Read the Poignant Letter Sent to Anne Frank by George Whitman, Owner of Paris’ Famed Shakespeare & Co Bookshop (1960): “If I Sent This Letter to the Post Office It Would No Longer Reach You”

Be not inhos­pitable to strangers, lest they be angels in dis­guise.

More than a few vis­i­tors to Paris’ fabled Shake­speare & Com­pa­ny book­shop assume that the quote they see paint­ed over an arch­way is attrib­ut­able to Yeats or Shake­speare.

In fact, its author was George Whit­man, the store’s late own­er, a grand “hobo adven­tur­er” in his 20s who made such an impres­sion that he spent the rest of his life wel­com­ing trav­el­ers and encour­ag­ing young writ­ers, who flocked to the shop. A great many became Tum­ble­weeds, the nick­name giv­en to those who trad­ed a few hours of vol­un­teer work and a pledge to read a book a day in return for spar­tan accom­mo­da­tion in the store itself.

In light of this gen­eros­i­ty, Whitman’s 1960 let­ter to Anne Frank (1929–1945) is all the more mov­ing.

One won­ders what inspired him to write it. It’s a not an uncom­mon impulse, but usu­al­ly the authors are stu­dents close to the same age as Anne was at the time of her death.

Per­haps it was an inter­ac­tion with a Tum­ble­weed.

Had she sur­vived the hor­rors of the Nazi con­cen­tra­tion camps that exter­mi­nat­ed all but one inhab­i­tant of the Secret Annex in which she penned her famous diary, she would have made a great one.

He refrained from men­tion­ing his own ser­vice in World War II, pos­si­bly because he was post­ed to a remote weath­er sta­tion in Green­land. Unlike oth­er Amer­i­can vet­er­ans, he had­n’t wit­nessed with his own eyes the sort of hell she endured. If he had, he might not have been able to address her with such ini­tial light­ness of tone.

One can’t help but think how delight­ed the ram­bunc­tious young teen would have been by his sense of humor, his descrip­tions of his bohemi­an booklovers’ paradise—then called Le Mistral—and ref­er­ences to his dog, François Vil­lon, and cat, Kit­ty, named in hon­or of Anne’s pet name for her diary.

His pro­found obser­va­tions on the imper­ma­nence of life and the pol­i­tics of war con­tin­ue to res­onate deeply with those who read the let­ter as its intend­ed recip­i­ents’ prox­ies:

Le Mis­tral

37 rue de la Bûcherie

Dear Anne Frank,

If I sent this let­ter to the post office it would no longer reach you because you have been blot­ted out from the uni­verse. So I am writ­ing an open let­ter to those who have read your diary and found a lit­tle sis­ter they have nev­er seen who will nev­er entire­ly dis­ap­pear from earth as long as we who are liv­ing remem­ber her.

You want­ed to come to Paris for a year to study the his­to­ry of art and if you had, per­haps you might have wan­dered down the quai Notre-Dame and dis­cov­ered a lit­tle book­store beside the gar­den of Saint-Julien-le-Pau­vre. You know enough French to read the notice on the door—Chien aimable, Priere d’en­tr­er. The dog is not real­ly a dog at all but a poet called Fran­cois Vil­lon who has returned to the city he loved after many years of exile. He is sit­ting by the fire next to a kit­ten with a very unusu­al name. You will be pleased to know she is called Kit­ty after the imag­i­nary friend to whom you wrote the let­ters in your jour­nal.

Here in our book­store it is like a fam­i­ly where your Chi­nese sis­ters and your broth­ers from all lands sit in the read­ing rooms and meet the Parisians or have tea with the writ­ers from abroad who are invit­ed to live in our Guest House.

Remem­ber how you wor­ried about your incon­sis­ten­cies, about your two selves—the gay flir­ta­tious super­fi­cial Anne that hid the qui­et serene Anne who tried to love and under­stand the world. We all of us have dual natures. We all wish for peace, yet in the name of self-defense we are work­ing toward self-oblit­er­a­tion. We have built arma­ments more pow­er­ful than the total of all those used in all the wars in his­to­ry. And if the mil­i­tarists who dis­like nego­ti­at­ing the minor dif­fer­ences that sep­a­rate nations are not under the wise civil­ian author­i­ty they have the pow­er to write man’s tes­ta­ment on a dead plan­et where radioac­tive cities are sur­round­ed by jun­gles of dying plants and poi­so­nous weeds.

