
AmerÂiÂcans have nevÂer like the word “empire,” havÂing secedÂed from the British Empire to ostenÂsiÂbly found a free nation. The founders blamed slavÂery on the British, namÂing the king as the responÂsiÂble parÂty. Three of the most disÂtinÂguished VirÂginia slaveÂholdÂers denounced the pracÂtice as a “hideous blot,” “repugÂnant,” and “evil.” But they made no effort to end it. LikeÂwise, accordÂing to the DecÂlaÂraÂtion of IndeÂpenÂdence, the British were responÂsiÂble for excitÂing “domesÂtic insurÂrecÂtions among us,” and endeavÂourÂing “to bring on the inhabÂiÂtants of our fronÂtiers, the merÂciÂless IndiÂan SavÂages.”
These denunÂciÂaÂtions aside, the new counÂtry nonetheÂless began a course idenÂtiÂcal to every othÂer EuroÂpean world powÂer, wagÂing perÂpetÂuÂal warÂfare, seizÂing terÂriÂtoÂry and vastÂly expandÂing its conÂtrol over more and more land and resources in the decades after IndeÂpenÂdence.
U.S. impeÂrÂiÂal powÂer was assertÂed not only by force of arms and coin but also through an ideÂoÂlogÂiÂcal view that made its appearÂance and growth an act of both divine and secÂuÂlar provÂiÂdence. We see this view reflectÂed espeÂcialÂly in the makÂing of maps and earÂly hisÂtorÂiÂcal infoÂgraphÂics.

In 1851, three years after war with MexÂiÂco had halved that counÂtry and expandÂed U.S. terÂriÂtoÂry into what would become sevÂerÂal new states, Emma Willard, the nation’s first female mapÂmakÂer, creÂatÂed the “ChronoÂgÂraÂphÂer of Ancient HisÂtoÂry” above, a visuÂal repÂreÂsenÂtaÂtion to “teach stuÂdents about the shape of hisÂtorÂiÂcal time,” writes RebecÂca Onion at Slate. The ChronoÂgÂraÂphÂer is a “more speÂcialÂized offÂshoot of Willard’s masÂter TemÂple of Time, which tackÂled all of history”—or all six thouÂsand years of it, anyÂway, since “CreÂation BC 4004.”
Willard made sevÂerÂal such maps, illusÂtratÂing an idea popÂuÂlar among 18th and 19th cenÂtuÂry hisÂtoÂriÂans, and illusÂtratÂed in many simÂiÂlar ways by othÂer artists: castÂing hisÂtoÂry as a sucÂcesÂsion of great empires, one takÂing over for anothÂer. ViewÂers of the map stand outÂside the temple’s staÂble framÂing, assured they are the inherÂiÂtors of its hisÂtorÂiÂcal largesse. OthÂer visuÂal metaphors told this stoÂry, too. Willard, as Ted WidÂmer points out at The Paris Review. Willard was an “invenÂtive visuÂal thinker,” if also a very conÂvenÂtionÂal hisÂtorÂiÂcal one.

In an earÂliÂer map, from 1836, Willard visuÂalÂized time as a series of branchÂing impeÂrÂiÂal streams, flowÂing downÂward from “CreÂation.” CuriÂousÂly, she sitÂuÂates AmerÂiÂcan IndeÂpenÂdence on the periphÂery, endÂing with the “Empire of Napoleon” at the cenÂter. The U.S. was both someÂthing new in the world and, in othÂer maps of hers, the fruition of a seed plantÂed cenÂturies earÂliÂer. Willard’s mapÂmakÂing began as an effort to supÂpleÂment her mateÂriÂals as “a pioÂneerÂing eduÂcaÂtor,” founder of the Emma Willard School in Troy, New York, and a “verÂsaÂtile writer, pubÂlishÂer and yes, mapÂmakÂer,” who “used every tool availÂable to teach young readÂers (and espeÂcialÂly young women) how to see hisÂtoÂry in creÂative new ways.”

In anothÂer “chronoÂgÂraÂphÂer” textÂbook illusÂtraÂtion, she shows the “HisÂtoÂry of the U. States or RepubÂlic of AmerÂiÂca” as a tree which had been growÂing since 1492, though no such place as the UnitÂed States existÂed for most of this hisÂtoÂry. Maps, writes Sarah Laskow at Atlas ObscuÂra, “have the powÂer to shape hisÂtoÂry” as well as to record it. Willard’s maps told grand, uniÂverÂsal stories—imperial stories—about how the U.S. came to be. In 1828, when she was 41, “only slightÂly oldÂer than the UnitÂed States of AmerÂiÂca itself,” Willard pubÂlished a series of maps in her HisÂtoÂry of the UnitÂed States, or RepubÂlic of AmerÂiÂca.
This was “the first book of its kind—the first atlas to present the evoÂluÂtion of AmerÂiÂca.” Willard’s maps show the moveÂment of IndigeÂnous nations in plates like “LocaÂtions and WanÂderÂings of The AboÂrigÂiÂnal Tribes… The DirecÂtion of their WanÂderÂings,” below—these were part of “a stoÂry about the triÂumph of Anglo setÂtlers in this part of the world. She helped solidÂiÂfy, for both her peers and her stuÂdents, a narÂraÂtive of AmerÂiÂcan desÂtiny and inevitabilÂiÂty, writes UniÂverÂsiÂty of DenÂver hisÂtoÂriÂan Susan SchulÂten. Willard was “an exuÂberÂant nationÂalÂist,” who genÂerÂalÂly “acceptÂed the removal of these tribes to the west as inevitable.”

Willard was a pioÂneer in many respects, includÂing, perÂhaps, in her adopÂtaÂtion of EuroÂpean neoÂclasÂsiÂcal ideas about hisÂtoÂry and time in the jusÂtiÂfiÂcaÂtion of a new AmerÂiÂcan empire. Her snapÂshots of time colÂlapse “cenÂturies into a sinÂgle image,” SchulÂten explains, as a way of mapÂping time “in a difÂferÂent way as a preÂlude to what comes to next.” See many more of Willard’s maps from The HisÂtoÂry of the UnitÂed States, or RepubÂlic of AmerÂiÂca, the first hisÂtorÂiÂcal atlas of the UnitÂed States, at Boston Rare Maps.
RelatÂed ConÂtent:
Josh Jones is a writer and musiÂcian based in Durham, NC. FolÂlow him at @jdmagness








