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Now Streaming Free: The Best of The Grateful Dead’s “Fare Thee Well” Concerts in Chicago

fare thee well

A quick note: Thanks to NPR’s First Lis­ten site, you can now stream for free (but only for a lim­it­ed time) The Best Of Fare Thee Well: Cel­e­brat­ing 50 Years Of The Grate­ful Dead. This new dou­ble record, fea­tur­ing 16 tracks record­ed dur­ing the Dead­’s farewell shows in Chica­go this sum­mer, will be offi­cial­ly released on Novem­ber 20th. But you can get a sneak peek right here, right now by click­ing the play but­ton on the audio play­er below.

Tracks includes “Box Of Rain,” “Shake­down Street,” “Truckin’,” “Scar­let Bego­nias,” “Fire On The Moun­tain,” “Not Fade Away,” “Touch of Grey” and oth­er fan favorites.

As with all Dead shows, you can also find raw record­ings of the entire three Chica­go con­certs on the web. Just revis­it our July 7th post to stream those too.

Fol­low Open Cul­ture on Face­book and Twit­ter and share intel­li­gent media with your friends. Or bet­ter yet, sign up for our dai­ly email and get a dai­ly dose of Open Cul­ture in your inbox. And if you want to make sure that our posts def­i­nite­ly appear in your Face­book news­feed, just fol­low these sim­ple steps.

Relat­ed Con­tent:

The Grate­ful Dead’s Final Farewell Con­certs Now Stream­ing Online

Bob Dylan & The Grate­ful Dead Rehearse Togeth­er in Sum­mer 1987: Hear 74 Tracks

Every Grate­ful Dead Song Anno­tat­ed in Hyper­text: Web Project Reveals the Deep Lit­er­ary Foun­da­tions of the Dead’s Lyrics      

The Grate­ful Dead’s “Rip­ple” Played by Musi­cians Around the World

10,173 Free Grate­ful Dead Con­cert Record­ings in the Inter­net Archive

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The Power of Pessimism: Science Reveals the Hidden Virtues in Negative Thinking

These days, you don’t real­ly hear many peo­ple mak­ing the case for pes­simism. Quite the con­trary, pos­i­tive psy­chol­o­gy is now en vogue. And its founder, Uni­ver­si­ty of Penn­syl­va­nia psy­chol­o­gy pro­fes­sor Mar­tin Selig­man, has writ­ten best­sellers with titles like Learned Opti­mism: How to Change Your Mind and Your Life. But maybe, as Alain de Bot­ton sug­gests above, there’s an argu­ment to be made for pes­simism â€“ for hav­ing a sober, if not neg­a­tive, out­look on life. And maybe there’s sci­ence that val­i­dates that point of view.

This sec­ond video, cre­at­ed by New York Mag­a­zine, sum­ma­rizes the research of NYU pro­fes­sor Gabriele Oet­tin­gen, attribut­ing to her the belief that â€śpes­simism can be a bet­ter moti­va­tor for achiev­ing goals than opti­mism,” see­ing that opti­mism tends to lull us into com­pla­cen­cy and slack­en our desire to achieve impor­tant per­son­al goals, like los­ing weight.

Cou­ple that with this: a 2013 study released in Psy­chol­o­gy and Aging, a jour­nal pub­lished by the Amer­i­can Psy­cho­log­i­cal Asso­ci­a­tion (APA), con­clud­ed that “Old­er peo­ple who have low expec­ta­tions for a sat­is­fy­ing future may be more like­ly to live longer, health­i­er lives than those who see brighter days ahead.” The lead author of the study Frieder R. Lang, PhD, added: “Our find­ings revealed that being over­ly opti­mistic in pre­dict­ing a bet­ter future was asso­ci­at­ed with a greater risk of dis­abil­i­ty and death with­in the fol­low­ing decade.” “Pes­simism about the future,” it seems, “may encour­age peo­ple to live more care­ful­ly, tak­ing health and safe­ty pre­cau­tions” that sun­ny opti­mists might not oth­er­wise take.

