
A quick note: Thanks to NPR’s First LisÂten site, you can now stream for free (but only for a limÂitÂed time) The Best Of Fare Thee Well: CelÂeÂbratÂing 50 Years Of The GrateÂful Dead. This new douÂble record, feaÂturÂing 16 tracks recordÂed durÂing the DeadÂ’s farewell shows in ChicaÂgo this sumÂmer, will be offiÂcialÂly released on NovemÂber 20th. But you can get a sneak peek right here, right now by clickÂing the play butÂton on the audio playÂer below.
Tracks includes “Box Of Rain,” “ShakeÂdown Street,” “Truckin’,” “ScarÂlet BegoÂnias,” “Fire On The MounÂtain,” “Not Fade Away,” “Touch of Grey” and othÂer fan favorites.
As with all Dead shows, you can also find raw recordÂings of the entire three ChicaÂgo conÂcerts on the web. Just revisÂit our July 7th post to stream those too.
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RelatÂed ConÂtent:
The GrateÂful Dead’s Final Farewell ConÂcerts Now StreamÂing Online
Bob Dylan & The GrateÂful Dead Rehearse TogethÂer in SumÂmer 1987: Hear 74 Tracks
The GrateÂful Dead’s “RipÂple” Played by MusiÂcians Around the World
10,173 Free GrateÂful Dead ConÂcert RecordÂings in the InterÂnet Archive
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These days, you don’t realÂly hear many peoÂple makÂing the case for pesÂsimism. Quite the conÂtrary, posÂiÂtive psyÂcholÂoÂgy is now en vogue. And its founder, UniÂverÂsiÂty of PennÂsylÂvaÂnia psyÂcholÂoÂgy proÂfesÂsor MarÂtin SeligÂman, has writÂten bestÂsellers with titles like Learned OptiÂmism: How to Change Your Mind and Your Life. But maybe, as Alain de BotÂton sugÂgests above, there’s an arguÂment to be made for pesÂsimism – for havÂing a sober, if not negÂaÂtive, outÂlook on life. And maybe there’s sciÂence that valÂiÂdates that point of view.
This secÂond video, creÂatÂed by New York MagÂaÂzine, sumÂmaÂrizes the research of NYU proÂfesÂsor Gabriele OetÂtinÂgen, attributÂing to her the belief that “pesÂsimism can be a betÂter motiÂvaÂtor for achievÂing goals than optiÂmism,” seeÂing that optiÂmism tends to lull us into comÂplaÂcenÂcy and slackÂen our desire to achieve imporÂtant perÂsonÂal goals, like losÂing weight.
CouÂple that with this: a 2013 study released in PsyÂcholÂoÂgy and Aging, a jourÂnal pubÂlished by the AmerÂiÂcan PsyÂchoÂlogÂiÂcal AssoÂciÂaÂtion (APA), conÂcludÂed that “OldÂer peoÂple who have low expecÂtaÂtions for a satÂisÂfyÂing future may be more likeÂly to live longer, healthÂiÂer lives than those who see brighter days ahead.” The lead author of the study Frieder R. Lang, PhD, added: “Our findÂings revealed that being overÂly optiÂmistic in preÂdictÂing a betÂter future was assoÂciÂatÂed with a greater risk of disÂabilÂiÂty and death withÂin the folÂlowÂing decade.” “PesÂsimism about the future,” it seems, “may encourÂage peoÂple to live more careÂfulÂly, takÂing health and safeÂty preÂcauÂtions” that sunÂny optiÂmists might not othÂerÂwise take.
