A Final Wish: Terminally Ill Patients Visit Rembrandt’s Paintings in the Rijksmuseum One Last Time

ambulance 2 On Mon­day, the Dutch vol­un­teer orga­ni­za­tion called Sticht­ing Ambu­lance Wens Ned­er­land (rough­ly trans­lat­ed as Ambu­lance Wish Foun­da­tion Nether­lands) took three ter­mi­nal­ly ill patients to see The Late Rem­brandt Exhi­bi­tion cur­rent­ly being held at the Rijksmu­se­um in Ams­ter­dam. The exhib­it fea­tures over 100 paint­ings, draw­ings and prints that Rem­brandt pro­duced dur­ing the final phase of his life. And the patients, near­ing the end of their lives, want­ed to see the exhib­it and expe­ri­ence the artistry of the great Dutch painter one last time.

ambulance 1

Staffed by 200 med­ical­ly-trained vol­un­teers, the orga­ni­za­tion has ful­filled thou­sands of wish­es since its cre­ation in 2007, and they did­n’t dis­ap­point this time. As visu­al­ly doc­u­ment­ed on its Twit­ter account, the non­prof­it took the guests to the exhib­it, each in an ambu­lance. The muse­um-goers were then treat­ed to a one-hour pri­vate tour of the col­lec­tion. Some poignant pic­tures cap­ture the bit­ter­sweet moment.

ambulance 4

via Laugh­ing Squid

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

The Rijksmu­se­um Puts 125,000 Dutch Mas­ter­pieces Online, and Lets You Remix Its Art

Rembrandt’s Face­book Time­line

16th-Cen­tu­ry Ams­ter­dam Stun­ning­ly Visu­al­ized with 3D Ani­ma­tion

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Leonard Nimoy Recites Famous Soliloquy from Hamlet in Yiddish: “To Be or Not To Be”

Leonard Nimoy’s death yeste­day at the age of 83 is an enor­mous loss to fans across the world who loved and respect­ed the actor. Nimoy may have nev­er tran­scend­ed his Star Trek char­ac­ter Spock, though he tried, but he seemed to have made his peace with that, sign­ing his many wise tweets in the last few months of his life with the acronym “LLAP,” or “live long and pros­per,” the Vul­can farewell. The actor and his most famous char­ac­ter were very famil­iar to even non-fans of the show; Spock has come to rep­re­sent an arche­type of the dis­pas­sion­ate and ratio­nal, and Nimoy even­tu­al­ly immersed him­self in the Star Trek uni­verse, pen­ning Star Trek nov­els and con­tin­u­ing to star in the franchise’s many films (and in good natured car ads with his replace­ment). He was an ambas­sador for sci­ence fic­tion, and an ambas­sador for sci­ence fact, as a major donor to NASA and nar­ra­tor of sev­er­al films about astron­o­my.

Nimoy also had sev­er­al oth­er non- Trek endeav­ors of note, includ­ing his work as a pho­tog­ra­ph­er and nar­ra­tor of audio­books about, for exam­ple, whales. And while Spock fans watched the actor inhab­it the half-Vul­can, half-human character’s exis­ten­tial strug­gles with his iden­ti­ty, Nimoy the actor had his own dis­tinc­tive back­ground as the son of Ukrain­ian Jew­ish immi­grants. His par­ents escaped the town of Zaslav in what was then Sovi­et Rus­sia and emi­grat­ed to Boston’s West End, a neigh­bor­hood rough­ly 60 per­cent Ital­ian and 25–30 per­cent Jew­ish. It was a place—Nimoy says in the engag­ing 10 minute excerpt above from an inter­view with Christa Whitney—where the Ital­ians spoke Yid­dish and the Jews spoke Ital­ian (Nimoy speaks some Yid­dish, some famous lines from Ham­let!, above).

