The 25 Principles for Adult Behavior: John Perry Barlow (R.I.P.) Creates a List of Wise Rules to Live By

Image by the Euro­pean Grad­u­ate School, via Wiki­me­dia Com­mons

The most suc­cess­ful out­laws live by a code, and in many ways John Per­ry Bar­low, founder of the Elec­tron­ic Free­dom Foun­da­tion, Wyoming ranch­er, and erst­while song­writer for the Grate­ful Dead—who died on Wednes­day at the age of 70—was an arche­typ­al Amer­i­can out­law all of his life. He might have worn a white hat, so to speak, but he had no use for the gov­ern­ment telling him what to do. And his charis­mat­ic defense of unfet­tered inter­net lib­er­ty inspired a new gen­er­a­tion of hack­ers and activists, includ­ing a 12-year-old Aaron Swartz, who saw Bar­low speak at his mid­dle school and left the class­room changed.

Few peo­ple get to leave as last­ing a lega­cy as Bar­low, even had he not pio­neered ear­ly cyber­cul­ture, pen­ning the “Dec­la­ra­tion of Inde­pen­dence of the Inter­net,” a techo-utopi­an doc­u­ment that con­tin­ues to influ­ence pro­po­nents of open access and free infor­ma­tion. He intro­duced the Grate­ful Dead to Dr. Tim­o­thy Leary, under whose guid­ance Bar­low began exper­i­ment­ing with LSD in col­lege. His cre­ative and per­son­al rela­tion­ship with the Dead’s Bob Weir stretch­es back to their high school days in Col­orado, and he became an unof­fi­cial mem­ber of the band and its “junior lyri­cist,” as he put it (after Robert Hunter).

“John had a way of tak­ing life’s most dif­fi­cult things and fram­ing them as chal­lenges, there­fore adven­tures,” wrote Weir in a suc­cinct­ly poignant Twit­ter eulo­gy for his friend. We might think of Bar­low’s code, which he laid out in a list he called the “25 Prin­ci­ples of Adult Behav­ior,” as a series of instruc­tions for turn­ing life’s dif­fi­cul­ties into chal­lenges, an adven­tur­ous refram­ing of what it means to grow up. For Bar­low, that meant defy­ing author­i­ty when it imposed arbi­trary bar­ri­ers and pro­pri­etary rules on the once-wild-open spaces of the inter­net.

But being a grown-up also meant accept­ing full respon­si­bil­i­ty for one’s behav­ior, life’s pur­pose, and the eth­i­cal treat­ment of one­self and oth­ers. See his list below, notable not so much for its orig­i­nal­i­ty but for its plain­spo­ken reminder of the sim­ple, shared wis­dom that gets drowned in the assaultive noise of mod­ern life. Such uncom­pli­cat­ed ide­al­ism was at the cen­ter of Perry’s life and work.

1. Be patient. No mat­ter what.
2. Don’t bad­mouth: Assign respon­si­bil­i­ty, not blame. Say noth­ing of anoth­er you wouldn’t say to him.
3. Nev­er assume the motives of oth­ers are, to them, less noble than yours are to you.
4. Expand your sense of the pos­si­ble.
5. Don’t trou­ble your­self with mat­ters you tru­ly can­not change.
6. Expect no more of any­one than you can deliv­er your­self.
7. Tol­er­ate ambi­gu­i­ty.
8. Laugh at your­self fre­quent­ly.
9. Con­cern your­self with what is right rather than who is right.
10. Nev­er for­get that, no mat­ter how cer­tain, you might be wrong.
11. Give up blood sports.
12. Remem­ber that your life belongs to oth­ers as well. Don’t risk it friv­o­lous­ly.
13. Nev­er lie to any­one for any rea­son. (Lies of omis­sion are some­times exempt.)
14. Learn the needs of those around you and respect them.
15. Avoid the pur­suit of hap­pi­ness. Seek to define your mis­sion and pur­sue that.
16. Reduce your use of the first per­son­al pro­noun.
17. Praise at least as often as you dis­par­age.
18. Admit your errors freely and soon.
19. Become less sus­pi­cious of joy.
20. Under­stand humil­i­ty.
21. Remem­ber that love for­gives every­thing.
22. Fos­ter dig­ni­ty.
23. Live mem­o­rably.
24. Love your­self.
25. Endure.

