Frankenstein Hits the Silver Screen (1910)

100 years ago, J. Sear­le Daw­ley wrote and direct­ed Franken­stein. It took him three days to shoot the short, 12-minute film (when most films were actu­al­ly shot in just one day). It marked the first time that Mary Shel­ley’s lit­er­ary cre­ation was adapt­ed to film. And, some­what notably, Thomas Edi­son had a hand (albeit it an indi­rect one) in mak­ing the film. The first Franken­stein was shot at Edi­son Stu­dios, the pro­duc­tion com­pa­ny owned by the famous inven­tor.

You can down­load the movie at the Inter­net Archive, or find it per­ma­nent­ly list­ed in our col­lec­tion of Free Movies Online. (Also, you can find Mary Shel­ley’s nov­el  in our col­lec­tion of Free Audio Books.) To get more infor­ma­tion on Daw­ley’s short film, please vis­it The Franken­stein blog.

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Paul Auster Reads from New Novel, Sunset Park

This week, Paul Auster releas­es his 16th nov­el, Sun­set Park, which gives lit­er­ary expres­sion to the eco­nom­ic mis­for­tunes weigh­ing on the coun­try. The fore­clo­sures. The unem­ploy­ment. The reces­sion and depres­sion. The nov­el starts to paint the des­per­ate pic­ture quick­ly. Above, we have Paul Auster read­ing the begin­ning pages, and you can fol­low along with this tran­script post­ed online by Amer­i­can Pub­lic Media.

Auster also hap­pens to nar­rate the entire audio ver­sion of Sun­set Park, and, as pre­vi­ous­ly men­tioned here, you can down­load a free audio copy of the nov­el (or pret­ty much any oth­er book of your choice) if you reg­is­ter for a 14-day free tri­al of Audible.com. Once the tri­al is over, you can con­tin­ue your Audi­ble sub­scrip­tion, or can­cel it. It’s up to you. But, either way, you keep the book.

Thanks to Mike for spot­ting the Auster read­ing…

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A‑List Authors, Artists & Thinkers Draw Self Portraits

Over the years, Burt Brit­ton con­vinced A‑list writ­ers and artists to draw self-por­traits of them­selves. He first enticed Nor­man Mail­er long ago, while work­ing as a bar­tender at the Vil­lage Van­guard in NYC. Then came Miles Davis, Jorge Luis Borges (who was already blind), Mar­garet Atwood, Frank Gehry, Saul Bel­low, David Hock­ney, Allen Gins­berg, Cor­mac McCarthy (see above) and a parade of oth­ers. The doo­dled por­traits were lat­er col­lect­ed in a now out-of-print book, Self-Por­trait: Book Peo­ple Pic­ture Them­selves. You can still find a small­er col­lec­tion online at The Dai­ly Beast. The New York Times gives you more of the back­sto­ry on this col­lec­tion here.

via Maud New­ton

Talking Literature with Great British Novelists

woolf joyce

Image via Wiki­me­dia Com­mons

For decades, the BBC has inter­viewed leg­endary British nov­el­ists, ask­ing them how they cre­ate their mem­o­rable char­ac­ters, paint their evoca­tive set­tings with words, and devel­op plots that keep us turn­ing pages. Now, these audio inter­views appear online in a col­lec­tion called In Their  Own Words. The archive takes you back to 1937, to a con­ver­sa­tion with Vir­ginia Woolf, then moves you for­ward to inter­views with Aldous Hux­ley, JRR Tolkien, Doris Less­ing, Mar­tin Amis, VS Naipaul, and Salman Rushdie, to name just a few. These record­ings sit nice­ly along­side a giant archive of lit­er­ary inter­views recent­ly pub­lished online by The Paris Review. (More on that here.) So, if you want to get into the “how” of lit­er­a­ture, you can now tap instant­ly into the col­lec­tive wis­dom of the lit­er­ary greats.

