Aurora Borealis over Norway in HD

Tor Even Mathisen shot these three min­utes of time­lapse beau­ty with a Canon EOS 5D mark II. Equal­ly beau­ti­ful is this still-frame shot. Many thanks to @Eugenephoto for send­ing this our way…

Bea­t­les Box Sale: Just a heads up. We noticed that Amazon.com has deeply dis­count­ed the remas­tered Bea­t­les Box Sets. The Stereo Box Set now goes for $126.32 for 14 discs, and the Mono Box Set runs $129.99 for 12 discs. Respec­tive­ly, that’s 51% and 57% off list price, and it’s right in time for the hol­i­day sea­son…

Introducing the New Google eBookstore (with Free Classics)

This morn­ing, Google offi­cial­ly opened up the new Google eBook­store, which gives con­sumers access to three mil­lion ebooks, includ­ing many free clas­sics. Tak­ing a page out of Ama­zon’s play­book, Google now lets you pur­chase books at com­pet­i­tive ebook prices and read them across mul­ti­ple plat­forms – mean­ing you can start read­ing a nov­el on your com­put­er’s web brows­er, then seam­less­ly switch to the iPad, Kin­dle, or smart­phone. And the con­tent will stay in sync, all in the cloud. (Get instruc­tions and apps here.) Anoth­er plus: you’re not forced to buy books from just Google. The new book­store is open to inde­pen­dent book­sellers and retail part­ners, which gives these small­er play­ers a chance to play (and per­haps even thrive) in the ebook mar­ket. You can get more infor­ma­tion on the new book­store on the Google Books blog, and don’t miss our Free eBooks col­lec­tion, which comes packed with many clas­sics.

Note: the Google eBook­store is cur­rent­ly lim­it­ed to the US mar­ket.

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Jazz Legend Dave Brubeck Celebrates His 90th Today

Last year, Dave Brubeck­’s jazz stan­dard, Take Five, turned 50 years old. (Watch his 1961 per­for­mance above.) And, today, the artist cel­e­brates his 90th birth­day. Through­out his 80s, Brubeck con­tin­ued to per­form across the US  (we have him play­ing Take Five at the Mon­tre­al Jazz Fes­ti­val just last year) and onward he plans to go — although his tour­ing was recent­ly halt­ed by pace­mak­er surgery. To com­mem­o­rate his birth­day, Turn­er Clas­sic Movies will pre­miere tonight In His Own Sweet Way, a doc­u­men­tary revis­it­ing Brubeck­’s life and music. And NPR’s Fresh Air has re-aired a 1999 inter­view where (in addi­tion to his music) Brubeck talks about his ear­ly days on a Cal­i­for­nia cat­tle ranch, and his first love: rodeo rop­ing. The con­ver­sa­tion runs 34 min­utes. You can lis­ten right here.

200 Countries & 200 Years in 4 Minutes, Presented by Hans Rosling

Hans Rosling, a pro­fes­sor of glob­al health at Swe­den’s Karolin­s­ka Insti­tute, focus­es on ‘dis­pelling com­mon myths about the so-called devel­op­ing world’ (as his TED bio well notes). And he has estab­lished a rep­u­ta­tion for pre­sent­ing data in extreme­ly imag­i­na­tive ways. Just watch the video above, an out­take from the BBC show “The Joy of Stats”). In four min­utes, Rosling visu­al­ly traces the health of 200 coun­tries over 200 years, using 120,000 data points, and we end up with a lit­tle rea­son for opti­mism. Great stuff… Thanks to @Sheerly for flag­ging this.

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3D Rome Was Built in a Day

Com­put­er sci­en­tists at UNC-Chapel Hill and col­leagues at the Swiss uni­ver­si­ty, ETH-Zurich, have cre­at­ed an algo­rithm that search­es through mil­lions of pho­tos on Flickr, then uses them to build a 3D mod­el of land­marks and geo­graph­i­cal loca­tions. Case in point, the video above. Accord­ing to The Dai­ly Tar Heel, “researchers demon­strat­ed the tech­nique by using 3 mil­lion images of Rome to recon­struct the city’s pri­ma­ry land­marks. A sin­gle PC processed the images in less than 24 hours. Land­marks in Berlin were recon­struct­ed in the same man­ner.” Not bad for a day’s work…

via Read­WriteWeb

Who is Julian Assange? Three Profiles of the WikiLeaks Founder

Try­ing to make heads or tails of Wik­iLeaks, which just released 250,000 US diplo­mat­ic cables this week? Then you may want to spend some time with one arti­cle and one video. First, The New York­er pub­lished this sum­mer an exten­sive pro­file of Julian Assange, the dri­ving force behind Wik­iLeaks. A key pas­sage explain­ing Assange’s world view appears below, and you can get the full pro­file right here. Next up, we have Chris Ander­son, the head of TED, in con­ver­sa­tion Assange. The inter­view, run­ning 20 min­utes, tells you essen­tial­ly “Why the World Needs Wik­iLeaks.” And then why not add to the list Forbes’ lengthy inter­view with Assange, pub­lished ear­li­er this week. (Thanks Avi for that.)

