Let Me Librarian That for You: What People Asked Librarians Before Google Came Along

5NYPLQS

I often won­der just how I would have done my job(s) before the advent of an inter­net that puts more or less what­ev­er infor­ma­tion I might need right at my fin­ger­tips. The answer, of course, applies to any ques­tion about how we did things in an ear­li­er tech­no­log­i­cal era: we would’ve had to talk to some­one. Some of us would’ve had to talk to a librar­i­an, just like the ones The New York Pub­lic Library has employed (and con­tin­ues to employ) to research and respond to any ques­tions peo­ple need answered.

LetMeLibrarianThatForYou-10

The inter­net, as it hap­pens, has loved #let­meli­brari­anthat­fory­ou, the hash­tag the New York Pub­lic Library start­ed using on Insta­gram to iden­ti­fy the unusu­al such ques­tions it field­ed in the 20th cen­tu­ry. Their recent dis­cov­ery of a box of note­cards filled with pre­served ques­tions from the 1940s through the 80s, pho­tographs of which they now post on a reg­u­lar basis, has pro­vid­ed a clear win­dow onto the human curios­i­ty of days past — or rather, the instances of human curios­i­ty that librar­i­ans found curi­ous enough to pre­serve in their box labeled “inter­est­ing research ques­tions” and kept behind the desk.

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Search tech­nol­o­gy, of course, has­n’t yet made human con­sul­tants of every kind obso­lete; there are more Googleable and less Googleable ques­tions, after all. Exam­ples of the for­mer include 1962’s “What is the ges­ta­tion of human beings in days?” (“I was born on 1/29/62,” replies one com­menter. “Maybe my moth­er was get­ting impa­tient!”), 1966’s query about whether Jules Verne wrote Alice’s Adven­tures in Won­der­land, and the undat­ed “Are Pla­to, Aris­to­tle, and Socrates the same per­son?”

nypl questions

Some patrons, on the oth­er end of the spec­trum, pre­ferred to ask the unan­swer­able: one need­ed the solu­tion to “the rid­dle of exis­tence,” and anoth­er called in pur­suit of The Oxford Ornithol­o­gy of Amer­i­can Lit­er­a­ture. Even if the librar­i­ans could­n’t help out these inquis­i­tive peo­ple of the mid-20th cen­tu­ry, I do hope they found a way to sati­ate your curios­i­ty. It almost makes me want to see what mod­ern human­i­ty is Googling right now. Wait, no — I said “almost.”

Relat­ed Con­tent:

Alain de Bot­ton Shows How Art Can Answer Life’s Big Ques­tions in Art as Ther­a­py

Woody Allen Answers 12 Uncon­ven­tion­al Ques­tions He Has Nev­er Been Asked Before

What Ques­tions Would Stephen Fry Ask God at the Pearly Gates?

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture as well as the video series The City in Cin­e­ma and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

David Carr Gives 10 Pieces of Work & Life Advice to UC Berkeley Graduates

David Carr took sev­en years to get through col­lege. He did­n’t have a Mas­ter’s degree or a PhD. Before he made it big writ­ing for The New York Times, he spent time in rehab and on wel­fare. David Carr did­n’t fit the pro­file of your aver­age com­mence­ment speak­er.

And yet Carr, who died in the Times news­room on Thurs­day nightearned his spot speak­ing before the 2014 grad­u­at­ing class at UC Berke­ley’s Grad­u­ate School of Jour­nal­ism. Known for his insight­ful report­ing on changes in pub­lish­ing, tele­vi­sion and social media, Carr under­stood the world these young jour­nal­ists were enter­ing. And when he offered 10 pieces of grad­u­a­tion advice, you know the stu­dents took note. You should too:

1.) Some­one who is under­es­ti­mat­ed will be the one who changes the world. It’s not the per­son every­one expects. It might be you.

2.) “Do what is front of you.” Focus on the small steps ahead of you.

3.) Don’t wor­ry about achiev­ing a mas­ter plan, about the plot to take over the world.

4.) Be a work­er among work­ers. It’s more impor­tant that you fit in before you stick out.

5.) Fol­low the “Mom Rule.” Don’t do any­thing you couldn’t explain or jus­ti­fy to your mom.

6.) Don’t just do what you’re good at. Get out­side of your com­fort zone. Being a jour­nal­ist is per­mis­sion for life­time learn­ing.

