Open Culture Picks Our 10 Avant-Garde Favorites on Ubuweb: Joyce, Borges, Sontag, Wittgenstein & More

samuelbeckett-ubuweb

If you know about Open Cul­ture, sure­ly you know about Ubuweb. If you don’t, its slo­gan says almost every­thing you need to know about it: “All Avant-Garde. All the Time.” This vast online repos­i­to­ry of cut­ting-edge cul­tur­al arti­facts from a vari­ety of eras also adheres stead­fast­ly to the prin­ci­ple of keep­ing all of its mate­r­i­al free: free in the sense of charg­ing you noth­ing to read, hear or view it, and free in the sense that you can do what­ev­er you want with it. Need­less to say, the site, found­ed by poet Ken­neth Gold­smith in 1996, has made many fans, and Ubuweb itself has tapped quite a few of the high­er-pro­file ones to curate top ten lists. Assem­bled by peo­ple like New York­er music crit­ic Alex Ross, nov­el­ists Hari Kun­zru and Rick Moodyalter­na-pop star Nick “Momus” Cur­rie, these help the poten­tial­ly (and under­stand­ably) bewil­dered find their way through the trove of Ubuwe­b’s media, which is uni­ver­sal­ly influ­en­tial and van­ish­ing­ly obscure, vis­cer­al­ly trans­gres­sive and ver­tig­i­nous­ly intel­lec­tu­al, eter­nal­ly excit­ing and delib­er­ate­ly bor­ing.

This month, Ubuweb called upon our fear­less edi­tor here at Open Cul­ture for a top ten list. Most of the picks have been pre­vi­ous­ly fea­tured on OC. The list runs as fol­lows:

1. Finnegans Wake (1939), Read by Patrick Healy
Open Cul­ture: Hear All of Finnegans Wake Read Aloud: A 35 Hour Read­ing

“The sheer plea­sure one can derive — con­ven­tion­al expec­ta­tions duly set aside — from the almost tac­tile qual­i­ty of Joyce’s prose, its earthy, ancient, elven sounds, seems more to the point of appre­ci­at­ing this odd, frus­trat­ing work. Per­haps, like any well-writ­ten poem, one sim­ply needs to hear it read aloud. Joyce him­self said so, and so you can.”

2. The Craft of Verse: Jorge Luis Borges’ Nor­ton Lec­tures, 1967–68
Open Cul­ture: Jorge Luis Borges’ 1967–8 Nor­ton Lec­tures On Poet­ry (And Every­thing Else Lit­er­ary)

“Near­ing both 70 years of age and total blind­ness, Borges nonethe­less gives a vir­tu­osi­cal­ly wide-rang­ing series of talks, freely reach­ing across forms, coun­tries, eras, and lan­guages with­out the aid of notes. Enti­tled ‘This Craft of Verse,’ these lec­tures osten­si­bly deal with poet­ry. Alas, like many lit­er­ary geeks, I know too lit­tle of poet­ry, but if Borges can’t moti­vate you to learn more, who can?”

3. Three Rare Films by Susan Son­tag
Open Cul­ture: The Film­mak­ing of Susan Son­tag & Her 50 Favorite Films (1977)

“Son­tag, they say, ‘sought to lib­er­ate art from inter­pre­ta­tion (which is a bit iron­ic, of course, for some­one who was essen­tial­ly an exalt­ed crit­ic). When it came to her own film, she made some­thing that intend­ed to delib­er­ate­ly con­found the notion that there was any sort of under­ly­ing mean­ing beyond exact­ly what the audi­ence was see­ing on the screen direct­ly in front of them.’ ”

4.  M.A. Num­mi­nen Sings Wittgen­stein (1983 / 1989)
Open Cul­ture: Lud­wig Wittgenstein’s Trac­ta­tus Gets Adapt­ed Into an Avant-Garde Com­ic Opera

“Giv­en the Trac­ta­tus’s fire­bomb­ing of an entire area of human endeav­or, it’s no sur­prise it hasn’t fared well in many tra­di­tion­al depart­ments, but that hasn’t stopped Wittgenstein’s work from find­ing pur­chase else­where, influ­enc­ing mod­ern artists like Jasper Johns, the Coen Broth­ers, and, not least sure­ly, Finnish avant garde com­pos­er and musi­cian M.A. Num­mi­nen. This odd char­ac­ter, who caused a stir in the 60s by set­ting sex guides to music, took it upon him­self to do the same for many of the Trac­ta­tus’s propo­si­tions, and the results are, well…. Lis­ten for your­self.”