Bar­low the “cow­boy, poet, roman­tic, fam­i­ly man, philoso­pher, and ulti­mate­ly, the bard of the dig­i­tal revolution”—as Stephen Levy describes him at Wired—“became a great explain­er” of the pos­si­bil­i­ties inher­ent in new media. He watched the inter­net become a far dark­er place than it had ever been in the 90s, a place where gov­ern­ments con­duct cyber­wars and impose cen­sor­ship and bar­ri­ers to access; where bad actors of all kinds manip­u­late, threat­en, and intim­i­date.

But Bar­low stood by his vision, of “a world that all may enter with­out priv­i­lege or prej­u­dice accord­ed by race, eco­nom­ic pow­er, mil­i­tary force, or sta­tion of birth… a world where any­one, any­where may express his or her beliefs, no mat­ter how sin­gu­lar, with­out fear of being coerced into silence or con­for­mi­ty.”

This may sound naïve, yet as Cindy Cohn writes in EFF’s obit­u­ary for its founder, Bar­low “knew that new tech­nol­o­gy could cre­ate and empow­er evil as much as it could cre­ate and empow­er good. He made a con­scious deci­sion to move toward the lat­ter.” His 25-point code urges us to do the same.

via Kot­tke/Hack­er News

Relat­ed Con­tent:

Ale­jan­dro Jodorowsky’s 82 Com­mand­ments For Liv­ing

Lou Reed and Lau­rie Anderson’s Three Rules for Liv­ing Well: A Short and Suc­cinct Life Phi­los­o­phy

Mil­ton Glaser’s 10 Rules for Life & Work: The Cel­e­brat­ed Design­er Dis­pens­es Wis­dom Gained Over His Long Life & Career

The Hobo Eth­i­cal Code of 1889: 15 Rules for Liv­ing a Self-Reliant, Hon­est & Com­pas­sion­ate Life

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

NASA Puts 400+ Historic Experimental Flight Videos on YouTube

“Video,” as we now say on the inter­net, “or it did­n’t hap­pen,” artic­u­lat­ing a prin­ci­ple to which the ever-for­ward-think­ing Nation­al Aero­nau­tics and Space Admin­is­tra­tion (NASA) has adhered for about 70 years now, start­ing with film in the time before the inven­tion of video itself. Even set­ting aside the won­ders of voy­ag­ing into out­er space, NASA has done a few things right here on Earth that you would­n’t believe unless you saw them with your own eyes. And now you eas­i­ly can, thanks to the agen­cy’s com­mit­ment to mak­ing the fruits of its research avail­able to all on its YouTube Chan­nel. Take for exam­ple this recent­ly-uploaded col­lec­tion of 400 his­toric flight videos.

Here we have just a sam­pling of the hun­dreds of videos avail­able to all: the M2-F1, a pro­to­type wing­less air­craft, towed across a lakebed by a mod­i­fied 1963 Pon­ti­ac Catali­na con­vert­ible; a mid-1960s test of the Lunar Lan­der Research Vehi­cle, also known as the “fly­ing bed­stead,” that will sure­ly remind long-mem­o­ried gamers of their many quar­ters lost to Atar­i’s Lunar Lan­der; a spin tak­en in the Mojave Desert, forty years lat­er, by the Mars Explo­ration Rover; and, most explo­sive­ly of all, a “con­trolled impact demon­stra­tion” of a Boe­ing 720 air­lin­er full of crash-test dum­mies meant to test out a new type of “anti-mist­ing kerosene” as well as a vari­ety of oth­er inno­va­tions designed to increase crash sur­viv­abil­i­ty.

These his­toric test videos were all shot back when the Arm­strong Flight Research Cen­ter (re-named in 2014 for Neil Arm­strong, whose lega­cy stands as a tes­ta­ment to the cumu­la­tive effec­tive­ness of all these NASA tests) was known as the Hugh L. Dry­den Flight Research Cen­ter: you can watch the 418 clips just from that era on this playlist.