7.) Be present. Don’t wor­ry about doc­u­ment­ing the moment with your smart­phone. Expe­ri­ence it your­self.

8.) Take respon­si­bil­i­ty for the good and the bad. Learn to own your fail­ures.

9.) Be hon­est, and be will­ing to have the dif­fi­cult con­ver­sa­tion.

10.) Don’t be afraid to be ambi­tious. It’s not a crime.

He says it’s a lis­ti­cle that won’t appear on Buz­zfeed. But it fits per­fect­ly on OC. David, we’re so sor­ry to see you go.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Michael Pol­lan Presents an Edi­ble Edu­ca­tion, A Free Online Course From UC Berke­ley

“Wear Sun­screen”: The Sto­ry Behind the Com­mence­ment Speech That Kurt Von­negut Nev­er Gave

David Fos­ter Wallace’s 2005 Com­mence­ment Speech “This is Water” Visu­al­ized in Short Film

NPR Launch­es Data­base of Best Com­mence­ment Speech­es Ever

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In Animated Cartoon, Alison Bechdel Sees Her Life Go From Pulitizer Prize Winning Comic to Broadway Musical

No one is sur­prised when authors mine their per­son­al expe­ri­ences. If they’re lucky enough to strike gold, oth­er min­ers may be brought on to bring the sto­ries to the sil­ver screen. Here’s where things get tricky (if lucra­tive). No one wants to see his or her impor­tant life details get­ting roy­al­ly botched, espe­cial­ly when the results are blown up 70 feet across.

Car­toon­ist Ali­son Bechdel’s path to let­ting oth­ers take the reins as her sto­ry is immor­tal­ized in front of a live audi­ence is not the usu­al mod­el. The fam­i­ly his­to­ry she shared in the Pulitzer Prize-win­ning Fun Home: A Fam­i­ly Tragi­com­ic has been turned into a Broad­way musi­cal.

Now that would be a nail biter, espe­cial­ly if the non-fic­tion­al source mate­r­i­al includes a graph­i­cal­ly awk­ward first sex­u­al encounter and your clos­et­ed father’s sui­cide.

In the ani­mat­ed com­ic above, Bechdel recounts the sur­re­al expe­ri­ence of see­ing her most per­son­al expe­ri­ences musi­cal­ized dur­ing Fun Home’s recent Off-Broad­way run at the Pub­lic The­ater.

In the wrong hands, it could have been an excru­ci­at­ing evening, but Fun Home, the musi­cal, has had excel­lent pedi­gree from the get go.

It’s also worth not­ing that this show pass­es the infa­mous Bechdel Test (below) both onstage and off, with a book and lyrics by Lisa Kron and music by Jea­nine Tesori.

Pre­views begin next month in New York City.

bechdel-rule

Relat­ed Con­tent:

Car­toon­ist Kate Beat­on Plays on Lit­er­ary Clas­sics — The Great Gats­by, Julius Cae­sar & More

Lyn­da Bar­ry, Car­toon­ist Turned Pro­fes­sor, Gives Her Old Fash­ioned Take on the Future of Edu­ca­tion

Under­ground Car­toon­ist R. Crumb Intro­duces Us to His Rol­lick­ing Album Cov­er Designs

Ayun Hal­l­i­day is an author, home­school­er, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

All You Need is Love: The Keys to Happiness Revealed by a 75-Year Harvard Study

The lat­est install­ment from PBS’ Brain­Craft video series intro­duces us to two sci­en­tif­ic stud­ies that teach us a thing or two about what brings us hap­pi­ness. One set of results comes from Dr. John Gottman’s Fam­i­ly Research Lab­o­ra­to­ry (a.k.a. the “Love Lab”); the oth­er from the Har­vard Grant Study, a 75-year study that has traced the lives and devel­op­ment of 268 Har­vard sopho­mores from the class­es of 1939–1944. Although the study focus­es on priv­i­leged white men (the demo­graph­ic that attend­ed Har­vard Col­lege dur­ing the 1930s and 40s), the Har­vard Grant Study has yield­ed con­clu­sions that apply to a broad­er pop­u­la­tion.

One of the longest-run­ning stud­ies of adult devel­op­ment, the study has found, for exam­ple, that alco­holism has some of the most ruinous effects on mar­riages, fam­i­ly finances and per­son­al health. Like­wise, it reveals that lib­er­als have sex much fur­ther into old age than their con­ser­v­a­tive peers.

