Harper Lee on the Joy of Reading Real Books: “Some Things Should Happen On Soft Pages, Not Cold Metal”

News of the new, long-await­ed but hard­ly expect­ed Harp­er Lee nov­el, Go Set a Watch­mana sequel to the 1960’s To Kill a Mock­ing­birdhas been met with vary­ing degrees of skep­ti­cism, sure­ly war­rant­ed giv­en her late sis­ter Alice and oth­ers’ char­ac­ter­i­za­tion of Lee’s phys­i­cal and men­tal decline. On the oth­er hand, the nov­el­ist, it’s been report­ed, is “extreme­ly hurt” by alle­ga­tions that she has been pres­sured to pub­lish. It would be a shame if the con­tro­ver­sy over the pub­li­ca­tion of the nov­el eclipsed the nov­el itself. While it had become some­thing of a tru­ism that Harp­er Lee would only pub­lish the one, great nov­el and nev­er anoth­er, I for one greet this lat­est news with joy.

For one thing, cir­cum­stances aside, the new Harp­er Lee nov­el has the mass media doing some­thing it rarely does anymore—talking about lit­er­ary fic­tion. And for the thou­sands of school kids required to read To Kill a Mock­ing­bird and won­der­ing why they should both­er, the con­ver­sa­tion hope­ful­ly com­mu­ni­cates that books still mat­ter, and not just dystopi­an YA sci-fi and mass-mar­ket trade books about BDSM fan­tasies, but books about ordi­nary peo­ple in ordi­nary times and places. It’s a les­son Lee learned ear­ly. In a 2006 let­ter to Oprah Win­frey, pub­lished in O mag­a­zine, Lee wrote about her child­hood expe­ri­ences with read­ing, and being read to. She recalls arriv­ing “in the first grade, lit­er­ate,” because of her upbring­ing. She also acknowl­edges that “books were scarce”; her and her sib­lings ear­ly lit­er­a­cy meant they were “priv­i­leged” com­pared to oth­er chil­dren, “most­ly from rur­al areas,” and the “chil­dren of our African-Amer­i­can ser­vants.”

While we may dis­miss Lee’s con­tention that in “an abun­dant soci­ety where peo­ple have lap­tops, cell phones” and “iPods” they also have “minds like emp­ty rooms” as the kvetch­ing of a senior cit­i­zen, I doubt most peo­ple who respect Lee’s wis­dom and good humor would do so light­ly. Her poet­ic evo­ca­tion of the tac­tile dif­fer­ences between books and gad­gets alone should give us pause: “some things should only hap­pen on soft pages, not cold met­al.”

Read the full let­ter below.

May 7, 2006

Dear Oprah,

Do you remem­ber when you learned to read, or like me, can you not even remem­ber a time when you did­n’t know how? I must have learned from hav­ing been read to by my fam­i­ly. My sis­ters and broth­er, much old­er, read aloud to keep me from pes­ter­ing them; my moth­er read me a sto­ry every day, usu­al­ly a chil­dren’s clas­sic, and my father read from the four news­pa­pers he got through every evening. Then, of course, it was Uncle Wig­gi­ly at bed­time.

So I arrived in the first grade, lit­er­ate, with a curi­ous cul­tur­al assim­i­la­tion of Amer­i­can his­to­ry, romance, the Rover Boys, Rapun­zel, and The Mobile Press. Ear­ly signs of genius? Far from it. Read­ing was an accom­plish­ment I shared with sev­er­al local con­tem­po­raries. Why this endem­ic pre­coc­i­ty? Because in my home­town, a remote vil­lage in the ear­ly 1930s, young­sters had lit­tle to do but read. A movie? Not often — movies weren’t for small chil­dren. A park for games? Not a hope. We’re talk­ing unpaved streets here, and the Depres­sion.

Books were scarce. There was noth­ing you could call a pub­lic library, we were a hun­dred miles away from a depart­ment store’s books sec­tion, so we chil­dren began to cir­cu­late read­ing mate­r­i­al among our­selves until each child had read anoth­er’s entire stock. There were long dry spells bro­ken by the new Christ­mas books, which start­ed the rounds again.

As we grew old­er, we began to real­ize what our books were worth: Anne of Green Gables was worth two Bobb­sey Twins; two Rover Boys were an even swap for two Tom Swifts. Aes­thet­ic fris­sons ran a poor sec­ond to the thrills of acqui­si­tion. The goal, a full set of a series, was attained only once by an indi­vid­ual of excep­tion­al greed — he swapped his sis­ter’s doll bug­gy.

We were priv­i­leged. There were chil­dren, most­ly from rur­al areas, who had nev­er looked into a book until they went to school. They had to be taught to read in the first grade, and we were impa­tient with them for hav­ing to catch up. We ignored them.

And it was­n’t until we were grown, some of us, that we dis­cov­ered what had befall­en the chil­dren of our African-Amer­i­can ser­vants. In some of their schools, pupils learned to read three-to-one — three chil­dren to one book, which was more than like­ly a cast-off primer from a white gram­mar school. We sel­dom saw them until, old­er, they came to work for us.

Now, 75 years lat­er in an abun­dant soci­ety where peo­ple have lap­tops, cell phones, iPods, and minds like emp­ty rooms, I still plod along with books. Instant infor­ma­tion is not for me. I pre­fer to search library stacks because when I work to learn some­thing, I remem­ber it. 

And, Oprah, can you imag­ine curl­ing up in bed to read a com­put­er? Weep­ing for Anna Karen­i­na and being ter­ri­fied by Han­ni­bal Lecter, enter­ing the heart of dark­ness with Mis­tah Kurtz, hav­ing Hold­en Caulfield ring you up — some things should hap­pen on soft pages, not cold met­al.