I should add this caveat: sciÂenÂtists don’t necÂesÂsarÂiÂly find virtue in pure, unadulÂterÂatÂed pesÂsimism. Rather, they find benÂeÂfits in what they call “defenÂsive pesÂsimism.” This is a stratÂeÂgy, as sumÂmaÂrized by The Wall Street JourÂnal, where peoÂple “lowÂer their expecÂtaÂtions and think through all the posÂsiÂble negÂaÂtives that could hapÂpen in order to avoid them.” Frieder R. Lang, author of the PsyÂcholÂoÂgy & Aging study menÂtioned above, told WSJ, “Those who are defenÂsiveÂly pesÂsimistic about their future may be more likeÂly to invest in preparaÂtoÂry or preÂcauÂtionÂary meaÂsures, whereÂas we expect that optiÂmists will not be thinkÂing about those things.” SimÂiÂlar virtues might be attribÂuted to “defenÂsive optiÂmism,” but we’ll have to wait and see what the inevitable sciÂenÂtifÂic studÂies have to say about that.
FolÂlow Open CulÂture on FaceÂbook and TwitÂter and share intelÂliÂgent media with your friends. Or betÂter yet, sign up for our daiÂly email and get a daiÂly dose of Open CulÂture in your inbox. And if you want to make sure that our posts defÂiÂniteÂly appear in your FaceÂbook newsÂfeed, just folÂlow these simÂple steps.
RelatÂed ConÂtent:
Free Online PsyÂcholÂoÂgy & NeuÂroÂscience CoursÂes
John Cleese Explores the Health BenÂeÂfits of LaughÂter
Read More...The 19th cenÂtuÂry witÂnessed the birth of phoÂtogÂraÂphy. And, before too long, VicÂtoÂriÂan sociÂety found imporÂtant appliÂcaÂtions for the new mediÂum — like memoÂriÂalÂizÂing the dead. A recent post on a Dutch verÂsion of NationÂal GeoÂgraphÂic notes that “PhoÂtographÂing deceased famÂiÂly memÂbers just before their burÂial was enorÂmousÂly popÂuÂlar in cerÂtain VicÂtoÂriÂan cirÂcles in Europe and the UnitÂed States. Although adults were also phoÂtographed, it was mainÂly chilÂdren who were comÂmemÂoÂratÂed in this way. In a periÂod plagued by unpreceÂdentÂed levÂels of infant morÂtalÂiÂty, post-mortem picÂtures often proÂvidÂed the only tanÂgiÂble memÂoÂry of the deceased child.”
Though unusuÂal by modÂern stanÂdards, the picÂtures played an imporÂtant role in a famÂiÂly’s grievÂing process and often became one of its cherÂished posÂsesÂsions — cherÂished because it was likeÂly the only phoÂto of the deceased child that famÂiÂlies had. DurÂing the earÂly days of phoÂtogÂraÂphy, porÂtraits were expenÂsive, which meant that most famÂiÂlies didÂn’t take picÂtures durÂing the course of everyÂday life. It was only death that gave them a prompt.
The pracÂtice of takÂing post mortem picÂtures peaked in the 19th cenÂtuÂry, right around the time when “snapÂshot” phoÂtogÂraÂphy became more prevaÂlent, allowÂing famÂiÂlies to take porÂtraits at a lowÂer cost, when everyÂone was in the full swing of life. Hence obviÂatÂing the need for post-mortem phoÂtos. You can learn more about this bygone pracÂtice by visÂitÂing the Burns Archive or getÂting the book, SleepÂing BeauÂty: MemoÂrÂiÂal PhoÂtogÂraÂphy in AmerÂiÂca.
via Dutch Nat Geo/ SciÂence Dump
FolÂlow Open CulÂture on FaceÂbook and TwitÂter and share intelÂliÂgent media with your friends. Or betÂter yet, sign up for our daiÂly email and get a daiÂly dose of Open CulÂture in your inbox. And if you want to make sure that our posts defÂiÂniteÂly appear in your FaceÂbook newsÂfeed, just folÂlow these simÂple steps.
