Here’s a scene from a clas­sic episode of The John­ny Cash Show, with Neil Young singing a deeply per­son­al song that he had only recent­ly writ­ten.

“John­ny Cash on Cam­pus” was a spe­cial edi­tion that aired on Feb­ru­ary 17, 1971.  Cash and his crew vis­it­ed Van­der­bilt Uni­ver­si­ty in Nashville to talk with stu­dents. In the pro­gram, one of them rais­es the sub­ject of drugs in the music indus­try, and Cash speaks briefly about his own prob­lem with drugs before intro­duc­ing Young, who sings “The Nee­dle and the Dam­age Done” in front of an all-stu­dent audi­ence at the Ryman Audi­to­ri­um. Young then puts down his gui­tar and moves to a piano to play “Jour­ney Through the Past.”

It was a busy time for Young. While he was in Nashville to appear on the show he was per­suad­ed by a local record pro­duc­er to record his next album there. He began work almost imme­di­ate­ly on what would become his mas­ter­piece, Har­vest. On the night of the John­ny Cash Show Young invit­ed two oth­er guests that night, Lin­da Ron­stadt and James Tay­lor, to go back to the stu­dio with him after­ward. Togeth­er the three sang the back­ing vocals on “Heart of Gold” and “Old Man,” and Tay­lor played the dis­tinc­tive ban­jo gui­tar part on “Old Man.”

The Feb­ru­ary 17, 1971 episode of The John­ny Cash Show is also notable for being the first time Cash per­formed “Man in Black.” He got the idea for the song from his dis­cus­sions with the stu­dents at Van­der­bilt, and fin­ished writ­ing the lyrics on the day of the show. The song was so new he need­ed cue cards to sing the words.

Relat­ed con­tent:

Neil Young Busk­ing in Glas­gow, 1976: The Sto­ry Behind the Footage

Neil Young Reveals the New Killer Gad­get That Will Save Music

Jim Hen­son launched his first tele­vised pup­pet pro­gram, Sam and Friends, when he was a fresh­man at the Uni­ver­si­ty of Mary­land. The show ran for six years on NBC affil­i­ate WRC-TV in Wash­ing­ton, DC. Dur­ing the pro­duc­tion of Sam and Friends, Hen­son devel­oped the design of his flex­i­ble, foam-rub­ber pup­pets, which moved much more nat­u­ral­ly than wood­en mar­i­onettes. And they became the pro­to­types of the beloved Mup­pets that would make him famous. In the short film above from Sam and Friends, “Visu­al Think­ing,” an ear­ly ver­sion of Ker­mit the Frog has an exchange with a ston­er char­ac­ter called Har­ry the Hip­ster, who intro­duces him to an advanced form of visu­al think­ing that moves from sin­gle notes, to chords, to clas­si­cal pas­sages to jazz.

The sketch rep­re­sents a unique com­bi­na­tion of pup­petry and ani­ma­tion that would come to char­ac­ter­ize some of Henson’s most rec­og­niz­able work, such as Sesame Street. Although it’s in black and white and obvi­ous­ly not pro­duced for chil­dren, it’s very much in the style of the lat­er Hen­son, who main­tained a kind of beat sen­si­bil­i­ty through­out his career, whether work­ing in fan­ta­sy with The Dark Crys­tal or mad­cap pup­pet ensem­bles like The Mup­pet Movie. In the above sketch, Ker­mit and Har­ry work out the intri­ca­cies of jazz phras­ing by visu­al­iz­ing the notes in white squig­gles on the screen, which Har­ry eras­es by scat­ting them back­wards. Even­tu­al­ly, they’re over­whelmed and erased by jazz, in a kind of trib­ute to the form’s com­plex inde­ter­mi­na­cy. The sketch is one of the few ear­ly films to fea­ture Ker­mit, since the character’s rights are owned by Dis­ney. Pro­duced in 1959, the sketch was remade for The Ed Sul­li­van Show in 1966 and again for The Dick Cavett Show in 1971.

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Relat­ed Con­tent:

Jim Hen­son Pilots The Mup­pet Show with Adult Episode, “Sex and Vio­lence” (1975)

Pup­pet Mak­ing with Jim Hen­son: A Primer

Jim Henson’s Zany 1963 Robot Film Uncov­ered by AT&T: Watch Online

Josh Jones is a doc­tor­al can­di­date in Eng­lish at Ford­ham Uni­ver­si­ty and a co-founder and for­mer man­ag­ing edi­tor of Guer­ni­ca / A Mag­a­zine of Arts and Pol­i­tics.