Nimoy remem­bers his per­son­al his­to­ry, his par­ents’ bemuse­ment with Spock, and his own iden­ti­fi­ca­tion with the famous char­ac­ter: “Spock is an alien wher­ev­er he is,” says Nimoy, “not total­ly at home in the Vul­can cul­ture… not total­ly at home in the human cul­ture. And that alien­ation is some­thing that I had learned in Boston… so I under­stood that aspect of the char­ac­ter.” The inter­view was taped in Octo­ber of 2013 as part of the Yid­dish Book Center’s Wexler Oral His­to­ry Project. As we grieve the loss of Nimoy-as-Spock, it’s a fit­ting way to get to know much more about the man him­self. Hear much more of Nimoy’s Yid­dish and much more about his life in the full, two-hour inter­view below. You can find basic Yid­dish lessons in our col­lec­tion, Learn 45+ Lan­guages Online for Free: Span­ish, Chi­nese, Eng­lish & More.

Relat­ed Con­tent:

Leonard Nimoy Reads Ray Brad­bury Sto­ries From The Mar­t­ian Chron­i­cles & The Illus­trat­ed Man (1975–76)

Leonard Nimoy Nar­rates Short Film About NASA’s Dawn: A Voy­age to the Ori­gins of the Solar Sys­tem

Hunter S. Thompson, Existentialist Life Coach, Gives Tips for Finding Meaning in Life

hst

Image by Steve Ander­son, via Wiki­me­dia Com­mons

At first blush, Hunter S. Thomp­son might be the last per­son you would want to ask for advice. After all, his dai­ly rou­tine involved copi­ous amounts of cocaine, LSD and Chivas Regal. He once raked a neighbor’s house with gun­fire. And he once almost acci­den­tal­ly blew up John­ny Depp. Yet beneath his gonzo per­sona lay a man who thought deeply and often about the mean­ing of it all. He was some­one who spent a life­time star­ing into the abyss.

So in 1958, before he became a counter-cul­ture icon, before he even start­ed writ­ing pro­fes­sion­al­ly, Thomp­son wrote a long let­ter about some of the big ques­tions in life to his friend, Hume Logan, who was in the throes of an exis­ten­tial cri­sis.

While the first cou­ple of para­graphs warns against the dan­gers of seek­ing advice, Hunter then expounds at length on some deep, and sur­pris­ing­ly lev­el-head­ed truths. Below are a few pearls of wis­dom:

  • Whether to float with the tide, or to swim for a goal. It is a choice we must all make con­scious­ly or uncon­scious­ly at one time in our lives. So few peo­ple under­stand this!
  • You might also try some­thing called Being and Noth­ing­ness by Jean-Paul Sartre, and anoth­er lit­tle thing called Exis­ten­tial­ism: From Dos­toyevsky to Sartre. These are mere­ly sug­ges­tions. If you’re gen­uine­ly sat­is­fied with what you are and what you’re doing, then give those books a wide berth. (Let sleep­ing dogs lie.)
  • To put our faith in tan­gi­ble goals would seem to be, at best, unwise. We do not strive to be fire­men, we do not strive to be bankers, nor police­men, nor doc­tors. WE STRIVE TO BE OURSELVES.
  • Let’s assume that you think you have a choice of eight paths to fol­low (all pre-defined paths, of course). And let’s assume that you can’t see any real pur­pose in any of the eight. THEN— and here is the essence of all I’ve said— you MUST FIND A NINTH PATH.
  • Is it worth giv­ing up what I have to look for some­thing bet­ter? I don’t know— is it? Who can make that deci­sion but you? But even by DECIDING TO LOOK, you go a long way toward mak­ing the choice.

The let­ter was pub­lished in the 2013 book, Let­ters of Note. You can read it in its entire­ty below.

April 22, 1958
57 Per­ry Street
New York City

Dear Hume,

You ask advice: ah, what a very human and very dan­ger­ous thing to do! For to give advice to a man who asks what to do with his life implies some­thing very close to ego­ma­nia. To pre­sume to point a man to the right and ulti­mate goal— to point with a trem­bling fin­ger in the RIGHT direc­tion is some­thing only a fool would take upon him­self.

