Talks from The New Yorker Festival Available as Video Podcasts

newyorkercoverold.jpgIn ear­ly Octo­ber, The New York­er mag­a­zine held its eighth annu­al fes­ti­val in NYC. (Yikes! As I am typ­ing I’m feel­ing my first earth­quake here in Cal­i­for­nia. Appar­ent­ly 5.7 on Richter scale. Details here.) Any­way, the fes­ti­val brings to the stage an impres­sive list of writ­ers & artists (see the full sched­ule here). And while the aver­age New York­er had to pay some­where between $16 and $100 to attend the var­i­ous events, you can now watch a select num­ber of them for free. The free videos fea­ture New York­er edi­tor David Rem­nick speak­ing with Sey­mour Hersh about his inves­tiga­tive jour­nal­ism and Amer­i­ca’s involve­ment in Iraq and Iran; Nobel Prize win­ner Orhan Pamuk and Salman Rushdie dis­cussing how they approach writ­ing about their respec­tive home­lands, Turkey and India; and Mar­tin Amis and Ian Buru­ma mak­ing sense of his­tor­i­cal “mon­sters” and the psy­chol­o­gy that dri­ves evil. Also Philip Goure­vitch leads a quite thought-pro­vok­ing con­ver­sa­tion with Errol Mor­ris about Abu Ghraib and what did and did not hap­pen there. (Abu Ghraib is the sub­ject of Morris’s next film.) Then, on the lighter side, come­di­an Steve Mar­tin amus­es the crowd by show­ing clips of his stand-up per­for­mances, and film­mak­er Judd Apa­tow talks with film crit­ic David Den­by about his new com­e­dy “Knocked Up.”

You can access these video talks in one of three ways. Watch them online right on The New York­er web site; head over to Itunes where you can down­load them as video pod­casts; or work with the video rss feed.

Relat­ed Con­tent:

100 Top Jazz CDs

If you’re look­ing to build your jazz col­lec­tion, this site offers some sound guid­ance. It fea­tures 100 top jazz CDs. Although inher­ent­ly sub­jec­tive, the list includes many indis­putable clas­sics that belong in any respectable jazz col­lec­tion. (Note: if you click on the link for each album, you’ll find some back­ground infor­ma­tion that’s often worth read­ing.)

For more jazz, check out our col­lec­tion of Music Pod­casts which includes a decent selec­tion of, yes, jazz pod­casts.

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Reading Great Books with The New York Times (Starting with War & Peace)


tolstoy.jpgEar­li­er this month, The New York Times Book Review launched an online Read­ing Room that lets read­ers tack­le great books with the help of “an all-star cast of pan­elists from var­i­ous backgrounds—authors, review­ers, schol­ars and jour­nal­ists.” The first read­ing starts with Leo Tol­stoy’s 1200+ page epic, War and Peace (1865–69), and it’s led by book review edi­tor Sam Tanen­haus and a sup­port­ing crew con­sist­ing of Bill Keller (exec­u­tive edi­tor of The Times), Stephen Kotkin (a Russ­ian his­to­ry pro­fes­sor at Prince­ton), Francine Prose (author of Read­ing Like a Writer), and Liesl Schillinger (a reg­u­lar review­er for the Book Review).

At the out­set, Sam Tanen­haus’ intro­duc­tion leaves the impres­sion that the “Read­ing Room” will offer a fair­ly struc­tured read­ing of Tol­stoy’s text. But that’s not exact­ly how things turn out. Often quite frag­men­tary, the con­ver­sa­tion most­ly oper­ates out­side the text itself and veers in many dif­fer­ent, though often intrigu­ing, direc­tions. At one moment, Francine Prose tells us that Tol­stoy’s account of the Napoleon­ic wars reminds her of today’s war in Iraq. For Bill Keller, it evokes the wan­ing days of the Sovi­et Union. And, for Liesl Schillinger, it’s her youth in 1970s Amer­i­ca. (You can get a feel for the flow and focus of the dis­cus­sion here.) Ulti­mate­ly, what you think of this new project depends on what you want to get out of the expe­ri­ence. If it’s a more struc­tured read­ing (as we were hop­ing), then you may not be com­plete­ly engaged. But if it’s a more free-flow­ing con­ver­sa­tion that moves in and around great works, then you’ll want to join the con­ver­sa­tion. And, yes, there’s a role there for the every­day read­er too. Take a look at the Read­ing Room and let us know what you think.

Relat­ed Posts:

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Human Species May Split into Two: Life Imitates Art Again?

Here’s a zinger to mull over: The BBC has post­ed an arti­cle about a the­o­ry advanced by Oliv­er Cur­ry, an “evo­lu­tion­ary the­o­rist” work­ing out of The Lon­don School of Eco­nom­ics, who sug­gests that human­i­ty may split into two sub-species about 100,000 years down the road. And what we’d be left with is “a genet­ic upper class” rul­ing over “a dim-wit­ted under­class.” This is a sce­nario, of course, that HG Wells laid out in his 1895 clas­sic, The Time Machine (lis­ten to free audio­book on iTunes here). And, if Cur­ry’s the­o­ry holds water, Welles may offer the most extreme exam­ple of sci­ence fic­tion antic­i­pat­ing the shape of the future. Does Cur­ry’s the­o­ry have any­thing to it? We haven’t the fog­gi­est. But does it make for strange­ly com­pelling yet dis­turb­ing read­ing? It sure does.