Rest assured that the exper­i­men­ta­tion con­tin­ues and that NASA still push­es the bound­aries of avi­a­tion right here on Earth, a project con­tin­u­ous­ly doc­u­ment­ed in the chan­nel’s newest videos. As aston­ish­ing as we may find mankind’s for­ays up into the sky and beyond so far, the avi­a­tion engi­neer’s imag­i­na­tion, it seems, has only just got­ten start­ed.

via Pale­o­Fu­ture

Relat­ed Con­tent:

The Best of NASA Space Shut­tle Videos (1981–2010)

Free NASA eBook The­o­rizes How We Will Com­mu­ni­cate with Aliens

NASA Puts Online a Big Col­lec­tion of Space Sounds, and They’re Free to Down­load and Use

NASA Releas­es 3 Mil­lion Ther­mal Images of Our Plan­et Earth

NASA Archive Col­lects Great Time-Lapse Videos of our Plan­et

NASA Releas­es a Mas­sive Online Archive: 140,000 Pho­tos, Videos & Audio Files Free to Search and Down­load

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Artificial Intelligence Writes a Piece in the Style of Bach: Can You Tell the Difference Between JS Bach and AI Bach?

This week, the arti­fi­cial intel­li­gence com­mu­ni­ty Bot­nik pub­lished a 2018 Coachel­la Line­up poster com­posed entire­ly of per­former names gen­er­at­ed by neur­al net­works. It does get one won­der­ing what the music of “Lil Hack,” “House of the Gavins,” or “Paper Cop” might sound like — or, giv­en the direc­tion of tech­nol­o­gy these days, how long it will take before anoth­er neur­al net­work can actu­al­ly com­pose it. But why use AI to cre­ate yet anoth­er mil­len­ni­al-mind­ed Coachel­la act, you might ask, when it could cre­ate anoth­er Johann Sebas­t­ian Bach?

“One form of music that Bach excelled in was a type of poly­phon­ic hymn known as a chorale can­ta­ta,” says the MIT Tech­nol­o­gy Review. “The com­pos­er starts with a well-known tune which is sung by the sopra­no and then com­pos­es three har­monies sung by the alto, tenor, and bass voic­es.” Such com­po­si­tions “have attract­ed com­put­er sci­en­tists because the process of pro­duc­ing them is step-like and algo­rith­mic. But doing this well is also hard because of the del­i­cate inter­play between har­mo­ny and melody.” Hence the fas­ci­na­tion of the ques­tion of whether a com­put­er could ever com­pose a tru­ly Bach-like chorale.

The video at the top of the post offers a lis­ten­ing expe­ri­ence that points toward an answer. The minute-long piece you hear, and whose score you see, comes not from Bach him­self, nor from any human Bach imi­ta­tor, but from a neur­al net­work called Deep­Bach, a sys­tem devel­oped by Gae­tan Had­jeres and Fran­cois Pachet at the Sony Com­put­er Sci­ence Lab­o­ra­to­ries in Paris.

Like any such deep learn­ing sys­tem, the more exist­ing mate­r­i­al it has to “learn” from, the more con­vinc­ing a prod­uct it can pro­duce on its own: just as Bot­nik’s net­work could learn from all the band names fea­tured on Coachel­la posters since 1999, Deep­Bach could learn from the more than 300 short chorale com­po­si­tions the real Bach wrote in his life­time.

“About half the time,” says the MIT Tech­nol­o­gy Review, “these com­po­si­tions fool human experts into think­ing they were actu­al­ly writ­ten by Bach.” But of course, this sort of arti­fi­cial intel­li­gence has a greater and more diverse poten­tial than trick­ing its lis­ten­ers, as oth­er exper­i­ments at Sony CSL-Paris sug­gest: the AI-com­posed “Bea­t­les” song “Dad­dy’s Car,” for instance, or the “Flow Machine” that re-inter­prets Beethoven’s “Ode to Joy” in the style of the Bea­t­les, Take 6, and even elec­tron­ic lounge music. But we won’t know the tech­nol­o­gy has matured until the day we find our­selves book­ing tick­ets for arti­fi­cial intel­li­gence-com­posed music fes­ti­vals.

via  MIT Tech­nol­o­gy Review

Relat­ed Con­tent:

Arti­fi­cial Intel­li­gence Pro­gram Tries to Write a Bea­t­les Song: Lis­ten to “Daddy’s Car”

Arti­fi­cial Intel­li­gence Cre­ativ­i­ty Machine Learns to Play Beethoven in the Style of The Bea­t­les’ “Pen­ny Lane”

Hear What Music Sounds Like When It’s Cre­at­ed by Syn­the­siz­ers Made with Arti­fi­cial Intel­li­gence

Google Launch­es Free Course on Deep Learn­ing: The Sci­ence of Teach­ing Com­put­ers How to Teach Them­selves

Neur­al Net­works for Machine Learn­ing: A Free Online Course

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

How a Virtual Reality Model of Auschwitz Helped Convict an SS Concentration Camp Guard: A Short Documentary on a High Tech Prosecution