Since a nuclear could destroy half the world’s pop­u­la­tion as well as the mate­r­i­al basis of civ­i­liza­tion, the Sovi­et Gen­er­al Niko­lai Tal­en­sky con­cludes that war is no longer con­ceiv­able for the solu­tion of polit­i­cal dif­fer­ences.

A young girl’s dreams record­ed in her diary from her thir­teenth to her fif­teenth birth­day means more to us today than the labors of mil­lions of sol­diers and thou­sands of fac­to­ries striv­ing for a thou­sand-year Reich that last­ed hard­ly more than ten years. The jour­nal you hid so that no one would read it was left on the floor when the Ger­man police took you to the con­cen­tra­tion camp and has now been read by mil­lions of peo­ple in 32 lan­guages. When most peo­ple die they dis­ap­pear with­out a trace, their thoughts for­got­ten, their aspi­ra­tions unknown, but you have sim­ply left your own fam­i­ly and become part of the fam­i­ly of man.

George Whit­man

via Let­ters of Note

Relat­ed Con­tent:

Watch the Only Known Footage of Anne Frank

Anne Frank’s Diary: From Reject Pile to Best­seller

8‑Year-Old Anne Frank Plays in a Sand­box on a Sum­mer Day, 1937

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Join her in New York City this Thurs­day for Necro­mancers  of the Pub­lic Domain, in which a long neglect­ed book is reframed as a low bud­get vari­ety show. Fol­low her @AyunHalliday.

Behold the Beautiful Pages from a Medieval Monk’s Sketchbook: A Window Into How Illuminated Manuscripts Were Made (1494)

It takes no small amount of inquiry, from no few angles, to tru­ly under­stand a form of art. This goes even more so for forms of art with which most of us in the 21st cen­tu­ry have lit­tle direct expe­ri­ence. Take, for exam­ple, the illu­mi­nat­ed man­u­script: its his­to­ry stretch­es back to the fifth cen­tu­ry and it has arguably shaped all the forms of visu­al-tex­tu­al sto­ry­telling we enjoy today, yet sure­ly not one of a mil­lion of us under­stands how the arti­sans that made them did it.

The Pub­lic Domain Review did their bit to cor­rect this when they post­ed the illu­mi­nat­ed sketch­book of Stephan Schriber, a series of pages dat­ing from 1494 in which “ideas and lay­outs for illu­mi­nat­ed man­u­scripts were tried out and skills devel­oped” by the author, a monk in the south­west of Ger­many. â€śThe monk-artist pro­duced this sketch­book at the tail end of the 1,000-year age of illu­mi­nat­ed man­u­scripts,” write’s Slate’s Rebec­ca Onion, “a type of book pro­duc­tion that was to die out as the Renais­sance moved for­ward and the print­ing press took over.”

As print­ed books began to dis­place illu­mi­nat­ed man­u­scripts, the pro­duc­tion of the lat­ter went com­mer­cial, no longer pro­duced only by the hands of indi­vid­ual monks. But some of those monks, like Schriber, kept up their ded­i­ca­tion to the craft: â€śThese pages show an artist try­ing out ani­mal motifs, prac­tic­ing curlicued embell­ish­ments, and draft­ing beau­ti­ful pre­sen­ta­tions of the cap­i­tal let­ters that would begin a sec­tion, page, or para­graph.”

Bib­liOdyssey points out that the book, “ded­i­cat­ed to Count Eber­hard (Eber­hard the beard­ed, lat­er first Duke) of Würt­tem­berg,” appears to be “a man­u­al of tem­plates and/or a prac­tice book con­tain­ing par­tial­ly com­plet­ed sketch­es, paint­ed and cal­lig­ra­phy ini­tals, stylised flo­ral dec­o­ra­tive motifs, plant foliage ten­drils, fan­tas­tic beast bor­der drol­leries” — yes, a real term from the field of illu­mi­nat­ed man­u­scripts — “togeth­er with some gold and sil­ver illu­mi­na­tion work.”