See our Sci­ence Pod­cast Col­lec­tion as well as our col­lec­tion of Audio­book Pod­casts.

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Timely Talk About Fire

fireline.jpegIt’s been an unspeak­ably bad week through­out much of fire-rav­aged South­ern Cal­i­for­nia. As of Thurs­day, the toll looked liked this: 500,000 acres burned; 1,800 homes destroyed; 57 peo­ple injured and at least six killed. As all of this tran­spires, a new book has come out that gives you an inside look at fire­fight­ers who make their liv­ing bat­tling nat­ur­al wild­fires. On the Fire­line: Liv­ing and Dying with Wild­land Fire­fight­ers is writ­ten by Matthew Desmond, who spent four years tack­ling these blazes. And, in this lengthy free excerpt you get graph­i­cal­ly exposed to the risks and loss­es that they expe­ri­ence pro­fes­sion­al­ly and per­son­al­ly. It cer­tain­ly makes you feel for the fire­fight­ers on the front­lines this week, and we wish them and our fel­low Cal­i­for­ni­ans the best.

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Essential Books for the Critic’s Library

The Nation­al Book Crit­ics Cir­cle has a blog and they’ve asked some of the coun­try’s best lit­er­ary crit­ics to list the “five books a crit­ic believes review­ers should have in their libraries.” The series pro­vides a new list every week, and so far the choic­es are inter­est­ing not just for the books picked (and some of the over­laps in picks), but also for the expla­na­tions that the crit­ics offer for their choic­es. Here’s John Updike on Eric Auer­bach’s Mime­sis:

a stun­ning­ly large-mind­ed sur­vey from Homer and the Old Tes­ta­ment up to Woolf and Joyce. Quot­ing a lengthy para­graph or two from each clas­sic, Auer­bach gives us an essen­tial his­to­ry of, as his sub­ti­tle has it, “the Rep­re­sen­ta­tion of Real­i­ty in West­ern Lit­er­a­ture.”

Debating Religion The Dawkins Way

When debat­ing reli­gion, you can take the low road (e.g., Ann Coul­ter’s recent flir­ta­tion with anti-semi­tism) or the high road. Here’s Richard Dawkins, an avowed athe­ist and evo­lu­tion­ary biol­o­gist at Oxford, hav­ing a high-mind­ed con­ver­sa­tion about the exis­tence (or non-exis­tence) of God with Alis­ter McGrath, who is Pro­fes­sor of His­tor­i­cal The­ol­o­gy at Oxford Uni­ver­si­ty and also has a back­ground in mol­e­c­u­lar bio­physics. We’ve post­ed the video­taped debate below. (And, by the way, you can down­load the video to an iPod by access­ing the video here, look­ing to the right where it says “Down­load to Video iPod” and fol­low­ing these instruc­tions).

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More Swapping

After we men­tioned Book Mooch last week, one of our faith­ful read­ers alert­ed us to anoth­er site — PaperBackSwap.com. Paper­Back­Swap is report­ed­ly eas­i­er to use than Book Mooch, and the actu­al process of exchang­ing books runs more smooth­ly. Mean­while, despite the site’s name, you can swap both paper­back and hard­back books there. In case you missed our last piece, the idea of these sites is sim­ple. You can trade your old books for ones you haven’t read. The only cost is the postage for ship­ping. Not a bad deal. Thanks Mag­gie for the tip.

Got oth­er tips? Write us any time.

Science for The Rest of Us: Podcasts At a Glance

Today, Eliz­a­beth Green Mus­sel­man has penned a guest blog post that you’re bound to enjoy. Eliz­a­beth is a pro­fes­sor and his­to­ri­an who works on the his­to­ry of sci­ence, and she has recent­ly launched a thought­ful pod­cast on the his­to­ry of sci­ence, med­i­cine, and tech­nol­o­gy. It’s called “The Miss­ing Link” (iTunes — Feed — Web Site). Below, she high­lights for us a range of pod­casts that will appeal to every­day sci­ence enthu­si­asts. (If you’re inter­est­ed in doing some guest blog­ging, drop us a line.) Thanks Eliz­a­beth and take it away:

These can seem like dark days for those peo­ple who love sci­ence but who nei­ther spe­cial­ize in the field nor can quite stom­ach the gee-whiz fac­tor that plagues so much pop­u­lar sci­ence writ­ing and broad­cast­ing. Now that Stephen Jay Gould is cavort­ing some­where in the Beyond with Charles Dar­win, and ever since the New York Acad­e­my of Sci­ences put the ax to its inspired mag­a­zine The Sci­ences, where is a lev­el­head­ed lover of the sci­ences to turn?

