How Radiohead’s Experiment Turned Out

radiohead.jpgIn mid-Octo­ber, Radio­head released its lat­est album, In Rain­bows, and began a fair­ly nov­el exper­i­ment. They cut the record labels out of the equa­tion and let fans down­load the album direct­ly from the Radio­head web site, for what­ev­er price they saw fit. A few weeks lat­er, some finan­cial fig­ures are com­ing out, giv­ing us a sense of how well the exper­i­ment went.

Accord­ing to a study by com­Score Inc., 62% of the esti­mat­ed 1.2 mil­lion vis­i­tors (in Octo­ber) to the Radio­head site down­loaded the album and paid noth­ing what­so­ev­er. The remain­ing 38% paid an aver­age of $6. Over­all, the band aver­aged $2.26 per down­load and net­ted about $2.7 mil­lion dol­lars in total, a num­ber that’s well below the ear­li­er esti­mates of $6-$10 mil­lion. In the end, it’s impor­tant to remem­ber that the band gets to keep all the rev­enue (instead of shar­ing it with the record com­pa­nies), and appar­ent­ly the traf­fic to Radio­head­’s web site gen­er­at­ed hand­some incre­men­tal sales of high-priced dis­cbox­es. It’s esti­mat­ed that for every $1 spent on dig­i­tal down­loads, anoth­er $2 was spent on hard copies, which makes Radio­head­’s over­all take even high­er. What con­clu­sions to draw? One is that Radio­head fans did­n’t exact­ly deliv­er the goods and demon­strate the pow­er of this new direct dis­tri­b­u­tion mod­el. It may have worked mod­er­ate­ly well for Radio­head. But will a less­er band take the risk? Not so like­ly. At least not now.

A quick PS: It looks like Radio­head is plan­ning to do its first web­cast in five years. Watch for more infor­ma­tion here.

Source: com­Score press release and blog

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Where to Get Online Music For Free

Head over to Wired and you’ll find a “How-To Wiki” that lists web sites where you can stream or down­load music online for free. As you’ll see, Wired is not shy about admit­ting what it’s try­ing to accom­plish here. The wiki page is called “Cheat the Music Indus­try: Nev­er Pay for Music.

To access more online music, vis­it Life­hack­er’s guide to find­ing free music on the web, and peruse our col­lec­tion of free music pod­casts.

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100 Top Jazz CDs

If you’re look­ing to build your jazz col­lec­tion, this site offers some sound guid­ance. It fea­tures 100 top jazz CDs. Although inher­ent­ly sub­jec­tive, the list includes many indis­putable clas­sics that belong in any respectable jazz col­lec­tion. (Note: if you click on the link for each album, you’ll find some back­ground infor­ma­tion that’s often worth read­ing.)

For more jazz, check out our col­lec­tion of Music Pod­casts which includes a decent selec­tion of, yes, jazz pod­casts.

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New Radiohead and R.E.M. at a Nice Price

In case you missed it, Radio­head released today its new album In Rain­bows. What makes the album remark­able, in part, is how it’s being dis­trib­uted. Buy­ers can go straight to the Radio­head web site (it’s not avail­able on iTunes) and down­load the album as DRM-free MP3s. And, what is more, they can decide for them­selves how much they’re will­ing to pay for the album. You can pay as much or as lit­tle as you want. That makes the new album pret­ty much qual­i­fy as a piece of “open cul­ture.” (If you get it, please let us know in the com­ments how much you paid out. We’d be curi­ous to know.)

Next up, REM. They’re releas­ing a live album next week (22 tracks record­ed in album), but you can stream the whole album for free on Rhap­sody right now, and the qual­i­ty is nice and high. Source: Rolling Stone.

For more mp3s see our col­lec­tion of MP3 Music Blogs.

