Drone Footage Captures the US Postal Service Eerily Delivering Mail to Neighborhoods Razed by the California Fires

About 90 miles north of here, a series of fires, fanned by high winds, have destroyed 191,000 acres and left 31 peo­ple dead. In the town of San­ta Rosa alone, the fires con­sumed more than 2,800 homes overnight, turn­ing entire neigh­bor­hoods into cin­ders and ash. Cap­tured by a drone, the footage above shows the com­plete dev­as­ta­tion. It also adds a sur­re­al touch–the US Postal Ser­vice duti­ful­ly deliv­er­ing mail to emp­ty street address­es.

If you would like to assist with the relief effort (mon­e­tar­i­ly or oth­er­wise), please vis­it the San­ta Rosa Fire Depart­ment web­site.

90,000 Fans Sing “I Won’t Back Down” at University of Florida Football Game: A Goosebump-Inducing Tribute to Tom Petty

Tom Pet­ty grew up in Gainesville, Flori­da, in the back­yard of the Uni­ver­si­ty of Flori­da. On Sat­ur­day, dur­ing a foot­ball game against LSU, some 90,000 Gators fans gave Pet­ty a rau­cous send off, singing “I Won’t Back Down” in uni­son. Don’t know about you, but it gave me the chills.

BTW, if you’re won­der­ing what the occa­sion­al boos are all about, it’s the U. of Flori­da fans tak­ing the LSU march­ing band to task for dis­rupt­ing the Pet­ty sing-along. Or so it was per­ceived.

Relat­ed Con­tent:

Tom Pet­ty Takes You Inside His Song­writ­ing Craft

Jason Aldean Per­forms “I Won’t Back Down” on SNL–A Mov­ing Trib­ute the Vic­tims of the Las Vegas Shoot­ing & Tom Pet­ty

A 17-Hour, Chrono­log­i­cal Jour­ney Through Tom Petty’s Music: Stream the Songs That Became the Sound­tracks of Our Lives

Watch Tom Pet­ty (RIP) and the Heart­break­ers Per­form Their Last Song Togeth­er, “Amer­i­can Girl”: Record­ed on 9/25/17

Prince, Joined by Tom Pet­ty, Plays a Mind-Blow­ing Gui­tar Solo On “While My Gui­tar Gen­tly Weeps”

Alan Watts Explains the Meaning of the Tao, with the Help of the Greatest Nancy Panel Ever Drawn

A Nan­cy pan­el is an irre­ducible con­cept, an atom, and the com­ic strip is a mol­e­cule. — comics the­o­rist Scott McCloud

A lit­tle over ten years ago, car­toon­ist Jim Woodring iso­lat­ed a sin­gle image from Ernie Bushmiller’s long-run­ning and deeply polar­iz­ing Nan­cy com­ic strip, cel­e­brat­ing it on his blog, the Woodring Mon­i­tor, as “the great­est Nan­cy pan­el ever drawn.”

What makes this pan­el the great­est? Woodring declined to elab­o­rate, though his read­ers eager­ly shared the­o­ries—and some befuddlement—in the com­ments sec­tion:

Slug­go has reached the per­fect state of no-effort, the satori-like denial of the “small mind” and all of the suf­fer­ing that comes with it.

… it’s the com­ic equiv­a­lent of a koan—something designed to tie our ratio­nal mind in knots so that we can glimpse enlight­en­ment.

Slug­go smiles because he knows a secret. He says no because he rejects con­sen­sus real­i­ty. He floats along because he doesn’t fight life—he sees the main­te­nance of the har­mo­ny and is one with that har­mo­ny. He knows all paths lead away from home. Instead he goes with­in and knows free­dom.

“I am con­tent. I need noth­ing, I will do noth­ing, I am fine as I am.”