I should add this caveat: sci­en­tists don’t nec­es­sar­i­ly find virtue in pure, unadul­ter­at­ed pes­simism. Rather, they find ben­e­fits in what they call â€śdefen­sive pes­simism.” This is a strat­e­gy, as sum­ma­rized by The Wall Street Jour­nal, where peo­ple â€ślow­er their expec­ta­tions and think through all the pos­si­ble neg­a­tives that could hap­pen in order to avoid them.” Frieder R. Lang, author of the Psy­chol­o­gy & Aging study men­tioned above, told WSJ, â€śThose who are defen­sive­ly pes­simistic about their future may be more like­ly to invest in prepara­to­ry or pre­cau­tion­ary mea­sures, where­as we expect that opti­mists will not be think­ing about those things.” Sim­i­lar virtues might be attrib­uted to “defen­sive opti­mism,” but we’ll have to wait and see what the inevitable sci­en­tif­ic stud­ies have to say about that.

Fol­low Open Cul­ture on Face­book and Twit­ter and share intel­li­gent media with your friends. Or bet­ter yet, sign up for our dai­ly email and get a dai­ly dose of Open Cul­ture in your inbox. And if you want to make sure that our posts def­i­nite­ly appear in your Face­book news­feed, just fol­low these sim­ple steps.

Relat­ed Con­tent:

Free Online Psy­chol­o­gy & Neu­ro­science Cours­es

The Psy­chol­o­gy of Messi­ness & Cre­ativ­i­ty: Research Shows How a Messy Desk and Cre­ative Work Go Hand in Hand

John Cleese Explores the Health Ben­e­fits of Laugh­ter

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Poignant and Unsettling Post-Mortem Family Portraits from the 19th Century

victoriaanse-post-mortem-fotografie-op-de-foto-met-1

The 19th cen­tu­ry wit­nessed the birth of pho­tog­ra­phy. And, before too long, Vic­to­ri­an soci­ety found impor­tant appli­ca­tions for the new medi­um — like memo­ri­al­iz­ing the dead. A recent post on a Dutch ver­sion of Nation­al Geo­graph­ic notes that “Pho­tograph­ing deceased fam­i­ly mem­bers just before their bur­ial was enor­mous­ly pop­u­lar in cer­tain Vic­to­ri­an cir­cles in Europe and the Unit­ed States. Although adults were also pho­tographed, it was main­ly chil­dren who were com­mem­o­rat­ed in this way. In a peri­od plagued by unprece­dent­ed lev­els of infant mor­tal­i­ty, post-mortem pic­tures often pro­vid­ed the only tan­gi­ble mem­o­ry of the deceased child.”

victoriaanse-post-mortem-fotografie-op-de-foto-met

Though unusu­al by mod­ern stan­dards, the pic­tures played an impor­tant role in a fam­i­ly’s griev­ing process and often became one of its cher­ished pos­ses­sions — cher­ished because it was like­ly the only pho­to of the deceased child that fam­i­lies had. Dur­ing the ear­ly days of pho­tog­ra­phy, por­traits were expen­sive, which meant that most fam­i­lies did­n’t take pic­tures dur­ing the course of every­day life. It was only death that gave them a prompt.

post mortem pic 3

The prac­tice of tak­ing post mortem pic­tures peaked in the 19th cen­tu­ry, right around the time when “snap­shot” pho­tog­ra­phy became more preva­lent, allow­ing fam­i­lies to take por­traits at a low­er cost, when every­one was in the full swing of life. Hence obvi­at­ing the need for post-mortem pho­tos. You can learn more about this bygone prac­tice by vis­it­ing the Burns Archive or get­ting the book, Sleep­ing Beau­ty: Memo­r­i­al Pho­tog­ra­phy in Amer­i­ca.

via Dutch Nat Geo/ Sci­ence Dump

Fol­low Open Cul­ture on Face­book and Twit­ter and share intel­li­gent media with your friends. Or bet­ter yet, sign up for our dai­ly email and get a dai­ly dose of Open Cul­ture in your inbox. And if you want to make sure that our posts def­i­nite­ly appear in your Face­book news­feed, just fol­low these sim­ple steps.

 

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Read the Entire Comic Book Adaptation of T.S. Eliot’s “The Love Song of J. Alfred Prufrock”

prufrock23

Two years ago, we high­light­ed for you the begin­ning of a promis­ing project — Julian Peters’ com­ic book adap­ta­tion of T.S. Eliot’s 1910 poem â€śThe Love Song of J. Alfred Prufrock.” At the time of our post, Peters had only com­plet­ed the first nine pages of his adap­ta­tion. And, about those first pages, our Josh Jones had this to say:

Dante is where “Prufrock” begins, with an epi­graph from the Infer­no. Peters’ first page illus­trates the ago­nized speak­er of Dante’s lines, Gui­do da Mon­te­fel­tro, a soul con­fined to the eighth cir­cle, whom you can see at the top of the title page shown above. Peters’ visu­al choic­es place us firm­ly in the hell­ish emo­tion­al realm of “Prufrock,” a seem­ing cat­a­logue of the mun­dane that har­bors a dark­er import. Peters gives us no hint of when we might expect new pages, but I for one am eager to see more.