In 2016, Rein­hold Han­ning, a for­mer SS guard at the Auschwitz con­cen­tra­tion camp, was tried and con­vict­ed for being an acces­so­ry to at least 170,000 deaths. In mak­ing their case, pros­e­cu­tors did some­thing novel–they relied on a vir­tu­al real­i­ty ver­sion of the Auschwitz con­cen­tra­tion camp, which helped under­mine Han­ning’s claim that he was­n’t aware of what hap­pened inside the camp. The vir­tu­al real­i­ty head­set let view­ers see the camp from almost any angle, and estab­lished that “Han­ning would have seen the atroc­i­ties tak­ing place all around him.”

The high-tech pros­e­cu­tion of Han­ning gets well doc­u­ment­ed in “Nazi VR,” the short doc­u­men­tary above. It comes from MEL Films, and will be added to our col­lec­tion of online doc­u­men­taries.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Auschwitz Cap­tured in Haunt­ing Drone Footage (and a New Short Film by Steven Spiel­berg & Meryl Streep)

Carl Jung Psy­cho­an­a­lyzes Hitler: “He’s the Uncon­scious of 78 Mil­lion Ger­mans.” “With­out the Ger­man Peo­ple He’d Be Noth­ing” (1938)

From Cali­gari to Hitler: A Look at How Cin­e­ma Laid the Foun­da­tion for Tyran­ny in Weimar Ger­many

Watch World War II Rage Across Europe in a 7 Minute Time-Lapse Film: Every Day From 1939 to 1945

by | Permalink | Make a Comment ( 1 ) |

Coursera and Google Launch an Online Certificate Program to Help Students Become IT Professionals & Get Attractive Jobs

If you’ve so much as set foot in the realm of mas­sive online open cours­es (MOOCs) — a list of which we offer right here on Open Cul­ture — you’ve no doubt heard of Cours­era, which, since it start­ed up in 2012, has become one of the biggest MOOC providers around. Like most grow­ing Sil­i­con Val­ley com­pa­nies, Cours­era has branched out in sev­er­al dif­fer­ent direc­tions, bring­ing in cours­es from uni­ver­si­ties from all over the world as well as offer­ing cer­tifi­cate and Mas­ter’s pro­grams. Now, in part­ner­ship with Google, it has launched a pro­gram to train infor­ma­tion-tech­nol­o­gy pro­fes­sion­als for jobs in the indus­try.

Techcrunch’s Ingrid Lun­den describes Cours­er­a’s Google IT Sup­port Pro­fes­sion­al Cer­tifi­cate pro­gram as “a course writ­ten by Googlers for the Cours­era plat­form to teach and then test across six fun­da­men­tal areas of cus­tomer sup­port: trou­bleshoot­ing and cus­tomer ser­vice, net­work­ing, oper­at­ing sys­tems, sys­tem admin­is­tra­tion, automa­tion, and secu­ri­ty. No pri­or IT expe­ri­ence is nec­es­sary.” The glob­al, Eng­lish-lan­guage pro­gram “has 64 hours of course­work in all, and stu­dents are expect­ed to com­plete it in eight to 12 months, at a cost of $49/month.” This means “the typ­i­cal cost of the course for full-pay­ing stu­dents will be between $392 and $588 depend­ing on how long it takes,” which Lun­den calls “a pret­ty good deal” com­pared to oth­er IT train­ing pro­grams.

Amid talk of van­ish­ing jobs across so many sec­tors of the econ­o­my, Cours­era and Google are mar­ket­ing the IT Sup­port Pro­fes­sion­al Cer­tifi­cate as a promis­ing path to gain­ful employ­ment: “There’s no bet­ter exam­ple of a dynam­ic, fast-grow­ing field than IT sup­port,” writes Google Prod­uct Lead Natal­ie Van Kleef Con­ley, cit­ing sta­tis­tics show­ing 150,000 IT sup­port jobs cur­rent­ly open in the Unit­ed states and an aver­age start­ing salary of $52,000. Cours­era notes that “upon com­ple­tion of the cer­tifi­cate, you can share your infor­ma­tion with top employ­ers, like Bank of Amer­i­ca, Wal­mart, Sprint, GE Dig­i­tal, PNC Bank, Infos­ys, TEKSys­tems, UPMC, and, of course, Google.”