Anoth­er fan, Glyph Jock­ey’s Lex 10, took it one step fur­ther, remov­ing the speech bub­ble before tak­ing Slug­go on an ani­mat­ed trip through the cos­mos, nar­rat­ed by philoso­pher Alan Watts:

In the state of being in accor­dance with the Tao, there is a cer­tain feel­ing of weight­less­ness, par­al­lel to the weight­less­ness that peo­ple feel when they get into out­er space or when they go deep into the ocean.

Gab­by Pahinui’s “Pu’uanahulu” and Ramayana imagery bestow added hyp­not­ic appeal.

Revis­it this strange lit­tle ani­mat­ed gem the next time your head­’s about to explode from stress. Don’t ques­tion or get too hung up on mean­ings, just go with the flow, like Slug­go and Watts.

Could oth­er Nan­cy pan­els serve as vehi­cles for Taoist enlight­en­ment? May­haps:

Bushmiller’s strong point was nev­er the con­tent of his com­ic strip’s jokey plots—a friend once described him as ‘a moron on an acid trip.’ In fact, the gags were even sim­pler than was nec­es­sary for a ‘chil­dren’s’ strip. That’s because they were just a vehi­cle for the con­trolled and bril­liant manip­u­la­tion of rep­e­ti­tion and vari­ety that gave the strip its unique visu­al rhythm and com­po­si­tion. Bush­miller chore­o­graphed his famil­iar for­mal ele­ments inside the tight­est frame of any major strip, and that helped make it the most beau­ti­ful, as a whole, of any in the papers.” — Tom Smuck­er, The Vil­lage Voice, 1982

Recent­ly, Bushmiller’s Nan­cy has been enjoy­ing a renais­sance. The strip that many casu­al read­ers of the fun­ny pages dis­missed as bor­ing or dumb is revered by many cel­e­brat­ed car­toon­ists, includ­ing Bill Grif­fith, Daniel Clowes, and Art Spiegel­man.

This month sees the pub­li­ca­tion of Paul Karasik and Mark New­gar­den’s How to Read Nan­cy, a book length analy­sis of one sin­gle strip, which also func­tions as a how-to and his­to­ry of the com­ic medi­um. This hot­ly antic­i­pat­ed vol­ume has in turn giv­en rise to a live­ly online How To Read Nan­cy Read­ing Group, a hotbed of fan art, altered pan­els, and Nan­cy strips from around the world.

Invite your pals over to play com­ic the­o­rist Scott McCloud’s Dadaist game Five Card Nan­cy or take the online ver­sion for a solo spin.

And for those who require con­text, here is the orig­i­nal strip from which the float­ing Slug­go pan­el is drawn.

Appar­ent­ly the key to the Tao is a plas­tic ham­mock…

Relat­ed Con­tent:

The Wis­dom of Alan Watts in Four Thought-Pro­vok­ing Ani­ma­tions

Three Charles Bukows­ki Books Illus­trat­ed by Robert Crumb: Under­ground Com­ic Art Meets Out­sider Lit­er­a­ture

Fol­low Car­toon­ist Lyn­da Barry’s 2017 “Mak­ing Comics” Class Online, Pre­sent­ed at UW-Wis­con­sin

Down­load Over 22,000 Gold­en & Sil­ver Age Com­ic Books from the Com­ic Book Plus Archive

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Fol­low her @AyunHalliday.

Jason Aldean Performs “I Won’t Back Down” on SNL–A Moving Tribute the Victims of the Las Vegas Shooting & Tom Petty

Just days ago, Jason Aldean was per­form­ing on stage in Las Vegas when bul­lets start­ed reign­ing down, killing 58 con­cert­go­ers and wound­ing hun­dreds. Tonight, he opened Sat­ur­day Night Live with a poignant tribute–both to the vic­tims of the mas­sacre and rock­er Tom Pet­ty, who passed away ear­li­er this week.