You can browse more images from Schriber’s sketch­book at this Flickr account, or you can have a look at each and every page at the Munich Dig­i­ti­Za­tion Cen­ter. The images repay close study not just for their own beau­ty, but for what their seem­ing­ly delib­er­ate incom­plete­ness reveals about how a mas­ter of man­u­script illu­mi­na­tions would go about com­pos­ing their art. Even the cre­ation of a form whose hey­day passed more than half a mil­len­ni­um ago has some­thing to teach us today.

via The Pub­lic Domain Review/Slate

Relat­ed Con­tent:

The Aberdeen Bes­tiary, One of the Great Medieval Illu­mi­nat­ed Man­u­scripts, Now Dig­i­tized in High Res­o­lu­tion & Made Avail­able Online

Behold the Mys­te­ri­ous Voyn­ich Man­u­script: The 15th-Cen­tu­ry Text That Lin­guists & Code-Break­ers Can’t Under­stand

1,600-Year-Old Illu­mi­nat­ed Man­u­script of the Aeneid Dig­i­tized & Put Online by The Vat­i­can

Dante’s Divine Com­e­dy Illus­trat­ed in a Remark­able Illu­mi­nat­ed Medieval Man­u­script (c. 1450)

Won­der­ful­ly Weird & Inge­nious Medieval Books

1,000-Year-Old Illus­trat­ed Guide to the Med­i­c­i­nal Use of Plants Now Dig­i­tized & Put Online

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Artificial Intelligence May Have Cracked the Code of the Voynich Manuscript: Has Modern Technology Finally Solved a Medieval Mystery?

What is it about the Voyn­ich Man­u­script—that cryp­tic, illus­trat­ed 15th cen­tu­ry text of unknown ori­gin and meaning—that has so fas­ci­nat­ed and obsessed schol­ars for cen­turies? Writ­ten in what appears to be an invent­ed lan­guage, with bizarre illus­tra­tions of oth­er­world­ly botany, mys­te­ri­ous cos­mol­o­gy, and strange anato­my, the book resem­bles oth­er pro­to-sci­en­tif­ic texts of the time, except for the fact that it is total­ly inde­ci­pher­able, “a cer­tain rid­dle of the Sphinx,” as one alchemist described it. The 240-page enig­ma inspires attempt after attempt by cryp­tol­o­gists, lin­guists, and his­to­ri­ans eager to under­stand its secrets—that is if it doesn’t turn out to be a too-clever Medieval joke.

One recent try, by Nicholas Gibbs, has per­haps not lived up to the hype. Anoth­er recent attempt by Stephen Bax, who wrote the short TED Ed les­son above, has also come in for its share of crit­i­cism. Giv­en the invest­ment of schol­ars since the 17th cen­tu­ry in crack­ing the Voyn­ich code, both of these efforts might jus­ti­fi­ably be called quite opti­mistic. The Voyn­ich may for­ev­er elude human under­stand­ing, though it was, pre­sum­ably, cre­at­ed by human hands. Per­haps it will take a machine to final­ly solve the puz­zle, an arti­fi­cial brain that can process more data than the com­bined efforts of every schol­ar who has ever applied their tal­ents to the text. Com­put­er sci­en­tists at the Uni­ver­si­ty of Alber­ta think so and claim to have cracked the Voyn­ich code with arti­fi­cial intel­li­gence (AI).

Com­put­er sci­ence pro­fes­sor Greg Kon­drak and grad­u­ate stu­dent Bradley Hauer began their project by feed­ing a com­put­er pro­gram 400 dif­fer­ent lan­guages, tak­en from the “Uni­ver­sal Dec­la­ra­tion of Human Rights.” While “they ini­tial­ly hypoth­e­sized that the Voyn­ich man­u­script was writ­ten in [ancient] Ara­bic,” reports Jen­nifer Pas­coe, “it turned out that the most like­ly lan­guage was [ancient] Hebrew.” (Pre­vi­ous guess­es, the CBC notes, “have ranged from a type of Latin to a deriva­tion of Sino-Tibetan.”) The next step involved deci­pher­ing the manuscript’s code. Kon­drak and Hauer dis­cov­ered that “the let­ters in each word… had been reordered. Vow­els had been dropped.” The the­o­ry seemed promis­ing, but the pair were unable to find any Hebrew schol­ars who would look at their find­ings.