If you sus­pect that you might share pro­fes­sion­al aspi­ra­tions with young Edgar Bar­ra­gan of Queens, whose tes­ti­mo­ni­al video shows how he became a Google IT sup­port spe­cial­ist after par­tic­i­pat­ing in the pro­gram that evolved into the IT Sup­port Pro­fes­sion­al Cer­tifi­cate, vis­it the offi­cial page on Cours­era. There you can read up on the details of the six cours­es that make up the pro­gram and read answers to the ques­tions fre­quent­ly asked about it. Do you think you’d excel in a career amid the nuts and bolts of com­put­ers? With Google and Cours­er­a’s pro­gram offi­cial­ly open­ing next Wednes­day, Jan­u­ary 24th, now’s a good time indeed to fig­ure out whether it could get you where you want to be. Get more infor­ma­tion and/or enroll here.

Note: Open Cul­ture has a part­ner­ship with Cours­era. If read­ers enroll in cer­tain Cours­era cours­es, it helps sup­port Open Cul­ture.

Relat­ed Con­tent:

New Deep Learn­ing Cours­es Released on Cours­era, with Hope of Teach­ing Mil­lions the Basics of Arti­fi­cial Intel­li­gence

Cours­era Part­ners with Lead­ing Uni­ver­si­ties to Offer Master’s Degrees at a More Afford­able Price

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Bitcoin and Cryptocurrency Technologies: A Free Course from Princeton

Quick fyi: Ear­li­er this month, we tried to make sense of the Bit­coin fren­zy in the only we know how–by point­ing you toward a free course. Specif­i­cal­ly, we high­light­ed a Prince­ton course called Bit­coin and Cur­ren­cy Tech­nolo­gies that’s being offered on the online plat­form Cours­era. The course is based on a suc­cess­ful course taught on Prince­ton’s cam­pus.

Transform Business with Blockchain. 100% online courses. No Coding Required.

And it’s worth men­tion­ing that you can find the actu­al video lec­tures from that orig­i­nal cam­pus course on Youtube. (See them embed­ded above, or access them direct­ly here.) Pair the 12 lec­tures with the free Prince­ton Bit­coin text­book and you should be ready to make sense of Bit­coin … and maybe even some of the Bit­coin hype.

For more free cours­es vis­it our col­lec­tion, 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

What Actu­al­ly Is Bit­coin? Princeton’s Free Course “Bit­coin and Cur­ren­cy Tech­nolo­gies” Pro­vides Much-Need­ed Answers

Bit­coin, the New Decen­tral­ized Dig­i­tal Cur­ren­cy, Demys­ti­fied in a Three Minute Video

The Prince­ton Bit­coin Text­book Is Now Free Online

Why Eco­nom­ics is for Every­one!, Explained in a New RSA Ani­mat­ed Video

Free Online Eco­nom­ics Cours­es

by | Permalink | Make a Comment ( 2 ) |

Omoshiroi Blocks: Japanese Memo Pads Reveal Intricate Buildings As The Pages Get Used

We’ve all had the expe­ri­ence, grow­ing up, of using notepads for some­thing oth­er than their intend­ed pur­pose: run­ning our thumbs down their stacked-up pages and savor­ing the buzzing sound, turn­ing them into flip­books by painstak­ing­ly draw­ing a frame on each page, and even — in times of tru­ly dire bore­dom — cut­ting them down into unusu­al sizes and shapes. Now, Japan­ese archi­tec­tur­al mod­el mak­er Tri­ad has ele­vat­ed that youth­ful impulse to great heights of aes­thet­ic refine­ment with their line­up of Omoshi­roi Blocks.

The Japan­ese word omoshi­roi (面白い) can trans­late to “inter­est­ing,” “fun,” “amus­ing,” or a whole host of oth­er such descrip­tors that might come to the mind of some­one who runs across an Omoshi­roi Block in per­son, or even on the inter­net.

Accord­ing to Spoon & Tam­a­go, Tri­ad uses “laser-cut­ting tech­nol­o­gy to cre­ate what is, at first, just a seem­ing­ly nor­mal square cube of paper note cards. But as the note cards get used, an object begins to appear. And you’ll have to exhaust the entire deck of cards to ful­ly exca­vate the hid­den object.