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iTunes U Introduces Free eBooks: Download Shakespeare’s Complete Works

Per­haps you’re accus­tomed to down­load­ing free lec­tures and cours­es on iTunes U. Now, you have a new option. Last week, Apple began intro­duc­ing free eBooks to its media col­lec­tion. And, to kick things off, they’re giv­ing users access to 18 free text­books spon­sored by Con­nex­ions (a Rice Uni­ver­si­ty project); a series of 100 ebooks pro­duced by the Open Uni­ver­si­ty, and then, cour­tesy of Oxford Uni­ver­si­ty, the com­plete col­lec­tion of Shake­speare’s plays from the First Folio of 1623.  You can down­load all of these texts in the open ePub for­mat. And if you have an iPad (or an iPhone with a copy of iBooks), they eas­i­ly sync to the device, and make for a great read­ing expe­ri­ence. But you’re not nec­es­sar­i­ly lim­it­ed to using the iPad. I was able to read the texts in ebook read­ers cre­at­ed by Stan­za and Barnes & Noble (the mak­er of the new col­or Nook). And, using this free online ser­vice and then fol­low­ing these gen­er­al direc­tions, I eas­i­ly con­vert­ed the ePub files to Ama­zon’s .mobi for­mat and uploaded them to my Kin­dle. The bot­tom line? You can expect iTunes U to become a handy resource for free ebooks as the ser­vice matures – one best suit­ed to the iPad, but cer­tain­ly not lim­it­ed to it. And, speak­ing of the iPad, you should give this sto­ry a read. “IPad Opens World to a Dis­abled Boy.” It’s a great way to start the week…

Note: If you want a sim­ple html ver­sion of Shake­speare’s col­lect­ed works, don’t miss MIT’s invalu­able web site.

FYI. You can find more free eBooks in our ever-grow­ing col­lec­tion, 600 Free eBooks for iPad, Kin­dle & Oth­er Devices.

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“A Haunted House” by Virginia Woolf

Pub­lished first in 1921, then again in 1944, Vir­ginia Woolf’s short sto­ry, “A Haunt­ed House,” runs a mere 692 words – which makes it a Hal­loween treat that is short and sweet. We give you an appro­pri­ate­ly somber read­ing of Woolf’s sto­ry above, with the accom­pa­ny­ing text here. Or you can find an mp3 ver­sion in our col­lec­tion of Free Audio Books. H/T to Mike, and enjoy the day.

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Stephen Fry Gets Animated about Language

For a brief time in 2008, Stephen Fry, the pop­u­lar British author, writer and come­di­an, pro­duced a series of pod­casts – called “Pod­grams” – that drew on his writ­ings, speech­es and col­lec­tive thoughts. (Find them on RSS and iTunes here). Dur­ing one par­tic­u­lar episode, Fry med­i­tat­ed on lan­guage (the Eng­lish lan­guage & his own lan­guage) and a lit­tle on Barthes, Chom­sky, Pinker and even Eddie Izzard. Then Matthew Rogers took that med­i­ta­tion and ran with it, pro­duc­ing a “kinet­ic typog­ra­phy ani­ma­tion” that art­ful­ly illus­trates a six minute seg­ment of the longer talk. Watch it above, and if you’re cap­ti­vat­ed by what Fry has to say, don’t miss his pop­u­lar video, What I Wish I Had Known When I Was 18.

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Shakespeare in the Original Voice

This fall, Paul Meier, a the­atre pro­fes­sor at the Uni­ver­si­ty of Kansas, is work­ing with stu­dents to stage the first-ever Amer­i­can ren­di­tion of a Shake­speare play – A Mid­sum­mer Night’s Dream – in its orig­i­nal pro­nun­ci­a­tion. As The His­to­ry Blog writes, there have only been “three oth­er pro­duc­tions of orig­i­nal pro­nun­ci­a­tion (OP) Shake­speare before this one, 2 at The Globe the­ater in Lon­don, and 1 at Cam­bridge in the 1950s.” But this dif­fi­cult project became pos­si­ble when Meier and his stu­dents start­ed work­ing with David Crys­tal, a lin­guis­tics schol­ar who wrote Pro­nounc­ing Shake­speare (Cam­bridge Uni­ver­si­ty Press) in 2005. Pri­or to the KU pro­duc­tion, Crys­tal con­sult­ed on a pro­duc­tion of Romeo and Juli­et at the Globe the­atre on London’s South Bank (men­tioned above), and you can lis­ten to audio clips tak­en from that Eng­lish per­for­mance right here.

Relat­ed Con­tent:

What Did Shake­speare Real­ly Look Like

Shake­speare Free on the iPhone

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