With­out human exper­tise to guide them, they turned to anoth­er AI, whose results, we know, can be noto­ri­ous­ly unre­li­able. Nonethe­less, feed­ing the first sen­tence into Google trans­late yield­ed the fol­low­ing: “She made rec­om­men­da­tions to the priest, man of the house and me and peo­ple.” It’s at least gram­mat­i­cal, though Kon­drak admits “it’s a kind of strange sen­tence to start a man­u­script.” Oth­er analy­ses of the first sec­tion have turned up sev­er­al oth­er words, such as “farmer,” “light,” “air,” and “fire”—indeed the sci­en­tists have found 80 per­cent of the man­u­scrip­t’s words in ancient Hebrew dic­tio­nar­ies. Fig­ur­ing out how they fit togeth­er in a com­pre­hen­si­ble syn­tax has proven much more dif­fi­cult. Kon­drak and Hauer admit these results are ten­ta­tive, and may be wrong. With­out cor­rob­o­ra­tion from Hebrew experts, they are also unlike­ly to be tak­en very seri­ous­ly by the schol­ar­ly com­mu­ni­ty.

But the pri­ma­ry goal was not to trans­late the Voyn­ich but to use it as a means of cre­at­ing algo­rithms that could deci­pher ancient lan­guages. “Impor­tant­ly,” notes Giz­mo­do, “the researchers aren’t say­ing they’ve deci­phered the entire Voyn­ich man­u­script,” far from it. But they might have dis­cov­ered the keys that oth­ers may use to do so. Or they may—as have so many others—have been led down anoth­er blind alley, as one com­menter at IFL Sci­ence sug­gests, sar­cas­ti­cal­ly quot­ing the wise Bull­win­kle Moose: “This time for sure!”

You can find the Voyn­ich Man­u­script scanned at Yale’s Bei­necke Rare Book & Man­u­script Library. Copies can be pur­chased in book for­mat as well.

Relat­ed Con­tent:

An Ani­mat­ed Intro­duc­tion to “the World’s Most Mys­te­ri­ous Book,” the 15th-Cen­tu­ry Voyn­ich Man­u­script

Behold the Mys­te­ri­ous Voyn­ich Man­u­script: The 15th-Cen­tu­ry Text That Lin­guists & Code-Break­ers Can’t Under­stand

1,000-Year-Old Illus­trat­ed Guide to the Med­i­c­i­nal Use of Plants Now Dig­i­tized & Put Online

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Boston Public Library Launches a Crowdsourced Project to Transcribe 40,000 Documents from Its Anti-Slavery Collection: You Can Now Help

We can hard­ly under­stand Amer­i­ca with­out under­stand­ing Amer­i­can his­to­ry. Can we under­stand Amer­i­can his­to­ry with­out under­stand­ing slav­ery? Many a his­to­ri­an would answer with an unqual­i­fied no, and not sim­ply because they want to see Amer­i­cans med­i­tate on the sins of their ances­tors: plung­ing into the con­tro­ver­sies around slav­ery, see­ing how Amer­i­cans made argu­ments for and against it at the time, can help us approach and inter­pret the oth­er large-scale legal and moral bat­tles that have since raged in the coun­try, and con­tin­ue to rage in it today.

The Boston Pub­lic Library’s Anti-Slav­ery Col­lec­tion, one par­tic­u­lar­ly impor­tant resource in that intel­lec­tu­al effort, could use our help in mak­ing its con­sid­er­able resources more read­i­ly avail­able. “For the past sev­er­al years, we have been dili­gent­ly cat­a­loging and dig­i­tiz­ing man­u­script cor­re­spon­dences from our Anti-Slav­ery col­lec­tion,” writes the BPL’s Tom Blake, all of which “doc­u­ment the thoughts, trans­ac­tions, and activ­i­ties of the abo­li­tion­ist move­ment in Boston, Mass­a­chu­setts, and through­out New Eng­land.”

Now, “in order to make this col­lec­tion more valu­able to researchers, schol­ars, and his­to­ri­ans we are pleased to announce the launch of a new web­site which will make these hand­writ­ten items avail­able for you to tran­scribe into machine read­able text.”

It’s no small job: the col­lec­tion con­tains rough­ly 40,000 pieces of “cor­re­spon­dence, broad­sides, news­pa­pers, pam­phlets, books, and mem­o­ra­bil­ia from the 1830s through the 1870s,” includ­ing the work of some of the most notable Amer­i­can, British, and Irish abo­li­tion­ists of the day. But the com­bined efforts of every­one will­ing to tran­scribe a few doc­u­ments, will, in Blake’s words, â€śallow the text cor­pus to be more pre­cise­ly search­able and bet­ter suit­ed for nat­ur­al lan­guage pro­cess­ing appli­ca­tions – help­ing researchers bet­ter under­stand pat­terns, rela­tion­ships, and trends embed­ded in the lin­guis­tics of this par­tic­u­lar com­mu­ni­ty.” Which, ulti­mate­ly, will help us all to bet­ter under­stand Amer­i­ca. If you’d like to lend a hand, you can cre­ate an account and start tran­scrib­ing at the Anti-Slav­ery Col­lec­tion’s site today.