But those aren’t the big take­aways — the con­clu­sions that talk about hap­pi­ness. If you watch the inter­view below with George Vail­lant, the long­time direc­tor of the study, you will hear him con­clude that hap­pi­ness isn’t about “con­form­ing, keep­ing up with the Jone­ses. It is about play­ing, and work­ing, and lov­ing. And lov­ing is prob­a­bly the most impor­tant. Hap­pi­ness is love.”

Accord­ing to Vail­lant, “warmth of rela­tion­ships through­out life have the great­est pos­i­tive impact on ‘life sat­is­fac­tion.’ ” When we have warm rela­tion­ships with our par­ents, spous­es, friends and fam­i­ly, we expe­ri­ence less dai­ly anx­i­ety and a greater sense of over­all plea­sure; we have bet­ter health (includ­ing low­er lev­els of demen­tia lat­er in life); and we’re more effec­tive at work and make more mon­ey.

Essen­tial­ly The Bea­t­les had it right, “All you need is love. Love is all you need.”

You can read more about the Har­vard study over at The Atlantic.

Relat­ed Con­tent:

A Guide to Hap­pi­ness: Alain de Bot­ton Shows How Six Great Philoso­phers Can Change Your Life

Take the ‘Hap­pi­ness Exper­i­ment’

Free Online Psy­chol­o­gy Cours­es

A Crash Course on Psy­chol­o­gy: A 30-Part Video Series from Hank Green

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In Lost Letter, Allen Ginsberg Tells The Paris Review He Tried LSD Again & Experienced “No Snake Universe Hallucinations” (1966)

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(click for larg­er ver­sion)

In June 1965, Allen Gins­berg was inter­viewed at length by fel­low poet Tom Clark. They touched on such top­ics as poet­ic meter, William S. Bur­roughs, and Blake’s “The Sick Rose.” When the con­ver­sa­tion turned to hal­lu­cino­gens, Gins­berg, a famous­ly ear­ly adopter of LSD, describes a vision so omi­nous it could’ve turned an entire gen­er­a­tion off drugs:

If I close my eyes on hal­lu­cino­gens, I get a vision of great scaly drag­ons in out­er space, they’re wind­ing slow­ly and eat­ing their own tails. Some­times my skin and all the room seem sparkling with scales, and it’s all made out of ser­pent stuff. And as if the whole illu­sion of life were made of rep­tile dream.

He also men­tioned that drugs made him barf. That alone seems a per­sua­sive rea­son to stop tak­ing them.

Despite his strong desire to con­tin­ue his pur­suit of ever high­er lev­els of con­scious­ness, the cons were begin­ning to out­weigh the pros.

It took near­ly a year for the Paris Review to pub­lish the inter­view. So long that the sub­ject felt the need to revise his ear­li­er state­ments, via the type­writ­ten let­ter above.

His post-inter­view psy­che­del­ic excur­sions appear to have tran­spired in the sort of benign uni­verse typ­i­cal­ly imag­ined by a preschool­er with a big box of crayons: “tiny jew­eled vio­let flow­ers,” “giant green waves,” a “great yel­low sun.” Oth­er­wise known as Big Sur on acid.

The lev­el of good­ness present in those lat­er trips was such strong med­i­cine, Gins­berg decid­ed to exper­i­ment fur­ther, direct­ing some of his good vibes toward then-Pres­i­dent Lyn­don John­son, who was under­go­ing surgery to remove his gall blad­der. Love thy ene­my, and all of that.

I won­der if John­son ever found out he had a rabid­ly anti-war Beat Poet (and “mass­es of green bulb-head­ed Kelp veg­etable-snake under­sea beings”) pray­ing for his recov­ery.

Appar­ent­ly it worked.

The com­plete June 1965 inter­view can be read in the Paris Review’s archives. Those who’ve grown unac­cus­tomed to read­ing couri­er font as exe­cut­ed by a mid­cen­tu­ry man­u­al type­writer will find the com­plete text of Gins­berg’s let­ter below.

June 2, 1966

To read­ers of Paris Review:

Re LSD, Psy­locib­in [sic], etc., Paris Review #37 p. 46: “So I couldn’t go any fur­ther. I may lat­er on occa­sion, if I feel more reas­sur­ance.”