5. Aldous Huxley’s Vision­ary Expe­ri­ence
Open Cul­ture: Aldous Hux­ley, Psy­che­delics Enthu­si­ast, Lec­tures About “the Vision­ary Expe­ri­ence” at MIT (1962)

“Hux­ley had already gained world­wide fame for his views on bet­ter liv­ing, which was some­times achieved, he believed, through psy­che­del­ic drugs. This might have already sound­ed like old hat in, say, the San Fran­cis­co of the late 1960s, let alone the 70s and onward, but in these record­ings Hux­ley says his piece in — I still can’t quite believe it — the MIT of the ear­ly 1960s. But diag­nosed a cou­ple years before with the can­cer that would claim his life the next, he had noth­ing to lose by spread­ing the word of his sub­stance-induced dis­cov­er­ies.”

6. Jacques Derrida’s Inter­view with Ornette Cole­man [PDF]
Open Cul­ture: Philoso­pher Jacques Der­ri­da Inter­views Jazz Leg­end Ornette Cole­man: Talk Impro­vi­sa­tion, Lan­guage & Racism (1997)

“Trans­lat­ing Coleman’s tech­nique into ‘a domain that I know bet­ter, that of writ­ten lan­guage,’ Der­ri­da ven­tures to com­pare impro­vi­sa­tion to read­ing, since it ‘doesn’t exclude the pre-writ­ten frame­work that makes it pos­si­ble.’ For him, the exis­tence of a framework—a writ­ten composition—even if only loose­ly ref­er­enced in a jazz per­for­mance, ‘com­pro­mis­es or com­pli­cates the con­cept of impro­vi­sa­tion.’ ”

7. Joey Ramone Sings a Piece by John Cage Adapt­ed from James Joyce’s Finnegans Wake: “The Won­der­ful Wid­ow of Eigh­teen Springs,”
Open Cul­ture: Hear Joey Ramone Sing a Piece by John Cage Adapt­ed from James Joyce’s Finnegans Wake

“Ramone’s inter­pre­ta­tion of the piece is enthralling sim­ply as a piece of record­ed music.  But it’s also a fas­ci­nat­ing piece of cul­tur­al his­to­ry, rep­re­sent­ing a con­flu­ence of the fore­most fig­ures in ear­ly twen­ti­eth cen­tu­ry mod­ernist lit­er­a­ture, mid-cen­tu­ry avant-garde music, and late cen­tu­ry punk rock.”

8. The Avant-Garde Project
Open Cul­ture: The Avant-Garde Project: An Archive of Music by 200 Cut­ting-Edge Com­posers, Includ­ing Stravin­sky, Schoen­berg, Cage & More

“Every sphere of record­ed music has its crate-dig­gers, those hap­py to flip through hun­dreds — nay, hun­dreds of thou­sands — of obscure, for­got­ten vinyl albums in search of their subgenre’s even obscur­er, more for­got­ten gems. This holds espe­cial­ly true, if not in num­ber than in avid­i­ty, for enthu­si­asts of the 20th-cen­tu­ry clas­si­cal-exper­i­men­tal-elec­troa­coustic tra­di­tion that The Avant-Garde Project takes as its preser­va­tion man­date.”

9. Alice Tok­las Reads Her Hashish Fudge Recipe
Open Cul­ture: Alice B. Tok­las Reads Her Famous Recipe for Hashish Fudge (1963)

“In this 1963 record­ing from Paci­fi­ca Radio, Tok­las reads her noto­ri­ous recipe. The snack ‘might pro­vide an enter­tain­ing refresh­ment for a Ladies’ Bridge Club or a chap­ter meet­ing of the DAR,’ Tok­las notes in her reedy, dig­ni­fied voice.”

10. Jean Bau­drillard Sings!
Open Cul­ture: Jean Bau­drillard Reads His Poet­ry, Backed By All-Star Arts Band (1996)

“Known to hip aca­d­e­m­ic types and avant-garde-ists, Bau­drillard’s maybe the kind of thinker who gets name-dropped more than read (and he’s no easy read). But in the audio clip above, he reads to us, from his poet­ry no less, while backed by the swirling abstract sounds of The Chance Band. It’s an odd, one-time, assem­blage of artists and thinkers Ubuweb describes as ‘unbe­liev­able but true!’ ”

If you’ve already seen every­thing on it, con­grat­u­la­tions: you can con­sid­er your­self a true, shall we say, OC OG.