Relat­ed Con­tent:

Mas­sive New Data­base Will Final­ly Allow Us to Iden­ti­fy Enslaved Peo­ples and Their Descen­dants in the Amer­i­c­as

1.5 Mil­lion Slav­ery Era Doc­u­ments Will Be Dig­i­tized, Help­ing African Amer­i­cans to Learn About Their Lost Ances­tors

Freed Slave Writes Let­ter to For­mer Mas­ter: You Owe Us $11,680 for 52 Years of Unpaid Labor (1865)

Visu­al­iz­ing Slav­ery: The Map Abra­ham Lin­coln Spent Hours Study­ing Dur­ing the Civ­il War

The Anti-Slav­ery Alpha­bet: 1846 Book Teach­es Kids the ABCs of Slavery’s Evils

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

How to Spot a Communist Using Literary Criticism: A 1955 Manual from the U.S. Military

In 1955, the Unit­ed States was enter­ing the final stages of McCarthy­ism or the Sec­ond Red Scare. Dur­ing this low point in Amer­i­can his­to­ry, the US gov­ern­ment looked high and low for Com­mu­nist spies. Enter­tain­ers, edu­ca­tors, gov­ern­ment employ­ees and union mem­bers were often viewed with sus­pi­cion, and many careers and lives were destroyed by the flim­si­est of alle­ga­tions. Con­gress, the FBI, and the US mil­i­tary, they all fueled the 20th cen­tu­ry ver­sion of the Salem Witch tri­als, part­ly by encour­ag­ing Amer­i­cans to look for Com­mu­nists in unsus­pect­ing places.

In the short Armed Forces Infor­ma­tion Film above, you can see the dynam­ic at work. Some Com­mu­nists were out in the open; how­ev­er, oth­ers “worked more silent­ly.” So how to find those hid­den com­mu­nists?

Not to wor­ry, the US mil­i­tary had that cov­ered. In 1955, the U.S. First Army Head­quar­ters pre­pared a man­u­al called How to Spot a Com­mu­nist. Lat­er pub­lished in pop­u­lar Amer­i­can mag­a­zines, the pro­pa­gan­da piece warned read­ers, “there is no fool-proof sys­tem in spot­ting a Com­mu­nist.” “U.S. Com­mu­nists come from all walks of life, pro­fess all faiths, and exer­cise all trades and pro­fes­sions. In addi­tion, the Com­mu­nist Par­ty, USA, has made con­cert­ed efforts to go under­ground for the pur­pose of infil­tra­tion.” And yet the pam­phlet adds, let­ting read­ers breathe a sigh of relief, “there are, for­tu­nate­ly, indi­ca­tions that may give him away. These indi­ca­tions are often sub­tle but always present, for the Com­mu­nist, by rea­son of his “faith” must act and talk along cer­tain lines.” In short, you’ll know a Com­mu­nist not by how he walks, but how he talks. Ask­ing cit­i­zens to become lit­er­ary crit­ics for the sake of nation­al secu­ri­ty, the pub­li­ca­tion told read­ers to watch out for the fol­low­ing:

While a pref­er­ence for long sen­tences is com­mon to most Com­mu­nist writ­ing, a dis­tinct vocab­u­lary pro­vides the more eas­i­ly rec­og­nized fea­ture of the “Com­mu­nist Lan­guage.” Even a super­fi­cial read­ing of an arti­cle writ­ten by a Com­mu­nist or a con­ver­sa­tion with one will prob­a­bly reveal the use of some of the fol­low­ing expres­sions: inte­gra­tive think­ing, van­guard, com­rade, hoo­te­nan­ny, chau­vin­ism, book-burn­ing, syn­cretis­tic faith, bour­geois-nation­al­ism, jin­go­ism, colo­nial­ism, hooli­gan­ism, rul­ing class, pro­gres­sive, dem­a­gogy, dialec­ti­cal, witch-hunt, reac­tionary, exploita­tion, oppres­sive, mate­ri­al­ist.