Hap­pi­ly for Josh … and the rest of us … we can now find out where Peters took the rest of the project. The adap­ta­tion is now com­plete. 24 pages in total. All now on dis­play on Peters’ web­site here.

If you’re not famil­iar with â€śThe Love Song of J. Alfred Prufrock,” I’d strong­ly encour­age you to revis­it a post in our archive where you can hear “Prufrock” being read by T.S. Eliot him­self and also Sir Antho­ny Hop­kins. There you can learn more about Eliot’s mod­ernist mas­ter­piece.

Note: Julian is look­ing for a pub­lish­er to help put his com­ic book in print. If any pub­lish­ers want to chat with him, you can find his con­tact info on his web site.

Fol­low Open Cul­ture on Face­book and Twit­ter and share intel­li­gent media with your friends. Or bet­ter yet, sign up for our dai­ly email and get a dai­ly dose of Open Cul­ture in your inbox. And if you want to make sure that our posts def­i­nite­ly appear in your Face­book news­feed, just fol­low these sim­ple steps.

Relat­ed Con­tent:

T.S. Eliot’s Rad­i­cal Poem “The Love Song of J. Alfred Prufrock,” Read by Antho­ny Hop­kins and Eliot Him­self

Lis­ten to T.S. Eliot Recite His Late Mas­ter­piece, the Four Quar­tets

T.S. Eliot Reads Old Possum’s Book of Prac­ti­cal Cats & Oth­er Clas­sic Poems (75 Min­utes, 1955)

Bob Dylan Reads From T.S. Eliot’s Great Mod­ernist Poem The Waste Land

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iTunes Terms & Conditions Adapted into a Graphic Novel: Read It Free Online

apple-terms-and-conditions-comic

In the past, we’ve brought you the cre­ative work of R. Siko­ryak. An illus­tra­tor who teach­es at the Par­sons School of Design in NYC, Siko­ryak has a pen­chant for cre­at­ing com­ic book adap­ta­tions of lit­er­ary clas­sics. Take for exam­ple Dos­toyevsky Comics where Bat­man stars in a com­ic book ver­sion of Crime & Pun­ish­ment. Or Wait­ing to Go, which mar­ries Wait­ing for Godot with Beav­is and Butt-Head. 

In his lat­est project, Siko­ryak veers sharply away from lit­er­a­ture toward lan­guage that is much more tech­ni­cal. Now, on his tum­blr, you can find iTunes Terms & Con­di­tions: The Graph­ic Nov­el.

Adding a new page every day, Siko­ryak is cre­at­ing an illus­trat­ed ver­sion of the “com­plete, unabridged legal agree­ment.” You can cur­rent­ly view the first 49 pages. Click here. Go to the bot­tom of the page. Then start scrolling up as you read.

Fol­low Open Cul­ture on Face­book and Twit­ter and share intel­li­gent media with your friends. Or bet­ter yet, sign up for our dai­ly email and get a dai­ly dose of Open Cul­ture in your inbox. And if you want to make sure that our posts def­i­nite­ly appear in your Face­book news­feed, just fol­low these sim­ple steps.

Relat­ed Con­tent:

Bat­man Stars in an Unusu­al Car­toon Adap­ta­tion of Dostoyevsky’s Crime and Pun­ish­ment

Down­load 15,000+ Free Gold­en Age Comics from the Dig­i­tal Com­ic Muse­um

Comics Inspired by Wait­ing For Godot, Fea­tur­ing Tintin, Roz Chast, and Beav­is & Butthead

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Listen to Ira Glass’ 10 Favorite Episodes of This American Life

American Life Titles

Even when one is a long­time, jad­ed denizen of a major city, celebri­ty sight­ings can still induce a thrill. Dur­ing my tenure in New York City, I ran across my share of famous names, though I’ve nev­er been one to both­er a stranger, world famous or no. This almost changed when I ran past Ira Glass one evening and found myself sore­ly tempt­ed to chat him up. I’m sure he’d be glad I resist­ed the urge, but hav­ing heard his voice on the radio every week for well over a decade… well, I felt like I knew him.