Between occa­sion of inter­view with Thomas Clark June ’65 and pub­li­ca­tion May ’66 more reas­sur­ance came. I tried small dos­es of LSD twice in seclud­ed tree and ocean cliff haven at Big Sur. No mon­ster vibra­tion, no snake uni­verse hal­lu­ci­na­tions. Many tiny jew­eled vio­let flow­ers along the path of a liv­ing brook that looked like Blake’s illus­tra­tion for a canal in grassy Eden: huge Pacif­ic watery shore, Orlovsky danc­ing naked like Shi­va long-haired before giant green waves, titan­ic cliffs that Wordsworth men­tioned in his own Sub­lime, great yel­low sun veiled with mist hang­ing over the planet’s ocean­ic hori­zon. No harm. Pres­i­dent John­son that day went into the Val­ley of Shad­ow oper­at­ing room because of his gall blad­der & Berkley’s Viet­nam Day Com­mit­tee was prepar­ing anx­ious man­i­festoes for our march toward Oak­land police and Hell’s Angels. Real­iz­ing that more vile words from me would send out phys­i­cal vibra­tions into the atmos­phere that might curse poor Johnson’s flesh and fur­ther unbal­ance his soul, I knelt on the sand sur­round­ed by mass­es of green bulb-head­ed Kelp veg­etable-snake under­sea beings washed up by last night’s tem­pest, and prayed for the President’s tran­quil health. Since there has been so much leg­isla­tive mis-com­pre­hen­sion of the LSD boon I regret that my unedit­ed ambiva­lence in Thomas Clark’s tape tran­script inter­view was pub­lished want­i­ng this foot­note.

Your obe­di­ent ser­vant

Allen Gins­berg, aetat 40

Relat­ed Con­tent:

Allen Ginsberg’s “Celes­tial Home­work”: A Read­ing List for His Class “Lit­er­ary His­to­ry of the Beats”

Allen Gins­berg Reads His Famous­ly Cen­sored Beat Poem, Howl (1959)

Allen Gins­berg Reads a Poem He Wrote on LSD to William F. Buck­ley

Allen Gins­berg & The Clash Per­form the Punk Poem “Cap­i­tal Air,” Live Onstage in Times Square (1981)

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

What Questions Would Stephen Fry Ask God at the Pearly Gates?

Sev­er­al years ago, an inter­view­er asked Stephen Fry to look back­ward — to reflect on his life and answer this ques­tion, “What do you wish you had known when you were 18”? What lessons would you draw in hind­sight?  Some of his answers includ­ed:

  • Don’t set goals for your­self, par­tic­u­lar­ly mate­r­i­al ones. They’re dis­as­trous and will keep you from becom­ing who you real­ly are.
  • Keep your ego in check. You’ll be bet­ter liked, and more oppor­tu­ni­ties will come your way.
  • Get out­side your com­fort zone by trav­el­ing to dis­tant lands and read­ing books in a serendip­i­tous way.
  • Be a giv­er, not a tak­er. It’s more reward­ing.

In the clip above, Gay Byrne, a broad­cast­er with RTÉ, now asks Fry to look for­ward and answer anoth­er ques­tion: Sup­pose there is a God, and you arrive at the Pearly Gates, what would you say to him, her or it? Fry, an avowed sec­u­lar human­ist, isn’t throw­ing God any soft­balls: Why cre­ate a world where kids have bone can­cer? Why cre­ate insects that bur­row into chil­dren’s eyes and ren­der them blind? Why cre­ate a world with so much pain, mis­ery and injus­tice in it? As he answers these ques­tions, and con­cludes that such a God (were it to exist) would be noth­ing short of mani­a­cal, Byrne’s face con­torts, reveal­ing his dis­com­fort. You can watch oth­er scenes from the inter­view here, and catch Fry’s ani­mat­ed primers on sec­u­lar human­ism here.

via The Dai­ly Beast

Relat­ed Con­tent:

Stephen Fry: What I Wish I Knew When I Was 18

Stephen Fry Explains Human­ism in 4 Ani­mat­ed Videos: Hap­pi­ness, Truth and the Mean­ing of Life & Death

Free Online Reli­gion Cours­es

 

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115 Books on Lena Dunham & Miranda July’s Bookshelves at Home (Plus a Bonus Short Play)

Miranda-july-reading

Miran­da-july-read­ing” by Alex­is Bar­rera / Licensed under CC BY 2.5 via Wiki­me­dia Com­mons.