This list, select­ed at ran­dom, could be extend­ed almost indef­i­nite­ly. While all of the above expres­sions are part of the Eng­lish lan­guage, their use by Com­mu­nists is infi­nite­ly more fre­quent than by the gen­er­al pub­lic…

Rather chill­ing­ly, the pam­phlet also warned that Com­mu­nists revealed them­selves if and when they talked about “McCarthy­ism,” “vio­la­tion of civ­il rights,” “racial or reli­gious dis­crim­i­na­tion” or “peace.” In oth­er words, they were guilty if they sug­gest­ed that the gov­ern­ment was over­step­ping its bounds.

Accord­ing to Corliss Lam­on­t’s book, Free­dom Is As Free­dom Does, the First Army with­drew the pam­phlet after Mur­ray Kemp­ton slammed it in The New York Post and The New York Times wrote its own scathing op-ed. In 1955, the press could take those risks. The year before, Joseph Welch had faced up to Joe McCarthy, ask­ing with his immor­tal words, “Have you no sense of decen­cy, sir? At long last, have you left no sense of decen­cy? A ques­tion some­one will even­tu­al­ly dare to ask again.

Note: An ear­li­er ver­sion of this post first appeared on our site in March, 2013.

Relat­ed Con­tent:

How the CIA Secret­ly Fund­ed Abstract Expres­sion­ism Dur­ing the Cold War

Bertolt Brecht Tes­ti­fies Before the House Un-Amer­i­can Activ­i­ties Com­mit­tee (1947)

How the CIA Fund­ed & Sup­port­ed Lit­er­ary Mag­a­zines World­wide While Wag­ing Cul­tur­al War Against Com­mu­nism

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How the Fences & Railings Adorning London’s Buildings Doubled (by Design) as Civilian Stretchers in World War II

Lon­don is a par­tic­u­lar­ly rich des­ti­na­tion for vis­i­tors with an inter­est in World War II:

Win­ston Churchill’s under­ground War Rooms…

The Roy­al Air Force Muse­um…

Blitz-spe­cif­ic walk­ing tours…

…and the scab­by steel fences/railings sur­round­ing a num­ber of South Lon­don hous­ing estates?

These mesh-and-pipe bar­ri­ers look utter­ly unre­mark­able until one hears their ori­gin story—as emer­gency stretch­ers for bear­ing away civil­ian casu­al­ties from the rub­ble of Luft­waffe raids.

The no-frills design was intend­ed less for patient com­fort than easy clean up. Kinks in the long stretch­er poles kept the injured off the ground, and allowed for easy pick up by vol­un­teers from the Civ­il Defence Ser­vice.

Some 600,000 of these stretch­ers were pro­duced in prepa­ra­tion for air­borne attacks. The Blitz killed over 28,000 Lon­don civil­ians. The num­ber of wound­ed was near­ly as high. The man­u­fac­ture of child-sized stretch­ers speaks to the cit­i­zens’ aware­ness that the human price would be ghast­ly indeed.

”I am almost glad we have been bombed,” Queen Eliz­a­beth “the Queen Mum” told a friend after Buck­ing­ham Palace was strafed in 1940. ”Now I feel I can look the East End in the face.”

Born of com­mu­ni­ty spir­it, it’s fit­ting that the stretch­ers con­tin­ue to serve the com­mu­ni­ty, replac­ing more orna­men­tal fences that had been uproot­ed for scrap met­al as part of the war effort.

Few neigh­bor­hood res­i­dents, let alone tourists, seem aware of the fences’ his­to­ry, as evi­denced in the video above.

Per­haps the recent­ly formed Stretch­er Rail­ing Soci­ety—for the pro­mo­tion, pro­tec­tion and preser­va­tion of Lon­don’s Air Raid Pro­tec­tion Stretch­er Railings—will change that, or at the very least, put up some plaques.

See pho­tos of the stretch­ers in action, then fol­low the Stretch­er Rail­ing Society’s map to their present loca­tions.

via Twist­ed Sifter

Relat­ed Con­tent:

31 Rolls of Film Tak­en by a World War II Sol­dier Get Dis­cov­ered & Devel­oped Before Your Eyes

The Stag­ger­ing Human Cost of World War II Visu­al­ized in a Cre­ative, New Ani­mat­ed Doc­u­men­tary

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Fol­low her @AyunHalliday.

