ocean.

“I’m most of this plan­et,” Ford-as-ocean intones with his sig­na­ture (and increas­ing­ly gruff) gruff­ness. “I shaped it. Every stream, every cloud, and every rain­drop — it all comes back to me.” But as Moth­er Nature, Roberts makes impres­sive claims of her own: “I’ve been here for over four and a half bil­lion years — 22,500 times longer than you. I don’t real­ly need peo­ple, but peo­ple need me.” Not to be out­done, Kevin Spacey’s ever-giv­ing rain­for­est issues a chal­lenge to us all: “Humans, they’re so smart. So smart. Such big brains and oppos­able thumbs. They know how to make things — amaz­ing things. Now why would they need an old for­est like me any­more? Well, they do breathe air, and I make air. Have they thought about that?”

You can watch the entire series of films, enti­tled “Nature is Speak­ing,” on a sin­gle Youtube playlist. The rest of the line­up includes Edward Nor­ton as the soil, Pene­lope Cruz as water (o, hablan­do en español, como Agua), and Robert Red­ford as, suit­ably, the red­wood. (You can also see clips from behind the scenes fea­tur­ing Nor­ton and Ford assum­ing their ele­men­tal roles in the record­ing stu­dio.) They all com­bine this con­sid­er­able amount of vocal star pow­er with equal­ly strik­ing footage of the part of the envi­ron­ment from whom we hear, and some­times of its destruc­tion. They car­ry one over­all mes­sage, which Con­ver­sa­tion Inter­na­tion­al has unshy­ly spelled out: “Nature doesn’t need peo­ple. Peo­ple need nature.” Still, it comes off less heavy-hand­ed than most of the envi­ron­men­tal mes­sages I remem­ber from the films of my 1990s youth. If, for the next series, they get Reeves on board (speak­ing of pieces of my 90s youth), can they find a suit­ably laid-back ele­ment to pair him with? For more infor­ma­tion on the cam­paign, please vis­it the Nature is Speak­ing site.

Relat­ed Con­tent:

Envi­ron­ment & Nat­ur­al Resources: Free Online Cours­es

E.O. Wilson’s Life on Earth Released as a Free eBook and Free Course on iTunes

Har­vard Thinks Green: Big Ideas from 6 All-Star Envi­ron­ment Profs

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

How Wolves Change Rivers

In nature, every­thing is con­nect­ed — con­nect­ed in ways you might not expect. The short video above is nar­rat­ed by George Mon­biot, an Eng­lish writer and envi­ron­men­tal­ist, who now con­sid­ers him­self a “rewil­d­ing cam­paign­er.” The con­cept of rewil­d­ing and how it can save ecosys­tems in gen­er­al, and how wolves changed Yel­low­stone Nation­al Park in par­tic­u­lar, is some­thing Mon­biot explains in greater detail in his 2013 TED Talk below, and in his new book — Fer­al: Search­ing for Enchant­ment on the Fron­tiers of Rewil­d­ing.

Relat­ed Con­tent:

Envi­ron­ment & Nat­ur­al Resources: Free Online Cours­es

E.O. Wilson’s Life on Earth Released as a Free eBook and Free Course on iTunes

How Cli­mate Change Is Threat­en­ing Your Dai­ly Cup of Cof­fee

New Google-Pow­ered Site Tracks Glob­al Defor­esta­tion in ‘Near-Real-Time’

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Watch Episode 1 of Years of Living Dangerously, The New Showtime Series on Climate Change

Ever since Al Gore’s An Incon­ve­nient Truth came out to crit­i­cal acco­lades, Con­ser­v­a­tive scorn and a hand­ful of Oscars, there has been no short­age of well mean­ing doc­u­men­taries about the per­ils of cli­mate change. Most fea­ture a Hol­ly­wood celebri­ty or two, a lib­er­al amount of lib­er­al guilt, and a dis­tinct sense of preach­ing to the con­vert­ed.

The new Show­time series Years of Liv­ing Dan­ger­ous­ly might have plen­ty of those first two ele­ments but none of the third. In the first episode of the series –which has been released for free on YouTube (above) – Don Chea­dle asks, “Is there a way to dis­cuss cli­mate change with­out pol­i­tics or reli­gion get­ting in the way?” Pro­duc­ers James Cameron, Arnold Schwarzeneg­ger and Jer­ry Wein­traub try valiant­ly to answer that ques­tion in the affir­ma­tive.

The series fea­tures a vari­ety of celebri­ties — Schwarzeneg­ger, Matt Damon, Jes­si­ca Alba – and celebri­ty reporters – Les­ley Stahl, Chris Hayes, Mark Bittman – who inves­ti­gate dif­fer­ent facets of the top­ic.