Ah, the joys of din­ing at a new friend’s home, know­ing soon­er or lat­er, one’s host­ess’ blad­der or some bit of last minute meal prepa­ra­tion will dic­tate that one will be left alone to rifle the titles on her book­shelf with aban­don. No med­i­cine cab­i­net can com­pete with this peek into the psy­che.

Pity that some of the peo­ple whose book­shelves I’d be most curi­ous to see are the least like­ly to open their homes to me. That’s why I’d like to thank The Strand book­store for pro­vid­ing a vir­tu­al peek at the shelves of film­mak­ers-cum-authors Miran­da July and Lena Dun­ham.  (Pre­vi­ous par­tic­i­pants in the Authors Book­shelf series include just-plain-reg­u­lar authors George Saun­ders, Edwidge Dan­ti­cat and the late David Fos­ter Wal­lace whose con­tri­bu­tions were select­ed by biog­ra­ph­er D.T. Max.)

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Lena Dun­ham” by David Shankbone — Licensed under CC BY 3.0 via Wiki­me­dia Com­mons.

I wish Dun­ham and July had offered up some per­son­al com­men­tary to explain their hand-picked titles. (Sure­ly their homes are lined with books. Sure­ly each list is but a rep­re­sen­ta­tive sam­pling, one shelf from hun­dreds. Hmm. Inter­est­ing. Did they run back and forth between var­i­ous rooms, curat­ing with a vengeance, or is this a case of what­ev­er hap­pened to be in the case clos­est at hand when dead­line loomed?)

Which book’s a long­time favorite?

Which the lit­er­ary equiv­a­lent of com­fort food?

Are there things that only made the cut because the author is a friend?

Both women are cel­e­brat­ed sto­ry­tellers. Sure­ly, there are sto­ries here beyond the ones con­tained between two cov­ers.

But no mat­ter. The lack of accom­pa­ny­ing anec­dotes means we now have the fun of invent­ing imag­i­nary din­ner par­ties:

 

ME: (stand­ing in the liv­ing room, call­ing through the kitchen door, a glass of wine in hand) Whoa, Lena, I can’t believe you’ve got Impor­tant Arti­facts and Per­son­al Prop­er­ty from the Col­lec­tion of Lenore Doolan and Harold Mor­ris, Includ­ing Books, Street Fash­ion, and Jew­el­ry!

LENA DUNHAM: (polite, but dis­tract­ed by a pot of red sauce) I know, isn’t that one great?

ME: So great! Where’d you buy it?

LENA DUNHAM: Uh, The Strand, I think.

ME: Me too! Such a great con­ceit, that book. Wish I’d come up with it!

LENA DUNHAM: I know what you mean.

ME: Ooh, you’ve got Was She Pret­ty? 

LENA DUNHAM: Hmm? Oh, yeah, my friend Miran­da gave me that.

ME: (glanc­ing between the two books.) Wait! Leanne Sharp­ton. Leanne Sharp­ton. I didn’t real­ize it’s the same author.

LENA DUNHAM: As what?

ME: The per­son who wrote Was She Pret­ty? also wrote Impor­tant Arti­facts and Per­son­al Prop­er­ty-

ME & LENA DUNHAM IN UNISON: — from the Col­lec­tion of Lenore Doolan and Harold Mor­ris, Includ­ing Books, Street Fash­ion, and Jew­el­ry!

LENA DUNHAM: Got­ta love that title.

ME: Why do you have all these kids’ books?

LENA DUNHAM: Those are from my child­hood.

ME: (slid­ing an unnamed title off the shelf, eyes widen­ing as I read the shock­ing­ly graph­ic per­son­al inscrip­tion on the fly­leaf) Oh?

LENA DUNHAM: I real­ly relate to Eloise.

ME: (hasti­ly slid­ing the vol­ume back onto the shelf before Lena can catch me snoop­ing) Oh yeah…ha ha.

LENA DUNHAM: Are you the one who likes graph­ic nov­els?

ME: Me? Yes!!!

LENA DUNHAM: Yeah. My friend Miran­da does too.

ME:  That’s fun­ny - Sex and the Sin­gle Girl right next to Of Human Bondage.

LENA DUNHAM: (curs­ing under her breath)

ME: Need help?

LENA DUNHAM: No, it’s just this damn …arrrggh. I hate this cook­book!

ME: (bright­ly) Smells good!

LENA DUNHAM: … crap.

ME: So, is Adam Dri­ver com­ing? Or Ray or any­body?

