Back in 2012, PresÂiÂdent ObaÂma, already on record as being a fan of The Wire, was asked by ESPN to name his favorite charÂacÂter on the show, to which he replied “It’s got to be Omar, right? I mean, that guy is unbeÂlievÂable, right?” Fast forÂward to 2015, and we find Mr. ObaÂma hostÂing David Simon (the creÂator of The Wire) at the White House, and havÂing a frank conÂverÂsaÂtion about the TV show and the war on drugs, and what lessons we’ve learned along the way. Of course, the conÂverÂsaÂtion doesÂn’t end withÂout Omar getÂting a menÂtion … or withÂout us getÂting to see ObaÂma as TV host. A sign of what’s to come after 2016?
Twin Peaks is, of course, a semÂiÂnal cult TV series, a surÂreÂalÂist soap opera spun out of the mind of David Lynch. When it came out in the late 80s, AmerÂiÂca was seized with the show’s cenÂtral mysÂtery – who killed LauÂra Palmer? A torÂtured blonde beauÂty queen who wound up dead, wrapped in plasÂtic. Its first seaÂson (US viewÂers can watch it on Hulu) was easÂiÂly one of the best ever on teleÂviÂsion with great charÂacÂters, inside jokes and just enough LynchiÂan weirdÂness to unnerve a mainÂstream audiÂence withÂout totalÂly freakÂing them out. Too bad, then, that the qualÂiÂty of the show’s secÂond seaÂson went off a cliff.
You would expect a video game about the series to be about the search for LauÂra Palmer’s killer, but no. Instead, the game, an Atari 2600-style work called Black Lodge 2600, is a riff on the show’s final angry episode. In that episode, FBI agent Dale CoopÂer delves into the othÂerÂworldÂly Black Lodge, which, in spite of its name, is decÂoÂratÂed priÂmarÂiÂly in red curÂtains. There, CoopÂer is conÂfrontÂed by his dopÂpelÂganger. Lynch’s JunÂgian obsesÂsions have nevÂer been as bald as in that episode.
BasiÂcalÂly, if you felt like your well-worn copy of PitÂfall was strangeÂly lackÂing in busts of Venus De Milo and a perÂvadÂing sense of the UnheimÂliche, then this video game might be for you. The game’s manÂuÂal, which has way too many exclaÂmaÂtion points, sets the stage:
A day in the FBI was nevÂer like this before! You are SpeÂcial Agent Dale CoopÂer and you’ve found yourÂself trapped inside the Black Lodge, a surÂreÂal and danÂgerÂous place between worlds. Try as you might, you can’t seem to find anyÂthing but the same room and hallÂway no matÂter which way you turn. Worse yet, your dopÂpelÂganger is in hot purÂsuit! You have no choice but to keep runÂning through the room and hallÂway (or is it more than one?) and above all else, don’t let your dopÂpelÂganger touch you!
[…]
You’ll find quickÂly that you’re not alone in the Black Lodge, though your friends are few and far between. Not only that, the Lodge itself seems to be activeÂly tryÂing to trip you up at all times! You’ll be dodgÂing chairs and crazed Lodge resÂiÂdents all while tryÂing to keep your own sanÂiÂty. How long can this go on?
Based on this descripÂtion, I can’t tell if this game is comÂpelling or if it will mereÂly evoke the same feelÂing of exisÂtenÂtial futilÂiÂty I feel every time I call Time WarnÂer Cable. Watch a video of the game below and judge for yourÂself. Or start downÂloadÂing the game and the manÂuÂal here.
Note: If you have probÂlems getÂting the game going on a Mac, then folÂlow these Black Lodge trouÂbleshootÂing instrucÂtions: Go to “SysÂtem PrefÂerÂences”, open “SecuÂriÂty & PriÂvaÂcy”, click the padÂlock to allow changes, then click the “AnyÂwhere” option under “Allow appliÂcaÂtions downÂloaded from.”
Jonathan Crow is a Los AngeÂles-based writer and filmÂmakÂer whose work has appeared in Yahoo!, The HolÂlyÂwood Reporter, and othÂer pubÂliÂcaÂtions. You can folÂlow him at @jonccrow. And check out his blog VeepÂtoÂpus, feaÂturÂing lots of picÂtures of badÂgers and even more picÂtures of vice presÂiÂdents with octoÂpusÂes on their heads. The VeepÂtoÂpus store is here.
Meryl Streep, freÂquentÂly hailed as one of our GreatÂest LivÂing ActressÂes — she claims there’s no such thing — comÂmands a near-encyÂcloÂpeÂdic masÂtery of accents.
OthÂers may preÂpare for their roles by workÂing with a dialect coach or lisÂtenÂing to tapes of native speakÂers, but Streep pushÂes to the limÂit, as indiÂcatÂed in the conÂverÂsaÂtion with author Andre Dubus III, below.
She not only learned PolÂish in order to play a trouÂbled HoloÂcaust surÂvivor in Sophie’s Choice,she thought deeply about the way genÂder roles and periÂod inform vocal preÂsenÂtaÂtion.