He had come to under­stand the defin­ing human strug­gle not as left ver­sus right, or faith ver­sus rea­son, but as indi­vid­ual ver­sus insti­tu­tion. As a stu­dent of Kaf­ka, Koestler, and Solzhen­it­syn, he believed that truth, cre­ativ­i­ty, love, and com­pas­sion are cor­rupt­ed by insti­tu­tion­al hier­ar­chies, and by “patron­age networks”—one of his favorite expressions—that con­tort the human spir­it. He sketched out a man­i­festo of sorts, titled “Con­spir­a­cy as Gov­er­nance,” which sought to apply graph the­o­ry to pol­i­tics. Assange wrote that ille­git­i­mate gov­er­nance was by def­i­n­i­tion conspiratorial—the prod­uct of func­tionar­ies in “col­lab­o­ra­tive secre­cy, work­ing to the detri­ment of a pop­u­la­tion.” He argued that, when a regime’s lines of inter­nal com­mu­ni­ca­tion are dis­rupt­ed, the infor­ma­tion flow among con­spir­a­tors must dwin­dle, and that, as the flow approach­es zero, the con­spir­a­cy dis­solves. Leaks were an instru­ment of infor­ma­tion war­fare.

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The Titanic: Rare Footage of the Ship Before Disaster Strikes (1911–1912)

These days, it’s eas­i­er to come across footage of the Titan­ic below water rather than above. But here you have it. The Titan­ic under con­struc­tion in Belfast in 1911 — a year before it became the stuff of leg­end. Thanks Lau­ren for send­ing this our way. Always appre­ci­ate read­ers join­ing in on the fun…

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Dear Monsieur Picasso: A Free eBook

dear mr picasso

In the sum­mer of 1955, Fred­er­ick Bald­win, a col­lege stu­dent at Colum­bia Uni­ver­si­ty, set out on a pil­grim­age of sorts, hop­ing to meet Pablo Picas­so. Bald­win trav­eled first to Le Havre (pre­sum­ably by boat), then head­ed south, down to Val­lau­ris and Cannes, until he even­tu­al­ly reached Picas­so’s home on the Riv­iera, known as Vil­la la Cal­i­fornie. It took a lit­tle crafti­ness and mox­ie, but the young Amer­i­can gained entrance into Picas­so’s stu­dio. And there he was, the great painter him­self, wear­ing shorts, san­dals and not much else.

More than five decades lat­er, Bald­win has pro­duced an ele­gant e‑book (avail­able for free right here) that uses pho­tographs and text to pre­serve the mem­o­ry of this defin­ing moment. After meet­ing Picas­so, Bald­win became a pro­fes­sion­al pho­tog­ra­ph­er, work­ing for Audubon, LIFE, Nation­al Geo­graph­ic, Smith­son­ian Mag­a­zine, and The New York Times, among oth­er mag­a­zines. And, lat­er, he looked to “repli­cate the Picas­so expe­ri­ence pro­fes­sion­al­ly,” always con­trol­ling his own agen­da, nev­er tak­ing a job where he was­n’t mak­ing his own deci­sions. You can down­load the 22 page e‑book, Dear Mon­sieur Picas­so, right here. Find more great texts in our col­lec­tion of Free eBooks.

Relat­ed Con­tent:

Free: The Guggen­heim Puts 65 Mod­ern Art Books Online

The World in a Satirical Nutshell

Greece and Ire­land are down. Por­tu­gal is tee­ter­ing. And Spain may soon be the biggest domi­no to fall. All of this makes this satir­i­cal clip a lit­tle time­ly – per­haps a bit too painful­ly time­ly. Fea­tured here are two Aus­tralian satirists John Clarke and Bryan Dawe…

Early Experiments in Color Film (1895–1935)

Hol­ly­wood did­n’t start pro­duc­ing col­or fea­ture films until the mid 1930s. (Becky Sharp, the first Tech­ni­col­or film from 1935, appears in our col­lec­tion of Free Movies Online.) But exper­i­ments with col­or film­mak­ing start­ed long before that. Ear­li­er this year, Kodak unearthed a test of Kodachrome col­or film from 1922 (above). But then you can trav­el back to 1912, when a film­mak­er test­ed out a Chronochrome process on the beach­es of Nor­mandy. Or how about mov­ing all the way back to 1895? Here we have footage from Thomas Edis­on’s hand-paint­ed film Anabelle’s Dance, which was made for his Kine­to­scope view­ers. For more on the his­to­ry of col­or film, vis­it here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

How Tech­ni­col­or Rev­o­lu­tion­ized Cin­e­ma with Sur­re­al, Elec­tric Col­ors & Changed How We See Our World

Col­or Film Was Designed to Take Pic­tures of White Peo­ple, Not Peo­ple of Col­or: The Unfor­tu­nate His­to­ry of Racial Bias in Pho­tog­ra­phy (1940–1990)

Tsarist Rus­sia Comes to Life in Vivid Col­or Pho­tographs Tak­en Cir­ca 1905–1915

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H.G. Wells’ 1930s Radio Broadcasts

H.G. Wells (1866–1946) gave us The Time Machine, The Invis­i­ble Man, and The War of the Worlds and prac­ti­cal­ly invent­ed sci­ence fic­tion as we know it. (Find his clas­sic texts in our Free Audio Books and Free eBooks col­lec­tions.) Now, thanks to the BBC, you can trav­el back in time and get a glimpse into Wells’ cre­ative mind. Dur­ing the 1930s and 1940s, Wells made reg­u­lar radio broad­casts for the BBC, where he had the free­dom to range wide­ly, to talk about “world pol­i­tics, the his­to­ry of the print­ing press, the pos­si­bil­i­ties of tech­nol­o­gy and the shape of things to come…” Nine record­ings now appear online. You can start lis­ten­ing here, or dip into an archive of Wells’ per­son­al let­ters.

Final­ly, don’t miss one of my per­son­al favorites. Orson Welles read­ing a dra­ma­tized ver­sion of H.G. Wells’ The War of the Worlds in 1938. It’s per­haps the most famous radio broad­cast in Amer­i­can his­to­ry and it drove Amer­i­ca into a bout of mass hys­te­ria, at least for a night …

H/T to @fionaatzler for flag­ging these BBC audio record­ings.



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