The vil­lage of my child­hood is gone, with it most of the book col­lec­tors, includ­ing the dodgy one who swapped his com­plete set of Seck­atary Hawkins­es for a shot­gun and kept it until it was retrieved by an irate par­ent.

Now we are three in num­ber and live hun­dreds of miles away from each oth­er. We still keep in touch by tele­phone con­ver­sa­tions of recur­rent theme: “What is your name again?” fol­lowed by “What are you read­ing?” We don’t always remem­ber. 

Much love, 

Harp­er

via Let­ters of Note

Relat­ed Con­tent:

William Faulkn­er Reads His Nobel Prize Speech

Down­load 20 Pop­u­lar High School Books Avail­able as Free eBooks & Audio Books

The Books You Think Every Intel­li­gent Per­son Should Read: Crime and Pun­ish­ment, Moby-Dick & Beyond (Many Free Online)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Haruki Murakami Reads in English from The Wind-Up Bird Chronicle in a Rare Public Reading (1998)

Murakami 92Y

Note: It looks like the 92nd St Y took the read­ing off of its Youtube chan­nel for unknown rea­sons. How­ev­er you can stream it here.

Haru­ki Muraka­mi does­n’t make many pub­lic appear­ances, but when he does, his fans savor them. This record­ing of a read­ing he gave at New York’s 92nd Street Y back in 1998 (stream it here) counts as a trea­sured piece of mate­r­i­al among Eng­lish-speak­ing Murakamists, espe­cial­ly those who love his eighth nov­el, The Wind-Up Bird Chron­i­cle. When asked to read from that book, the author explains here, he usu­al­ly reads from chap­ter one, “but I’m tired of read­ing the same thing over and over, so I’m going to read chap­ter three today.” And that’s what he does after giv­ing some back­ground on the book, its 29-year-old pro­tag­o­nist Toru Oka­da, and his own thoughts on how it feels to be 29.

The Wind-Up Bird Chron­i­cle, pub­lished in three parts in Japan in 1994 and 1995 and in its entire­ty in Eng­lish in 1997, began a new chap­ter in the writer’s career. You could tell by its size alone: the page count rose to 600 in the Eng­lish-lan­guage edi­tion, where­as none of his pre­vi­ous nov­els had clocked in above 400. The­mat­i­cal­ly, too, Murakami’s mis­sion had clear­ly broad­ened: where its pre­de­ces­sors con­cern them­selves pri­mar­i­ly with West­ern pop cul­ture, dis­ap­pear­ing girls, twen­tysome­thing lan­guor, and mys­te­ri­ous ani­mal-men, The Wind-Up Bird Chron­i­cle takes on Japan­ese his­to­ry, espe­cial­ly the coun­try’s ill-advised wartime colo­nial ven­ture in Manchuria.

As a result, the book final­ly earned Muraka­mi some respect — albeit respect he’d nev­er direct­ly sought — from his home­land’s long-dis­dain­ful lit­er­ary estab­lish­ment. Despite hav­ing held its place since the time of this read­ing as Murakami’s “impor­tant” book, and one many read­ers name as their favorite, it might not offer the eas­i­est point of entry into his work. When I asked Wang Chung lead singer Jack Hues about a Muraka­mi ref­er­ence in the band’s song “City of Light,” he told me he put it there after read­ing The Wind-Up Bird Chron­i­cle on his daugh­ter’s rec­om­men­da­tion and not lik­ing it very much. I sug­gest­ed he try Nor­we­gian Wood instead.

Note: You can down­load a com­plete audio ver­sion of The Wind-Up Bird Chron­i­cle if you take part in one of the free tri­als offered by our part­ners Audible.com and/or Audiobooks.com. Click on the respec­tive links to get more infor­ma­tion.

Relat­ed Con­tent:

Haru­ki Muraka­mi Lists the Three Essen­tial Qual­i­ties For All Seri­ous Nov­el­ists (And Run­ners)

Pat­ti Smith Reviews Haru­ki Murakami’s New Nov­el, Col­or­less Tsuku­ru Taza­ki and His Years of Pil­grim­age

Haru­ki Murakami’s Pas­sion for Jazz: Dis­cov­er the Novelist’s Jazz Playlist, Jazz Essay & Jazz Bar

A Pho­to­graph­ic Tour of Haru­ki Murakami’s Tokyo, Where Dream, Mem­o­ry, and Real­i­ty Meet

In Search of Haru­ki Muraka­mi: A Doc­u­men­tary Intro­duc­tion to Japan’s Great Post­mod­ernist Nov­el­ist

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture as well as the video series The City in Cin­e­ma and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Listen to 90 Famous Authors & Celebrities Read Great Stories & Poems

In a logo­cen­tric culture—as Jacques Der­ri­da defined it—such as has exist­ed in the West for hun­dreds of years, writ­ing occu­pies a hal­lowed space, and lit­er­ary or philo­soph­i­cal writ­ing all the more so. The rhythms of every­day speech, the ges­tures and sig­nif­i­cant looks that char­ac­ter­ize our quo­tid­i­an inter­ac­tions are deemed less impor­tant than the pre­sum­ably indeli­ble marks on the page. Of course, before the writ­ten word, or at least the print­ed word and wide­spread lit­er­a­cy, speech was pri­ma­ry, and no lit­er­ary cul­ture exist­ed with­out it. From philoso­phers con­duct­ing peri­patet­ic dia­logues, to priests recit­ing scrip­ture, to bards recit­ing poet­ry in tav­erns, the nuances of voice and ges­ture were insep­a­ra­ble from the text.