Relat­ed Con­tent:

Avant-Garde Media: The UbuWeb Col­lec­tion

Exten­sive Archive of Avant-Garde & Mod­ernist Mag­a­zines (1890–1939) Now Avail­able Online

Take a Vir­tu­al Tour of the 1913 Exhi­bi­tion That Intro­duced Avant-Garde Art to Amer­i­ca

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

A Free Cartoon Biography of Ayn Rand: Her Life & Thought

rand cartoon bio

Ayn Rand is one of the most divi­sive fig­ures in 20th Cen­tu­ry Amer­i­can thought. In some cir­cles, par­tic­u­lar­ly on Wall Street and in Wash­ing­ton DC think tanks, she’s seen as a patron saint of lais­sez faire cap­i­tal­ism. She preached the virtues of indi­vid­u­al­ism and decried gov­ern­ment hand­outs and tax­es before it was cool, after all. In oth­er cir­cles, her best­selling books are thought to be lit­tle more than jus­ti­fi­ca­tions of socio­path­ic behav­ior couched in stilt­ed, preachy prose. Whit­tak­er Cham­bers famous­ly dis­missed her final book, Atlas Shrugged, in a review for William F. Buck­ley’s Nation­al Review: “Out of a life­time of read­ing, I can recall no oth­er book in which a tone of over­rid­ing arro­gance was so implaca­bly sus­tained. Its shrill­ness is with­out reprieve. Its dog­ma­tism is with­out appeal.”

Yet Rand’s thought found a great deal of appeal among Amer­i­can con­ser­v­a­tives. Alan Greenspan, the for­mer head of the Fed­er­al Reserve, was a mem­ber of Rand’s inner cir­cle. For­mer vice pres­i­den­tial can­di­date Paul Ryan and like­ly pres­i­den­tial con­tender Rand Paul are both not­ed fol­low­ers. Whether you agree with her or not, Rand is some­one you need to under­stand if you want to get a sense of what’s going on with Amer­i­can pol­i­tics. So for those of you who might blanche at the thought of wad­ing through one of her phone­book-sized tomes, check out Dar­ryl Cunningham’s car­toon biog­ra­phy of Rand.

Cun­ning­ham traces her life — her family’s loss of wealth and prop­er­ty at the hands of the Bol­she­viks dur­ing the Russ­ian Rev­o­lu­tion, her immi­gra­tion to Amer­i­ca at age 21, and her even­tu­al rise in fame and for­tune. Ele­gant­ly and con­cise­ly, Cun­ning­ham not only lays out Rand’s phi­los­o­phy but also paints a com­plex por­trait of a deeply con­tra­dic­to­ry per­son. All with the help of car­toons.

Rand preached the virtue of indi­vid­u­al­i­ty but she ruth­less­ly excom­mu­ni­cat­ed any­one in her cult-like inner cir­cle who devi­at­ed from her ide­ol­o­gy. She praised rea­son over emo­tion but her spec­tac­u­lar­ly com­pli­cat­ed per­son­al life was rid­dled with pet­ty jeal­ousies and long sim­mer­ing feuds. She abhorred gov­ern­ment aid for the poor but she lived on Social Secu­ri­ty at the end of her life. And per­haps strangest of all, con­sid­er­ing the cur­rent Amer­i­can polit­i­cal cli­mate, Rand vocal­ly sup­port­ed both athe­ism and abor­tion rights, but she has been utter­ly embraced by the Amer­i­can right.

You can see a page of Cunningham’s work above, or you can read his entire work, 66 pages of com­ic good­ness, at ACT-I-VATE.

via io9

Relat­ed Con­tent:

The His­to­ry of Eco­nom­ics & Eco­nom­ic The­o­ry Explained with Comics, Start­ing with Adam Smith

William F. Buck­ley Flogged Him­self to Get Through Atlas Shrugged

Ayn Rand Talks Athe­ism with Phil Don­ahue

Great Shake­speare Plays Retold with Stick Fig­ures in Three Sim­ple Draw­ings

Free Online Phi­los­o­phy Cours­es

Jonathan Crow is a Los Ange­les-based writer and film­mak­er whose work has appeared in Yahoo!, The Hol­ly­wood Reporter, and oth­er pub­li­ca­tions. You can fol­low him at @jonccrow. And check out his blog Veep­to­pus, fea­tur­ing one new draw­ing of a vice pres­i­dent with an octo­pus on his head dai­ly.  The Veep­to­pus store is here.

Art Garfunkel Lists 1195 Books He Read Over 45 Years, Plus His 157 Favorites (Many Free)

Image by Nation­aal Archief, via Wiki­me­dia Com­mons

If you’ve been won­der­ing what Art Gar­funkel has been up to late­ly, the answer is that it seems that he’s been read­ing. A lot.