I am not a fool, but I respect your sin­cer­i­ty in ask­ing my advice. I ask you though, in lis­ten­ing to what I say, to remem­ber that all advice can only be a prod­uct of the man who gives it. What is truth to one may be dis­as­ter to anoth­er. I do not see life through your eyes, nor you through mine. If I were to attempt to give you spe­cif­ic advice, it would be too much like the blind lead­ing the blind.

“To be, or not to be: that is the ques­tion: Whether ’tis nobler in the mind to suf­fer the slings and arrows of out­ra­geous for­tune, or to take arms against a sea of trou­bles … ” (Shake­speare)

And indeed, that IS the ques­tion: whether to float with the tide, or to swim for a goal. It is a choice we must all make con­scious­ly or uncon­scious­ly at one time in our lives. So few peo­ple under­stand this! Think of any deci­sion you’ve ever made which had a bear­ing on your future: I may be wrong, but I don’t see how it could have been any­thing but a choice how­ev­er indi­rect— between the two things I’ve men­tioned: the float­ing or the swim­ming.

But why not float if you have no goal? That is anoth­er ques­tion. It is unques­tion­ably bet­ter to enjoy the float­ing than to swim in uncer­tain­ty. So how does a man find a goal? Not a cas­tle in the stars, but a real and tan­gi­ble thing. How can a man be sure he’s not after the “big rock can­dy moun­tain,” the entic­ing sug­ar-can­dy goal that has lit­tle taste and no sub­stance?

The answer— and, in a sense, the tragedy of life— is that we seek to under­stand the goal and not the man. We set up a goal which demands of us cer­tain things: and we do these things. We adjust to the demands of a con­cept which CANNOT be valid. When you were young, let us say that you want­ed to be a fire­man. I feel rea­son­ably safe in say­ing that you no longer want to be a fire­man. Why? Because your per­spec­tive has changed. It’s not the fire­man who has changed, but you. Every man is the sum total of his reac­tions to expe­ri­ence. As your expe­ri­ences dif­fer and mul­ti­ply, you become a dif­fer­ent man, and hence your per­spec­tive changes. This goes on and on. Every reac­tion is a learn­ing process; every sig­nif­i­cant expe­ri­ence alters your per­spec­tive.

So it would seem fool­ish, would it not, to adjust our lives to the demands of a goal we see from a dif­fer­ent angle every day? How could we ever hope to accom­plish any­thing oth­er than gal­lop­ing neu­ro­sis?

The answer, then, must not deal with goals at all, or not with tan­gi­ble goals, any­way. It would take reams of paper to devel­op this sub­ject to ful­fill­ment. God only knows how many books have been writ­ten on “the mean­ing of man” and that sort of thing, and god only knows how many peo­ple have pon­dered the sub­ject. (I use the term “god only knows” pure­ly as an expres­sion.) There’s very lit­tle sense in my try­ing to give it up to you in the prover­bial nut­shell, because I’m the first to admit my absolute lack of qual­i­fi­ca­tions for reduc­ing the mean­ing of life to one or two para­graphs.

I’m going to steer clear of the word “exis­ten­tial­ism,” but you might keep it in mind as a key of sorts. You might also try some­thing called Being and Noth­ing­ness by Jean-Paul Sartre, and anoth­er lit­tle thing called Exis­ten­tial­ism: From Dos­toyevsky to Sartre. These are mere­ly sug­ges­tions. If you’re gen­uine­ly sat­is­fied with what you are and what you’re doing, then give those books a wide berth. (Let sleep­ing dogs lie.) But back to the answer. As I said, to put our faith in tan­gi­ble goals would seem to be, at best, unwise. So we do not strive to be fire­men, we do not strive to be bankers, nor police­men, nor doc­tors. WE STRIVE TO BE OURSELVES.