Above, watch Aldean sing Pet­ty’s defi­ant 1989 anthem, “I Won’t Back Down.” Remem­ber the lives lost to sense­less vio­lence. Pray that we’ll even­tu­al­ly care enough, as a nation, to do some­thing about it. Think about music’s abil­i­ty to restore the soul. And thank SNL for ris­ing to yet anoth­er impor­tant occa­sion. 

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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The Hummingbird Whisperer: Meet the UCLA Scientist Who Has Befriended 200 Hummingbirds

Com­mon wis­dom, and indeli­ble mem­o­ries of The Birds, warn that feed­ing seag­ulls, pigeons and oth­er crea­tures who trav­el in flocks is a can of worms best left unopened.

But what about hum­ming­birds?

Melanie Bar­boni is research geo­chemist in UCLA’s Depart­ment of Earth, Plan­e­tary and Space Sci­ences. Near the UCLA Court of Sci­ences she took a break from vol­canos and the moon long enough to hang a feed­er filled with sug­ar water out­side her ground floor office win­dow.

This com­pli­men­ta­ry buf­fet proved such a hit, she hung up more.

Two years lat­er, Bar­boni is serv­ing a colony of over 200 hum­ming­birds from four 80-ounce feed­ers. Their metab­o­lism requires them to con­sume 8 to 10 times their body weight on a dai­ly basis.

Barboni’s ser­vice to her tiny jew­el-toned friends extends well beyond the feed­ers. She’s divert­ed cam­pus tree trim­mers from inter­fer­ing with them dur­ing nest­ing sea­son, and giv­en pub­lic talks on the habi­tat-destroy­ing effects of cli­mate change. She’s col­lab­o­rat­ing with anoth­er pro­fes­sor and UCLA’s Chief Sus­tain­abil­i­ty Offi­cer Nurit Katz to estab­lish a spe­cial gar­den on cam­pus for hum­ming­birds and their fel­low pol­li­na­tors.

The inti­ma­cy of this rela­tion­ship is some­thing she’s dreamed of since her bird­watch­ing child­hood in Switzer­land where the only hum­ming­birds avail­able for her view­ing were the ones in books. Her dream came true when a fel­low­ship took her from Prince­ton to Los Ange­les, where hum­ming­birds live year-round.

Some long­time favorites now perch on their benefactor’s hand while feed­ing, or even per­mit them­selves to be held and stroked. A few like to hang out inside the office, where the warm glow of Barboni’s com­put­er mon­i­tor is a com­fort­ing pres­ence on inclement days.

She’s bestowed names on at least 50: Squeak, Star­dust, Tiny, Shy…

(Show of hands from those who wish she’d named them all after not­ed geol­o­gists: Mary Anning, Eugene Mer­le Shoe­mak­erCecil­ia Hele­na Payne-Gaposchkin…)

Get to know the UCLA hum­ming­birds bet­ter through Melanie Barboni’s up-close-and-per­son­al doc­u­men­tary pho­tos. Learn more about the species itself through the Nation­al Geo­graph­ic doc­u­men­tary below.

via The Kids Should See This

Relat­ed Con­tent:

Cor­nell Launch­es Archive of 150,000 Bird Calls and Ani­mal Sounds, with Record­ings Going Back to 1929

Google Uses Arti­fi­cial Intel­li­gence to Map Thou­sands of Bird Sounds Into an Inter­ac­tive Visu­al­iza­tion

Free Enter­tain­ment for Cats and Dogs: Videos of Birds, Squir­rels & Oth­er Thrills

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Fol­low her @AyunHalliday.

Watch Tom Petty (RIP) and the Heartbreakers Perform Their Last Song Together, “American Girl”: Recorded on 9/25/17

It was already a ter­ri­ble day. Then came the news (retract­ed, then lat­er sad­ly con­firmed by The New York Times and the BBC) that Tom Pet­ty has passed away at the age of 66. The cause, appar­ent­ly a heart attack. This sum­mer, I trav­eled to Philadel­phia to see my first Tom Pet­ty show, know­ing it might be, as he said, his “last trip around the coun­try,” the final big tour. And I’m so glad I did. What more could I say? It was a won­der­ful show, a mag­i­cal two-hour sin­ga­long, which end­ed with “Amer­i­can Girl,” one of my favorites.