Of the many rev­o­lu­tion­ary qual­i­ties of the inter­net, one of them has been to restore to lit­er­a­ture its voice, as lit­er­ary read­ings (pre­vi­ous­ly the pre­serve of a priv­i­leged few able to attend spe­cial­ized events and con­fer­ences) become avail­able to all. Whether through Youtube video and audio or mp3, lovers of lit­er­a­ture around the world can access the voic­es and vis­ages of authors like Maya Angelou (top, read­ing “Still I Rise,” with some ad libs), whose total­ly dis­tinc­tive face and voice don’t sim­ply sup­ple­ment her work but seem to com­plete it. We can hear W.H. Auden him­self read “As I Walked Out One Evening” (above, from a 1937 record­ing) in his deep bari­tone. We can hear Sylvia Plath read “Ariel” (below) and many more poems from her final col­lec­tion of the same name.

We also have the plea­sure of hear­ing, and see­ing, oth­er read­ers inter­pret the work of authors we love, such as the per­fect con­flu­ence of text and voice in the Tom Waits’ read­ing of Charles Bukowski’s “The Laugh­ing Heart,” below. Oth­er notable poet­ry read­ings by some­one oth­er than the author include James Earl Jones’ ren­di­tion of Edgar Allen Poe’s “The Raven” and Allen Ginsberg’s reading—or singing, rather—of the poet­ry of William Blake. And while poet­ry should always be read aloud, it can be equal­ly rev­e­la­to­ry to hear great prose works read, by their authors and oth­ers.

In the list of 90 read­ings below, excerpt­ed from our col­lec­tion of 630 Free Audio Books, you can find works by Faulkn­er and Hem­ing­way, read by Faulkn­er and Hem­ing­way, and Melville’s Moby Dick, read by a host of celebri­ty voic­es. And much, much more. So take some time and recon­nect with the voic­es and faces of lit­er­a­ture, which are as impor­tant as the words they pro­duce. And if you know of any read­ings online that aren’t on our list, feel free to leave a link to them in the com­ments.