But don’t mis­un­der­stand me. I don’t mean that we can’t BE fire­men, bankers, or doc­tors— but that we must make the goal con­form to the indi­vid­ual, rather than make the indi­vid­ual con­form to the goal. In every man, hered­i­ty and envi­ron­ment have com­bined to pro­duce a crea­ture of cer­tain abil­i­ties and desires— includ­ing a deeply ingrained need to func­tion in such a way that his life will be MEANINGFUL. A man has to BE some­thing; he has to mat­ter.

As I see it then, the for­mu­la runs some­thing like this: a man must choose a path which will let his ABILITIES func­tion at max­i­mum effi­cien­cy toward the grat­i­fi­ca­tion of his DESIRES. In doing this, he is ful­fill­ing a need (giv­ing him­self iden­ti­ty by func­tion­ing in a set pat­tern toward a set goal), he avoids frus­trat­ing his poten­tial (choos­ing a path which puts no lim­it on his self-devel­op­ment), and he avoids the ter­ror of see­ing his goal wilt or lose its charm as he draws clos­er to it (rather than bend­ing him­self to meet the demands of that which he seeks, he has bent his goal to con­form to his own abil­i­ties and desires).

In short, he has not ded­i­cat­ed his life to reach­ing a pre-defined goal, but he has rather cho­sen a way of life he KNOWS he will enjoy. The goal is absolute­ly sec­ondary: it is the func­tion­ing toward the goal which is impor­tant. And it seems almost ridicu­lous to say that a man MUST func­tion in a pat­tern of his own choos­ing; for to let anoth­er man define your own goals is to give up one of the most mean­ing­ful aspects of life— the defin­i­tive act of will which makes a man an indi­vid­ual.

Let’s assume that you think you have a choice of eight paths to fol­low (all pre-defined paths, of course). And let’s assume that you can’t see any real pur­pose in any of the eight. THEN— and here is the essence of all I’ve said— you MUST FIND A NINTH PATH.

Nat­u­ral­ly, it isn’t as easy as it sounds. You’ve lived a rel­a­tive­ly nar­row life, a ver­ti­cal rather than a hor­i­zon­tal exis­tence. So it isn’t any too dif­fi­cult to under­stand why you seem to feel the way you do. But a man who pro­cras­ti­nates in his CHOOSING will inevitably have his choice made for him by cir­cum­stance.

So if you now num­ber your­self among the dis­en­chant­ed, then you have no choice but to accept things as they are, or to seri­ous­ly seek some­thing else. But beware of look­ing for goals: look for a way of life. Decide how you want to live and then see what you can do to make a liv­ing WITHIN that way of life. But you say, “I don’t know where to look; I don’t know what to look for.”

And there’s the crux. Is it worth giv­ing up what I have to look for some­thing bet­ter? I don’t know— is it? Who can make that deci­sion but you? But even by DECIDING TO LOOK, you go a long way toward mak­ing the choice.

If I don’t call this to a halt, I’m going to find myself writ­ing a book. I hope it’s not as con­fus­ing as it looks at first glance. Keep in mind, of course, that this is MY WAY of look­ing at things. I hap­pen to think that it’s pret­ty gen­er­al­ly applic­a­ble, but you may not. Each of us has to cre­ate our own cre­do— this mere­ly hap­pens to be mine.

If any part of it doesn’t seem to make sense, by all means call it to my atten­tion. I’m not try­ing to send you out “on the road” in search of Val­hal­la, but mere­ly point­ing out that it is not nec­es­sary to accept the choic­es hand­ed down to you by life as you know it. There is more to it than that— no one HAS to do some­thing he doesn’t want to do for the rest of his life. But then again, if that’s what you wind up doing, by all means con­vince your­self that you HAD to do it. You’ll have lots of com­pa­ny.

And that’s it for now. Until I hear from you again, I remain,

your friend,
Hunter

Relat­ed Con­tent:

Read 10 Free Arti­cles by Hunter S. Thomp­son That Span His Gonzo Jour­nal­ist Career (1965–2005)

Hunter S. Thomp­son Inter­views Kei­th Richards

John­ny Depp Reads Let­ters from Hunter S. Thomp­son

Hunter S. Thomp­son Gets Con­front­ed by The Hell’s Angels

Jonathan Crow is a Los Ange­les-based writer and film­mak­er whose work has appeared in Yahoo!, The Hol­ly­wood Reporter, and oth­er pub­li­ca­tions. You can fol­low him at @jonccrow. And check out his blog Veep­to­pus, fea­tur­ing lots of pic­tures of bad­gers and even more pic­tures of vice pres­i­dents with octo­pus­es on their heads.  The Veep­to­pus store is here.