In Cheadle’s seg­ment, he tracks down an unusu­al fig­ure in the heat­ed, tire­some cli­mate change debate – an Evan­gel­i­cal cli­mate sci­en­tist. In a fas­ci­nat­ing scene, she talks to the devout denizens of Plain­view TX, try­ing to con­vince them that the drought that caused the clos­ing of the local meat­pack­ing plant – the town’s biggest employ­er – was the result of some­thing oth­er than divine will.

Mean­while, New York Times colum­nist Thomas Fried­man traces the ori­gins of the Syr­i­an civ­il war to – you guessed it – cli­mate change. He cross­es into that war torn coun­try (briefly) to dis­cov­er that the seeds of the con­flict were sown by the government’s indif­fer­ent response to a long-run­ning drought.

But the most enter­tain­ing seg­ment is Har­ri­son Ford explor­ing the caus­es of Indonesia’s rapid defor­esta­tion. Appar­ent­ly, palm oil – that anony­mous ingre­di­ent in every­thing from cook­ies to choco­late bars – is such big busi­ness that it’s turn­ing Bor­neo into a burn-scared moon­scape. Who knew?

Ford’s charis­ma and grav­el­ly bari­tone can turn the most inane line — “That’s a lot of cars” – into some­thing with almost Tal­mu­dic pro­fun­di­ty. It makes for some riv­et­ing view­ing. The show ends with Ford chomp­ing at the bit to inter­view Indonesia’s utter­ly cor­rupt Forestry Min­is­ter. That meet­ing, which occurs in a lat­er episode, promis­es to be a 60 Min­utes-style smack­down. You think Mike Wal­lace was daunt­ing? Try Indi­ana Jones.

Years of Liv­ing Dan­ger­ous­ly pre­mieres on Show­time on April 13.

For a more aca­d­e­m­ic intro­duc­tion to this sub­ject, see Glob­al Warm­ing: A Free Course from UChica­go.

via Kot­tke

Relat­ed Con­tent:

Free: Watch the First Episode of Sil­i­con Val­ley, Mike Judge’s New HBO Series

How Cli­mate Change Is Threat­en­ing Your Dai­ly Cup of Cof­fee

A Song of Our Warm­ing Plan­et: Cel­list Turns 130 Years of Cli­mate Change Data into Music

Jonathan Crow is a Los Ange­les-based writer and film­mak­er whose work has appeared in Yahoo!, The Hol­ly­wood Reporter, and oth­er pub­li­ca­tions. You can fol­low him at @jonccrow.

Animated Video Features Werner Herzog Discussing His Childhood Adventures & 20th-Century Rage

I’m not sur­prised that film­mak­er Wern­er Her­zog hates the com­mod­i­fi­ca­tion of the word “adven­ture,” when he’s spent over four decades court­ing it in the most clas­sic sense. In the New York Pub­lic Library Con­ver­sa­tion Por­trait above (one of a series that includes the John Waters pro­file we brought you ear­li­er this week), the ven­er­a­ble direc­tor describes the sort of child­hood that could cause one to take a dim view of pack­aged tours mas­querad­ing as adven­ture.

After the infant Her­zog sur­vived a bomb­ing that cov­ered him in rub­ble, his moth­er, under­stand­ably fear­ing for her chil­dren’s safe­ty, fled to the moun­tains. The remote­ness of his upbring­ing shel­tered him in some ways (“I did not even know that cin­e­ma exist­ed until I was 11”) and not, in oth­ers. (“At age four, I was in pos­ses­sion of a func­tion­ing sub­ma­chine gun and my broth­er had a hand grenade.”)

When he says that hunger was a pre­vail­ing theme, I dare you to dis­agree.

I’m like­wise inclined to pay atten­tion when he asserts that the mod­ern obses­sion with tech­nol­o­gy is gob­bling resources at a dis­as­trous pace, and that thou­sands of world lan­guages will have dis­ap­peared for good by 2050.

Dire pre­dic­tions, and yet he fills me with cheer every time he opens his mouth. I swear it’s not just that mar­velous, much imi­tat­ed voice. It’s also a com­fort to know we’ve got a pro­lif­ic artist remain­ing at his out­post from a sense of duty, gloomy yet stout as a child in his belief that an ecsta­sy of truth lies with­in human grasp.

Relat­ed Con­tent:

Wern­er Herzog’s Eye-Open­ing New Film Reveals the Dan­gers of Tex­ting While Dri­ving

Por­trait Wern­er Her­zog: The Director’s Auto­bi­o­graph­i­cal Short Film from 1986

Mas­ter Cura­tor Paul Hold­en­gräber Inter­views Hitchens, Her­zog, Goure­vitch & Oth­er Lead­ing Thinkers

Ayun Hal­l­i­day looks in the eyes of the bear Fol­low her @AyunHalliday

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