Since 1995, Glass has host­ed This Amer­i­can Life, per­haps the most pop­u­lar pub­lic radio show ever pro­duced and—before its huge­ly suc­cess­ful spin-off Ser­i­al—the most pop­u­lar pod­cast in the U.S. The show is quick­ly approach­ing its twen­ty-year anniver­sary (its first episode aired Novem­ber 17th; hear it here), and in hon­or of that mile­stone, we revis­it anoth­er: the show’s 500th episode, which aired in 2013. For that occa­sion, Buz­zfeed vis­it­ed with Glass for a reveal­ing inter­view.

Though he respond­ed to episode 500 with typ­i­cal understatement—saying it felt “more like an odome­ter rolling over than any­thing else”—many fans of the show, myself includ­ed, felt a great deal more enthu­si­asm, as did Los Ange­les’ KPCC, who brings us the list below of Glass’ top ten episodes (includ­ing one two-parter). Glass not­ed that his top picks also hap­pen to be fan favorites as well. You can hear all of his favorites at the links below:

  • Notes on Camp
  • Harp­er High School One and Two
  • The Giant Pool of Mon­ey
  • Some­where in the Ara­bi­an Sea â€” â€śI love how fun­ny and human-sized every­one is in this show. It’s a sur­pris­ing­ly fun­ny show about the war on ter­ror,” Glass writes.
  • Switched at Birth â€” Glass: “The struc­ture of this show — where the whole episode you won­der how a mom could know for decades she was rais­ing the wrong baby and final­ly, she answers it in the end — is per­fect.”
  • Break-Up â€” â€śThe stand­out sto­ry is Star­lee Kine’s essay on breakup songs, which includes an inter­view with Phil Collins that’s so men­schy and real, it changed how I saw him for­ev­er.”
  • Babysit­ting â€” â€śEspe­cial­ly the inter­view with Myron Jones, which is the best inter­view I’ve ever done, main­ly because he had so much grace and humor talk­ing about his past. Any ques­tion I could think of, he’d come back with an amaz­ing sto­ry, which is rare.”
  • My Big Break â€” â€śDavid Segal takes a turn in the mid­dle of this sto­ry that’s one of my favorite reveals in any radio sto­ry ever.”
  • Harold Wash­ing­ton â€” â€śHow can you go wrong when the cen­tral fig­ure in your sto­ry is fun­ny and can­tan­ker­ous and big­heart­ed and ide­al­is­tic and utter­ly prag­mat­ic and on top of all that, total­ly charis­mat­ic? If you don’t know who Harold is, be pre­pared for a treat.”
  • Heretics â€” â€śCarl­ton Pear­son, like Harold, is some­one they should make a movie about, for lots of the same rea­sons. An ide­al­is­tic preach­er whose ide­al­ism costs him pret­ty much every­thing: the church he runs, his rep­u­ta­tion, his for­tune, near­ly his fam­i­ly.”

As a spe­cial treat, Glass also shared with Buz­zfeed the doc­u­ment at the top of the post, a page of ideas for alter­nate titles for the show orig­i­nal­ly called Your Radio Play­house. Before renam­ing the show in March of 1996, Glass and his crew con­sid­ered such titles as the unin­spir­ing “Amer­i­can What­ev­er,” weird “Mouth Noise,” and goofy “Ira Glass and his Radio Cow­boys.”

I kind of wish they’d gone with the lat­ter, but it’s hard to imag­ine the show we know as This Amer­i­can Life could ever have been called any­thing else. (See it pen­ciled in almost as an after­thought above.) The show’s title per­fect­ly sums up the breadth and scope of a pro­gram that tack­les every­thing from the triv­ial to the high­ly con­se­quen­tial, often back-to-back in the same themed hour. Though Glass would sure­ly balk at such high praise, I think his show has done more to help Amer­i­cans know and under­stand our­selves over the last twen­ty years than near­ly any­thing else on radio, TV, or the pod­cast­ing world.

via KPCC

Relat­ed Con­tent:

Ira Glass’ Advice on Achiev­ing Cre­ative Excel­lence Pre­sent­ed in Two Art­ful, Typo­graph­ic Videos

Ira Glass on the Art and Craft of Telling Great Radio Sto­ries

This Amer­i­can Life Demys­ti­fies the Amer­i­can Health­care Sys­tem

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

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Musician Plays Signature Drum Parts of 71 Beatles Songs in 5 Minutes: A Whirlwind Tribute to Ringo Starr