Charles Mingus’ Instructions For Toilet Training Your Cat, Read by The Wire’s Reg E. Cathey

Hav­ing just begun rewatch­ing sea­son 3 of the always-rel­e­vant The Wire—the sea­son to first intro­duce Reg E. Cathey’s super-smooth char­ac­ter, may­oral aide Nor­man Wil­son—I was delight­ed to find an episode of Stu­dio 360 that fea­tures the actor read­ing a text by jazz great Charles Min­gus. Even more delight­ful is the sub­ject of his text: instruc­tions for toi­let train­ing your cat. I can­not tes­ti­fy to their effi­ca­cy; it seems like a labor-inten­sive process, and my own cats seem pret­ty con­tent with their lit­ter­box. But if any­one could accom­plish such a feat, it was Min­gus, a man who once ripped the strings from a piano with his bare hands (so it’s said in the doc­u­men­tary 1959: The Year that Changed Jazz), and who won a Gram­my for an essay defin­ing jazz, writ­ten just a few years after he helped rede­fine it.

Min­gus may have had a noto­ri­ous­ly short tem­per, but as a com­pos­er, he was infi­nite­ly patient. Appar­ent­ly this also goes for his role as a cat train­er. He spent weeks teach­ing his cat, Nightlife, to use human facil­i­ties, and detailed the process in a pam­phlet, The Charles Min­gus CAT-alogue for Toi­let Train­ing Your Cat, avail­able for cat fanciers and Min­gus fans by mail order.

Hear Cathey read the instruc­tions in part in the video at the top and in full in the audio above. Stu­dio 360 describes this odd doc­u­ment as “full of charm­ing advice and metic­u­lous ped­a­gog­i­cal detail.” It is indeed that. In four con­cise steps, Min­gus lays out the pro­gram, sim­ple as can be—or so he makes it seem.

Min­gus writes, “It took me about three or four weeks to toi­let train my cat, Nightlife.” He also admits that aspir­ing train­ers may need to mod­i­fy the pro­gram some­what, “in case your cat is not as smart as Nightlife was.” One can imag­ine less gift­ed cats strug­gling with this unusu­al method. One can also imag­ine more ornery, less coop­er­a­tive breeds sim­ply refus­ing to play along. Like Min­gus him­self, cats have a well-deserved rep­u­ta­tion for doing their own thing. Should you be intre­pid enough to attempt the Min­gus method with your own feline com­pan­ion, all I can say to you is what Min­gus says at the end of his instructions—Good Luck.

Relat­ed Con­tent:

Charles Min­gus Explains in His Gram­my-Win­ning Essay “What is a Jazz Com­pos­er?”

Charles Min­gus and His Evic­tion From His New York City Loft, Cap­tured in Mov­ing 1968 Film

Clas­sic Charles Min­gus Per­for­mance on Bel­gian Tele­vi­sion, 1964

1959: The Year that Changed Jazz

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Oliver Sacks Contemplates Mortality (and His Terminal Cancer Diagnosis) in a Thoughtful, Poignant Letter

oliver sacks letter

Image by Lui­gi Novi. Licensed under CC BY 3.0 via Wiki­me­dia Com­mons

Mak­ing the rounds today on the Inter­net is a poignant let­ter from Oliv­er Sacks, announc­ing that he has ter­mi­nal can­cer. An NYU pro­fes­sor of neu­rol­o­gy who has pub­lished sev­er­al best­selling books (includ­ing one that became the basis for the 1990 film, Awak­en­ings, star­ring Robin Williams and Robert De Niro) Sacks first devel­oped ocu­lar melanoma nine years ago, and it appar­ent­ly, sad­ly, metas­ta­sized to the liv­er.