  • Angelou, Maya – Still I Rise & On the Pulse of the Morn­ing (read by author) – YouTube
  • Apol­li­naire, Guil­laume – Le pont Mirabeau (Read by author in 1913) – Free MP3
  • Auden, W.H. - As I Walked Out One Evening (read by author) – YouTube
  • Auster, Paul – Free MP3 – The Red Note­book (read by the author)
  • Barthelme, Don­ald - “Con­cern­ing the Body­guard” (read by Salman Rushdie) – Free MP3
  • Blake, William - Songs of Inno­cence and Songs of Expe­ri­ence, as read by Allen Gins­berg — Free Stream/MP3
  • Borges, Jorge Luis – The Gospel Accord­ing to Mark (read by Paul Ther­oux) – Free MP3
  • Brad­bury, Ray – If Only We Had Taller Been (read by the author) – YouTube
  • Brad­bury, Ray – The Veldt (Read by Stephen Col­bert) – YouTube
  • Brad­bury, Ray – Sto­ries Read by Leonard Nimoy – YouTube
  • Brod­key, Harold – Spring Fugue (read by Jef­frey Eugenides) – Free MP3
  • Brod­key, Harold – The State of Grace (read by Richard Ford ) – Free Stream
  • Brown, Mar­garet Wise – Good Night Moon (Read by Susan Saran­don) – YouTube
  • Bukows­ki, Charles – The Laugh­ing Heart (read by Tom Waits) – YouTube Audio
  • Bukows­ki, Charles – The Crunch and Roll The Dice (read by Bono) – YouTube Audio
  • Bukows­ki, Charles – The Secret to My Endurance (read by the author) – YouTube Audio
  • Calvi­no, Ita­lo – Invis­i­ble Cities (excerpts read by Calvi­no) – Free Stream
  • Car­roll, Lewis – Alice in Won­der­land – Alter­na­tive ver­sion read by Cory Doc­torow of Boing­Bo­ing
  • Carv­er, Ray­mond - “Fat” (read by Anne Enright) – Free MP3
  • Carv­er, Ray­mond – “The Stu­dents’ Wife (read by Richard Ford) – Free MP3
  • Carv­er, Ray­mond – “What We Talk About When We Talk About Love” (Read by Carv­er) – Free MP3
  • Cheev­er, John – “The Death of Justi­na” (read by John Cheev­er) – Free Stream/Download
  • Cheev­er, John ” The Enor­mous Radio” (read by Nathan Eng­lan­der) –Free Stream
  • Cheev­er, John - “The Reunion” (read by Richard Ford) – Free MP3
  • Cheev­er, John – “The Swim­mer” (read by Anne Enright) – Free MP3
  • Cheev­er, John – “The Swim­mer” (read by Cheev­er) – Free Stream/Download
  • Chabon, Michael – “S Angel” (read by author) – Free Stream/Download
  • Coleridge, Samuel – Rime of the Ancient Mariner – Ver­sion read by Orson Welles
  • Cum­mings, EE - Some­where I Have Nev­er Trav­elled – (read by author) – YouTube
  • Cum­mings, EE - Any­one Lived in a Pret­ty How Town – (read by author) – YouTube
  • Dan­ti­cat, Edwidge - Water Child (read by Junot Diaz) – Free MP3 – Free iTunes
  • DeLillo’s, Don – “Baad­er-Mein­hof” (read by Chang-rae Lee) – MP3
  • Dick­ens, Charles – A Christ­mas Car­ol (Read by Neil Gaiman) – Free Stream
  • Faulkn­er, William – Faulkn­er Reads – Free Stream
  • Fer­linghet­ti, Lawrence – Selec­tions from A Coney Island of the Mind (read by author) – Free MP3 – Free Stream
  • Frost, Robert – Stop­ping by Woods on a Snowy Evening (read by author) – YouTube
  • Frost, Robert – The Gift Out­right (read by author) – YouTube
  • Gins­berg, Allen – A Super­mar­ket in Cal­i­for­nia (read by Gins­berg) – Free MP3
  • Gins­berg, Allen – Amer­i­ca (read by Gins­berg) – Free YouTube Stream
  • Gins­berg, Allen - Howl, A Strange New Cot­tage in Berke­ley, and Super­mar­ket in Cal­i­for­nia (read by Gins­berg) – Free MP3/Stream
  • Gordimer, Nadine – “A Style of Her Own” and “The Bride­groom” (read by the author, 1961) – Free Stream/Download
  • Gordimer, Nadine – “Loot” (read by author) – YouTube
  • Hem­ing­way, Ernest – Ernest Hem­ing­way Reads Ernest Hem­ing­way –Free Stream
  • Hem­ing­way, Ernest - Homage to Switzer­land (read by Julian Barnes) – Free MP3
  • Hem­ing­way, Ernest – “In Harry’s Bar in Venice” (a short sto­ry read by Hem­ing­way: .au for­mat.gsm for­mat.ra for­mat)
  • Hem­ing­way, Ernest – “The Snows of Kil­i­man­jaro” (read by Charleston Hes­ton) – Part 1 – Part 2 – Part 3 – Part 4
  • Joyce, James – “The Dead” (Read by Cyn­thia Nixon & Colum McCann) – Free Stream
  • July, Miran­da - “Ron Spivey” (read by David Sedaris) – Free MP3
  • Kaf­ka, Franz – “A Hunger Artist” (read by Hanif Kureishi) – Free MP3
  • Kin­caid, Jamaica - “Fig­ures in the Dis­tance” (read by Chi­ma­man­da Ngozi Adichie) – Free Stream
  • Kin­caid, Jamaica – “Girl” and “Wing­less” (read by Edwidge Dan­ti­cat) – Free Stream
  • McCann, Colum – “Transat­lantic” (read by author) – Free MP3
  • Melville, Her­man – Moby Dick read by Celebri­ties – Free iTunes – Sound­cloud – Big Read – More details
  • Moore, Lor­rie – “Paper Loss­es” (read by Gary Shteyn­gart) – Free Stream
  • Nabokov, Vladimir - My Russ­ian Edu­ca­tion (Read by Orhan Pamuk) – Free MP3 – Free iTunes
  • O’Connor, Flan­nery – “A Good Man is Hard to Find.” (Read by author in 1959) – Stream/Download
  • Oates, Joyce Car­ol - “Mas­tiff” (read by Louise Erdrich) – Free Stream
  • Ozick, Cyn­thia – “The Shawl” (read by Joyce Car­ol Oates) – Free Stream
  • Paley, Grace – “Love” (read by George Saun­ders) – Free Stream
  • Plath, Sylvia – Ariel (read by author) – YouTube Stream
  • Poe, Edgar Allan - The Raven (as read by Christo­pher Walken) – Free YouTube Audio
  • Poe, Edgar Allan - The Raven (as read by James Earl Jones) – Free YouTube Audio
  • Pound, Ezra – Ses­ti­na: Altaforte (read by author) – YouTube
  • Pritch­ett, V.S. – The Res­cue (Read by Jonathan Lethem) – Free Stream
  • Rich, Adri­enne – Mourn­ing Poem, Spring Thun­der, White Night and oth­er poems (read by author) – Free Stream/Download
  • Rumi – Like This (read by Til­da Swin­ton) – YouTube
  • Sara­m­a­go, José - “The Cen­taur” (Read by Nadine Gordimer) – Free MP3
  • Seuss, Dr. – Green Eggs and Ham (read by Neil Gaiman) – YouTube
  • Sex­ton, Anne – Wait­ing to Die (read by author) – YouTube
  • Shake­speare, William – The Son­nets (read by Sir John Giel­gud) – Part 1Part 2Part 3Part 4
  • Shel­ley, Per­cy Bysshe – Ozy­man­dias (read by Bryan Cranston) – Free YouTube
  • Singer, Isaac Bashe­vis – Dis­guised – Free MP3 (read by Nathan Eng­lan­der)
  • Stevens, Wal­lace – “Cre­dences of Sum­mer” and “An Ordi­nary Evening in New Haven” (read by the author) – Free Stream/Download
  • Thomas, Dylan – A Child’s Christ­mas in Wales (read by Thomas) –Youtube
  • Thomas, Dylan – Do Not Go Gen­tle Into That Good Night (read by the author) – Free MP3/Stream
  • Thomas, Dylan – Do Not Go Gen­tle Into That Good Night (read by the Sir Antho­ny Hop­kins) – Free YouTube
  • Thomas, Dylan – The Wild West (read by the author) – Free MP3/Stream
  • Thomas, Dylan – Under Milk Wood (read by the author) – Free MP3/Stream
  • Updike, John - “Play­ing with Dyna­mite” (read by Roger Angell) – Free MP3
  • Updike, John – “A & P.” (read by Alle­gra Good­man) – Free MP3
  • Wal­lace, David Fos­ter - “Con­sid­er the Lob­ster” (read by DFW) – Free MP3
  • Wal­lace, David Fos­ter - “The View from Mrs. Thompson’s” (read by DFW) – Free MP3
  • Wel­ty, Eudo­ra “Where Is the Voice Com­ing From?” (read by Joyce Car­ol Oates) (MP3)
  • Whit­man, Walt – Song of Myself (read by James Earl Jones) – Free Stream/Download
  • Wilde, Oscar – The Hap­py Prince read by Stephen Fry – YouTube
  • Williams, Willam Car­los – The Red Wheel­bar­row, Tract, The Defec­tive Record, To a Poor Old Woman, A Coro­nal, To Elsie, The Wind Increas­es, Clas­sic Scene (read by poet 1954) – Free
  • Wolff, Tobias – “Bul­let in the Brain” (read by T. Cor­aghes­san Boyle) (MP3)
  • Wolff, Tobias – “The Night in Ques­tion” (read by Akhil Shar­ma) (MP3)
  • Yeats, William But­ler – The Fid­dler of Dooney (read by the author) – Free MP3
  • Yeats, William But­ler – The Song of the Old Moth­er (read by the author) Free MP3