The lanky, curly-haired num­ber two guy for the sem­i­nal folk-rock band Simon & Gar­funkel has been keep­ing track of every sin­gle thing he has read from June 1968 until Octo­ber 2013 and he’s post­ed all of them  — 1,195 texts — on his web­site. The first item on his list is Jean-Jacques Rousseau’s Con­fes­sions and the last is Witold Gom­brow­icz’s Cos­mos. In between, Gar­funkel has knocked through some seri­ous­ly daunt­ing tomes –War and Peace, Ulysses, Mid­dle­march, Remem­brance of Things Past and Immanuel Kant’s Foun­da­tions of the Meta­physics of Morals. He even report­ed­ly read the entire Ran­dom House Dic­tio­nary.

His tastes gen­er­al­ly run towards the greats of the West­ern Canon with some more pulpy works thrown in along the way. J.K. Rowl­ing, Anne Rice and Dan Brown make appear­ances, as does E. L. James’s Fifty Shades of Grey. For those who find it daunt­ing to look at a list of 1,1195 books, Gar­funkel also pro­vides a list of his 157 favorites, which includes many great pub­lic domain works found in our Free eBooks and Free Audio Books col­lec­tions. You can 15 of Art’s favorites here:

“I read for the read­ing plea­sure, not for the gold star,” Gar­funkel told Nick Paum­garten of the New York­er in an inter­view a few years back. “Read­ing is a way to take down­time and make it stim­u­lat­ing. If you’re in the wait­ing room of a dentist’s office and don’t want to twid­dle your thumbs, you turn to Tol­stoy.”
Garfunkel’s list, or “library” as his web­site calls it, cre­ates an expec­tant­ly inti­mate por­trait of the artist. In the win­ter 1970, when Simon & Gar­funkel released their biggest sell­ing album, Like a Bridge Over Trou­bled Water, just as the duo was break­ing up, Gar­funkel blew through Moby Dick and Goethe’s The Sor­rows of Young Werther before mov­ing on to Jean-Paul Sartre’s Nau­sea and then lat­er Bertrand Russell’s The Con­quest of Hap­pi­ness. When the duo reunit­ed to play their famous con­cert in Cen­tral Park in 1981, Gar­funkel pol­ished off Dick­ens’ Nicholas Nick­le­by. And when Simon & Gar­funkel was induct­ed into the Rock and Roll Hall of Fame in Jan­u­ary 1990, he was read­ing Antho­ny Trollope’s An Auto­bi­og­ra­phy.

The one type of book he doesn’t read is post­mod­ern lit­er­a­ture. His list of some 1195 books con­tains no men­tion of the likes of Don DeLil­lo, Don­ald Barthelme or Thomas Pyn­chon. “I tried Gravity’s Rain­bow, and I thought it was fraud­u­lent,” Gar­funkel said.

Image above tak­en by Eddie Mallin.

via @pickover

Relat­ed Con­tent: 

Steven Soder­bergh Posts a List of Every­thing He Watched and Read in 2009

Joseph Brodsky’s Read­ing List For Hav­ing an Intel­li­gent Con­ver­sa­tion

Carl Sagan’s Under­grad Read­ing List: 40 Essen­tial Texts for a Well-Round­ed Thinker

David Bowie’s Top 100 Books

Jonathan Crow is a Los Ange­les-based writer and film­mak­er whose work has appeared in Yahoo!, The Hol­ly­wood Reporter, and oth­er pub­li­ca­tions. You can fol­low him at @jonccrowAnd check out his blog Veep­to­pus, fea­tur­ing one new draw­ing of a vice pres­i­dent with an octo­pus on his head dai­ly.  The Veep­to­pus store is here.

 

Readers Predict in 1936 Which Novelists Would Still Be Widely Read in the Year 2000

colophon

Few know as much about our incom­pe­tence at pre­dict­ing our own future as Matt Novak, author of the site Pale­o­fu­ture, “a blog that looks into the future that nev­er was.” Not long ago, I inter­viewed him on my pod­cast Note­book on Cities and Cul­ture; ever since, I’ve invari­ably found out that all the smartest dis­sec­tions of just how lit­tle we under­stand about our future some­how involve him. And not just those — also the smartest dis­sec­tions of how lit­tle we’ve always under­stood about our future. Take, for exam­ple, the year 1936, when, in Novak’s words, “a quar­ter­ly mag­a­zine for book col­lec­tors called The Colophon polled its read­ers to pick the ten authors whose works would be con­sid­ered clas­sics in the year 2000.” They named the fol­low­ing:

At first glance, this list might not look so embar­rass­ing. Nobel lau­re­ate Sin­clair Lewis remains oft-ref­er­enced, if much more so for Bab­bitt (Kin­dle + Oth­er For­mats – Read Online Now), his 1922 indict­ment of a busi­ness-blink­ered Amer­i­ca, than for It Can’t Hap­pen Here, his best­selling Hitler satire from the year before the poll. Most Amer­i­cans pass­ing through high school Eng­lish still bump into Willa Cather, Robert Frost (four of whose vol­umes you can find in our col­lec­tion Free eBooks), and per­haps Eugene O’Neill (like­wise) and Theodore Dreis­er (espe­cial­ly through Sis­ter Car­rieKin­dle + Oth­er For­mats – Read Online Now) as well.

Some of us may also remem­ber Stephen Vin­cent Benét’s epic Civ­il War poem John Brown’s Body from our school days, but it would take a well-read soul indeed to nod in agree­ment with such selec­tions as New Eng­land his­to­ri­an James Truslow Adams and now lit­tle-read (though once Sin­clair- and Dreis­er-acclaimed) fan­ta­sist James Branch Cabell. The well-remem­bered George San­tayana still looks like a judg­ment call to me, but what of absent famous names like F. Scott Fitzger­ald, William Faulkn­er, Ernest Hem­ing­way, or maybe James Joyce? The Colophon’s edi­tors includ­ed Hem­ing­way on their own list, but which writ­ers do you think stand as the Fitzger­alds and Faulkn­ers of today — or, more to the point, of the year 2078? Care to put your guess on record? Feel free to make your pre­dic­tions in the com­ments sec­tion below.

via @ElectricLit/Smith­son­ian

Relat­ed Con­tent:

The 10 Great­est Books Ever, Accord­ing to 125 Top Authors (Down­load Them for Free)

The 25 Best Non-Fic­tion Books Ever: Read­ers’ Picks

The Books You Think Every Intel­li­gent Per­son Should Read: Crime and Pun­ish­ment, Moby-Dick & Beyond (Many Free Online)

600 Free eBooks for iPad, Kin­dle & Oth­er Devices

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Novelist Michael Chabon Sang in a Punk Band During the ’80s: Newly Released Audio Gives Proof

the bats chabon

The bio on Michael Chabon’s web­site is one of the most punk rock author bios I’ve ever seen. Clear­ly, the task of writ­ing it was not left to chance or some pub­li­cist.

Where oth­er authors might lim­it them­selves to the strict­ly pro­fes­sion­al, Chabon spices things up with details on his bar mitz­vah, his failed first mar­riage, and the births of his chil­dren.

Where oth­ers’ time­lines grow weighty with evi­dence of increas­ing fame, his reads more like a diary, writ­ten in the third per­son.

Break­ing of Hank Aaron’s pure record of 755 home runs amid the now-com­mon­place Amer­i­can con­geries of hypocrisy, excess, bad faith, racism and lies final­ly proves too much, and the wrong kind, of base­ball sad­ness; turns his back on the game (8/07)

Pen­e­trates to the secret night­time heart of Dis­ney­land (9/11)

Giv­en his zest for per­son­al mile­stones, it’s sur­pris­ing he didn’t see fit to share that he was once the lead singer in a Pitts­burgh punk band. It would have fit nice­ly between the pho­to in which he and nov­el­ist Jon Arm­strong are garbed as strolling Renais­sance Fes­ti­val play­ers and the moment he enters an Oak­land crawl­space to begin work on The Mys­ter­ies of Pitts­burgh.

He might rethink this omis­sion, now that Mind­cure Records has released the four-track demo that is his band, the Bats’ only stu­dio record­ing. Also pre­served on vinyl is the author’s sole live out­ing with the band, a 21st birth­day gig at the Elec­tric Banana, short­ly before he grad­u­at­ed from the Uni­ver­si­ty of Pitts­burgh and dis­ap­peared into that crawl­space. The label describes his vocals as “snot­ty.” It’s a com­pli­ment in con­text.

Mean­while in the Pitts­burgh Post Gazette, Chabon recalled the Bats as “a fine lit­tle band, a unique assem­blage of diverse strengths and quirks, anchored by one of the most rock-sol­id drum­mers ever to grace the Pitts­burgh scene, and ham­pered only by the weak­ness of their goof­ball front­man.”