Her comÂmitÂment to her craft is inadÂverÂtentÂly to blame for popÂuÂlarÂizÂing the phrase “dingo’s got my baby.”
How refreshÂing that this verÂsaÂtile and accomÂplished actor is not preÂcious about her skills. She gameÂly trotÂted them out for the comeÂdiÂan Ellen DeGeneres’ parÂlor game, above. Looks like fun, proÂvidÂed one’s not an introÂvert. Each playÂer draws a card labelled with an accent, sticks it to the brim of a silÂly hat, then tried to guess the accent, based on her partner’s imprompÂtu perÂforÂmance.
“BrookÂlyn?” Streep gigÂgles when the Louisiana-born DeGeneres has a go at Boston.
Her stab at the Bronx shows off her improv chops far betÂter than the most recent stunt DeGeneres roped her into.
Josh WeltÂman, a 25 year vetÂerÂan of the adverÂtisÂing busiÂness, has been a part of Mad Men since the show’s first seaÂson. He has worked closeÂly, he tells us on his web site, “with Matthew WeinÂer and the show’s writÂers and proÂducÂers to help ensure that Mad Men accuÂrateÂly depicts the process of creÂatÂing ads and serÂvicÂing clients, and that the show’s adverÂtisÂing and busiÂness stoÂries play true to life, true to charÂacÂter and true to periÂod. He also creÂates most of the origÂiÂnal ads seen on the show.”
On his Vimeo channel, you can find just one video. But it’s an essenÂtial one — a short quick primer on how to draw Don DrapÂer. Start pracÂticÂing. The final seaÂson of Mad Men kicks off on SunÂday, April 5, at 10 p.m. on AMC.
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Leonard Nimoy’s death yesteÂday at the age of 83 is an enorÂmous loss to fans across the world who loved and respectÂed the actor. Nimoy may have nevÂer tranÂscendÂed his Star Trek charÂacÂter Spock, though he tried, but he seemed to have made his peace with that, signÂing his many wise tweets in the last few months of his life with the acronym “LLAP,” or “live long and prosÂper,” the VulÂcan farewell. The actor and his most famous charÂacÂter were very familÂiar to even non-fans of the show; Spock has come to repÂreÂsent an archeÂtype of the disÂpasÂsionÂate and ratioÂnal, and Nimoy evenÂtuÂalÂly immersed himÂself in the Star Trek uniÂverse, penÂning Star Trek novÂels and conÂtinÂuÂing to star in the franchise’s many films (and in good natured car ads with his replaceÂment). He was an ambasÂsador for sciÂence ficÂtion, and an ambasÂsador for sciÂence fact, as a major donor to NASA and narÂraÂtor of sevÂerÂal films about astronÂoÂmy.
Nimoy also had sevÂerÂal othÂer non- Trek endeavÂors of note, includÂing his work as a phoÂtogÂraÂphÂer and narÂraÂtor of audioÂbooks about, for examÂple, whales. And while Spock fans watched the actor inhabÂit the half-VulÂcan, half-human character’s exisÂtenÂtial strugÂgles with his idenÂtiÂty, Nimoy the actor had his own disÂtincÂtive backÂground as the son of UkrainÂian JewÂish immiÂgrants. His parÂents escaped the town of Zaslav in what was then SoviÂet RusÂsia and emiÂgratÂed to Boston’s West End, a neighÂborÂhood roughÂly 60 perÂcent ItalÂian and 25–30 perÂcent JewÂish. It was a place—Nimoy says in the engagÂing 10 minute excerpt above from an interÂview with Christa Whitney—where the ItalÂians spoke YidÂdish and the Jews spoke ItalÂian (Nimoy speaks some YidÂdish, some famous lines from HamÂlet!, above).
Nimoy rememÂbers his perÂsonÂal hisÂtoÂry, his parÂents’ bemuseÂment with Spock, and his own idenÂtiÂfiÂcaÂtion with the famous charÂacÂter: “Spock is an alien wherÂevÂer he is,” says Nimoy, “not totalÂly at home in the VulÂcan culÂture… not totalÂly at home in the human culÂture. And that alienÂation is someÂthing that I had learned in Boston… so I underÂstood that aspect of the charÂacÂter.” The interÂview was taped in OctoÂber of 2013 as part of the YidÂdish Book Center’s Wexler Oral HisÂtoÂry Project. As we grieve the loss of Nimoy-as-Spock, it’s a fitÂting way to get to know much more about the man himÂself. Hear much more of Nimoy’s YidÂdish and much more about his life in the full, two-hour interÂview below. You can find basic YidÂdish lessons in our colÂlecÂtion, Learn 45+ LanÂguages Online for Free: SpanÂish, ChiÂnese, EngÂlish & More.
In between clips of Curry’s Frank-n-Furter sashayÂing through such desÂtined-to-become cult favorites as “Sweet TransÂvesÂtite” and “The Time Warp,” in fishÂnets, merÂry widÂow, and maquilÂlage designed by David Bowie’s perÂsonÂal makeÂup artist, the actor enterÂtained questions…in lusÂcious black and white!