Per­haps mor­tal­i­ty is some­thing you think about fair­ly often; or maybe you haven’t reached that point in life yet. Either way, I’d rec­om­mend giv­ing his let­ter a read, and then maybe tuck­ing it away. Because when — as is inevitable — you find your­self fac­ing mor­tal­i­ty head on, Sacks’ thoughts and out­look may help guide you through. His let­ter con­cludes:

I can­not pre­tend I am with­out fear. But my pre­dom­i­nant feel­ing is one of grat­i­tude. I have loved and been loved; I have been giv­en much and I have giv­en some­thing in return; I have read and trav­eled and thought and writ­ten. I have had an inter­course with the world, the spe­cial inter­course of writ­ers and read­ers.

Above all, I have been a sen­tient being, a think­ing ani­mal, on this beau­ti­ful plan­et, and that in itself has been an enor­mous priv­i­lege and adven­ture.

Read Oliv­er Sacks’ let­ter in full here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Death, a Free Open Course from Yale (found on our list, 1,700 Free Online Cours­es from Top Uni­ver­si­ties)

This is What Oliv­er Sacks Learned on LSD and Amphet­a­mines

Aldous Huxley’s Most Beau­ti­ful, LSD-Assist­ed Death: A Let­ter from His Wid­ow

What Books Could Be Used to Rebuild Civilization?: Lists by Brian Eno, Stewart Brand, Kevin Kelly & Other Forward-Thinking Minds

One par­tic­u­lar­ly dis­tress­ing hall­mark of late moder­ni­ty can be char­ac­ter­ized as a cul­tur­al loss of the future. Where we once delight­ed in imag­in­ing the turns civ­i­liza­tion would take hun­dreds and even thou­sands of years ahead—projecting rad­i­cal designs, inno­v­a­tive solu­tions, great explo­rations, and pecu­liar evo­lu­tion­ary developments—we now find the mode of fore­cast­ing has grown apoc­a­lyp­tic, as cli­mate change and oth­er cat­a­stroph­ic, man-made glob­al phe­nom­e­na make it dif­fi­cult to avoid some very dire con­clu­sions about humanity’s impend­ing fate. We can add to this assess­ment the loss of what we may call the “long view” in our day-to-day lives.

As the Long Now Foun­da­tion co-founder Stew­art Brand describes it, “civ­i­liza­tion is revving itself into a patho­log­i­cal­ly short atten­tion span,” dri­ven by “the accel­er­a­tion of tech­nol­o­gy, the short-hori­zon per­spec­tive of mar­ket-dri­ven eco­nom­ics, the next-elec­tion per­spec­tive of democ­ra­cies, or the dis­trac­tions of per­son­al mul­ti-task­ing.”

Such is the tex­ture of mod­ern exis­tence, and though we may run our hands over it dai­ly, remark­ing on how tight­ly woven the fab­ric is, we seem to have few-to-no mech­a­nisms for unweaving—or even loosening—the threads. Enter the Long Now Foun­da­tion and its pro­pos­al of “both a mech­a­nism and a myth” as a means encour­ag­ing “the long view and the tak­ing of long-term respon­si­bil­i­ty.”

libraryfar

Image cour­tesy of Because We Can

Inspired by com­put­er sci­en­tist Daniel Hill’s idea for a Stone­henge-sized clock that “ticks once a year, bongs once a cen­tu­ry, and the cuck­oo comes out every mil­len­ni­um,” the foun­da­tion pro­pos­es a num­ber of projects and guide­lines for restor­ing long-term think­ing, includ­ing “mind­ing myth­ic depth,” “reward­ing patience,” and “ally­ing with com­pe­ti­tion.” The clock, ini­tial­ly a thought exper­i­ment, is becom­ing a real­i­ty, as you can see in the short video above, with a mas­sive, “mon­u­ment scale” ver­sion under con­struc­tion in West Texas and scale pro­to­types in Lon­don and the Long Now Foundation’s San Fran­cis­co head­quar­ters. Large­ly a sym­bol­ic ges­ture, the “10,000 year clock,” as it’s called, has been joined with anoth­er, emi­nent­ly prac­ti­cal under­tak­ing rem­i­nis­cent of Isaac Asimov’s Ency­clo­pe­dia Galac­ti­ca—a “library of the deep future.”

