John HughÂes films. The Who. Now you’ve got the backÂdrop for my teenage years. This is for me, and perÂhaps even for you… (SorÂry to those who can’t relate. We’ll be back on track soon enough.)
John HughÂes films. The Who. Now you’ve got the backÂdrop for my teenage years. This is for me, and perÂhaps even for you… (SorÂry to those who can’t relate. We’ll be back on track soon enough.)
Straight from MetafilÂter. Seemed worth passÂing along to our readÂers:
The RijksmuÂseÂum in AmsÂterÂdam invites you to comÂpare CarÂavagÂgio and RemÂbrandt. For an overview of RemÂbrandt’s work here are RemÂbrandt van Rijn: Life and Work and A Web CatÂaÂlogue of RemÂbrandt PaintÂings. For CarÂavagÂgio there’s caravaggio.com which makes use of the ItalÂian webÂsite TutÂta l’opera del CarÂavagÂgio.

Image by ChristoÂpher PeterÂson, via WikiÂmeÂdia ComÂmons
I first heard about Junot DĂaz in the earÂly 90s. He was only in his 20s, already pubÂlishÂing in The New YorkÂer, and getÂting a lot of wunÂderkind talk. By 1996, he pubÂlished, Drown, a bestÂselling colÂlecÂtion of short stoÂries that earned high praise. And then, things slowed down. It took a good eleven years for him to pubÂlish The Brief WonÂdrous Life of Oscar Wao. But the patience paid off. The novÂel won him a Pulitzer in fact. And it’s an excelÂlent read. RealÂly.
HavÂing said this, I want to highÂlight DĂaz readÂing one of his earÂly New YorkÂer stoÂries that also found its way into Drown. It’s called How to Date a Brown Girl (Black Girl, White Girl, or HalÂfie). The free audio clip, which is listÂed in our colÂlecÂtion of Free Audio Books (and proÂduced by The New YorkÂer), has some colÂorÂful lanÂguage, but it’s not graÂtuÂitous.
LookÂing for free, proÂfesÂsionÂalÂly-read audio books from Audible.com? Here’s a great, no-strings-attached deal. If you start a 30 day free triÂal with Audible.com, you can downÂload two free audio books of your choice. Get more details on the offer here.
On the lighter side. Thanks Rachel for sendÂing this along…
Find the link to the origÂiÂnal video here.
Chris AnderÂson, the author of Free: The Future of a RadÂiÂcal Price (downÂload a free audio file of the book here) is makÂing the rounds, proÂmotÂing his new book. Of course, it was only natÂurÂal that AnderÂson (also the author of The Long Tail and ediÂtor-in-chief of Wired) should pay a visÂit to Google, a comÂpaÂny that genÂerÂates bilÂlions of dolÂlars by servÂing free conÂtent and serÂvices. With the talk above, you get an introÂducÂtion to AnderÂsonÂ’s take on “free” and some good Q&A. The preÂsenÂtaÂtion runs about 53 minÂutes in total.
Thomas PynÂchon’s new book, InherÂent Vice, is on sale today. Check it out. Below we have, yes, a video trailÂer for the new book, and it sounds like PynÂchon (who has famousÂly stayed out of the pubÂlic eye) is actuÂalÂly narÂratÂing the thing.
Become of a Fan of Open CulÂture on FaceÂBook here or folÂlow us on TwitÂter
Arthur BenÂjamin is a self-proÂclaimed “mathÂemaÂgiÂcian.” He’s also a proÂfesÂsor of mathÂeÂmatÂics at HarÂvey Mudd ColÂlege. No need to say more. Watch him go. We’re adding this one to our list of YouTube favorites.
via The TeachÂing ComÂpaÂny’s FaceÂbook Page.
A new addiÂtion to our popÂuÂlar and still growÂing colÂlecÂtion: IntelÂliÂgent Video: The Top CulÂturÂal & EduÂcaÂtionÂal Video Sites … (The list now has close to 50 intelÂliÂgent video sites.)