LENA DUNHAM: (testi­ly)  You mean Alex Kar­povsky?

ME: (flus­tered) Oh, ha ha, yes! Alex! … I sent him a Face­book request and he accept­ed.

LENA DUNHAM: (mut­ters under her breath)

ME: Design Sponge? Real­ly? What’s some­one in your shoes doing with a bunch of DIY dec­o­rat­ing books?

LENA DUNHAM: (cold­ly) Research.

 

Actu­al­ly, maybe it is bet­ter to admire one’s idols’ book­shelves from afar.

I’m cha­grined that I don’t rec­og­nize more of their mod­ern fic­tion picks. That wasn’t such a prob­lem when I was mea­sur­ing myself against the 430 books on Mar­i­lyn Monroe’s read­ing list.

Thank heav­en for old stand­bys like Madame Bovary.

In all sin­cer­i­ty, I was glad that Dun­ham didn’t try to mask her love of home decor blog books.

And that July includ­ed her husband’s mono­graph, Our Bod­ies, Our­selves and a hand­book to rais­ing self-con­fi­dent babies.

One’s shelves, after all, are a mat­ter of taste. So, cel­e­brate the sim­i­lar­i­ties, take their rec­om­men­da­tions under advise­ment, see below and read what you like!

 

MIRANDA JULY’S SHELF

A Time for Every­thing  — Karl Ove Knaus­gaard

A Very Young Dancer — Jill Kre­mentz

Alice James: A Biog­ra­phy  — Jean Strouse

Ani­ma­cies: Biopol­i­tics, Racial Mat­ter­ing, and Queer Affect  — Mel Y. Chen

Arthur Tress: The Dream Col­lec­tor — John Mina­han

Build­ing Sto­ries  — Chris Ware

Crud­dy: An Illus­trat­ed Nov­el  — Lyn­da Bar­ry

Diaries, 1910–1923  — Franz Kaf­ka

Do the Win­dows Open?  — Julie Hecht

Dorothy Ian­none: Seek The Extremes! (v.1) — Bar­bara Vinken, Sabine Folie

Edge­wise: A Pic­ture of Cook­ie Mueller  — Chloe Grif­fin

Embryo­ge­n­e­sis — Richard Grossinger

Friedl Kubel­ka Vom Groller  — Melanie Ohne­mus

Amer­i­can War  — Har­rell Fletch­er

Han­nah Höch: Album (Eng­lish and Ger­man Edi­tion) — Han­nah Höch

How to Build a Girl  — Caitlin Moran

Humil­i­a­tion  — Wayne Koesten­baum

It’s OK Not to Share and Oth­er Rene­gade Rules for Rais­ing Com­pe­tent and Com­pas­sion­ate Kids  — Heather Shu­mak­er

King Kong The­o­ry  — Vir­ginie Despentes

Leav­ing the Atocha Sta­tion  — Ben Lern­er

Light­ning Rods  — Helen DeWitt

Lost at Sea: The Jon Ron­son Mys­ter­ies  — Jon Ron­son

Maid­en­head  — Tama­ra Faith Berg­er

Man V. Nature: Sto­ries  — Diane Cook

Mike Mills: Graph­ics Films  — Mike Mills

Napa Val­ley His­tor­i­cal Ecol­o­gy Atlas: Explor­ing a Hid­den Land­scape of Trans­for­ma­tion and Resilience  — Robin Grossinger

Need More Love  — Aline Komin­sky Crumb

Our Bod­ies, Our­selves (Com­plete­ly Revised and Updat­ed Ver­sion)  — Boston Wom­en’s Health Book Col­lec­tive

Jim Gold­berg: Rich and Poor  — Jim Gold­berg

San­ja Ivekovic: Sweet Vio­lence  — Rox­ana Mar­co­ci

Sophie Calle: The Address Book  — Sophie Calle

Star­ing Back  — Chris Mark­er

Taryn Simon: A Liv­ing Man Declared Dead and Oth­er Chap­ters, I‑XVIII — Homi Bhab­ha, Geof­frey Batchen

Tete-a-Tete: The Tumul­tuous Lives & Loves of Simone De Beau­voir and Jean-Paul Sartre  — Hazel Row­ley

