152 Big Thinkers Answer the Question “What Should We Be Worried About?”

Edge_2013_Flower

It’s a new year, which means it’s time for the Edge.org to pose its annu­al ques­tion to some of the world’s finest minds. The 2013 edi­tion asks the ques­tion, “What Should We Be Wor­ried About?”. And the replies — 152 in total — fea­ture thoughts by Nas­sim Nicholas Taleb, Daniel Den­nettSher­ry Turkle, Lawrence Krauss, and Esther Dyson, plus the ones excerpt­ed below. If you’re will­ing to go down the rab­bit hole, you can access the com­plete col­lec­tion of respons­es here.

What I fear most is that we will lack the will and the fore­sight to face the world’s prob­lems square­ly, but will instead retreat from them into super­sti­tion and igno­rance. Con­sid­er how in 375 AD, after a dream in which he was whipped for being “a Ciceron­ian” rather than a Chris­t­ian, Saint Jerome resolved no more to read the clas­si­cal authors and to restrict him­self only to Chris­t­ian texts, how the Chris­tians of Alexan­dria mur­dered the philoso­pher and math­e­mati­cian Hypa­tia in 415, and real­ize that, at least in part, the so-called dark ages were not some­thing imposed from with­out, a break­down of civ­i­liza­tion due to bar­bar­ian inva­sions, but a choice, a turn­ing away from knowl­edge and dis­cov­ery into a kind of reli­gious fun­da­men­tal­ism. [Read the rest here.]

Tim O’Reil­ly, Founder and CEO of O’Reil­ly Media, Inc.

Death is what makes this cycli­cal renew­al and steady advance in organ­isms pos­si­ble. Dis­cov­ered by liv­ing things mil­lions of years ago, aging and death per­mit a species to grow and flour­ish. Because nat­ur­al selec­tion ensures that the child-who-sur­vives-to-repro­duce is bet­ter than the par­ent (albeit infin­i­tes­i­mal­ly so, for that is how evo­lu­tion works), it is bet­ter for many species that the par­ent step out of the way and allow its (supe­ri­or) child to suc­ceed in its place.… So impor­tant is death that we have, wired into our genes, a self-destruct senes­cence pro­gram that shuts down oper­a­tions once we have suc­cess­ful­ly repro­duced, so that we even­tu­al­ly die, leav­ing our children—the fresh­er, new­er, shinier ver­sions of ourselves—to car­ry on with the best of what we have giv­en them: the best genes, the best art, and the best ideas. Four bil­lion years of death has served us well. Now, all this may be com­ing to an end, for one of the things we humans, with our evolved intel­li­gence, are work­ing hard at is try­ing to erad­i­cate death.[Read the rest here.]

–Kate Jef­fery, Head, Dept. of Cog­ni­tive, Per­cep­tu­al and Brain Sci­ences, Uni­ver­si­ty Col­lege, Lon­don

Most of the smart peo­ple I know want noth­ing to do with pol­i­tics. We avoid it like the plague… Is this because we feel that pol­i­tics isn’t where any­thing sig­nif­i­cant hap­pens? Or because we’re too tak­en up with what we’re doing, be it Quan­tum Physics or Sta­tis­ti­cal Genomics or Gen­er­a­tive Music? Or because we’re too polite to get into argu­ments with peo­ple? …  It’s pol­i­tics that’s bleed­ing the poor­er nations for the debts of their for­mer dic­ta­tors. It’s pol­i­tics that allows spe­cial inter­ests to run the coun­try. It’s pol­i­tics that helped the banks wreck the econ­o­my. It’s pol­i­tics that pro­hibits gay mar­riage and stem cell research but nur­tures Gaza and Guan­tanamo.… What wor­ries me is that while we’re lais­sez-ing, some­one else is faire-ing. [Read the rest here]

–Bri­an Eno, Artist, Com­pos­er, Pro­duc­er

You can dive into the full col­lec­tion at Edge.org. The pho­to above was tak­en by Katin­ka Mat­son.