One wing of this library, the Man­u­al for Civ­i­liza­tion, aims to com­pile a col­lec­tion of 3,500 books in the Foun­da­tion’s phys­i­cal space—books deemed most like­ly to “sus­tain or rebuild civ­i­liza­tion.” To begin the project, var­i­ous future-mind­ed con­trib­u­tors have been asked to make their own lists of books to add. The first list comes from musician/composer/producer/musical futur­ist and found­ing board mem­ber Bri­an Eno, who named the foun­da­tion. Oth­er notable con­trib­u­tors include Long Now Foun­da­tion pres­i­dent Stew­art Brand and board mem­ber and co-founder of Wired mag­a­zine Kevin Kel­ly. Below, see the first ten titles from each of these futurist’s lists, and fur­ther down, links to the full list of con­trib­u­tors’ selec­tions so far. As you scan the titles below, and browse through each contributor’s list, con­sid­er why and how each of these books would help human­i­ty rebuild civ­i­liza­tion, and sug­gest books of your own in the com­ments.

10 Titles from Bri­an Eno’s Man­u­al for Civ­i­liza­tion list

10 Titles from Stew­art Brand’s Man­u­al for Civ­i­liza­tion list

10 Titles from Kevin Kelly’s Man­u­al for Civ­i­liza­tion list

Once again, these are only excerpts from longer lists by these three futur­is­tic thinkers. For their com­plete selec­tions, click on their lists below, as well as those from such cul­tur­al fig­ures as sci-fi writer Neal Stephen­son and Brain Pick­ings’ edi­tor Maria Popo­va. And please let us know: Which books would you include in the “Man­u­al for Civ­i­liza­tion” library project, and why? You can also add your own sug­ges­tions for the grow­ing library at the Long Now Foun­da­tion’s web­site.

Relat­ed Con­tent:

What Books Should Every Intel­li­gent Per­son Read?: Tell Us Your Picks; We’ll Tell You Ours

Neil deGrasse Tyson Lists 8 (Free) Books Every Intel­li­gent Per­son Should Read

The 10 Great­est Books Ever, Accord­ing to 125 Top Authors (Down­load Them for Free)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Let Me Librarian That for You: What People Asked Librarians Before Google Came Along

5NYPLQS

I often won­der just how I would have done my job(s) before the advent of an inter­net that puts more or less what­ev­er infor­ma­tion I might need right at my fin­ger­tips. The answer, of course, applies to any ques­tion about how we did things in an ear­li­er tech­no­log­i­cal era: we would’ve had to talk to some­one. Some of us would’ve had to talk to a librar­i­an, just like the ones The New York Pub­lic Library has employed (and con­tin­ues to employ) to research and respond to any ques­tions peo­ple need answered.

LetMeLibrarianThatForYou-10

The inter­net, as it hap­pens, has loved #let­meli­brari­anthat­fory­ou, the hash­tag the New York Pub­lic Library start­ed using on Insta­gram to iden­ti­fy the unusu­al such ques­tions it field­ed in the 20th cen­tu­ry. Their recent dis­cov­ery of a box of note­cards filled with pre­served ques­tions from the 1940s through the 80s, pho­tographs of which they now post on a reg­u­lar basis, has pro­vid­ed a clear win­dow onto the human curios­i­ty of days past — or rather, the instances of human curios­i­ty that librar­i­ans found curi­ous enough to pre­serve in their box labeled “inter­est­ing research ques­tions” and kept behind the desk.