Thanks to Mind­cure Records, Open Cul­ture read­ers can sam­ple the self-effac­ing Pulitzer Prize winner’s vin­tage vocal stylings, above. In the clip away, we have him singing “Jet Away.” Chabon may think he sounds “awful,” but I don’t hear any cause for shame.  You can pick up your own copy of The Bats’ album, ‘Demo 5:26:84,′ with Chabon on vocals, here.


Relat­ed Con­tent:

Pat­ti Smith’s Cov­er of Nirvana’s “Smells Like Teen Spir­it” Strips the Song Down to its Heart

Allen Gins­berg & The Clash Per­form the Punk Poem “Cap­i­tal Air,” Live Onstage in Times Square (1981)

The Ramones, a New Punk Band, Play One of Their Very First Shows at CBGB (1974)

Nev­er Mind the Bol­locks, Here’s … John Lydon in a But­ter Com­mer­cial?

 

Ayun Hal­l­i­day’s bio is also a bit out­side the mold. Fol­low her @AyunHalliday

Literary Critic Northrop Frye Teaches “The Bible and English Literature”: All 25 Lectures Free Online

norhtrop fry free course

Image by Har­ry Palmer, via Wiki­me­dia Com­mons

One rea­son I’m glad for hav­ing had a child­hood reli­gious edu­ca­tion: it has made me con­ver­sant in even some of the most obscure sto­ries and ideas in the Chris­t­ian Bible, which is every­where in Eng­lish lit­er­a­ture. Not only was the King James trans­la­tion for­ma­tive for ear­ly mod­ern Eng­lish, but sto­ries like that of King David and his son Absa­lom have fur­nished mate­r­i­al for great works from John Dry­den’s dense polit­i­cal alle­go­ry “Absa­lom and Achi­tophel” to William Faulkner’s dense mod­ernist fable Absa­lom, Absa­lom!  Then, of course, there’s so much of the work of Blake, Shake­speare, and Mil­ton to account for. With­out a fair­ly sol­id ground­ing in Bib­li­cal lit­er­a­ture, it can be dou­bly dif­fi­cult to make head­way in a study of the sec­u­lar vari­ety.

The stu­dents of high­ly regard­ed Cana­di­an lit­er­ary crit­ic Northrop Frye found this to be true. As a junior instruc­tor, Frye had dif­fi­cul­ty get­ting his class to under­stand what was going on in John Milton’s Par­adise Lost because so many of the Bib­li­cal allu­sions were lost on them. (It’s a hard enough poem to grasp when you get the ref­er­ences.) “How do you expect to teach Par­adise Lost,” said the chair of Frye’s depart­ment, “to peo­ple who don’t know the dif­fer­ence between a Philis­tine and a Phar­isee?” Respond­ing to this gap in cul­tur­al lit­er­a­cy, Frye designed and taught “The Bible and Eng­lish Lit­er­a­ture.” The entire, video­taped course from a 1981 ses­sion at the Uni­ver­si­ty of Toron­to is avail­able online in 25 lec­tures.

It’s very much a treat to sit in on these lec­tures. Frye’s work on myth and folk­tale in Eng­lish lit­er­a­ture is still near­ly defin­i­tive; his 1957 Anato­my of Crit­i­cism, though picked apart many times over through the decades, retains an author­i­ta­tive place in stud­ies of lit­er­ary arche­types and rhetoric. Frye’s lec­tures on the Bible focus on what he sees as its “nar­ra­tive uni­ty,” due in part to “a num­ber of recur­ring images: moun­tain, sheep, riv­er, hill, pas­ture, bride, bread, wine and so on.” He also spends a good deal of time, at least in his first lec­ture above, dis­cussing church his­to­ry, the­o­log­i­cal and crit­i­cal con­flicts, and the his­to­ry of var­i­ous trans­la­tions. The UToron­to site includes full tran­scripts of each lec­ture, and the entire course promis­es to be enlight­en­ing for stu­dents of lit­er­a­ture, of the Bible and church his­to­ry, or both.

The Bible and Eng­lish Lit­er­a­ture will be added to our list of Free Online Lit­er­a­ture Cours­es and Free Online Reli­gion Cours­es, part of our larg­er col­lec­tion, 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

Relat­ed Con­tent:

Har­vard Presents Two Free Online Cours­es on the Old Tes­ta­ment

Oxford Uni­ver­si­ty Presents the 550-Year-Old Guten­berg Bible in Spec­tac­u­lar, High-Res Detail

Dis­cov­er Thomas Jefferson’s Cut-and-Paste Ver­sion of the Bible, and Read the Curi­ous Edi­tion Online