Kye Smith, a drum­mer based in New­cas­tle, Aus­tralia, recent­ly hauled his drum kit to a near­by rooftop (an homage to The Bea­t­les’ 1969 rooftop gig?) and start­ed bang­ing out a pret­ty won­der­ful trib­ute to Ringo Starr, play­ing drum parts from 71 Bea­t­les songs in 5 quick min­utes. Smith moves chrono­log­i­cal­ly, play­ing the songs in the order they were released (not record­ed). We start in 1962, move through 1969, and even momen­tar­i­ly vis­it 1995. On his Face­book page, Smith had this to say:

Way before I found out about punk rock or even knew what a snare drum was I spent my child­hood play­ing vinyl records at my grand­par­ents place spin­ning artists such as Slim Dusty, ELVIS PRESLEY and The Bea­t­les.

This chronol­o­gy called for some spe­cial treat­ment and got me out of the stu­dio and onto the rooftop of The Great North­ern Hotel — New­cas­tle, Aus­tralia for a pret­ty stun­ning view of New­cas­tle, New South Wales in the back­ground.

Thanks to every­one at The Great North­ern for let­ting me make some noise up there and to Elu­mi­nate for help­ing me shoot it and lug heaps of gear up 7 storeys of stairs!

Below the jump, you can find the list of songs that appear in the video, com­plete with cor­re­spond­ing time stamps. And keep in mind that Smith, as he men­tions on Youtube, is “avail­able for stu­dio and live work and will be open­ing up some slots for drum lessons short­ly.” Con­tact him here.

PS: If you can name one of the drum parts that was orig­i­nal­ly played by Paul McCart­ney, you get bonus points.

Fol­low Open Cul­ture on Face­book and Twit­ter and share intel­li­gent media with your friends. Or bet­ter yet, sign up for our dai­ly email and get a dai­ly dose of Open Cul­ture in your inbox. And if you want to make sure that our posts def­i­nite­ly appear in your Face­book news­feed, just fol­low these sim­ple steps.

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The Worlds of Hitchcock & Kubrick Collide in a Surreal Mashup, The Red Drum Getaway

If you read Open Cul­ture even casu­al­ly, you know we love Alfred Hitch­cock, Stan­ley Kubrick, and videos that make us see film in a new way. It only makes sense, then, that we’d jump right on Adrien Deza­lay, Emmanuel Delabaere, and Simon Philippe’s The Red Drum Get­away, which mash­es Hitch­cock and Kubrick up into a four-minute shot of dis­tilled cin­e­mat­ic col­li­sion. â€śJim­my was hav­ing a rather beau­ti­ful day,” reads the video’s prepara­to­ry descrip­tion, “until he bumped into Jack and things got weird.”

“Jim­my” refers, of course, to Jim­my Stew­art as seen in the work of Alfred Hitch­cock. “Jack” refers to Jack Nichol­son seen in the work of Stan­ley Kubrick — which, of course, means Jack Nichol­son of The Shin­ing. Strange enough, you might think, that those two would ever encounter each oth­er, but what might hap­pen if the gang of droogs from A Clock­work Orange also turned up? Or if poor mild-man­nered Jim­my found him­self at the aris­to­crat­ic, NSFW fetish par­ty from Eyes Wide Shut?

When an auteur suc­cess­ful­ly taps into our sub­con­scious minds, as Hitch­cock and Kubrick so often did, we describe their work, in a com­pli­men­ta­ry sense, as “dream­like.” But art that feels like a dream can also feed mate­r­i­al to our night­mares, and as The Red Drum Get­away more close­ly inter­twines these two dis­parate cin­e­mat­ic worlds as it goes, it begins to resem­ble the most har­row­ing filmic freak­outs any of us have ever endured. It makes a per­fect set­ting for Jack, who, as we know, has already gone insane due to his own alco­holism and the goad­ing of the spir­its who haunt the Over­look Hotel. And as for Jim­my, sure­ly Ver­ti­go put him through enough of the sur­re­al to pre­pare him for the psy­che­del­ic end of 2001.

Relat­ed Con­tent:

The Two Gen­tle­men of Lebows­ki: What If The Bard Wrote The Big Lebows­ki?