These objects include “var­i­ous notable archi­tec­tur­al sites in Japan like Kyoto’s Kiy­omizud­era Tem­ple, Tokyo’s Asakusa Tem­ple and Tokyo Tow­er. The blocks are com­posed of over 100 sheets of paper and each sheet is dif­fer­ent from the next in the same way that indi­vid­ual moments stack up togeth­er to form a mem­o­ry.” Oth­er three-dimen­sion­al enti­ties exca­vat­able from Omoshi­roi Blocks include trains, cam­eras, and even the streetscape of Detroit, which includes the late John C. Port­man Jr.‘s Renais­sance Cen­ter — the Tokyo Tow­er, you might say, of the Motor City.

You can see most of these Omoshi­roi Blocks, and oth­ers, on Tri­ad’s Insta­gram account. You may have no oth­er option at the moment, since Tri­ad’s offi­cial site has recent­ly been over­whelmed by vis­i­tors, pre­sum­ably seek­ing a few of these recent­ly-gone-viral blocks for them­selves. Besides, notes their most recent Insta­gram post, “all items are out of stock. So, over­seas ship­ping is not pos­si­ble at this moment. Please wait for our online shop announce­ments to be updat­ed.”

Until then, accord­ing to Spoon & Tam­a­go, you might try your luck find­ing one at the Osa­ka branch of Tokyu Hands, Japan’s most cre­ative depart­ment store.

If you can’t make it out there, rest assured that Tri­ad will prob­a­bly have their online shop up and run­ning before this year’s hol­i­day sea­son, thus pro­vid­ing you with an impres­sive gift option for the enthu­si­asts in your life of archi­tec­ture, sta­tionery, uncon­ven­tion­al uses of tech­nol­o­gy, small-scale intri­cate crafts­man­ship, and the arti­facts of Japan­ese cul­ture — all fields in which Japan has spent hun­dreds, if not thou­sands of years excelling.

via Spoon and Tam­a­go/ h/t @herhandsmyhands

Relat­ed Con­tent:

Japan­ese Design­ers May Have Cre­at­ed the Most Accu­rate Map of Our World: See the Autha­Graph

Mes­mer­iz­ing GIFs Illus­trate the Art of Tra­di­tion­al Japan­ese Wood Join­ery — All Done With­out Screws, Nails, or Glue

The Mak­ing of Japan­ese Hand­made Paper: A Short Film Doc­u­ments an 800-Year-Old Tra­di­tion

The Art of Col­lo­type: See a Near Extinct Print­ing Tech­nique, as Lov­ing­ly Prac­ticed by a Japan­ese Mas­ter Crafts­man

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Google’s Free App Analyzes Your Selfie and Then Finds Your Doppelganger in Museum Portraits

Hav­ing the abil­i­ty to vir­tu­al­ly explore the his­to­ry, back sto­ries, and cul­tur­al sig­nif­i­cance of art­works from over a thou­sand muse­ums gen­er­ates nowhere near the excite­ment as a fea­ture allow­ing users to upload self­ies in hopes of locat­ing an Insta­gram-wor­thy dop­pel­gänger some­where in this vast dig­i­tal col­lec­tion.

On the oth­er hand, if this low-brow inno­va­tion leads great hordes of mil­len­ni­als and iGen-ers to cross the thresh­olds of muse­ums in over 70 coun­tries, who are we to crit­i­cize?

So what if their pri­ma­ry moti­va­tion is snap­ping anoth­er self­ie with their Flem­ish Renais­sance twin? As long as one or two devel­op a pas­sion for art, or a par­tic­u­lar muse­um, artist, or peri­od, we’re good.

Alas, some dis­grun­tled users (prob­a­bly Gen X‑ers and Baby Boomers) are giv­ing the Google Arts & Cul­ture app (iPhone-Android) one-star reviews, based on their inabil­i­ty to find the only fea­ture for which they down­loaded it.

Allow us to walk you through.

After installing the app (iPhone-Android) on your phone or tablet, scroll down the home­page to the ques­tion “Is your por­trait in a muse­um?”

The sam­pling of art­works fram­ing this ques­tion sug­gest that the answer may be yes, regard­less of your race, though one need not be a Gueril­la Girl to won­der if Cau­casian users are draw­ing their match­es from a far larg­er pool than users of col­or…

Click “get start­ed.” (You’ll have to allow the app to access your device’s cam­era.)

Take a self­ie. (I sup­pose you could hedge your bets by switch­ing the cam­era to front-fac­ing ori­en­ta­tion and aim­ing it at a pleas­ing pre-exist­ing head­shot.)