nypl questions 2

Search tech­nol­o­gy, of course, has­n’t yet made human con­sul­tants of every kind obso­lete; there are more Googleable and less Googleable ques­tions, after all. Exam­ples of the for­mer include 1962’s “What is the ges­ta­tion of human beings in days?” (“I was born on 1/29/62,” replies one com­menter. “Maybe my moth­er was get­ting impa­tient!”), 1966’s query about whether Jules Verne wrote Alice’s Adven­tures in Won­der­land, and the undat­ed “Are Pla­to, Aris­to­tle, and Socrates the same per­son?”

nypl questions

Some patrons, on the oth­er end of the spec­trum, pre­ferred to ask the unan­swer­able: one need­ed the solu­tion to “the rid­dle of exis­tence,” and anoth­er called in pur­suit of The Oxford Ornithol­o­gy of Amer­i­can Lit­er­a­ture. Even if the librar­i­ans could­n’t help out these inquis­i­tive peo­ple of the mid-20th cen­tu­ry, I do hope they found a way to sati­ate your curios­i­ty. It almost makes me want to see what mod­ern human­i­ty is Googling right now. Wait, no — I said “almost.”

Relat­ed Con­tent:

Alain de Bot­ton Shows How Art Can Answer Life’s Big Ques­tions in Art as Ther­a­py

Woody Allen Answers 12 Uncon­ven­tion­al Ques­tions He Has Nev­er Been Asked Before

What Ques­tions Would Stephen Fry Ask God at the Pearly Gates?

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture as well as the video series The City in Cin­e­ma and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

David Carr Gives 10 Pieces of Work & Life Advice to UC Berkeley Graduates

David Carr took sev­en years to get through col­lege. He did­n’t have a Mas­ter’s degree or a PhD. Before he made it big writ­ing for The New York Times, he spent time in rehab and on wel­fare. David Carr did­n’t fit the pro­file of your aver­age com­mence­ment speak­er.

And yet Carr, who died in the Times news­room on Thurs­day nightearned his spot speak­ing before the 2014 grad­u­at­ing class at UC Berke­ley’s Grad­u­ate School of Jour­nal­ism. Known for his insight­ful report­ing on changes in pub­lish­ing, tele­vi­sion and social media, Carr under­stood the world these young jour­nal­ists were enter­ing. And when he offered 10 pieces of grad­u­a­tion advice, you know the stu­dents took note. You should too:

1.) Some­one who is under­es­ti­mat­ed will be the one who changes the world. It’s not the per­son every­one expects. It might be you.

2.) “Do what is front of you.” Focus on the small steps ahead of you.

3.) Don’t wor­ry about achiev­ing a mas­ter plan, about the plot to take over the world.

4.) Be a work­er among work­ers. It’s more impor­tant that you fit in before you stick out.

5.) Fol­low the â€śMom Rule.” Don’t do any­thing you couldn’t explain or jus­ti­fy to your mom.

6.) Don’t just do what you’re good at. Get out­side of your com­fort zone. Being a jour­nal­ist is per­mis­sion for life­time learn­ing.

7.) Be present. Don’t wor­ry about doc­u­ment­ing the moment with your smart­phone. Expe­ri­ence it your­self.

8.) Take respon­si­bil­i­ty for the good and the bad. Learn to own your fail­ures.

9.) Be hon­est, and be will­ing to have the dif­fi­cult con­ver­sa­tion.

10.) Don’t be afraid to be ambi­tious. It’s not a crime.

He says it’s a lis­ti­cle that won’t appear on Buz­zfeed. But it fits per­fect­ly on OC. David, we’re so sor­ry to see you go.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

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Relat­ed Con­tent:

Michael Pol­lan Presents an Edi­ble Edu­ca­tion, A Free Online Course From UC Berke­ley

“Wear Sun­screen”: The Sto­ry Behind the Com­mence­ment Speech That Kurt Von­negut Nev­er Gave

David Fos­ter Wallace’s 2005 Com­mence­ment Speech “This is Water” Visu­al­ized in Short Film

NPR Launch­es Data­base of Best Com­mence­ment Speech­es Ever

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