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The Many Ways to Mars: A Reality Show, a New Martian City, and Mapping Mars from Home

Real­i­ty tele­vi­sion has been around since at least the late ’40s. First we had Can­did Cam­era, where hap­less, but real, peo­ple became the unwit­ting butt of Allen Funt’s jokes. But it wasn’t until fifty years lat­er that the genre explod­ed, bring­ing us Big Broth­er and, of course, Sur­vivor.

Now, make way for the unbe­liev­able and ultra-expen­sive mar­riage of real­i­ty tele­vi­sion and sci­ence fic­tion. Mars One, the brain­child of Dutch entre­pre­neur Bas Lans­dorp, plans to estab­lish a per­ma­nent human set­tle­ment on the red plan­et in 2023. First, four peo­ple would land on Mars. Every two years, anoth­er group of peo­ple would arrive. The trips would be one-way and all the set­tlers would live out the rest of their lives on Mars. Fund­ing for the first phase is esti­mat­ed at $6 bil­lion.

Mars One back­ers say rais­ing $6 bil­lion will be easy. Every four years the Sum­mer and Win­ter Olympics gen­er­ate mil­lions of dol­lars in rev­enue because peo­ple all over the world want to watch. The Olympics held in 2005 and 2008 togeth­er made near­ly $5.5 bil­lion from pro­gram­ming and spon­sor­ship.

So, what if there were an event so fas­ci­nat­ing, so unprece­dent­ed and amaz­ing, that lit­er­al­ly every tele­vi­sion, com­put­er, and smart device would be tuned in to watch? What if the entire Mars mis­sion was an inter­na­tion­al real­i­ty tele­vi­sion show? That’s the plan. Every­thing from the selec­tion of the first group of astro­nauts to the launch, land­ing, and dai­ly life on the red plan­et would be tele­vised. The audi­ence even gets to vote on the final four space trav­el­ers.

Inter­est­ed? Mars One has issued its require­ments for astro­naut selec­tion. No mil­i­tary, flight, or sci­ence expe­ri­ence required. Appli­cants must be at least 18, in good men­tal and phys­i­cal health, and will­ing to devote eight years to train­ing before begin­ning the jour­ney to their new home plan­et. Find­ing this hard to believe? The first ques­tion in Mars One’s FAQ page sort of says it all. Is this for real? Yes, the plans are for real. Whether any or every­thing Mars One imag­ines actu­al­ly takes place is anybody’s guess.

What’s cer­tain is that Mars is a hot des­ti­na­tion at the moment, and not just for aspir­ing real­i­ty stars. SpaceX fun­der and bil­lion­aire Elon Musk wants to build a city for 80,000 on Mars. While accept­ing an award from the Roy­al Aero­nau­ti­cal Soci­ety, Musk out­lined his vision to charge $500,000 per per­son to trans­port peo­ple to the new Mar­t­ian city. He’s men­tioned want­i­ng to retire on Mars and is using SpaceX as a lab to devel­op new inter­plan­e­tary rock­et tech­nol­o­gy.

But you don’t need to be rich or pop­u­lar to see some of the red plan­et. There’s also plen­ty of explor­ing to do on the sur­face of Mars from home. Cit­i­zen sci­en­tists can help Plan­et Four iden­ti­fy fans and blotch­es in images of the Mar­t­ian sur­face. The pic­tures come from a cam­era aboard the Mars Recon­nais­sance Orbiter, a NASA mis­sion to orbit Mars and trans­mit images and data to Earth using a pow­er­ful radio fre­quen­cy called the “Ka-band,” which works like an inter­plan­e­tary Inter­net.

Using sim­ple mark­ing tools, users can mark the sur­face col­orations and spots that help sci­en­tists study changes in the planet’s weath­er. So-called “spi­ders” of dry ice form on the planet’s poles in the win­ter and then lead to fan-shaped mois­ture foot­prints.