The pod­cast world has begun to devel­op a niche mar­ket for just such lis­ten­ers, that is, lis­ten­ers who like their sci­ence rel­a­tive­ly non-tech­ni­cal but still high-mind­ed – lis­ten­ers who think of sci­ence as a part of human cul­ture, rather than an arcane tem­ple. Not sur­pris­ing­ly, some of the best con­tent comes from radio pro­grams that have been re-released as pod­casts. These include WNYC’s Radi­o­Lab, an hour-long show whose seri­ous inves­ti­ga­tions on a theme (such as sleep or mor­tal­i­ty) take on an intrigu­ing­ly fun­house qual­i­ty through the program’s inven­tive use of sound and the humor­ous inter­ac­tion between co-hosts Jad Abum­rad and Robert Krul­wich. NPR has also released Krulwich’s solo reports in pod­cast form as Hmmm… Krul­wich on Sci­ence.

Anoth­er long­stand­ing NPR favorite, The Engines of Our Inge­nu­ity, began broad­cast­ing brief, thought­ful reflec­tions on tech­nol­o­gy and cul­ture in 1988. Writ­ten and host­ed by John Lien­hard, a retired pro­fes­sor of mechan­i­cal engi­neer­ing and his­to­ry at the Uni­ver­si­ty of Hous­ton, the show now airs five days a week on 30 NPR affil­i­ates in the U.S. The brief pro­grams are also avail­able in pod­cast form.

On the oth­er side of the pond, the BBC 4’s long-run­ning, pop­u­lar show, In Our Time, fre­quent­ly con­sid­ers sci­en­tif­ic top­ics and can also be heard in pod­cast form. Most recent­ly, the pro­gram explored anti­mat­ter. On each hour-long pro­gram the host, Melvyn Bragg, keeps a pan­el of three schol­ars mov­ing at a pace that skirts neat­ly between brisk and con­tem­pla­tive.

Final­ly, sev­er­al pod­casts pro­duced by indi­vid­u­als have begun to appear, each of which con­sid­ers sci­ence in con­text. Explor­ing Envi­ron­men­tal His­to­ry fea­tures Jan Oosthoek’s smart inter­views with his fel­low envi­ron­men­tal his­to­ri­ans and sci­en­tists, often focus­ing on how his­tor­i­cal study can point us toward stronger envi­ron­men­tal pol­i­cy solu­tions. The most recent episode con­sid­ers Arc­tic cli­mate con­di­tions both today and in the Lit­tle Ice Age. My own month­ly pod­cast, The Miss­ing Link, con­sid­ers those fas­ci­nat­ing moments in the his­to­ry of sci­ence, med­i­cine, and tech­nol­o­gy, when our intel­lec­tu­al and tech­ni­cal prowess rubs up against our very human dreams and fail­ings. The most recent episode vis­its Berlin, Ger­many, where the grue­some­ness of a pathol­o­gy museum’s col­lec­tion masks a cen­turies-long his­to­ry of both inequitable med­ical care and bril­liant micro­bi­o­log­i­cal research. The pro­gram also dis­cuss­es the Berlin Phono­gram Archive, one of the first attempts to record the world’s music for pos­ter­i­ty, designed orig­i­nal­ly to demon­strate the evo­lu­tion­ary scale of prim­i­tive to civ­i­lized human­i­ty.

500 Years of Art in Morphing Action (Excellent Video)

This video takes you on a fair­ly amaz­ing tour of the great por­traits of women in West­ern art. It moves from da Vin­ci to Picas­so, and, along the way, the por­traits seam­less­ly morph one into anoth­er. This mor­ph­ing allows you to see how artis­tic styles changed over time, and also how the human face has been artis­ti­cal­ly treat­ed dur­ing dif­fer­ent peri­ods. Watch the video below, which is accom­pa­nied by Bach’s Suite No. 1 per­formed by Yo-Yo Ma. For infor­ma­tion on the paint­ings cov­ered in the clip, click here. And also see the relat­ed video, Women in Film.

PS Thanks to Boing­Bo­ing for high­light­ing our inter­view today with Satoshi Kanaza­wa.

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Information R/evolution: The New Video

Ear­li­er this year, Michael Wesch, an assis­tant pro­fes­sor of cul­tur­al anthro­pol­o­gy at Kansas State, released a smart video that imme­di­ate­ly went viral on the inter­net. It was called Web 2.0… the Machine is Us/ing Us and it clev­er­ly explained the often vague con­cept of Web 2.0 and why it mat­ters. Now Wesch has launched anoth­er video under the title Infor­ma­tion R/evolution (see below). Influ­enced by the recent book, Every­thing Is Mis­cel­la­neous: The Pow­er of the New Dig­i­tal Dis­or­der, Wesch’s new clip offers a cre­ative look at how the dig­i­tal age fun­da­men­tal­ly changes our rela­tion­ship to infor­ma­tion and how infor­ma­tion gets orga­nized. Have a look.

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