I’m a paper loyÂalÂist by age and incliÂnaÂtion. I don’t begrudge those who do the bulk of their readÂing digÂiÂtalÂly, I just preÂfer the familÂiarÂiÂty and object-ness of the printÂed page. As a lover of comics and graphÂic novÂels, my brick and morÂtar needs are more than met by the comÂparÂaÂtive wealth of indie shops and fesÂtiÂvals here in New York City, as well as its beleaÂguered pubÂlic library sysÂtem.
I couldÂn’t help noticÂing, though, that many of the newÂer titles I favor got their start online. The proÂpoÂnents of the form who disÂcuss the Rise of WebÂcomics for PBS’ Off Book series make a comÂpelling case for explorÂing that realm a bit more fulÂsomeÂly.
Many artists who put their stuff up on the web benÂeÂfit from the immeÂdiÂaÂcy of the act and the—theoretically—larger audiÂence. But pubÂlishÂing in this forÂmat also opens it up for Sam Brown and Andrew Hussie to creÂate a large body of work based on readÂer sugÂgesÂtions. Hussie takes full advanÂtage of the mulÂti platÂform posÂsiÂbilÂiÂties. Lucy KnisÂley, no stranger to ediÂtoÂrÂiÂal refineÂment in a more traÂdiÂtionÂal pubÂliÂcaÂtion modÂel, gives her monÂsters of the id free rein online. And Nick GureÂwitch’s PerÂry Bible FelÂlowÂship (though he yanked a couÂple of them offline to “make the book more speÂcial”) is the vesÂsel into which his torÂrent of hilarÂiÂous, disÂsoÂciaÂtive ideas flows.
RelatÂed ConÂtent:
Ayun HalÂlÂiÂday’s favorite webÂcomÂic (until now the only one she read) remains HyperÂbole and a Half.