Dark Side of the Rain­bow: Pink Floyd Meets The Wiz­ard of Oz in One of the Ear­li­est Mash-Ups

Watch Steven Soderbergh’s Cre­ative Mashup of Hitch­cock and Gus Van Sant’s Psy­cho Films

Dis­cov­er the Life & Work of Stan­ley Kubrick in a Sweep­ing Three-Hour Video Essay

Alfred Hitchcock’s Sev­en-Minute Edit­ing Mas­ter Class

Sal­vador Dalí Cre­ates a Dream Sequence for Spell­bound, Hitchcock’s Psy­cho­an­a­lyt­ic Thriller

Col­in Mar­shall writes else­where on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­maand the crowd­fund­ed jour­nal­ism project Where Is the City of the Future? Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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Postage Stamps from Bhutan That Double as Playable Vinyl Records

Bhutan_record_stamps

The tiny, Himalayan king­dom of Bhutan has a unique nation­al aspi­ra­tion that sets it apart from its neigh­bors, Chi­na and India. (And cer­tain­ly the Unit­ed States too.) Rather than increas­ing its gross nation­al prod­uct, Bhutan has instead made it a goal to increase the Gross Nation­al Hap­pi­ness of its cit­i­zens. There’s wealth in health, not just mon­ey, the Bhutanese have argued. And since the 197os, the coun­try has tak­en a holis­tic approach to devel­op­ment, try­ing to increase the spir­i­tu­al, phys­i­cal, and envi­ron­men­tal health of its peo­ple. And guess what? The strat­e­gy is pay­ing off. A 2006 glob­al sur­vey con­duct­ed by Busi­ness Week found that Bhutan is the hap­pi­est coun­try in Asia and the eighth-hap­pi­est coun­try in the world.

It’s per­haps only a nation devot­ed to hap­pi­ness that could throw its sup­port behind this — postage stamps that dou­ble as playable vinyl records. Cre­at­ed by an Amer­i­can entre­pre­neur Burt Todd in the ear­ly 70s, at the request of the Bhutanese roy­al fam­i­ly, the “talk­ing stamps” shown above could be stuck on a let­ter and then lat­er played on a turntable. Accord­ing to Tod­d’s 2006 obit­u­ary in The New York Times, one stamp “played the Bhutanese nation­al anthem,” and anoth­er deliv­ered “a very con­cise his­to­ry of Bhutan.” Thanks to WFMU, our favorite inde­pen­dent free form radio sta­tion, you can hear clips of talk­ing stamps above and below. Don’t you feel hap­pi­er already?

via The Reply All Pod­cast

Fol­low Open Cul­ture on Face­book and Twit­ter and share intel­li­gent media with your friends. Or bet­ter yet, sign up for our dai­ly email and get a dai­ly dose of Open Cul­ture in your inbox. And if you want to make sure that our posts def­i­nite­ly appear in your Face­book news­feed, just fol­low these sim­ple steps.

Relat­ed Con­tent:

How to Clean Your Vinyl Records with Wood Glue

Sovi­et Hip­sters Boot­legged West­ern Pop Music on Dis­card­ed X‑Rays: Hear Orig­i­nal Audio Sam­ples

How Vinyl Records Are Made: A Primer from 1956

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Amazing Miniature Sculptures of New York City Landmarks: CBGB, Katz’s Deli, Vesuvio Bakery & More

If you’re near Pasade­na, Cal­i­for­nia, stop by the Flower Pep­per Gallery and see Facade, the new exhi­bi­tion fea­tur­ing the work of visu­al artist Randy Hage. For decades now, Hage has been fas­ci­nat­ed by the beau­ty of aging struc­tures in New York City. This led him, begin­ning in the late 1990s, to start pho­tograph­ing aging store­fronts in the city, “with their hand paint­ed signs, lay­ers of archi­tec­ture, won­der­ful pati­nas and intrigu­ing his­to­ry.” Lat­er, he decid­ed to pre­serve their mem­o­ry in minia­tur­ized, hyper-real­is­tic sculp­tures (like the ones now on dis­play in Pasade­na through Novem­ber 18th). In the video above, see just how per­fect­ly Hage man­ages to recre­ate New York store­fronts in minia­ture. Here’s anoth­er famous-but-now-defunct facade you might rec­og­nize:

To take a clos­er look at his work, vis­it Hage’s Insta­gram page where you will see mini sculp­tures of fad­ing New York insti­tu­tions like Katz’s Deli, CBGB, McSor­ley’s Old Ale House, Vesu­vio Bak­ery, and more.

via Super­Son­ic Art/Boing­Bo­ing

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