The Hour of the Star  — Clarice Lispec­tor

The Illus­trat­ed I Ching — R.L. Wing

Two Kinds of Decay: A Mem­oir  — Sarah Man­gu­so

Traf­fic  — Ken­neth Gold­smith

Two Seri­ous Ladies  — Jane Bowles

Was She Pret­ty?  — Leanne Shap­ton

What is the What: The Auto­bi­og­ra­phy of Valenti­no Achak Deng: A Nov­el  — Dave Eggers

Why Did I Ever  — Mary Robi­son

Women in Clothes  — Sheila Heti

Work­ing: Peo­ple Talk About What They Do All Day and How They Feel About What They Do  — Studs Terkel

Your Self-Con­fi­dent Baby: How to Encour­age Your Child’s Nat­ur­al Abil­i­ties — From the Very Start  — Mag­da Ger­ber

Far from the Tree  — Andrew Solomon

How Should a Per­son Be?  — Sheila Heti

 

LENA DUNHAM’S LIST

The Girls’ Guide to Hunt­ing and Fish­ing  — Melis­sa Bank

A Lit­tle His­to­ry of the World  — E. H. Gom­brich

Anne of Green Gables  — L.M. Mont­gomery

Apart­ment Ther­a­py Presents: Real Homes, Real Peo­ple, Hun­dreds of Real Design Solu­tions  — Maxwell Gilling­ham-Ryan

Ariel: The Restored Edi­tion  — Sylvia Plath

Bad Fem­i­nist: Essays  — Rox­ane Gay

Bas­tard Out of Car­oli­na (20th Anniver­sary Edi­tion)  — Dorothy Alli­son

Blue is the Warmest Col­or  — Julie Maroh

Brighton Rock  — Gra­ham Greene

Caved­weller  - Dorothy Alli­son

Coun­try Girl: A Mem­oir  — Edna O’Brien

Crazy Sal­ad and Scrib­ble Scrib­ble: Some Things About Women and Notes on Media  — Nora Ephron

Design Sponge at Home  — Grace Bon­ney

Din­ner: A Love Sto­ry: It All Begins at the Fam­i­ly Table  — Jen­ny Rosen­stra­ch

Eleanor & Park  — Rain­bow Row­ell

Eloise  — Kay Thomp­son

Eloise In Moscow  — Kay Thomp­son

Eloise In Paris  — Kay Thomp­son

Fan­ny At Chez Panisse  — Alice Waters

Good­bye, Colum­bus and Five Short Sto­ries  — Philip Roth

Hol­i­days on Ice  — David Sedaris

Impor­tant Arti­facts and Per­son­al Prop­er­ty from the Col­lec­tion of Lenore Doolan and Harold Mor­ris, Includ­ing Books, Street Fash­ion, and Jew­el­ry  — Leanne Shap­ton

Lentil  — Robert McCloskey

Love Poems  — Nik­ki Gio­van­ni

Love, an Index (McSweeney’s Poet­ry Series)  — Rebec­ca Lin­den­berg

Love, Nina: A Nan­ny Writes Home  - Nina Stibbe

Madame Bovary: Provin­cial Ways  — Gus­tave Flaubert

NW: A Nov­el  — Zadie Smith

Of Human Bondage  — W. Som­er­set Maugh­am

Ran­dom Fam­i­ly: Love, Drugs, Trou­ble, and Com­ing of Age in the Bronx  — Adri­an Nicole LeBlanc

Rebec­ca  — Daphne Du Mau­ri­er

Remod­elista  — Julie Carl­son

Select­ed Sto­ries, 1968–1994  - Alice Munro

Sex and the Sin­gle Girl  — Helen Gur­ley Brown

She’s Come Undone  — Wal­ly Lamb

Some­where Towards the End: A Mem­oir  — Diana Athill

Stet: An Edi­tor’s Life  - Diana Athill

Sula  — Toni Mor­ri­son

Sum­mer Blonde  — Adri­an Tomine

Super Nat­ur­al Every Day: Well-Loved Recipes from My Nat­ur­al Foods Kitchen  — Hei­di Swan­son