Kudos to the young interÂviewÂer, Mark CaldÂwell, for nevÂer interÂruptÂing or tryÂing to elbow his way into the spotÂlight with jokey asides or douÂble entenÂdres. The reward is a seriÂous conÂsidÂerÂaÂtion of the filmÂmakÂing process and the actor’s craft.
(Bear in mind that it would be at least a year until midÂnight audiÂences at New York’s WaverÂly TheÂater startÂed throwÂing toast, rice, and toiÂlet paper at the screen, thus iniÂtiÂatÂing an entire script’s worth of audiÂence parÂticÂiÂpaÂtion.)
HavÂing origÂiÂnatÂed the role on the LonÂdon stage (he audiÂtioned with LitÂtle Richard’s “TutÂti FrutÂti”) and reprised it in L.A., CurÂry was clearÂly ready to put some space between himÂself and his iconÂic creÂation, announcing—correctly, as it turns out—that any sequels would have to proÂceed withÂout him.
Then he clammed up for three decades, refusÂing to disÂcuss his most iconÂic role until 2005, when he broke the silence durÂing an interÂview on NPR’s Fresh Air .
It’s clear that CurÂry saw the makÂing of the film as a seriÂous busiÂness, but Rocky HorÂror fans will find plenÂty of juicy morsels to feed their obsesÂsion. Even virÂgins will enjoy the stoÂry of Frank’s evolvÂing accent —from midÂdle EuroÂpean to “BelÂgravia HostÂess with the Mostest.”
Ayun HalÂlÂiÂday is an author, illusÂtraÂtor, and Chief PriÂmaÂtolÂoÂgist of the East VilÂlage Inky zine. FolÂlow her @AyunHalliday
If you warÂbled “02134” withÂout hesÂiÂtaÂtion, you probÂaÂbly grew up watchÂing a beloved children’s teleÂviÂsion show of the 70s.
It turns out Zoom wasn’t the only cool proÂgram WGBH hatched in 1972. On March 13, just a couÂple of months after Zoom’s debut, the staÂtion aired Between Time and TimÂbukÂtu, a 90-minute speÂcial inspired by the work of Kurt VonÂnegut.
VonÂnegut also wrote the introÂducÂtion to the pubÂlished script, a paperÂback quickÂie enhanced by proÂducÂtion stills and phoÂtos takÂen by Vonnegut’s wife, Jill KreÂmentz. It was as good a forum as any for him to announce his retireÂment from film, which he citÂed as a mediÂum “too clankÂing and real” for his comÂfort.
The show itself is likeÂly to cause nosÂtalÂgia for television’s freeÂwheelÂing, MonÂty Python era.
Though 1972 wasn’t an entireÂly silÂly periÂod, if you’ll recall. The VietÂnam War was ragÂing, with WalÂter Cronkite holdÂing down the CBS Evening News desk.
Between Time and TimÂbukÂtu capÂiÂtalÂizes on the vetÂerÂan broadÂcastÂer’s ubiqÂuiÂty by castÂing comeÂdiÂan Ray GouldÂing of Bob and Ray fame, as an approÂpriÂateÂly grave WalÂter GesundÂheit. Bob joined him at the news desk as a ficÂtiÂtious forÂmer astroÂnaut. VonÂnegut was appreÂciaÂtive of their efforts, statÂing that AmerÂiÂcan comeÂdiÂans had probÂaÂbly done more to shape his thinkÂing than any othÂer writer.
Also look for William HickÂey, who played Prizzi’s Honor’s genial, aged mafia don, in the lead role of Stony Stevenson—now there’s a periÂod charÂacÂter name! If you’ll rememÂber, Stony is also the first civilÂian in space, at least accordÂing to the Sirens of Titan.
AttenÂtion sulky art school stuÂdents! Next time you’re stockÂing up on pre-smashed TVs, baby doll parts, riot cop stenÂcils and manÂnequins, be sure to say helÂlo to ShepÂard Fairey.
Fairey’s real, but the store, a brightÂly lit empoÂriÂum caterÂing to those seekÂing to make subÂverÂsive stateÂments with their art, is the invenÂtion of Fred Armisen and CarÂrie Brownstein’s PortÂlandia. (The full episode aired last week on IFC.)
MeanÂwhile, Fairey wins laughs by leavÂing the comÂeÂdy to the comeÂdiÂans. Though I wouldn’t be surÂprised to learn that ShockÂing Art SupÂply employÂee ShepÂard F is an admirÂer of HenÂry Rollins. You can read all sorts of things into a perÂforÂmance that deadÂpan.
The segÂment was filmed in a PortÂland store where Fairey rememÂbered purÂchasÂing art supÂplies a few years back. As he notes on his webÂsite:
I’m no actor, but this part, along with maybe “jadÂed art stuÂdent” or “jadÂed skate shop employÂee,” are the closÂest I’ll ever get to method actÂing.
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