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

Partisan Review Now Free Online: Read All 70 Years of the Preeminent Literary Journal (1934–2003)

partisan review

Found­ed by William Phillips and Philip Rahv in Feb­ru­ary of 1934, left­ist arts and pol­i­tics mag­a­zine Par­ti­san Review came about ini­tial­ly as an alter­na­tive to the Amer­i­can Com­mu­nist Party’s pub­li­ca­tion, New Mass­es. While Par­ti­san Review (PR) pub­lished many a Marx­ist writer, its pol­i­tics diverged sharply from com­mu­nism with the rise of Stal­in. Per­haps this turn ensured the magazine’s almost 70-year run from ’34 to 2003, while New Mass­es fold­ed in 1948. Par­ti­san Review nonethe­less remained a venue for some very heat­ed polit­i­cal con­ver­sa­tions (see more on which below), yet it has equal­ly, if not more so, been known as one of the fore­most lit­er­ary jour­nals of the 20th cen­tu­ry.

PR first pub­lished James Baldwin’s “Sonny’s Blues” in Sum­mer 1957 and two of T.S. Eliot’s Four Quar­tets in 1940, for exam­ple, as well as Del­more Schwartz’s bril­liant sto­ry “In Dreams Begin Respon­si­bil­i­ties” in a 1937 issue that also fea­tured Wal­lace Stevens, Edmund Wil­son, Pablo Picas­so (writ­ing on Fran­co), James Agee, and Mary McCarthy. “More a lit­er­ary event,” writes Robin Hem­ley at The Believ­er, “than a lit­er­ary mag­a­zine,” even issues six­ty or more years old can still car­ry “the punch of rev­e­la­tion.”

Now you can assess the impact of that punch by access­ing all 70-years’ worth of issues online at Boston University’s Howard Gotlieb Archival Research Cen­ter. BU began host­ing the mag­a­zine in 1978 after it moved from Rut­gers, where found­ing edi­tor William Phillips taught. Now the uni­ver­si­ty has fin­ished dig­i­tiz­ing the entire col­lec­tion, in hand­some scans of vin­tage copies that read­ers can page through like an actu­al mag­a­zine. The col­lec­tion is search­able, though this func­tion is a lit­tle clunky (all links here direct you to the front cov­er of the issue. You’ll have to nav­i­gate to the actu­al pages your­self.)

In a post on the Gotlieb Cen­ter project, Hyper­al­ler­gic points us toward a few more high­lights:

In art, Par­ti­san Review is per­haps best known as the pub­lish­er of Clement Green­berg, who con­tributed over 30 arti­cles from 1939 to 1981, most notably his Sum­mer 1939 essay enti­tled “Avant-Garde and Kitsch.” (Green­berg even made a posthu­mous appear­ance in the Spring 1999 issue.) Beyond Greenberg’s vol­u­ble lega­cy we encounter such land­mark texts as Dwight Macdonald’s “Mass­cult and Mid­cult,” from the Spring 1960 issue, and Susan Sontag’s “Notes on ‘Camp’” from Win­ter 1964, as well as the sem­i­nal pop­u­lar-cul­ture crit­i­cism of Robert Warshow (his essay on the Krazy Kat com­ic strip in the Novem­ber-Decem­ber 1946 issue is espe­cial­ly great) and the work of Hilton Kramer, the con­ser­v­a­tive icon­o­clast who went on to found The New Cri­te­ri­on.

Par­ti­san Review also served as an out­let for George Orwell, who lam­bast­ed left­ist pacifists—calling them, more or less, fas­cist sympathizers—in his series of arti­cles between Jan­u­ary 1941 and the sum­mer of 1946, which he called “Lon­don Let­ters.” Orwell did not hes­i­tate to name names; he also report­ed in 1945 of the “most enor­mous crimes and dis­as­ters” com­mit­ted by the Sovi­ets, includ­ing “purges, depor­ta­tions, mas­sacres, famines, impris­on­ment with­out tri­al, aggres­sive wars, bro­ken treaties….” These things, Orwell remarked “not only fail to excite the big pub­lic, but can actu­al­ly escape notice alto­geth­er.”