Big Ideas, a proÂgram that comes out of CanaÂda, feaÂtures a “variÂety of thought-proÂvokÂing topÂics which range across polÂiÂtics, culÂture, ecoÂnomÂics, art hisÂtoÂry, sciÂence…. The proÂgram has introÂduced Ontario viewÂers to the impresÂsive brainÂpowÂer of peoÂple like Niall FerÂguÂson on AmerÂiÂcan empire, Daniel LibeÂskind on archiÂtecÂture, George SteinÂer on the demise of litÂerÂaÂcy, Camille Paglia on aesÂthetÂic eduÂcaÂtion, and Noam ChomÂsky on U.S. polÂiÂtics.” You will also find talks here by UmberÂto Eco, MarÂgaret Atwood, Richard FloriÂda, Steven Pinker, Lewis Lapham. See the full list of videos here.
via MetafilÂter
OlivÂer Sacks, the famous neuÂrolÂoÂgist and author of MusiÂcophilÂia, a study that looks at the human brain and music, speaks in Harpers about the landÂscape alterÂing iPod:
As Daniel LevÂitin has pointÂed out, pasÂsive lisÂtenÂing has largeÂly replaced active music-makÂing. Now that we can lisÂten to anyÂthing we like on our iPods, we have less motiÂvaÂtion to go to conÂcerts or churchÂes or synÂaÂgogues, less occaÂsion to sing togethÂer. This is unforÂtuÂnate, because music-makÂing engages much more of our brains than simÂply lisÂtenÂing. PartÂly for this reaÂson, to celÂeÂbrate my 75th birthÂday last year, I startÂed takÂing piano lessons (after a gap of more than sixÂty years). I still have my iPod (it conÂtains the comÂplete works of Bach), but I also need to make music.
via The DaiÂly Dish
What if The GodÂfaÂther had been shot withÂout MarÂlon BranÂdo? (It almost hapÂpened.) Or withÂout Al PaciÂno? (It almost hapÂpened too .) Or withÂout FranÂcis Ford CopÂpoÂla? (Yup, even that almost hapÂpened as well.) Then, what if Robert De Niro had played the role of SonÂny, which evenÂtuÂalÂly went to James Caan? Here’s what it would have looked like (and, by the way, we’ve added this clip to our list of YouTube favorites):
It’s not often that The New YorkÂer does the gadÂget review. But here we have one — NicholÂson BakÂer breakÂing down the KinÂdle. The upshot? He’s not a big fan. Why? Let me give you some of the monÂey quotes. And also note the iPhone/iPod Touch recÂomÂmenÂdaÂtions at the end (where I added some useÂful links):
“The probÂlem was not that the screen was in black-and-white; if it had realÂly been black-and-white, that would have been fine. The probÂlem was that the screen was gray. And it wasn’t just gray; it was a greenÂish, sickÂly gray. A postÂmortem gray. The resizÂable typeÂface, MonoÂtype CaeÂcilÂia, appeared as a darkÂer gray. Dark gray on paler greenÂish gray was the palette of the AmaÂzon KinÂdle [DC note: This is why I returned my KinÂdle].”
“Despite its smoother design, the KinÂdle 2 is, some say, hardÂer to read than the KinÂdle 1. “I immeÂdiÂateÂly noticed that the conÂtrast was worse on the K2 than on my K1,” a reviewÂer named T. Ford wrote. One Kindler, ElizÂaÂbeth Glass, began an online petiÂtion, askÂing AmaÂzon to fix the conÂtrast. “Like readÂing a wet newsÂpaÂper,” accordÂing to petiÂtion-signÂer Louise PotÂter.”
“AmaÂzon, with its listÂmaÂnia lists and its someÂtimes inspired recÂomÂmenÂdaÂtions and its innuÂmerÂable fasÂciÂnatÂing reviews, is very good at sellÂing things. It isn’t so good, to date anyÂway, at makÂing things. But, forÂtuÂnateÂly, if you want to read elecÂtronÂic books there’s anothÂer way to go. Here’s what you do. Buy an iPod Touch (it costs sevÂenÂty dolÂlars less than the KinÂdle 2, even after the Kindle’s price was recentÂly cut), or buy an iPhone, and load the free “KinÂdle for iPod” appliÂcaÂtion onto it.”
“There are othÂer ways to read books on the iPod, too. My favorite is the EucaÂlypÂtus appliÂcaÂtion, by a ScotÂtish softÂware develÂopÂer named James MontÂgomerie: for $9.99, you get more than twenÂty thouÂsand pubÂlic-domain books whose pages turn with a volupÂtuous grace. There’s also the IceÂberg ReadÂer, by ScrollÂMoÂtion, with fixed page numÂbers, and a very popÂuÂlar app called StanÂza. In StanÂza, you can choose the colÂors of the words and of the page, and you can adjust the brightÂness with a verÂtiÂcal thumb swipe as you read… Forty milÂlion iPod TouchÂes and iPhones are in cirÂcuÂlaÂtion, and most peoÂple aren’t readÂing books on them. But some are. The nice thing about this machine is (a) it’s beauÂtiÂful, and (b) it’s not imiÂtatÂing anyÂthing. It’s not tryÂing to be ink on paper. It serves a night-readÂing need, which the lightÂless KinÂdle doesn’t.”