Relat­ed Con­tent:

1,000 Free Audio Books: Down­load Great Books for Free

Down­load 55 Free Online Lit­er­a­ture Cours­es: From Dante and Mil­ton to Ker­ouac and Tolkien

Crash Course on Lit­er­a­ture: Watch John Green’s Fun Intro­duc­tions to Gats­by, Catch­er in the Rye & Oth­er Clas­sics

Thug Notes Demys­ti­fies 60 Lit­er­ary Clas­sics (from Shake­speare to Gats­by) with a Fresh Urban Twist

What Are Lit­er­a­ture, Phi­los­o­phy & His­to­ry For? Alain de Bot­ton Explains with Mon­ty Python-Style Videos

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

William S. Burroughs’ Home Movies, Featuring Patti Smith, Allen Ginsberg, Steve Buscemi & Cats

Giv­ing Gus Van San­t’s Drug­store Cow­boy a re-watch a cou­ple of weeks ago, I found I espe­cial­ly enjoyed William S. Bur­roughs’ appear­ance toward the end as — what else? — an aged but wise drug user in whose benev­o­lent pres­ence Matt Dil­lon’s pro­tag­o­nist comes to life-chang­ing con­clu­sions. That pic­ture rep­re­sent­ed a break into the main­stream, or close to it, for Van Sant, a direc­tor pre­vi­ous­ly known for Mala Noche, a stark black-and-white take on street hus­tlers on Port­land’s Skid Row.

But Bur­roughs’ pres­ence, among oth­er things, allowed Drug­store Cow­boy to keep a cer­tain raw edge. If you real­ly want to see Bur­roughs’ in a con­text of cin­e­mat­ic raw­ness, though, have a look at these home movies. We’ve pulled them out of the inter­net’s attic as a cel­e­bra­tion of the Naked Lunch author’s 101st birth­day. Only light­ly and taste­ful­ly edit­ed, these VHS gems (part one, part two) can­did­ly depict Bur­roughs at home in Lawrence, Kansas in 1996, just a year before his death.

They also find him in the com­pa­ny of such notable friends as Pat­ti Smith, Steve Busce­mi, and Allen Gins­berg, smok­ing, drink­ing, and — in Smith’s case — bust­ing out the gui­tar. Cats, as promised, roam through the frame. You might not call Bur­roughs him­self, made some­what less exu­ber­ant by time, the life of the par­ty, but he does seem to have radi­at­ed a kind of askew ani­mat­ing spir­it until the end. It cer­tain­ly kept him sur­round­ed by coun­ter­cul­tur­al lumi­nar­ies, all of them sure­ly still as keen as that young phar­ma­cy-rob­ber to learn from him.

Relat­ed Con­tent:

The Mak­ing of Drug­store Cow­boy, Gus Van Sant’s First Major Film (1989)

Hear a Great Radio Doc­u­men­tary on William S. Bur­roughs Nar­rat­ed by Iggy Pop

William S. Bur­roughs Reads His First Nov­el, Junky

William S. Bur­roughs on the Art of Cut-up Writ­ing

William S. Bur­roughs on Sat­ur­day Night Live, 1981

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture as well as the video series The City in Cin­e­ma and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Watch Between Time and Timbuktu, an Obscure TV Gem Based on the Work of Kurt Vonnegut

Just won­der­ing, who among us knows how to sing the zip code of Boston’s pub­lic tele­vi­sion sta­tion, WGBH-TV?

If you war­bled “02134” with­out hes­i­ta­tion, you prob­a­bly grew up watch­ing a beloved children’s tele­vi­sion show of the 70s.

It turns out Zoom wasn’t the only cool pro­gram WGBH hatched in 1972. On March 13, just a cou­ple of months after Zoom’s debut, the sta­tion aired Between Time and Tim­buk­tu, a 90-minute spe­cial inspired by the work of Kurt Von­negut.

The script was writ­ten by David Odell, who lat­er won an Emmy for The Mup­pet Show, but Von­negut advised, pinch­ing char­ac­ters and scenes from such favorites as Cat’s Cra­dle, Sirens of Titan, and “Har­ri­son Berg­eron.”

Von­negut also wrote the intro­duc­tion to the pub­lished script, a paper­back quick­ie enhanced by pro­duc­tion stills and pho­tos tak­en by Vonnegut’s wife, Jill Kre­mentz. It was as good a forum as any for him to announce his retire­ment from film, which he cit­ed as a medi­um “too clank­ing and real” for his com­fort.