Tenth of Decem­ber  - George Saun­ders

Tess of the D’Urbervilles  — Thomas Hardy

The Boys of My Youth  - Jo Ann Beard

The Col­lect­ed Sto­ries of Lydia Davis  — Lydia Davis

The Dud Avo­ca­do  — Elaine Dundy

The Impor­tant Book  — Mar­garet Wise Brown

The Jour­nal­ist and the Mur­der­er  — Janet Mal­colm

The Liars’ Club: A Mem­oir  — Mary Karr

The Love Affairs of Nathaniel P.: A Nov­el  — Adelle Wald­man

The Mar­riage Plot  — Jef­frey Eugenides

The Phi­los­o­phy of Andy Warhol (From A to B and Back Again)  - Andy Warhol

The Sto­ry of Fer­di­nand  — Munro Leaf

The Woman in White  - Wilkie Collins

The Writ­ing Class  — Jin­cy Wil­lett

This Is My Life  - Meg Wolitzer

Tiny Beau­ti­ful Things: Advice on Love and Life from ‘Dear Sug­ar’  - Cheryl Strayed

Wall­flower At the Orgy  — Nora Ephron

Was She Pret­ty?  — Leanne Shap­ton

We Have Always Lived In the Cas­tle  — Shirley Jack­son

What Lips My Lips Have Kissed: The Loves and Love Poems of Edna St. Vin­cent Mil­lay  — Daniel Mark Epstein

What She Saw…  — Lucin­da Rosen­feld

What the Liv­ing Do: Poems  — Marie Howe

While I Was Gone  - Sue Miller

With or With­out You: A Mem­oir  — Domeni­ca Rut

Women in Clothes  — Sheila Heti

via Scrib­n­er Books

Relat­ed Con­tent: 

Miran­da July’s Quirky Film Presents Some­body, the New App That Con­nects Strangers in the Real World

David Fos­ter Wallace’s Love of Lan­guage Revealed by the Books in His Per­son­al Library

The 430 Books in Mar­i­lyn Monroe’s Library: How Many Have You Read?

- Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

A Dazzling Gallery of Clockwork Orange Tattoos

clockwork-orange-tattoo-3

Alex, the pro­tag­o­nist of Antho­ny Burgess’ A Clock­work Orange takes teenage rebel­lion to psy­chot­ic extremes, but one act he and his droogs nev­er indulge in is get­ting tat­tooed. It doesn’t even seem to be on their radar. How dif­fer­ent things were in 1962, when the book was pub­lished!

I have no doubt that direc­tor Stan­ley Kubrick (or design­er Mile­na Canonero) could have devised some icon­ic ink for the 1971 film adap­ta­tion, but it would’ve been gild­ing the lily. Movie Alex Mal­colm McDow­ell’s sin­gle false eye­lash is so arrest­ing as to be instant­ly rec­og­niz­able. It deserved its star billing on the updat­ed book cov­er that coin­cid­ed with the film’s release.

It’s also just one of many Clock­work Orange-inspired images that dec­o­rates fans’ hides now that tat­too­ing has hit the main­stream. What would Alex think?

The lit­tle mon­ster’s ego would’ve have rel­ished the noto­ri­ety, but I bet he’d have had a snick­er, too, at the lengths to which eager chellovecks and devotchkas will go. It’s the kind of thing his dim droo­gie Dim would do—mark him­self up per­ma­nent when he could’ve just as well have bought a tote­bag.

clockwork-orange-tattoo-1

Whether or not you per­son­al­ly would con­sid­er mak­ing a salute to A Clock­work Orange a life­long fea­ture of your birth­day suit, it’s hard not to admire the com­mit­ment of the pas­sion­ate lit­er­a­ture and film lovers who do.

In assem­bling the gallery below, we’ve opt­ed to for­go the pho­to­re­al­is­tic por­traits of McDowell—particularly the ones that recre­ate the aver­sion ther­a­py scene—in favor of the graph­ic, the cre­ative, the jaw drop­ping, the sly… and the unavoid­able Hel­lo Kit­ty mash up, which we’re kind of hop­ing wash­es off.

Clockwork Tattoo 4

Clockwork Tattoo 6

Clockwork Tattoo 5

Clockwork Tattoo 7

Clockwork Tattoo 8

Clockwork Tattoo 9

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Clockwork Tattoo 11

SONY DSC

Clockwork Tattoo 13

Relat­ed Con­tent:

The Mak­ing of Stan­ley Kubrick’s A Clock­work Orange

Watch The Simp­sons’ Hal­loween Par­o­dy of Kubrick’s A Clock­work Orange and The Shin­ing

15 Great Films Adapt­ed From Equal­ly Great Nov­els

Ayun Hal­l­i­day is an author, home­school­er, and car­toon­ist, whose lat­est com­ic cel­e­brates Civ­il War fire­brand, “Crazy Bet” Van Lew. Fol­low her @AyunHalliday

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