Who said there’s not an art to remixÂing? The Israeli artist Ophir Kutiel, othÂerÂwise known as KutiÂman, creÂatÂed this video by weavÂing togethÂer scenes and tracks from 22 sepÂaÂrate music videos, all found ranÂdomÂly on YouTube. (Find the full list below the jump.) First he layÂered in the drums, then the bass and the guiÂtar. And it’s hard to argue that the total isn’t greater than the sum of the parts. The video figÂures into KutiÂman’s largÂer remix project called ThruYÂOU, which TIME called one of the 50 best invenÂtions of last year. VisÂit the ThruYÂOU site to watch more remix videos in KutiÂman’s tradeÂmark style.
Thanks Evan for flagÂging this for us…
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It’s a douÂble shot of Neil Young. This week, the CanaÂdiÂan singer-songÂwriter released his latÂest album, Le Noise, along with an accomÂpaÂnyÂing 38 minute black & white film. DirectÂed by Adam VolÂlick, the movie feaÂtures a live perÂforÂmance of the full album recordÂed at the stuÂdios of Daniel Lanois in Los AngeÂles. The film offiÂcialÂly debuts tonight, but you can catch it online right now. And please note: the album itself can be freely streamed online on NPR’s First LisÂten site for a limÂitÂed amount of time.
If you would like to supÂport the misÂsion of Open CulÂture, conÂsidÂer makÂing a donaÂtion to our site. It’s hard to rely 100% on ads, and your conÂtriÂbuÂtions will help us conÂtinÂue proÂvidÂing the best free culÂturÂal and eduÂcaÂtionÂal mateÂriÂals to learnÂers everyÂwhere. You can conÂtribute through PayÂPal, PatreÂon, and VenÂmo (@openculture). Thanks!
Read More...DurÂing the 1930’s and 1940’s, RayÂmond ChanÂdler gave life to the detecÂtive Philip MarÂlowe, perÂhaps the most memÂoÂrable charÂacÂter of the hardÂboiled crime ficÂtion traÂdiÂtion. MarÂlowe took cenÂter stage in ChanÂdler’s influÂenÂtial novÂels, The Big Sleep and The Long GoodÂbye. And, before too long, he startÂed appearÂing in adapÂtaÂtions for radio and cinÂeÂma. Humphrey BogÂaÂrt played MarÂlowe in 1946, and Elliot Gould tackÂled the charÂacÂter in 1973. MeanÂwhile, The AdvenÂtures of Philip MarÂlowe took to the radio airÂwaves in the sumÂmer of 1947.
The iniÂtial episodes didÂn’t quite gel and NBC quickÂly yanked the show. But, a year latÂer, CBS revived the radio proÂducÂtion with new writÂers and actors, and, by 1949, the show had the largest radio audiÂence in the US. Thanks to the InterÂnet Archive, The AdvenÂtures of Philip MarÂlowe can now be accessed online for free. Find them on the IA site, or stream them below. We’ve also embedÂded of YouTube playlist of 72 episodes above. Each episode runs about 25 minÂutes. Find them added to our colÂlecÂtion, 1,000 Free Audio Books: DownÂload Great Books for Free.
If you would like to supÂport the misÂsion of Open CulÂture, conÂsidÂer makÂing a donaÂtion to our site. It’s hard to rely 100% on ads, and your conÂtriÂbuÂtions will help us conÂtinÂue proÂvidÂing the best free culÂturÂal and eduÂcaÂtionÂal mateÂriÂals to learnÂers everyÂwhere. You can conÂtribute through PayÂPal, PatreÂon, and VenÂmo (@openculture). Thanks!
RelatÂed ConÂtent:
Hear Ray Bradbury’s Beloved Sci-Fi StoÂries as ClasÂsic Radio DraÂmas
Hear 90+ Episodes of SusÂpense, the IconÂic GoldÂen Age Radio Show Launched by Alfred HitchÂcock
Read More...The 2010 MacArthur FelÂlows were named today. The latÂest “genius” grants go to 23 recipÂiÂents, includÂing David Simon, the creÂator of The Wire, the long runÂning HBO show that was realÂly (Simon once said) “a politÂiÂcal tract masÂqueradÂing as a cop show.” Above, Simon talks more about the thread runÂning through his work. The Wire, Treme and GenÂerÂaÂtion Kill – they’re all ultiÂmateÂly about the end of the AmerÂiÂcan Empire, and the citÂiÂzens that get left behind. Like the othÂer grant winÂners, Simon will receive $500,000 over the next five years to spend howÂevÂer he sees fit …
Read More...The New YorkÂer iPad app. It’s finalÂly out, and they have actor Jason SchwartzÂman takÂing the wraps off in a witÂty video. Give The New YorkÂer points for creÂativÂiÂty.
Now the big quesÂtion. Will readÂers pay $4.99 to have the pleaÂsure of readÂing each weekÂly issue on the iPad? That’s $234 over a year. Or will you be stickÂing with the print subÂscripÂtion that runs a coolÂer $1.00 per week? You’ll find me in the latÂter camp until they work out a more senÂsiÂble annuÂal pricÂing scheme — someÂthing that, accordÂing to recent reports, may be right around the bend.