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Two years ago, we highÂlightÂed for you the beginÂning of a promisÂing project — Julian Peters’ comÂic book adapÂtaÂtion of T.S. Eliot’s 1910 poem “The Love Song of J. Alfred Prufrock.” At the time of our post, Peters had only comÂpletÂed the first nine pages of his adapÂtaÂtion. And, about those first pages, our Josh Jones had this to say:
Dante is where “Prufrock” begins, with an epiÂgraph from the InferÂno. Peters’ first page illusÂtrates the agoÂnized speakÂer of Dante’s lines, GuiÂdo da MonÂteÂfelÂtro, a soul conÂfined to the eighth cirÂcle, whom you can see at the top of the title page shown above. Peters’ visuÂal choicÂes place us firmÂly in the hellÂish emoÂtionÂal realm of “Prufrock,” a seemÂing catÂaÂlogue of the munÂdane that harÂbors a darkÂer import. Peters gives us no hint of when we might expect new pages, but I for one am eager to see more.
HapÂpiÂly for Josh … and the rest of us … we can now find out where Peters took the rest of the project. The adapÂtaÂtion is now comÂplete. 24 pages in total. All now on disÂplay on Peters’ webÂsite here.
If you’re not familÂiar with “The Love Song of J. Alfred Prufrock,” I’d strongÂly encourÂage you to revisÂit a post in our archive where you can hear “Prufrock” being read by T.S. Eliot himÂself and also Sir AnthoÂny HopÂkins. There you can learn more about Eliot’s modÂernist masÂterÂpiece.
Note: Julian is lookÂing for a pubÂlishÂer to help put his comÂic book in print. If any pubÂlishÂers want to chat with him, you can find his conÂtact info on his web site.
FolÂlow Open CulÂture on FaceÂbook and TwitÂter and share intelÂliÂgent media with your friends. Or betÂter yet, sign up for our daiÂly email and get a daiÂly dose of Open CulÂture in your inbox. And if you want to make sure that our posts defÂiÂniteÂly appear in your FaceÂbook newsÂfeed, just folÂlow these simÂple steps.
RelatÂed ConÂtent:
T.S. Eliot’s RadÂiÂcal Poem “The Love Song of J. Alfred Prufrock,” Read by AnthoÂny HopÂkins and Eliot HimÂself
LisÂten to T.S. Eliot Recite His Late MasÂterÂpiece, the Four QuarÂtets
Bob Dylan Reads From T.S. Eliot’s Great ModÂernist Poem The Waste Land
Read More...In the past, we’ve brought you the creÂative work of R. SikoÂryak. An illusÂtraÂtor who teachÂes at the ParÂsons School of Design in NYC, SikoÂryak has a penÂchant for creÂatÂing comÂic book adapÂtaÂtions of litÂerÂary clasÂsics. Take for examÂple DosÂtoyevsky Comics where BatÂman stars in a comÂic book verÂsion of Crime & PunÂishÂment. Or WaitÂing to Go, which marÂries WaitÂing for Godot with BeavÂis and Butt-Head.
In his latÂest project, SikoÂryak veers sharply away from litÂerÂaÂture toward lanÂguage that is much more techÂniÂcal. Now, on his tumÂblr, you can find iTunes Terms & ConÂdiÂtions: The GraphÂic NovÂel.
Adding a new page every day, SikoÂryak is creÂatÂing an illusÂtratÂed verÂsion of the “comÂplete, unabridged legal agreeÂment.” You can curÂrentÂly view the first 49 pages. Click here. Go to the botÂtom of the page. Then start scrolling up as you read.
FolÂlow Open CulÂture on FaceÂbook and TwitÂter and share intelÂliÂgent media with your friends. Or betÂter yet, sign up for our daiÂly email and get a daiÂly dose of Open CulÂture in your inbox. And if you want to make sure that our posts defÂiÂniteÂly appear in your FaceÂbook newsÂfeed, just folÂlow these simÂple steps.
RelatÂed ConÂtent:
BatÂman Stars in an UnusuÂal CarÂtoon AdapÂtaÂtion of Dostoyevsky’s Crime and PunÂishÂment
DownÂload 15,000+ Free GoldÂen Age Comics from the DigÂiÂtal ComÂic MuseÂum
Comics Inspired by WaitÂing For Godot, FeaÂturÂing Tintin, Roz Chast, and BeavÂis & Butthead
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Even when one is a longÂtime, jadÂed denizen of a major city, celebriÂty sightÂings can still induce a thrill. DurÂing my tenure in New York City, I ran across my share of famous names, though I’ve nevÂer been one to bothÂer a stranger, world famous or no. This almost changed when I ran past Ira Glass one evening and found myself soreÂly temptÂed to chat him up. I’m sure he’d be glad I resistÂed the urge, but havÂing heard his voice on the radio every week for well over a decade… well, I felt like I knew him.