The show itself is like­ly to cause nos­tal­gia for television’s free­wheel­ing, Mon­ty Python era.

Though 1972 wasn’t an entire­ly sil­ly peri­od, if you’ll recall. The Viet­nam War was rag­ing, with Wal­ter Cronkite hold­ing down the CBS Evening News desk.

Between Time and Tim­buk­tu cap­i­tal­izes on the vet­er­an broad­cast­er’s ubiq­ui­ty by cast­ing come­di­an Ray Gould­ing of Bob and Ray fame, as an appro­pri­ate­ly grave Wal­ter Gesund­heit. Bob joined him at the news desk as a fic­ti­tious for­mer astro­naut. Von­negut was appre­cia­tive of their efforts, stat­ing that Amer­i­can come­di­ans had prob­a­bly done more to shape his think­ing than any oth­er writer.

Also look for William Hick­ey, who played Prizzi’s Honor’s genial, aged mafia don, in the lead role of Stony Stevenson—now there’s a peri­od char­ac­ter name! If you’ll remem­ber, Stony is also the first civil­ian in space, at least accord­ing to the Sirens of Titan.

via The Air­ship

Relat­ed Con­tent:

Kurt Von­negut Urges Young Peo­ple to Make Art and “Make Your Soul Grow”

Kurt Von­negut: Where Do I Get My Ideas From? My Dis­gust with Civ­i­liza­tion

Kurt Von­negut Explains “How to Write With Style”

Ayun Hal­l­i­day is an author, home­school­er, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

Invisible Cities Illustrated: Three Artists Paint Every City in Italo Calvino’s Classic Novel

Cities-Thekla

The medieval trav­el­ogue presents present-day writ­ers and artists with an abun­dance of mate­r­i­al. Writ­ing in an age when the bound­aries between fic­tion and non- were not so sharply drawn, ear­ly explor­ers and sailors had lit­tle com­punc­tion about embell­ish­ing their tales with exag­ger­a­tions and out­right lies. Trav­el­ers cir­cu­lat­ed sto­ries of giants and mon­sters and cred­u­lous read­ers back home swal­lowed them whole. Well, some­times. In the case of the most famed medieval trav­el­er, Mar­co Polo, schol­ars have debat­ed whether Il Mil­ione—one of the titles of a nar­ra­tive based on his accounts—refers to a fam­i­ly nick­name or to Polo’s rep­u­ta­tion for telling “a mil­lion lies.” But whether Polo told the truth or not hard­ly mat­tered to Ita­lo Calvi­no, who found in the explorer’s col­or­ful tales just the inspi­ra­tion he need­ed for his 1972 nov­el Invis­i­ble Cities.

Cities-Irene Kuth

More a series of vignettes than a nar­ra­tive, the book con­sists of chap­ter after chap­ter of Polo describ­ing for Kublai Khan the var­i­ous cities he encoun­tered on his trav­els, each one more fan­tas­tic and mag­i­cal than the last. “Kublai Khan does not nec­es­sar­i­ly believe every­thing Mar­co Polo says,” Calvi­no tells us in his intro­duc­tion, “but the emper­or of the Tar­tars does con­tin­ue lis­ten­ing to the young Venet­ian with greater atten­tion and curios­i­ty than he shows any oth­er mes­sen­ger or explor­er of his.” As read­ers, we too lis­ten with rapt atten­tion to curi­ous sto­ries of cities like Olin­da, which “grows in con­cen­tric cir­cles, like tree trunks which each year add one more ring” and Eusapia, where “the inhab­i­tants have con­struct­ed an iden­ti­cal copy of their city, under­ground,” so that the dead can “con­tin­ue their for­mer activ­i­ties.”

Cities-Beersheba Connor

Play­ing on the bizarre nature of trav­el­ers’ tales and the imag­i­na­tive excess­es of exot­ic romances, Calvino’s nov­el abounds in delight­ful archi­tec­tur­al absur­di­ties and puz­zling alle­gories, almost demand­ing to be illu­mi­nat­ed like a medieval man­u­script. Decid­ing to meet the chal­lenge, artists Matt Kish, Leighton Con­nor, Joe Kuth began illus­trat­ing Invis­i­ble Cities in April of 2014. Their tum­blr, See­ing Calvi­no, updates every Wednes­day with a new inter­pre­ta­tion of the novel’s many strange cities. At the top of the post, see “Thekla,” the “city for­ev­er under con­struc­tion,” by Kish. Below it, Kuth’s imag­in­ing of “Irene,” the “name for a city in the dis­tance, and if you approach it, it changes.” And just above, Connor’s inter­pre­ta­tion of “Beer­she­ba,” in which it is believed that “sus­pend­ed in the heav­ens, there exists anoth­er Beer­she­ba … They also believe, these inhab­i­tants, that anoth­er Beer­she­ba exists under­ground.”

Cities-Adelma Kish

See­ing Calvi­no isn’t Kish’s first for­ay into lit­er­ary illus­tra­tion. Pre­vi­ous­ly, he under­took an illus­tra­tion of every page of Melville’s Moby Dick, an impres­sive effort we fea­tured last week. (Above, see anoth­er of his Invis­i­ble Cities pieces, “Adel­ma.”) Of the new, col­lab­o­ra­tive Calvi­no project, Kish tells us, “the episod­ic struc­ture real­ly appealed to us and we thought it was the per­fect kind of thing to build a tum­blr around and share with peo­ple.”