Par­ti­san Review, how­ev­er, was not aimed at “the big pub­lic.” Its “rar­i­fied prin­ci­ples,” writes Sam Tanen­haus of Slate—who calls PR “Trot­sky­ist” for its inter­ven­tion­ist boosterism—“attracted only 15,000 sub­scribers at its peak.”PR began in the age of the “lit­tle mag­a­zine,” a “term of hon­or” for the small jour­nals that nur­tured the high cul­ture of their day, and which seem now so anti­quat­ed even as belea­guered pub­lish­ers keep push­ing them out to pre­cious­ly small cliques of devot­ed read­ers. But charges of elit­ism can ring hol­low, and giv­en all we have to thank “lit­tle mag­a­zines” like Par­ti­san Review for, it would prob­a­bly behoove to pay atten­tion to their suc­ces­sors. Enter the archive here.

h/t Hyper­al­ler­gic

Image via Book/Shop

Relat­ed Con­tent:

Exten­sive Archive of Avant-Garde & Mod­ernist Mag­a­zines (1890–1939) Now Avail­able Online

Lis­ten to Audio Arts: The 1970s Tape Cas­sette Arts Mag­a­zine Fea­tur­ing Andy Warhol, Mar­cel Duchamp & Many Oth­ers

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

20 Free Essays & Stories by David Sedaris: A Sampling of His Inimitable Humor

My first expo­sure to the writ­ing of David Sedaris came fif­teen years ago, at a read­ing he gave in Seat­tle. I could­n’t remem­ber laugh­ing at any­thing before quite so hard as I laughed at the sto­ries of the author and his fel­low French-learn­ers strug­gling for a grasp on the lan­guage. I fought hard­est for oxy­gen when he got to the part about his class­mates, a ver­i­ta­ble Unit­ed Nations of a group, strain­ing in this non-native lan­guage of theirs to dis­cuss var­i­ous hol­i­days. One par­tic­u­lar line has always stuck with me, after a Moroc­can stu­dent demands an expla­na­tion of East­er:

The Poles led the charge to the best of their abil­i­ty. “It is,” said one, “a par­ty for the lit­tle boy of God who call his self Jesus and… oh, shit.”

She fal­tered, and her fel­low coun­try­man came to her aid.

“He call his self Jesus, and then he be die one day on two… morsels of… lum­ber.”

The scene even­tu­al­ly end­ed up in print in “Jesus Shaves,” a sto­ry in Sedaris’ third col­lec­tion, Me Talk Pret­ty One Day. You can read it free online in a selec­tion of three of his pieces round­ed up by Esquire. Sedaris’ obser­va­tion­al humor does tend to come out in full force on hol­i­days (see also his read­ing of the Saint Nicholas-themed sto­ry “Six to Eight Black Men” on Dutch tele­vi­sion above), and indeed the hol­i­days pro­vid­ed him the mate­r­i­al that first launched him into the main­stream.

When Ira Glass, the soon-to-be mas­ter­mind of This Amer­i­can Life, hap­pened to hear him read­ing his diary aloud at a Chica­go club, Glass knew he sim­ply had to put this man on the radio. This led up to the big break of a Nation­al Pub­lic Radio broad­cast of “The San­ta­land Diaries,” Sedaris’ rich account of a sea­son spent as a Macy’s elf. You can still hear This Amer­i­can Life’s full broad­cast of it on the show’s site.

True Sedar­i­ans, of course, know him for not just his inim­itably askew per­spec­tive on the hol­i­days, but for his accounts of life in New York, Paris (the rea­son he enrolled in those French class­es in the first place), Nor­mandy, Lon­don, the Eng­lish coun­try­side, and grow­ing up amid his large Greek-Amer­i­can fam­i­ly. Many of Sedaris’ sto­ries — 20 in fact — have been col­lect­ed at the web site, The Elec­tric Type­writer, giv­ing you an overview of Sedaris’ world: his time in the elfin trench­es, his rare moments of ease among sib­lings and par­ents, his futile father-man­dat­ed gui­tar lessons, his less futile lan­guage lessons, his relin­quish­ment of his sig­na­ture smok­ing habit (the easy indul­gence of which took him, so he’d said at that Seat­tle read­ing, to France in the first place). Among the col­lect­ed sto­ries, you will find:

For the com­plete list, vis­it: 20 Great Essays and Short Sto­ries by David Sedaris. And, just to be clear, you can read these sto­ries, for free, online.

Note: If you would like to down­load a free audio­book nar­rat­ed by David Sedaris, you might want to check out Audi­ble’s 30 Day Free Tri­al. We have details on the pro­gram here. If you click this link, you will see the books nar­rat­ed by Sedaris. If one intrigues, click on the “Learn how to get this Free” link next to each book. 

Relat­ed Con­tent:

Be His Guest: David Sedaris at Home in Rur­al West Sus­sex, Eng­land

David Sedaris Reads You a Sto­ry By Miran­da July

David Sedaris and Ian Fal­con­er Intro­duce “Squir­rel Seeks Chip­munk”

David Sedaris Sings the Oscar May­er Theme Song in the Voice of Bil­lie Hol­i­day

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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