Since 1995, Glass has hostÂed This AmerÂiÂcan Life, perÂhaps the most popÂuÂlar pubÂlic radio show ever proÂduced and—before its hugeÂly sucÂcessÂful spin-off SerÂiÂal—the most popÂuÂlar podÂcast in the U.S. The show is quickÂly approachÂing its twenÂty-year anniverÂsary (its first episode aired NovemÂber 17th; hear it here), and in honÂor of that mileÂstone, we revisÂit anothÂer: the show’s 500th episode, which aired in 2013. For that occaÂsion, BuzÂzfeed visÂitÂed with Glass for a revealÂing interÂview.
Though he respondÂed to episode 500 with typÂiÂcal understatement—saying it felt “more like an odomeÂter rolling over than anyÂthing else”—many fans of the show, myself includÂed, felt a great deal more enthuÂsiÂasm, as did Los AngeÂles’ KPCC, who brings us the list below of Glass’ top ten episodes (includÂing one two-parter). Glass notÂed that his top picks also hapÂpen to be fan favorites as well. You can hear all of his favorites at the links below:
As a speÂcial treat, Glass also shared with BuzÂzfeed the docÂuÂment at the top of the post, a page of ideas for alterÂnate titles for the show origÂiÂnalÂly called Your Radio PlayÂhouse. Before renamÂing the show in March of 1996, Glass and his crew conÂsidÂered such titles as the uninÂspirÂing “AmerÂiÂcan WhatÂevÂer,” weird “Mouth Noise,” and goofy “Ira Glass and his Radio CowÂboys.”
I kind of wish they’d gone with the latÂter, but it’s hard to imagÂine the show we know as This AmerÂiÂcan Life could ever have been called anyÂthing else. (See it penÂciled in almost as an afterÂthought above.) The show’s title perÂfectÂly sums up the breadth and scope of a proÂgram that tackÂles everyÂthing from the trivÂial to the highÂly conÂseÂquenÂtial, often back-to-back in the same themed hour. Though Glass would sureÂly balk at such high praise, I think his show has done more to help AmerÂiÂcans know and underÂstand ourÂselves over the last twenÂty years than nearÂly anyÂthing else on radio, TV, or the podÂcastÂing world.
RelatÂed ConÂtent:
Ira Glass on the Art and Craft of Telling Great Radio StoÂries
This AmerÂiÂcan Life DemysÂtiÂfies the AmerÂiÂcan HealthÂcare SysÂtem
Josh Jones is a writer and musiÂcian based in Durham, NC. FolÂlow him at @jdmagness
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Kye Smith, a drumÂmer based in NewÂcasÂtle, AusÂtralia, recentÂly hauled his drum kit to a nearÂby rooftop (an homage to The BeaÂtÂles’ 1969 rooftop gig?) and startÂed bangÂing out a pretÂty wonÂderÂful tribÂute to Ringo Starr, playÂing drum parts from 71 BeaÂtÂles songs in 5 quick minÂutes. Smith moves chronoÂlogÂiÂcalÂly, playÂing the songs in the order they were released (not recordÂed). We start in 1962, move through 1969, and even momenÂtarÂiÂly visÂit 1995. On his FaceÂbook page, Smith had this to say:
Way before I found out about punk rock or even knew what a snare drum was I spent my childÂhood playÂing vinyl records at my grandÂparÂents place spinÂning artists such as Slim Dusty, ELVIS PRESLEY and The BeaÂtÂles.
This chronolÂoÂgy called for some speÂcial treatÂment and got me out of the stuÂdio and onto the rooftop of The Great NorthÂern Hotel — NewÂcasÂtle, AusÂtralia for a pretÂty stunÂning view of NewÂcasÂtle, New South Wales in the backÂground.
