“I’ll die in some truÂly banal manÂner, the way I live,” says the subÂject of BBC Four’s In Search of MĹ“bius. I don’t know what would conÂstiÂtute a non-banal manÂner of death — or, for that matÂter, a banal one — but nobody familÂiar with modÂern comÂic art could believe that Jean Giraud, also known as MĹ“bius, could posÂsiÂbly have lived a banal life. If you haven’t read a comÂic since your childÂhood SunÂday funÂnies, you need only watch this proÂgram to underÂstand why the artist’s passÂing on SatÂurÂday brought forth so many breathÂless tribÂutes. You’ll also catch a glimpse of the vast posÂsiÂbilÂiÂties offered by comÂic art as a form. The inscrutable workÂings of MĹ“bius’ pecuÂliar imagÂiÂnaÂtion drove him far into this terÂriÂtoÂry, and many creÂators (in comics and elseÂwhere) still strugÂgle to folÂlow him.
Aside from MĹ“bius himÂself, the proÂgram interÂviews the coterie from his earÂly years in France at MĂ©tal Hurlant, the magÂaÂzine that would open the space for his disÂtincÂtiveÂly subÂconÂscious-fueled, near-psyÂcheÂdelÂic yet richÂly texÂturÂal sciÂence-ficÂtion senÂsiÂbilÂiÂty. It goes on to talk with well-known admirÂers who, feelÂing the resÂoÂnance of those parÂticÂuÂlar (and parÂticÂuÂlarÂly difÂfiÂcult to describe) qualÂiÂties of MĹ“bius’ vision that cross so many nationÂal and artisÂtic boundÂaries, found ways to work with him.
These high-proÂfile colÂlabÂoÂraÂtors range from MarÂvel Comics founder Stan Lee, who enlistÂed MĹ“bius to take SilÂver Surfer in new aesÂthetÂic and intelÂlecÂtuÂal direcÂtions, to screenÂwriter Dan O’Bannon, bioÂmeÂchanÂiÂcal surÂreÂalÂist H.R. Giger, and filmmaker/mystic AleÂjanÂdro JodorÂowsky, who worked with him on an unreÂalÂized (but still tanÂtaÂlizÂing) film adapÂtaÂtion of Dune.
In Search of MĹ“bius also explores the real landÂscapes that must have worked their way into MĹ“bius’ imagÂiÂnaÂtion, conÂtributÂing to the strikÂingÂly unreÂal landÂscapes that worked their way out of it. We see the deserts of MexÂiÂco, traces of which appear in his WestÂern series BlueÂberÂry, where he visÂitÂed his mothÂer in the 1950s. We see the Los AngeÂles he conÂsidÂered “realÂly an amazÂing city,” where his work on SilÂver Surfer took him. We even see him in his native land, standÂing before the harshÂly iconÂic BibÂlioÂthèque nationale de France. MĹ“bius may be gone, but the world inside his head remains forÂevÂer open for us on the page to explore. H/T @EscapeIntoLife
ColÂin MarÂshall hosts and proÂduces NoteÂbook on Cities and CulÂture. FolÂlow him on TwitÂter at @colinmarshall.