Above, you can see Tom Pet­ty and the Heart­break­ers play their last song together–again “Amer­i­can Girl”–at their final gig at the Hol­ly­wood Bowl. This video was record­ed just last week.

If you’ve nev­er giv­en their music a seri­ous lis­ten, just click play on the playlist below. It might be one of the best wall-to-wall hours in music.

via Rolling Stone

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

 

 

An Intimate Look at Alberto Giacometti in His Studio, Making His Iconic Sculptures (1965)

A vis­it to an artist’s stu­dio can shed light on his or her work.

The British Arts Coun­cil’s short film above affords an inti­mate glimpse into Alber­to Gia­comet­ti’s stu­dio in Mont­par­nasse cir­ca 1965, the year when he was the sub­ject of major ret­ro­spec­tives at both the Tate Gallery and the Muse­um of Mod­ern Art in New York.

The artist passed most of his work­ing life in cramped space at 46 rue Hip­poly­te. Ear­ly on, he enter­tained plans to relo­cate “because it was too small – just a hole.”

Oth­ers vis­i­tors to the stu­dio described the artist’s envi­rons in more lit­er­ary terms:

In a charm­ing lit­tle for­got­ten gar­den he has a stu­dio, sub­merged in plas­ter, and he lives next to this in a kind of hangar, vast and cold, with nei­ther fur­ni­ture nor food. He works very hard for fif­teen hours at a stretch, above all at night: the cold, his frozen hands – he takes no notice, he works. Simone de Beau­voir

And:

This ground floor stu­dio… is going to cave in at any moment now. It is made of worm-eat­en wood and grey pow­der.… Every­thing is stained and ready for the bin, every­thing is pre­car­i­ous and about to col­lapse, every­thing is about to dis­solve, every­thing is float­ing.… And yet it all appears to be cap­tured in an absolute real­i­ty. When I leave the stu­dio, when I am out­side on the street, then noth­ing that sur­rounds me is true. — Play­wright Jean Genet

And:

The whole place look­ing as if it had been thrown togeth­er with a few old sticks and a lot of chew­ing gum.… In short, a dump. Any­way he said come in when I knocked.… He turned and glanced at me, hold­ing out his hand which was cov­ered in clay, so I shook his wrist.… He imme­di­ate­ly resumed work, run­ning his fin­gers up and down the clay so fierce­ly that lumps fell onto the floor - Essay­ist James Lord

These impres­sions paint a por­trait of a dri­ven, and dis­ci­plined artist, who logged untold hours mod­el­ing his formes elongee in clay, uncer­e­mo­ni­ous­ly crum­pling and rebuild­ing in the pur­suit of excel­lence.

The cam­era doc­u­ments this inten­si­ty, though his untrans­lat­ed remarks sug­gest a man capa­ble of tak­ing him­self light­ly, cer­tain­ly more so than the accom­pa­ny­ing nar­ra­tion does.

Like the nar­ra­tion, Roger Smal­l­ey’s dis­so­nant score lays it on thick, the son­ic equiv­a­lent of heads like blades and “limbs bound as though ban­daged for the grave.” Per­haps we should con­ceive of the stu­dio as a scary place?

In actu­al­i­ty, it proved a hos­pitable work envi­ron­ment and the impulse to relo­cate even­tu­al­ly waned, with the artist observ­ing that “the longer I stayed, the big­ger it became. I could fit any­thing I want­ed into it.”

Explore the recent Tate Mod­ern Gia­comet­ti ret­ro­spec­tive here and take a clos­er look at the stu­dio via Ernst Scheidegger’s pho­tos.