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The Complete Beatles in One Hour (and The Sopranos in Seven Minutes)

WFMU’s Beware of the Blog has no short­age of good mp3s for music fans. This one is a lit­tle dif­fer­ent: Here, in a clip called Run For Your Life, all of The Bea­t­les’ UK albums are com­pressed at 800% into a one-hour MP3. It’s rather unlis­ten­able, but nonethe­less con­cep­tu­al­ly inter­est­ing. As for speed sum­maries, the one I like most is the video called The Sev­en Minute Sopra­nos. It gives you the first six sea­sons of the HBO series in sev­en snap­py min­utes. Watch below.

The Grey Video: Mixing The Beatles with Jay‑Z

In 2004, Dan­ger Mouse released The Grey Album which lay­ered the rap­per Jay-Z’s The Black Album on top of The Bea­t­les’ White Album. Black and white makes grey.

Now, on YouTube, you can find The Grey Video, which exper­i­men­tal­ly brings Dan­ger Mouse’s con­cept to video. The video, cre­at­ed by two Swiss direc­tors, mesh­es clips from The Bea­t­les’ film A Hard Day’s Night with footage of Jay‑Z per­form­ing. Watch it below, and get more info on The Grey Album here. Also check our col­lec­tion of MP3 Music Blogs.

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Martin Scorsese on The Rolling Stones, Then George Harrison


Mar­tin Scors­ese is on a rock ‘n roll tear.

In 2006, he released No Direc­tion Home, an acclaimed doc­u­men­tary on Bob Dylan (long after he filmed his first rock­u­men­tary, The Last Waltz in 1978). Next April, he’s set to release anoth­er doc­u­men­tary on The Rolling Stones, ten­ta­tive­ly called Shine a Light. (Watch the already released trail­er below.) And now he has just agreed to direct a film about George Har­ri­son. The movie, being made with the sup­port of Har­rison’s fam­i­ly, will cov­er his time with the Bea­t­les, his music and film career there­after, and Har­rison’s spir­i­tu­al engage­ment with East­ern reli­gion. Report­ed­ly, Paul McCart­ney and Ringo Starr may also con­tribute to the mak­ing of the film. It won’t be out for a few good years. In the mean­time, check out our recent piece, The Bea­t­les: Pod­casts from Yes­ter­day.

Bob Dylan Video Goodness

dylancard.jpgMark Octo­ber 1 on your cal­en­dar. That’s when Bob Dylan will release a new box set of his “great­est songs.” Now, cut over to the web­site designed to mar­ket the album, and you’ll find a cou­ple notable pieces of video. First up, you can watch the video that accom­pa­nies Mark Ron­son’s remix­ing of “Most Like­ly You Will Go Your Way (& I’ll Go Mine).” (Watch it on the web­site here or on YouTube here.) It’s appar­ent­ly the first time Dylan has allowed a remix of any of his songs, and the song has been get­ting some air­play this week.

And then there is this video con­cept. Back in 1967, D. A. Pen­nebak­er released Don’t Look Back, a well-known doc­u­men­tary that cov­ered Dylan’s first tour of Eng­land in 1965. The open­ing seg­ment of the film has Dylan stand­ing in an alley, flip­ping through cards inscribed with lyrics from Sub­ter­ranean Home­sick Blues. (Also the beat poet Allen Gins­berg looms in the back­ground. We’ve includ­ed the orig­i­nal video below.) Now, I’m men­tion­ing this because the afore­men­tioned web­site lets you re-work this video seg­ment. Click here and you can re-write the cards that Dylan flips through, and then watch your edit­ed ver­sion. It’s anoth­er form of re-mix­ing, I guess.

Last­ly, I want to direct your atten­tion to the trove of videos that Google put togeth­er back when Google Video was a real liv­ing, breath­ing thing. Cre­at­ed to coin­cide with the release of Dylan’s last stu­dio album, Mod­ern Times (2006), this col­lec­tion lets you watch 11 videos in total, rang­ing from unre­leased footage from D. A. Pen­nebak­er’s Don’t Look Back, to Dylan’s appear­ance on The John­ny Cash Show, to his per­for­mance of “Dig­ni­ty” on MTV’s Unplugged. Good stuff, to be sure.

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