Invis­i­ble Cities has been fas­ci­nat­ing to cre­ate… each of us brings a very dif­fer­ent approach to the work. Joe’s Cities tend to be far more lit­er­al, real­is­tic and rep­re­sen­ta­tion­al, which I find kind of stag­ger­ing because that is so dif­fi­cult to do with Calvi­no. My illus­tra­tions are far more abstract and con­cep­tu­al, try­ing to show in sym­bol­ic ways the ideas behind each chap­ter. Leighton falls some­where between us on that spec­trum, and his work has ele­ments of real­ism and abstrac­tion. None of us even talked about this before we start­ed, we sim­ply began inde­pen­dent­ly (after set­tling on a rota­tion) and watched each oth­er’s work evolve.

The three artists of See­ing Calvi­no have to date paint­ed 45 of the 56 cities in Calvino’s nov­el. Kish has also illus­trat­ed Joseph Conrad’s Heart of Dark­ness, and his blog fea­tures many oth­er graph­ic inter­pre­ta­tions of lit­er­ary and cin­e­mat­ic works. The Moby Dick project saw pub­li­ca­tion as a book in 2011. We can only hope that Calvino’s pub­lish­er sees the val­ue of an Invis­i­ble Cities edi­tion incor­po­rat­ing Kish, Kuth, and Connor’s illus­tra­tions.

You can vis­it See­ing Calvi­no here.

Relat­ed Con­tent:

An Illus­tra­tion of Every Page of Her­man Melville’s Moby Dick

Hear Ita­lo Calvi­no Read Selec­tions From Invis­i­ble Cities, Mr. Palo­mar & Oth­er Enchant­i­ng Fic­tions

Expe­ri­ence Invis­i­ble Cities, an Inno­v­a­tive, Ita­lo Calvi­no-Inspired Opera Staged in LA’s Union Sta­tion

Watch a Whim­si­cal Ani­ma­tion of Ita­lo Calvino’s Short Sto­ry “The Dis­tance of the Moon”

Ita­lo Calvi­no Offers 14 Rea­sons We Should Read the Clas­sics

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Romantic Poets Samuel Taylor Coleridge & Robert Southey Write About Their Experiments with Laughing Gas (1799)

800px-Laughing_gas_Rumford_Davy

A hun­dred years before Sig­mund Freud used him­self as a test sub­ject for his exper­i­ments with cocaine, anoth­er sci­en­tist, Humphry Davy, Eng­lish chemist and future pres­i­dent of the Roy­al Soci­ety, began “a very rad­i­cal bout of self exper­i­men­ta­tion to deter­mine the effects of” anoth­er drug—nitrous oxide, bet­ter known as “laugh­ing gas.” Davy’s find­ings — Research­es, Chem­i­cal and Philo­soph­i­cal Chiefly Con­cern­ing Nitrous Oxide, or Diphlo­gis­ti­cat­ed Nitrous Air, And Its Res­pi­ra­tion By Humphry Davy—pub­lished in 1800, come to us via The Pub­lic Domain Review, who describe the 1799 exper­i­ments thus:

With his assis­tant Dr. Kinglake, he would heat crys­tals of ammo­ni­um nitrate, col­lect the gas released in a green oiled-silk bag, pass it through water vapour to remove impu­ri­ties and then inhale it through a mouth­piece. The effects were superb. Of these first exper­i­ments he described gid­di­ness, flushed cheeks, intense plea­sure, and “sub­lime emo­tion con­nect­ed with high­ly vivid ideas.”

Though we don’t typ­i­cal­ly think of nitrous oxide as an addic­tive sub­stance, like Freud’s exper­i­ments, Davy’s pro­gressed rapid­ly from curios­i­ty to recre­ation: “He began to take the gas out­side of lab­o­ra­to­ry con­di­tions, return­ing alone for soli­tary ses­sions in the dark, inhal­ing huge amounts, ‘occu­pied only by an ide­al exis­tence,’ and also after drink­ing in the evening.” For­tu­nate­ly for us, how­ev­er, also like Freud, Davy “con­tin­ued to be metic­u­lous in his sci­en­tif­ic records through­out.” Even­tu­al­ly, the twen­ty-year-old Davy con­struct­ed an “air-tight breath­ing box.” Seal­ing him­self inside, writes Mike Jay, Davy had Dr. Kinglake “release twen­ty quarts of nitrous oxide every five min­utes for as long as he could retain con­scious­ness.”

Also, like Freud’s use of cocaine, Davy’s research briefly led to a fad­dish recre­ation­al use of the drug, well into the ear­ly part of the nine­teenth cen­tu­ry, as you can see in the car­i­ca­tures at the top and below, from 1830 and 1829, respec­tive­ly. But despite what these humor­ous images sug­gest, “laugh­ing gas” became known not only as a par­ty drug, but also as a means of achiev­ing height­ened states of con­scious­ness con­ducive to philo­soph­i­cal reflec­tion and poet­ic cre­ation (hence the “Philo­soph­i­cal” ref­er­ence in the title of Davy’s research). Dur­ing his own expe­ri­ences “under the influ­ence of the largest does of nitrous oxide any­one had ever tak­en,” Davy “’lost all con­nec­tion with exter­nal things,’ and entered a self-envelop­ing realm of the sens­es,” writes Jay, find­ing him­self “‘in a world of new­ly con­nect­ed and mod­i­fied ideas,’ where he could the­o­rise with­out lim­its and make new dis­cov­er­ies at will.”