It’s fun to imag­ine that the data you cre­ate could bring us clos­er to our dis­tant neigh­bor plan­et. Unless of course you’d rather suit up and start train­ing to go there your­self. In that case, good luck and start sav­ing.

Kate Rix writes about dig­i­tal tech­nol­o­gy and edu­ca­tion. Read more of her work at .

Richard Feynman’s Ode to a Flower: A Short Animation

A rose by any oth­er name would smell as sweet, but could­n’t one’s appre­ci­a­tion of that aro­ma get a boost from under­stand­ing the sci­ence behind its exis­tence? So the­o­ret­i­cal physi­cist Richard Feyn­man argues from beyond the grave in ‘Ode to a Flower’, a short ani­ma­tion by Fras­er David­son. Pulling from a 1981 BBC inter­view with the charis­mat­ic Nobel lau­re­ate, David­son’s sim­ple graph­ics make the case for a mul­ti­fac­eted sense of admi­ra­tion. Revers­ing the angle, are there not those of us for whom Sci­ence is a patient ether­ized upon a table, until viewed through the warm lens of a tight­ly edit­ed ani­ma­tion? Speak­ing for myself, yes.
Let us find ways for our exist­ing pas­sions to lead to new found appre­ci­a­tions and an ever-deep­en­ing sense of won­der in the new year.

- Ayun Hal­l­i­day is the author of Peanut, a graph­ic nov­el released ear­li­er this week. Find her @AyunHalliday

Relat­ed con­tent:

Richard Feyn­man Presents Quan­tum Elec­tro­dy­nam­ics for the Non­Sci­en­tist

Leonard Susskind, Father of String The­o­ry, Warm­ly Remem­bers His Friend, Richard Feyn­man

Microscopic Battlefield: Watch as a Killer T Cell Attacks a Cancer Cell

Every day, inside our body, there is a war going on. Micro­scop­ic invaders of one kind or anoth­er try to make a meal of us, and our immune sys­tem fights back, seek­ing out the invaders and destroy­ing them. One of our body’s most impor­tant foot-sol­diers in this war is the T cell, a type of white blood cell with recep­tors that can rec­og­nize for­eign sub­stances. Like all white blood cells, T cells orig­i­nate in the bone mar­row, but then they migrate to an organ called the thy­mus (hence the “T” in “T cell”), where they evolve into spe­cial­ized immune sys­tem war­riors. Mature T cells, which leave the thy­mus and cir­cu­late around the body, come in dif­fer­ent types. One type, the cyto­tox­ic T cell, spe­cial­izes in attack­ing and killing cells of the body that are infect­ed by virus­es, bac­te­ria, or can­cer.

Which is where this fas­ci­nat­ing lit­tle video comes in. It shows a cyto­tox­ic T cell (also known as a “killer T cell”) attack­ing a can­cer­ous cell. The process is shown at 92 times the actu­al speed. And for a sense of scale, a cyto­tox­ic T cell is only 10 microns long, or about one-tenth the width of a human hair. The video was cre­at­ed by PhD stu­dent Alex Rit­ter at the Uni­ver­si­ty of Cam­bridge, and post­ed recent­ly in the uni­ver­si­ty’s “Under the Micro­scope” Web series. Rit­ter’s super­vi­sor in the Depart­ment of Med­i­cine, Pro­fes­sor Gillian Grif­fiths, explains the impor­tance of the research asso­ci­at­ed with the video:

Cyto­tox­ic T cells are very pre­cise and effi­cient killers. They are able to destroy infect­ed or can­cer­ous cells, with­out destroy­ing healthy cells sur­round­ing them.…By under­stand­ing how this works, we can devel­op ways to con­trol killer cells. This will allow us to find ways to improve can­cer ther­a­pies, and ame­lio­rate autoim­mune dis­eases caused when killer cells run amok and attack healthy cells in our bod­ies.

You can bone up on biol­o­gy by vis­it­ing the Bio sec­tion in our col­lec­tion of 625 Free Cours­es Online.