The Largest Early Map of the World Gets Assembled for the First Time: See the Huge, Detailed & Fantastical World Map from 1587

We in the ear­ly 21st cen­tu­ry can call up detailed maps of almost any place on Earth with lit­tle more effort than typ­ing its name. Most of us can dim­ly recall a time when it was­n’t quite so easy, but imag­ine try­ing to sat­is­fy your geo­graph­i­cal curios­i­ty in not just decades but cen­turies past. For the 16th-cen­tu­ry Milanese gen­tle­man schol­ar Urbano Monte, fig­ur­ing out what the whole world looked like turned into an enor­mous project, in terms of both effort and sheer size. In 1587, he cre­at­ed his “plani­sphere” map as a 60-page man­u­script, and only now have researchers assem­bled it into a sin­gle piece, ten feet square, the largest known ear­ly map of the world. View it above, or in a larg­er for­mat here.

“Monte appears to have been quite geo-savvy for his day,” writes Nation­al Geo­graph­ic’s Greg Miller, not­ing that “he includ­ed recent dis­cov­er­ies of his time, such as the islands of Tier­ra del Fuego at the tip of South Amer­i­ca, first sight­ed by the Por­tuguese explor­er Fer­di­nand Mag­el­lan in 1520,” as well as an uncom­mon­ly detailed Japan based on infor­ma­tion gath­ered from a vis­it with the first offi­cial Japan­ese del­e­ga­tion to Europe in 1585.

And in accor­dance with the map­mak­ing style of the time, he got more fan­ci­ful in the less-under­stood spaces: “Ani­mals roam the land, and his oceans teem with ships and mon­sters. King Philip II of Spain rides what looks like a float­ing throne off the coast of South Amer­i­ca, a nod to Span­ish promi­nence on the high seas.”

 

“Mon­te’s map reminds us of why his­tor­i­cal maps are so impor­tant as pri­ma­ry resources,” says Stan­ford Uni­ver­si­ty’s David Rum­sey Map Col­lec­tion, which holds one of only three extant ver­sions of the map and which con­duct­ed the dig­i­tal project of scan­ning each of its pages and assem­bling them into a whole. Not only does its then-unusu­al (but now long stan­dard in avi­a­tion) north polar azimuthal pro­jec­tion show Mon­te’s use of “the advanced sci­en­tif­ic ideas of his time,” but the “the artistry in draw­ing and dec­o­rat­ing the map embod­ies design at the high­est lev­el; and the view of the world then gives us a deep his­tor­i­cal resource with the list­ing of places, the shape of spaces, and the com­men­tary inter­wo­ven into the map.”

You can see/download Mon­te’s plani­sphere in detail at the David Rum­sey Map Col­lec­tion, both as a col­lec­tion of indi­vid­ual pages and as a ful­ly assem­bled world map. There you can also read, in PDF form, car­to­graph­ic his­to­ri­an Dr. Kather­ine Park­er’s â€śA Mind at Work: Urbano Mon­te’s 60-Sheet Man­u­script World Map.” And to bring this mar­vel of 16th-cen­tu­ry car­tog­ra­phy around to a con­nec­tion with a mar­vel of 21st-cen­tu­ry car­tog­ra­phy, they’ve also tak­en Mon­te’s plani­sphere and made it into a three-dimen­sion­al mod­el in Google Earth, a map­ping tool that Monte could scarce­ly have imag­ined — even though, as a close look at his work reveals, he cer­tain­ly did­n’t lack imag­i­na­tion.

via Hyper­al­ler­gic

Relat­ed Con­tent:

Down­load 67,000 His­toric Maps (in High Res­o­lu­tion) from the Won­der­ful David Rum­sey Map Col­lec­tion

The His­to­ry of Car­tog­ra­phy, the “Most Ambi­tious Overview of Map Mak­ing Ever,” Now Free Online

The “True Size” Maps Shows You the Real Size of Every Coun­try (and Will Change Your Men­tal Pic­ture of the World)

Japan­ese Design­ers May Have Cre­at­ed the Most Accu­rate Map of Our World: See the Autha­Graph

Watch the His­to­ry of the World Unfold on an Ani­mat­ed Map: From 200,000 BCE to Today

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Massive New Database Will Finally Allow Us to Identify Enslaved Peoples and Their Descendants in the Americas

