Buenos Aires has endured a lot – finanÂcial crises, social protests, dicÂtaÂtorÂship and beyond. The award-winÂning docÂuÂmenÂtary: ÂżSerĂa Buenos Aires? (Maybe Buenos Aires?) takes a hard look at how the ArgenÂtines respondÂed to disÂloÂcaÂtions creÂatÂed by forces beyond their conÂtrol. It’s a uniÂverÂsal stoÂry that touchÂes on probÂlems we all face today. Greece is just the latÂest unforÂtuÂnate reminder of this. You can find this film, and 125 othÂer high qualÂiÂty movies, in our colÂlecÂtion of Free Movies Online.
The actor DenÂnis HopÂper died this mornÂing. You know him from ApocÂaÂlypse Now and Blue VelÂvet. But, more than any othÂer film, his legaÂcy is tied to Easy RidÂer. HopÂper directÂed, co-wrote, and co-starred in the counÂterÂculÂture clasÂsic, which won the top prize at the 1969 Cannes Film FesÂtiÂval. Drugs, motorÂcyÂcles, hipÂpies, comÂmuÂnal livÂing – Easy RidÂer capÂtured the spirÂit of the counÂterÂculÂture moveÂment, and now, 40 years latÂer, it serves as someÂthing of a memoÂrÂiÂal to the WoodÂstock genÂerÂaÂtion. Above, we feaÂture the 1999 docÂuÂmenÂtary Easy RidÂer: ShakÂing the Cage, which looks back at the makÂing of the cult film. It includes interÂviews with DenÂnis HopÂper and his co-star Peter FonÂda. Part 1 appears above. You can access the remainÂing parts here: Part 2, Part 3, Part 4, Part 5, Part 6, and Part 7
British filmÂmakÂer TemuÂjin Doran may be betÂter known for his strong, highÂly opinÂionÂatÂed views on democÂraÂcy and polÂiÂtics, but his adapÂtaÂtion of Ernest HemÂingÂway’s memÂoir, A MoveÂable Feast, is someÂthing else entireÂly.
Though still narÂratÂed in Doran’s charÂacÂterÂisÂtiÂcalÂly urgent, restÂless tone, Spring offers a quiÂet tribÂute to Parisian urbanÂiÂty and the richÂness of seaÂsonÂalÂiÂty, capÂtured with cinÂeÂmatÂic minÂiÂmalÂism and eeriÂly indulÂgent aesÂthetÂic ausÂterÂiÂty.
Maria PopoÂva is the founder and ediÂtor in chief of Brain PickÂings, a curatÂed invenÂtoÂry of eclecÂtic interÂestÂingÂness and indisÂcrimÂiÂnate curiosÂiÂty. She writes for Wired UK, GOOD MagÂaÂzine, BigÂThink and HuffÂinÂgÂton Post, and spends a disÂturbÂing amount of time curatÂing interÂestÂingÂness on TwitÂter.
As Robert Bly notÂed in his book, The SciÂence in SciÂence FicÂtion, some of the most intriguÂing sciÂenÂtifÂic ideas have origÂiÂnatÂed not in labs, but in sci-fi books and movies. With Iron Man 2 hitÂting the screens, SidÂney Perkowitz, a physiÂcist at Emory UniÂverÂsiÂty, talks about whether the sciÂence in the new pop movie has any roots in sciÂenÂtifÂic realÂiÂty – or, for that matÂter, whether it might inspire any new sciÂenÂtifÂic thinkÂing down the road. He offers his thoughts above. In addiÂtion to writÂing HolÂlyÂwood SciÂence: Movies, SciÂence and the End of the World, Perkowitz sits on the adviÂsoÂry board of the SciÂence and EnterÂtainÂment Exchange, a NationÂal AcadÂeÂmy of SciÂences proÂgram that tries to bring more sciÂenÂtifÂic accuÂraÂcy to mass marÂket enterÂtainÂment.
David Lynch is no stranger to comÂmerÂcials. In the past, he lent his filmÂmakÂing talÂents to Calvin Klein, GiorÂgio Armani and othÂers (watch the ads here). And now it’s Dior. Shot in ShangÂhai, Lynch’s interÂnet movie, Lady Blue ShangÂhai, runs 16 minÂutes and stars the Oscar-winÂning French actress MarÂiÂon CotilÂlard. Although largeÂly givÂen free reign here, Lynch had to include a few basic eleÂments: images of a Dior bag, Old ShangÂhai, and the Pearl TowÂer. The short movie is the third in a series of mini-feaÂtures launched on christiandior.com. You can watch the first part above, the secÂond part here.