NASA Presents “The Earth as Art” in a Free eBook and Free iPad App

In 1960, NASA put its first “Earth-observ­ing envi­ron­men­tal satel­lite” into orbit, and, ever since, these satel­lites have let us observe the dynam­ics of our plan­et in a new way.  They can tell us all about chang­ing weath­er pat­terns, the impact of cli­mate change, what’s hap­pen­ing in the oceans, the coast­lines, rivers and more.

The satel­lites have also demon­strat­ed again and again the Earth’s aes­thet­ic beau­ty, revealed in the pat­terns, shapes, col­ors, and tex­tures seen from space. That beau­ty is what gets cel­e­brat­ed in NASA Earth As Art, a new visu­al pub­li­ca­tion made avail­able as a Free 160-Page eBook (PDF) and a Free iPad App. Fea­tur­ing 75 images in total, the app gives you a very aer­i­al look at places like the Himalayas, Arizona’s Paint­ed Desert, the Lena Riv­er Delta in Rus­sia (shown above), the Byrd Glac­i­er in Antarc­ti­ca, and much more. Enjoy the images, from the sur­re­al to the sub­lime.

You’ll find NASA Earth As Art list­ed in our col­lec­tion of Free eBooks. Also see these relat­ed NASA mate­ri­als:

NASA Archive Col­lects Great Time-Lapse Videos of our Plan­et

Ray Brad­bury Reads Mov­ing Poem on the Eve of NASA’s 1971 Mars Mis­sion

Great Cities at Night: Views from the Inter­na­tion­al Space Sta­tion

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The Fascinating Science of Snow

Let it snow, let it snow, let it snow. Christ­mas songs and hol­i­day cards abound in pic­tures of pris­tine land­scapes cov­ered in fresh pow­der. But what exact­ly is that white stuff, any­way? In a lit­tle over two min­utes, The Chem­istry of Snowflakes gives us the answer. The film is the lat­est install­ment in the Byte­size Sci­ence series from the Amer­i­can Chem­i­cal Soci­ety. It’s an inter­est­ing look at a beau­ti­ful subject–and much more fun to think about than, say, the physics of shov­el­ing.

Fol­low us on Face­book and Twit­ter, and share the cul­tur­al good­ness with your friends!

via Boing­Bo­ing

Neil deGrasse Tyson Offers Advice on How to Be Yourself and Achieve Your Own Greatness

What­ev­er else it is—mordant self-mock­ery, sum­ma­tion of a life’s work in thought—Friedrich Nietzsche’s last pub­lished book, Ecce Homo: How One Becomes What One Is, is a pro­found­ly Roman­tic text, oper­at­ing on the premise that an indi­vid­ual who suf­fers for phi­los­o­phy, for art, for truth, is hero­ic, even (or espe­cial­ly) when anti-hero­ic, brood­ing, Byron­ic. Niet­zsche states one of the pur­pos­es of his strange lit­tle book as an impre­ca­tion: Hear me! For I am such and such. Above all, do not mis­take me for some­one else!

Over a cen­tu­ry after this work’s pub­li­ca­tion, a cry of pop cul­ture with its love of sim­u­lacra might be: Please mis­take me for some­one else, espe­cial­ly some­one wealthy and famous and pret­ti­er than I am! Maybe this ethos reached its zenith with Facebook’s celebri­ty look-alike day, which inspired a site called myheritage.com to use face recog­ni­tion tech­nol­o­gy for users who didn’t look enough like any­one famous to fig­ure out for them­selves who they want­ed to be. Sil­ly harm­less trend, yes, but a lit­tle sad too, since it shows how many peo­ple suf­fer from a sense that their iden­ti­ties are dwarfed into insignif­i­cance by a famous stranger who slight­ly resem­bles them. (Anoth­er, more humor­ous meme, goes some­thing like “Always be your­self, unless you can be Bat­man. Always be Bat­man”).