The app will imme­di­ate­ly ana­lyze the self­ie, and with­in sec­onds, boom! Say hel­lo to your five clos­est match­es.

In the name of sci­ence, I sub­ject­ed myself to this process, grin­ning as if I was sit­ting for my fourth grade school pic­ture. I and received the fol­low­ing results, none of them high­er than 47%:

Vic­to­rio C. Edades’ Moth­er and Daugh­ter (flat­ter­ing­ly, I was pegged as the daugh­ter, though at 52, the resem­blance to the moth­er is a far truer match.)

Gus­tave Courbet’s Jo, la Belle Irlandaise (Say what? She’s got long red hair and skin like Snow White!)

Hen­ry Inman’s por­trait of Pres­i­dent Mar­tin Van Buren’s daugh­ter-in-law and defac­to White House host­ess, Angel­i­ca Sin­gle­ton Van Buren (Well, she looks ….con­ge­nial. I do enjoy par­ties…)

 and Sir Antho­ny van Dyck’s post-mortem paint­ing of Vene­tia, Lady Dig­by, on her Deathbed (Um…)

Hop­ing that a dif­fer­ent pose might yield a high­er match I chan­neled artist Nina Katchadouri­an, and adopt­ed a more painter­ly pose, unsmil­ing, head cocked, one hand lyri­cal­ly rest­ing on my breast­bone… for good mea­sure, I moved away from the win­dow. This time I got:

Joseph Stella’s Boy with a Bag­pipe (Maybe this wasn’t such a hot idea with regard to my self-image?)

Cipri­ano Efsio Oppo Por­trait of Isabel­la (See above.)

Adolph Tidemand’s Por­trait of Guro Sil­vers­dat­ter Tra­ven­dal (Is this uni­verse telling me it’s Babush­ka Time?)

Johannes Chris­tiann Janson’s A Woman Cut­ting Bread (aka Renounce All Van­i­ty Time?)

and Anders Zorn’s Madon­na (This is where the mean cheer­leader leaps out of the bath­room stall and calls me the horse from Guer­ni­ca, right?)

Mer­ci­ful­ly, none of these results topped the 50% mark, nor did any of the exper­i­ments I con­duct­ed using self­ies of my teenage son (whose 4th clos­est match had a long white beard).

Per­haps there are still a few bugs to work out?

If you’re tempt­ed to give Google Arts and Culture’s exper­i­men­tal por­trait fea­ture a go, please let us know how it worked out by post­ing a com­ment below. Maybe we’re twins, I mean, triplets!

If such folderol is beneath you, please avail your­self of the app’s orig­i­nal fea­tures:

  • Zoom Views — Expe­ri­ence every detail of the world’s great­est trea­sures
  • Vir­tu­al Real­i­ty — Grab your Google Card­board view­er and immerse your­self in arts and cul­ture
  • Browse by time and col­or — Explore art­works by fil­ter­ing them by col­or or time peri­od
  • Vir­tu­al tours — Step inside the most famous muse­ums in the world and vis­it icon­ic land­marks
  • Per­son­al col­lec­tion — Save your favorite art­works and share your col­lec­tions with friends
  • Near­by — Find muse­ums and cul­tur­al events around you
  • Exhibits — Take guid­ed tours curat­ed by experts
  • Dai­ly digest — Learn some­thing new every time you open the app
  • Art Rec­og­niz­er — Learn more about art­works at select muse­ums by point­ing your device cam­era at them, even when offline
  • Noti­fi­ca­tions — sub­scribe to receive updates on the top arts & cul­ture sto­ries

Down­load Google Arts and Cul­ture or update to Ver­sion 6.0.17 here (for Mac) or here (for Android).

Note: We’re get­ting reports that the app does­n’t seem to be avail­able in every geo­graph­i­cal loca­tion. If it’s not avail­able where you live, we apol­o­gize in advance.

via Good House­keep­ing

Relat­ed Con­tent:

Google Gives You a 360° View of the Per­form­ing Arts, From the Roy­al Shake­speare Com­pa­ny to the Paris Opera Bal­let

Google Art Project Expands, Bring­ing 30,000 Works of Art from 151 Muse­ums to the Web

Google Cre­ates a Dig­i­tal Archive of World Fash­ion: Fea­tures 30,000 Images, Cov­er­ing 3,000 Years of Fash­ion His­to­ry

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Fol­low her @AyunHalliday.

« Go BackMore in this category... »
Quantcast