Through­out the his­to­ry of the so-called “New World,” peo­ple of African descent have faced a yawn­ing chasm where their ances­try should be. Peo­ple bought and sold to labor on plan­ta­tions lost not only their names but their con­nec­tions to their lan­guage, tra­di­tion, and cul­ture. Very few who descend from this painful lega­cy know exact­ly where their ances­tors came from. The sit­u­a­tion con­tributes to what Toni Mor­ri­son calls the “dehis­tori­ciz­ing alle­go­ry” of race, a con­di­tion of “fore­clo­sure rather than dis­clo­sure.” To com­pound the loss, most descen­dants of slaves have been unable to trace their ances­try fur­ther back than 1870, the first year in which the Cen­sus list­ed African Amer­i­cans by name.

But the recent work of sev­er­al enter­pris­ing schol­ars is help­ing to dis­close the his­to­ries of enslaved peo­ple in the Amer­i­c­as. For exam­ple, The Freedman’s Bureau Project has made 1.5 mil­lion doc­u­ments avail­able to the pub­lic, in a search­able data­base that com­bines tra­di­tion­al schol­ar­ship with dig­i­tal crowd­sourc­ing.

And now, a just-announced Michi­gan State Uni­ver­si­ty project—sup­port­ed by a $1.5 mil­lion grant from the Mel­lon Foundation—will seek to “change the way schol­ars and the pub­lic under­stand African slav­ery.” Called “Enslaved: The Peo­ple of the His­toric Slave Trade,” the mul­ti-phase endeav­or is expect­ed to take 18 months to com­plete an “online hub,” reports Smith­son­ian, link­ing togeth­er dozens of data­bas­es from all over the world.

“By link­ing data col­lec­tions from mul­ti­ple uni­ver­si­ties,” writes MSU Today, the result­ing web­site “will allow peo­ple to search mil­lions of pieces of slave data to iden­ti­fy enslaved indi­vid­u­als and their descen­dants from a cen­tral source. Users can also run analy­ses of enslaved pop­u­la­tions and cre­ate maps, charts and graph­ics.” The project is head­ed by MSU’s Dean Rehberg­er, direc­tor of Matrix: The Cen­ter for Dig­i­tal Human­i­ties and Social Sci­ences at MSU; Ethan Watrall, assis­tant pro­fes­sor of anthro­pol­o­gy; and Wal­ter Hawthorne, pro­fes­sor and chair of MSU’s his­to­ry depart­ment and a spe­cial­ist in African and African Amer­i­can his­to­ry.

In addi­tion to pub­lish­ing sev­er­al books on the Atlantic slave trade, Hawthorne has worked on pre­vi­ous dig­i­tal his­to­ry projects like the web­site Slave Biogra­phies, which com­piles infor­ma­tion on the “names, eth­nic­i­ties, skills, occu­pa­tions, and ill­ness­es” of enslaved indi­vid­u­als in Maran­hão, Brazil and colo­nial Louisiana. In the video above, you can see him describe this lat­est project, which coin­cides with MSU’s “Year of Glob­al Africa,” an 18-month cel­e­bra­tion of the university’s many part­ner­ships on the con­ti­nent and “through­out the African Dias­po­ra.”

Dig­i­tal his­to­ry projects like those spear­head­ed by Hawthorne and oth­er researchers help not only schol­ars but also the gen­er­al pub­lic devel­op a much more nuanced under­stand­ing of the his­to­ry of slav­ery. These tools pro­vide a wealth of infor­ma­tion, but they can­not tru­ly cap­ture the emo­tion­al and psy­cho­log­i­cal impact of the his­to­ry. For such an under­stand­ing, Mor­ri­son said in the first of her 2016 Har­vard Nor­ton lec­tures, “I look to lit­er­a­ture for guid­ance.”

via Smith­son­ian Mag­a­zine

Relat­ed Con­tent:

African-Amer­i­can His­to­ry: Mod­ern Free­dom Strug­gle (A Free Course from Stan­ford)

1.5 Mil­lion Slav­ery Era Doc­u­ments Will Be Dig­i­tized, Help­ing African Amer­i­cans to Learn About Their Lost Ances­tors

The Anti-Slav­ery Alpha­bet: 1846 Book Teach­es Kids the ABCs of Slavery’s Evils

Albert Ein­stein Explains How Slav­ery Has Crip­pled Everyone’s Abil­i­ty (Even Aristotle’s) to Think Clear­ly About Racism

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

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