I offer these pop-soci­o­log­i­cal rumi­na­tions as con­text for the great Neil deGrasse Tyson’s response above to a ques­tion he receives quite a bit: “What can I do to be you?” On the one hand, it must be very flat­ter­ing to be asked this ques­tion, even though Tyson seems a pret­ty mod­est per­son. On the oth­er hand, the ques­tion is pathet­ic, I believe, for the rea­sons I sketched out above. Why be Neil deGrasse Tyson when you can be your­self? Unless you don’t believe you’re worth becom­ing. Tyson’s answer is also Roman­tic; he says, “I think the great­est of peo­ple in soci­ety carve nich­es that rep­re­sent a unique expres­sion of their com­bi­na­tion of tal­ents.” For Tyson that has meant tak­ing a set of aca­d­e­m­ic and career accom­plish­ments and using them as a plat­form for express­ing a com­bi­na­tion of tal­ents that only he has, which is to say that no one can be Neil deGrasse Tyson but Neil deGrasse Tyson. He uses the exam­ple of Michael Jor­dan, who honed his supe­ri­or tal­ent from nat­ur­al abil­i­ties, for sure, but who also cre­at­ed his own cat­e­go­ry through a tal­ent for being him­self, a com­bi­na­tion of per­son­al style, win­ning per­son­al­i­ty, lead­er­ship qual­i­ties, etc.

So what are we to con­clude from this?  Always be your­self, unless you can be Michael Jor­dan? Well, I think the gist of Tyson’s short talk is that there is no default or tem­plate for what you can become, or as he puts it, “what I do day-to-day is not the ful­fill­ment of some pre-exist­ing job descrip­tion.” And while “just be your­self” may sound like trite advice to peo­ple strug­gling to find an iden­ti­ty, Tyson sets it out as a task, not a fait accom­pli. “The task,” he says, “is to find the unique com­bi­na­tion of facts that apply to you. Then peo­ple will beat a path to your door.” It’s not a task to take on light­ly, or in Niet­zsche’s hyper­bol­ic words, it is “the heav­i­est demand ever put on mankind.”

The video above is an excerpt from a longer inter­view Neil deGrasse Tyson did for Big Think. The full inter­view is avail­able here.

Josh Jones is a writer and schol­ar cur­rent­ly com­plet­ing a dis­ser­ta­tion on land, lit­er­a­ture, and labor.

National Geographic Gives Us Intimate Moments with a Leopard Seal

Too bad there are no leop­ard seals on Nation­al Geo­graph­ic’s pay­roll. Pho­tog­ra­ph­er Paul Nicklen’s inti­mate por­traits of the one who took par­tic­u­lar inter­est in him on a recent Antarc­tic expe­di­tion are delight­ful. Imag­ine how great it would be to have some reverse angle reac­tion shots of Nicklen as his new friend attempts to serve him a suc­ces­sion of live, dead, and muti­lat­ed pen­guins.

He may have turned up his nose at his sub­jec­t’s cui­sine, but Nicklen brings some­thing else to the table, name­ly four days’ worth of up close and per­son­al shots of an ani­mal doing some­thing oth­er than going about its busi­ness. With­out anthro­po­mor­phiz­ing its inten­tions over much, this crea­ture went out of its way to accli­mate its strange guest to his new sur­round­ings, stick­ing around when less­er hosts would have aban­doned him along­side the buf­fet. Pret­ty cool when you con­sid­er that Nick­len’s entire head could — and briefly did — fit inside its mas­sive, sharp fanged jaws.

Relat­ed Con­tent:

Mari­achi Band Ser­e­nades Bel­u­ga Whale at Mys­tic Aquar­i­um

The Wild King­dom: Brought to You by Mutu­al of Oma­ha (It’s on YouTube)

Film­ing a Sprint­ing Chee­tah at 1,200 Frames Per Sec­ond

- Ayun Hal­l­i­day’s encoun­ters with species oth­er than her own are a fea­ture of her mem­oir, No Touch Mon­key! And Oth­er Trav­el Lessons Learned Too Late

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