You can now find Lady Blue ShangÂhai in our colÂlecÂtion of Free Movies Online, along with sevÂerÂal othÂer short David Lynch films.
SevÂenÂty-five years ago today, on the mornÂing of May 13, 1935, a 46-year-old retired British army offiÂcer was ridÂing his motorÂcyÂcle home from the post office, when he swerved to avoid hitÂting two boys on bicyÂcles. He was thrown onto the road and susÂtained head injuries, then died six days latÂer in a provinÂcial hosÂpiÂtal. It was a munÂdane cirÂcumÂstance for the death of an extraÂorÂdiÂnary man.
Thomas Edward (T. E.) Lawrence was an intelÂlecÂtuÂal and advenÂturÂer who became known to the world as “Lawrence of AraÂbia.” Lawrence could read books by the age of four. He attendÂed Oxford on scholÂarÂship and spent one of his sumÂmer vacaÂtions hikÂing 1,100 miles through SyrÂia, PalesÂtine and Turkey to surÂvey cruÂsadÂer casÂtles for a theÂsis on milÂiÂtary archiÂtecÂture. He spoke AraÂbic, TurkÂish, GerÂman, French, Latin and Greek. When World War I broke out in 1914, he was recruitÂed into the British army for his extenÂsive first-hand knowlÂedge of the MidÂdle East. DurÂing the course of the war, Lawrence became one of the archiÂtects and leadÂers of the Arab Revolt against the Ottoman Turks – a remarkÂable advenÂture that was retold in David Lean’s 1962 film, Lawrence of AraÂbia, starÂring Peter O’Toole, Omar Sharif and Alec GuinÂness.
Lawrence was an intenseÂly priÂvate man who, as LowÂell Thomas famousÂly put it, “had a genius for backÂing into the limeÂlight.” When the war was over, howÂevÂer, he sucÂceedÂed in stayÂing out of the limeÂlight by refusÂing a knightÂhood and servÂing out his milÂiÂtary career under assumed names. He transÂlatÂed Homer and wrote a memÂoir of the Arab Revolt, The SevÂen PilÂlars of WisÂdom. And he had a penÂchant for fast motorÂcyÂcles, includÂing the cusÂtom-made Brough SupeÂriÂor SS100 which he rode into town on a munÂdane errand 75 years ago today.
Today, to mark the 75th anniverÂsary of his tragÂic motor cycle acciÂdent, we feaÂture some of the only known footage of T.E. Lawrence above.
He was ArgentiÂna’s favorite son, one of the great South AmerÂiÂcan writÂers of the last cenÂtuÂry (along with Gabriel GarÂcia MarÂquez, CarÂlos Fuentes, and Mario VarÂgas Llosa), and the winÂner of 46 nationÂal and interÂnaÂtionÂal litÂerÂary prizes. We’re talkÂing about Jorge Luis Borges, the masÂter of the postÂmodÂern short stoÂry. Borges was born in 1899, and to celÂeÂbrate his 100th birthÂday (though he died in 1986), Philippe Molins directÂed the docÂuÂmenÂtary, Jorge Luis Borges: The MirÂror Man. The film’s major strength (as one reviewÂer put it) is that it’s a “bit of everyÂthing – part biogÂraÂphy, part litÂerÂary critÂiÂcism, part hero-worÂship, part book readÂing, and part psyÂcholÂoÂgy.” It runs 47 minÂutes and includes a fair amount of archival footage. (You can watch it in a largÂer forÂmat on Vimeo here.)
A big thanks goes to Mike for sendÂing The MirÂror Man our way. If you have your own great piece of culÂturÂal media to share with us and your felÂlow OC readÂers, please feel free to send it along.
Sad to note the passÂing of Lena Horne, one of the first black talÂents to break the colÂor barÂriÂer in HolÂlyÂwood. Here we have her singing her sigÂnaÂture song “Stormy WeathÂer” in 1943. Thanks to @wesalwan, a regÂuÂlar conÂtribÂuÂtor, for flagÂging this vinÂtage piece.
We're hoping to rely on loyal readers, rather than erratic ads. Please click the Donate button and support Open Culture. You can use Paypal, Venmo, Patreon, even Crypto! We thank you!
Open Culture scours the web for the best educational media. We find the free courses and audio books you need, the language lessons & educational videos you want, and plenty of enlightenment in between.