Thanks to everyÂone at The Great NorthÂern for letÂting me make some noise up there and to EluÂmiÂnate for helpÂing me shoot it and lug heaps of gear up 7 storeys of stairs!
Below the jump, you can find the list of songs that appear in the video, comÂplete with corÂreÂspondÂing time stamps. And keep in mind that Smith, as he menÂtions on Youtube, is “availÂable for stuÂdio and live work and will be openÂing up some slots for drum lessons shortÂly.” ConÂtact him here.
PS: If you can name one of the drum parts that was origÂiÂnalÂly played by Paul McCartÂney, you get bonus points.
FolÂlow Open CulÂture on FaceÂbook and TwitÂter and share intelÂliÂgent media with your friends. Or betÂter yet, sign up for our daiÂly email and get a daiÂly dose of Open CulÂture in your inbox. And if you want to make sure that our posts defÂiÂniteÂly appear in your FaceÂbook newsÂfeed, just folÂlow these simÂple steps.
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If you read Open CulÂture even casuÂalÂly, you know we love Alfred HitchÂcock, StanÂley Kubrick, and videos that make us see film in a new way. It only makes sense, then, that we’d jump right on Adrien DezaÂlay, Emmanuel Delabaere, and Simon Philippe’s The Red Drum GetÂaway, which mashÂes HitchÂcock and Kubrick up into a four-minute shot of disÂtilled cinÂeÂmatÂic colÂliÂsion. “JimÂmy was havÂing a rather beauÂtiÂful day,” reads the video’s preparaÂtoÂry descripÂtion, “until he bumped into Jack and things got weird.”
“JimÂmy” refers, of course, to JimÂmy StewÂart as seen in the work of Alfred HitchÂcock. “Jack” refers to Jack NicholÂson seen in the work of StanÂley Kubrick — which, of course, means Jack NicholÂson of The ShinÂing. Strange enough, you might think, that those two would ever encounter each othÂer, but what might hapÂpen if the gang of droogs from A ClockÂwork Orange also turned up? Or if poor mild-manÂnered JimÂmy found himÂself at the arisÂtoÂcratÂic, NSFW fetish parÂty from Eyes Wide Shut?
When an auteur sucÂcessÂfulÂly taps into our subÂconÂscious minds, as HitchÂcock and Kubrick so often did, we describe their work, in a comÂpliÂmenÂtaÂry sense, as “dreamÂlike.” But art that feels like a dream can also feed mateÂrÂiÂal to our nightÂmares, and as The Red Drum GetÂaway more closeÂly interÂtwines these two disÂparate cinÂeÂmatÂic worlds as it goes, it begins to resemÂble the most harÂrowÂing filmic freakÂouts any of us have ever endured. It makes a perÂfect setÂting for Jack, who, as we know, has already gone insane due to his own alcoÂholism and the goadÂing of the spirÂits who haunt the OverÂlook Hotel. And as for JimÂmy, sureÂly VerÂtiÂgo put him through enough of the surÂreÂal to preÂpare him for the psyÂcheÂdelÂic end of 2001.
RelatÂed ConÂtent:
The Two GenÂtleÂmen of LebowsÂki: What If The Bard Wrote The Big LebowsÂki?
Dark Side of the RainÂbow: Pink Floyd Meets The WizÂard of Oz in One of the EarÂliÂest Mash-Ups
Watch Steven Soderbergh’s CreÂative Mashup of HitchÂcock and Gus Van Sant’s PsyÂcho Films
DisÂcovÂer the Life & Work of StanÂley Kubrick in a SweepÂing Three-Hour Video Essay
Alfred Hitchcock’s SevÂen-Minute EditÂing MasÂter Class
ColÂin MarÂshall writes elseÂwhere on cities, lanÂguage, Asia, and men’s style. He’s at work on a book about Los AngeÂles, A Los AngeÂles Primer, the video series The City in CinÂeÂma, and the crowdÂfundÂed jourÂnalÂism project Where Is the City of the Future? FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.