The appeal of this state to a sci­en­tist may be obvi­ous, and to a poet even more so. Davy’s friend Robert Southey, the future Poet Lau­re­ate, became “as effu­sive” as Davy after tak­ing the gas, exclaim­ing, “the atmos­phere of the high­est of all pos­si­ble heav­ens must be com­posed of this gas.” In addi­tion to Southey, Davy’s “free­wheel­ing pro­gram of con­scious­ness expan­sion… co-opt­ed some of the most remark­able fig­ures of his day”—including Samuel Tay­lor Coleridge, who is already well-known for find­ing some of his poet­ic inspi­ra­tion under the influ­ence of opi­um. Coleridge at the time had just pub­lished to great acclaim The Lyri­cal Bal­lads with William Wordsworth and had returned from a brief sojourn in Ger­many, where he had become heav­i­ly influ­enced by the Ger­man Ide­al­ist phi­los­o­phy of Immanuel Kant and Friedrich Schelling.

Laughing Gas--Poetry

Coleridge, who was “cap­ti­vat­ed by the young chemist” Davy, described his expe­ri­ence of tak­ing nitrous oxide for the first time in very pre­cise terms, avoid­ing the “extrav­a­gant metaphors” oth­ers tend­ed to rely on. He recalled the sen­sa­tions as resem­bling “that which I remem­ber once to have expe­ri­enced after return­ing from the snow into a warm room,” and, in a lat­er tri­al, said he was “more vio­lent­ly act­ed upon” and that “towards the last I could not avoid, nor felt any wish to avoid, beat­ing the ground with my feet; and after the mouth­piece was removed, I remained for a few sec­onds motion­less, in great ecsta­cy.” Under the influ­ence of both nitrous oxide and philo­soph­i­cal meta­physics, Coleridge had come to believe “the mate­r­i­al world only an illu­sion pro­ject­ed by” the mind.

Davy, who ful­ly endorsed this view, claim­ing “noth­ing exists but thoughts,” brought his “chaot­ic mélange of hedo­nism, hero­ism, poet­ry and phi­los­o­phy” to heel in the “coher­ent and pow­er­ful” 580-page mono­graph above, which makes the case for laugh­ing gas’s sci­en­tif­ic and poet­ic worth. The report, writes Jay, com­bines “two mutu­al­ly unin­tel­li­gi­ble languages—organic chem­istry and sub­jec­tive experience—to cre­ate a ground­break­ing hybrid, a poet­ic sci­ence.” Like Freud’s use of cocaine or Tim­o­thy Leary’s exper­i­ments with LSD decades lat­er, Davy’s exper­i­ments fur­ther demon­strate, per­haps, that the few times the sci­ences, phi­los­o­phy, and poet­ry com­mu­ni­cate with each oth­er, it’s gen­er­al­ly under the influ­ence of mind-alter­ing sub­stances.

For more on Davy and nine­teenth cen­tu­ry England’s fas­ci­na­tion with laugh­ing gas, see Mike Jay’s Pub­lic Domain Review essay here and read this New York Review of Books arti­cle on his book-length treat­ment of the sub­ject, The Atmos­phere of Heav­en: The Unnat­ur­al Exper­i­ments of Dr. Bed­does and His Sons of Genius.

via The Pub­lic Domain Review

Relat­ed Con­tent:

How a Young Sig­mund Freud Researched & Got Addict­ed to Cocaine, the New “Mir­a­cle Drug,” in 1894

Woman Takes LSD in 1956: “I’ve Nev­er Seen Such Infi­nite Beau­ty in All My Life,” “I Wish I Could Talk in Tech­ni­col­or”

Beyond Tim­o­thy Leary: 2002 Film Revis­its His­to­ry of LSD

Carl Sagan Extols the Virtues of Cannabis (1969)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Listen to 60+ Free, High-Quality AudioBooks of Classic Literature on Spotify: Austen, Dickens, Tolstoy & More

tolstoy on spotify

Where music goes, tech­no­log­i­cal­ly speak­ing, audio books soon fol­low. We’ve had audio books on vinyl LP, on cas­sette tape, on CD, and on MP3, just like we’ve had music. Now that so many of us pull up our dai­ly jams on Spo­ti­fy, it should­n’t come as a sur­prise that we can do a fair bit of our “read­ing” there as well. We’ve found a few lists that gath­er up the best audio book avail­able on Spo­ti­fy, includ­ing 21 clas­sics and a col­lec­tion of Shake­speare plays and son­nets at Gnarl’d, ten ever­green lit­er­ary picks from Life­hack­er, and a Spo­ti­fy forum thread ded­i­cat­ed to sub­ject.

Below, you’ll find Spo­ti­fy links to more than 60 clas­sic works of lit­er­a­ture that, even if you strug­gled on get­ting them read in your Eng­lish class­es, you can now revis­it in a per­haps much more lifestyle-com­pat­i­ble medi­um. If you find more audio books on Spo­ti­fy, def­i­nite­ly let us know in the com­ments sec­tion below and we’ll add them to our list.

To lis­ten to any of these, you will of course need Spo­ti­fy’s soft­ware and account, both easy to come by: you just down­load and reg­is­ter.

For more great audio, don’t for­get to vis­it our col­lec­tion, 1,000 Free Audio Books: Down­load Great Books for Free. Also remem­ber that you can down­load a free audio­book (includ­ing many con­tem­po­rary books) from Audible.com’s Free Tri­al pro­gram.

Relat­ed Con­tent:

630 Free Audio Books: Down­load Great Books for Free

Down­load 55 Free Online Lit­er­a­ture Cours­es: From Dante and Mil­ton to Ker­ouac and Tolkien

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture as well as the video series The City in Cin­e­ma and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

« Go BackMore in this category... »
Quantcast