Read More...For a brief moment yesÂterÂday, the interÂnet was abuzz. David Bowie? Now doing standup comÂeÂdy? Bowie himÂself seemed to conÂfirm it on TwitÂter. But then the truth came out. It was all a hoax, the work of comeÂdiÂan Ed SchradÂer. LisÂten below:
RelatÂed: Don’t miss litÂtle this video of a 3 year old havÂing a “Want David Bowie” meltÂdown. Watch video here, and stay with it until the 1:30 mark…
Read More...Davis GuggenÂheim, the AcadÂeÂmy Award-winÂning direcÂtor of An InconÂveÂnient Truth, has issued a new clarÂiÂon call for our times: WaitÂing for SuperÂman, a new film that takes a hard look at AmerÂiÂca’s failÂing pubÂlic eduÂcaÂtion sysÂtem, the chilÂdren it’s leavÂing behind, and the reformÂers tryÂing to turn things around. Above, you can watch the offiÂcial trailÂer for the movie being released in select US theÂaters. And, right now, if you pledge to purÂchase a tickÂet, you can also direct a donaÂtion to a classÂroom of your choice.
SomeÂwhere down the line (and ideÂalÂly soonÂer than latÂer), I hope that GuggenÂheim and ParaÂmount PicÂtures will decide to make this film freely availÂable to the pubÂlic. It always struck me that the filmÂmakÂers limÂitÂed the impact of An InconÂveÂnient Truth by keepÂing it behind a pay wall. HopeÂfulÂly, this time, they will recoup their monÂey and give the film the freeÂdom to spread an imporÂtant mesÂsage. There’s genÂerÂalÂly not a moral imperÂaÂtive to make films free. But, in this case, it seems a litÂtle difÂferÂent.
Note for eduÂcaÂtion blogÂgers: The HuffÂinÂgÂton Post will be screenÂing the film nationÂalÂly, and they invite you to attend. Get details here.
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The San FranÂcisÂco Bay Area hardÂly needs any dressÂing up. Its natÂurÂal beauÂty speaks for itself. But this short HD film by Simon ChrisÂten, a proÂfesÂsionÂal aniÂmaÂtor and aspirÂing phoÂtogÂraÂphÂer, cerÂtainÂly gives artisÂtic expresÂsion to the allurÂing landÂscape of this coastal region. Clouds take on the appearÂance of waves, and lights look like lava, as the colÂlecÂtion of time lapsÂes roll by. The film (which you can catch in a strikÂing large forÂmat here) comes to us via @AndrewHazlett. Nick Cave proÂvides the accomÂpaÂnyÂing music — “Mary’s Song” from the soundÂtrack of AssasÂsiÂnaÂtion of Jesse James.
EarÂliÂer this week, we flagged a digÂiÂtal archive of comÂic books from the GoldÂen Age. Now we stumÂble upon this nugget from the same era: A video archive that showÂcasÂes the comÂplete SuperÂman aniÂmatÂed carÂtoon series from the earÂly 40’s, all in TechÂniÂcolÂor. Based on the origÂiÂnal DC Comics charÂacÂter, these 17 episodes appeared on AmerÂiÂcan movie screens (before the showÂing of feaÂture films) between 1941 and 1943. And they were takÂen seriÂousÂly as an art form. The first episode, comÂmonÂly known as “The Mad SciÂenÂtist” (watch above), was nomÂiÂnatÂed for an Oscar in 1942, and, in case you someÂhow missed it, it spells out the whole premise/backstory of the SuperÂman saga. These episodes – all now in the pubÂlic domain – can be viewed on Youtube. Wikipedia proÂvides some othÂer options for watching/downloading these vinÂtage bits of AmerÂiÂcana media.
If you would like to supÂport the misÂsion of Open CulÂture, conÂsidÂer makÂing a donaÂtion to our site. It’s hard to rely 100% on ads, and your conÂtriÂbuÂtions will help us conÂtinÂue proÂvidÂing the best free culÂturÂal and eduÂcaÂtionÂal mateÂriÂals to learnÂers everyÂwhere. You can conÂtribute through PayÂPal, PatreÂon, and VenÂmo (@openculture). Thanks!
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TogethÂer, Oxford UniÂverÂsiÂty and King’s ColÂlege LonÂdon are leadÂing a three year effort to unite in one digÂiÂtal archive the surÂvivÂing manÂuÂscripts of Jane Austen’s ficÂtion. Since 1845, these texts have been disÂpersed among libraries and priÂvate colÂlecÂtions. Now, they’re getÂting back togethÂer, at least virÂtuÂalÂly. When finÂished, the digÂiÂtal colÂlecÂtion will include every manÂuÂscript Austen proÂduced, startÂing durÂing her youth (around 11 years old) and endÂing with her death at age 41. You can start reviewÂing some of the first manÂuÂscripts brought online here, and get more backÂground on the project here. Good find by KotÂtke.
RelatÂed ConÂtent:
Dominic West (aka JimÂmy McNulÂty) Reads Jane Austen
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