Read More...The tiny, Himalayan kingÂdom of Bhutan has a unique nationÂal aspiÂraÂtion that sets it apart from its neighÂbors, ChiÂna and India. (And cerÂtainÂly the UnitÂed States too.) Rather than increasÂing its gross nationÂal prodÂuct, Bhutan has instead made it a goal to increase the Gross NationÂal HapÂpiÂness of its citÂiÂzens. There’s wealth in health, not just monÂey, the Bhutanese have argued. And since the 197os, the counÂtry has takÂen a holisÂtic approach to develÂopÂment, tryÂing to increase the spirÂiÂtuÂal, physÂiÂcal, and enviÂronÂmenÂtal health of its peoÂple. And guess what? The stratÂeÂgy is payÂing off. A 2006 globÂal surÂvey conÂductÂed by BusiÂness Week found that Bhutan is the hapÂpiÂest counÂtry in Asia and the eighth-hapÂpiÂest counÂtry in the world.
It’s perÂhaps only a nation devotÂed to hapÂpiÂness that could throw its supÂport behind this — postage stamps that douÂble as playable vinyl records. CreÂatÂed by an AmerÂiÂcan entreÂpreÂneur Burt Todd in the earÂly 70s, at the request of the Bhutanese royÂal famÂiÂly, the “talkÂing stamps” shown above could be stuck on a letÂter and then latÂer played on a turntable. AccordÂing to TodÂd’s 2006 obitÂuÂary in The New York Times, one stamp “played the Bhutanese nationÂal anthem,” and anothÂer delivÂered “a very conÂcise hisÂtoÂry of Bhutan.” Thanks to WFMU, our favorite indeÂpenÂdent free form radio staÂtion, you can hear clips of talkÂing stamps above and below. Don’t you feel hapÂpiÂer already?
FolÂlow Open CulÂture on FaceÂbook and TwitÂter and share intelÂliÂgent media with your friends. Or betÂter yet, sign up for our daiÂly email and get a daiÂly dose of Open CulÂture in your inbox. And if you want to make sure that our posts defÂiÂniteÂly appear in your FaceÂbook newsÂfeed, just folÂlow these simÂple steps.
RelatÂed ConÂtent:
How to Clean Your Vinyl Records with Wood Glue
How Vinyl Records Are Made: A Primer from 1956
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If you’re near PasadeÂna, CalÂiÂforÂnia, stop by the Flower PepÂper Gallery and see Facade, the new exhiÂbiÂtion feaÂturÂing the work of visuÂal artist Randy Hage. For decades now, Hage has been fasÂciÂnatÂed by the beauÂty of aging strucÂtures in New York City. This led him, beginÂning in the late 1990s, to start phoÂtographÂing aging storeÂfronts in the city, “with their hand paintÂed signs, layÂers of archiÂtecÂture, wonÂderÂful patiÂnas and intriguÂing hisÂtoÂry.” LatÂer, he decidÂed to preÂserve their memÂoÂry in miniaÂturÂized, hyper-realÂisÂtic sculpÂtures (like the ones now on disÂplay in PasadeÂna through NovemÂber 18th). In the video above, see just how perÂfectÂly Hage manÂages to recreÂate New York storeÂfronts in miniaÂture. Here’s anothÂer famous-but-now-defunct facade you might recÂogÂnize:
To take a closÂer look at his work, visÂit Hage’s InstaÂgram page where you will see mini sculpÂtures of fadÂing New York instiÂtuÂtions like Katz’s Deli, CBGB, McSorÂley’s Old Ale House, VesuÂvio BakÂery, and more.
via SuperÂSonÂic Art/BoingÂBoÂing
FolÂlow Open CulÂture on FaceÂbook and TwitÂter and share intelÂliÂgent media with your friends. Or betÂter yet, sign up for our daiÂly email and get a daiÂly dose of Open CulÂture in your inbox. And if you want to make sure that our posts defÂiÂniteÂly appear in your FaceÂbook newsÂfeed, just folÂlow these simÂple steps.
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