Gia­comet­ti” will be added to our list of Free Doc­u­men­taries, a sub­set of our col­lec­tion, 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More.

Relat­ed Con­tent:

Watch Icon­ic Artists at Work: Rare Videos of Picas­so, Matisse, Kandin­sky, Renoir, Mon­et, Pol­lock & More

Watch 1915 Video of Mon­et, Renoir, Rodin & Degas: The New Motion Pic­ture Cam­era Cap­tures the Inno­v­a­tive Artists

1.8 Mil­lion Free Works of Art from World-Class Muse­ums: A Meta List of Great Art Avail­able Online

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Fol­low her @AyunHalliday.

Hugh Hefner (RIP) Defends “the Playboy Philosophy” to William F. Buckley, 1966

“Mr. Hefn­er’s mag­a­zine is most wide­ly known for its total expo­sure of the human female,” says William F. Buck­ley, intro­duc­ing the guest on this 1966 broad­cast of his talk show Fir­ing Line. “Though of course oth­er things hap­pen in its pages.” Not long before, pub­lish­er and plea­sure empire-builder Hugh Hefn­er’s Play­boy mag­a­zine ran a series of arti­cles on “the Play­boy phi­los­o­phy,” a set of obser­va­tions of and propo­si­tions about human sex­u­al­i­ty that pro­vid­ed these men fod­der for their tele­vised debate. Hefn­er stands against reli­gious­ly man­dat­ed, chasti­ty-cen­tered codes of sex­u­al moral­i­ty; Buck­ley demands to know how Hefn­er earned the qual­i­fi­ca­tions to issue new codes of his own. Describ­ing the Play­boy phi­los­o­phy as “sort of a hedo­nis­tic util­i­tar­i­an­ism,” Buck­ley tries simul­ta­ne­ous­ly to under­stand and demol­ish these 20th-cen­tu­ry revi­sions of the rules of sex.

“The Play­boy founder is no match for the Catholic who snipes him at will with ‘moral’ bul­lets,” writes the poster of the video. “The acer­bic, dry Buck­ley is on attack mode with a con­ser­v­a­tive audi­ence, in moral pan­ic, behind him. The Catholic had the era of con­ser­vatism behind him. [ … ] In the 21st cen­tu­ry though, Buck­ley would have a hard­er time defend­ing moral­i­ty with Hefn­er.” One won­ders how Buck­ley and Hefn­er, were they still alive today, might revis­it this debate in 2017. (Buck­ley died in 2008, and Hefn­er passed away yes­ter­day at the age of 91.) Times have cer­tain­ly changed, but I sus­pect Buck­ley would raise the same core objec­tion to Hefn­er’s argu­ment that loos­en­ing the old stric­tures on sex leads, per­haps coun­ter­in­tu­itive­ly, to more sat­is­fied, more monog­a­mous pair­ings: “How in the hell do you know?” Though this and cer­tain oth­er of Buck­ley’s ques­tions occa­sion­al­ly wrong-foot Hefn­er, the faith­ful can rest assured that he keeps enough cool to fire up his sig­na­ture pipe on cam­era.

Note: This post first appeared on our site back in 2012. We brought it back today for obvi­ous rea­sons, and updat­ed it to reflect Hefn­er’s pass­ing. Since 2012, a huge archive of “Fir­ing Line” episodes have been put online. Get more on that here.

Relat­ed Con­tent:

375+ Episodes of William F. Buckley’s Fir­ing Line Now Online: Fea­tures Talks with Chom­sky, Borges, Ker­ouac, Gins­berg & More

Yeah, Baby! Deep Pur­ple Gets Sha­gadel­ic on Play­boy After Dark

James Bald­win Bests William F. Buck­ley in 1965 Debate at Cam­bridge Uni­ver­si­ty

Jack Ker­ouac Meets William F. Buck­ley (1968)

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture. Fol­low him on Twit­ter at @colinmarshall.

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