Gay Talese: Drinking at New York Times Put Mad Men to Shame

Mad Men brings us back to a bygone era, the ear­ly 60s, when alco­hol flowed freely through­out the work­ing day. (Watch this mon­tage to get up to speed.) An act of his­tor­i­cal revi­sion­ism, many might think. But, appar­ent­ly not so. Accord­ing to a piece in The New York Times, the show basi­cal­ly gets it right. Alco­hol was as com­mon in offices as office sup­plies. And then we have this: Gay Talese, the best­selling author and jour­nal­ist, remem­ber­ing the Times news­room dur­ing the same era – a crew bare­ly fit to pub­lish the news that’s fit to print.

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Discovery’s Final Launch Viewed from Airplane

A rather dif­fer­ent angle on the Dis­cov­ery’s final launch. The view from 35,000 feet.…

via Boing­Bo­ing

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The Art of Making Movie Sounds

Right in time for the Oscars. Gary Heck­er is what you’d call a “Foley artist,” some­one who spe­cial­izes in cre­at­ing every­day sounds for movies – the sound of hors­es gal­lop­ing, swords being unsheathed, dirt crunch­ing beneath cow­boy boots. In short, the big and small sounds you hear (and take for grant­ed) when­ev­er you see a movie. Tim­ing. Cre­ativ­i­ty. They’re all part of this hid­den art…

A quick PS: This Sound­works video col­lec­tion takes you behind the scenes into the audio post-pro­duc­tion of fea­ture films, video game sound design, and orig­i­nal sound­track scor­ing. Good spot by @sheerly.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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The Facebook Obsession

Are we obsessed with Face­book? It’s hard to argue with the num­bers pre­sent­ed visu­al­ly in this artis­tic lit­tle video by Alex Trimpe. One data point that struck me (if true): 48% of young Amer­i­cans learn about the news, about what’s hap­pen­ing in the world, through Face­book. A big shift in the way infor­ma­tion gets into peo­ple’s hands.

And that’s part of a trend we’re see­ing here too. More and more, Open Cul­ture fans are join­ing our Face­book page, let­ting our dai­ly posts trick­le into their Face­book News Feeds, then shar­ing the intel­li­gent media with friends. You can join our Face­book Page here, or also fol­low us on Twit­ter where we tweet and re-tweet extra cul­tur­al good­ies 24/7.

Thanks Ian for the heads up on the FB video…

Pete Eckert: Blind Photographer, Visual Artist

Pete Eck­ert is blind, total­ly blind. But his dis­abil­i­ty (if you can call it that) has­n’t stopped him from express­ing him­self visu­al­ly. As Pete explains in the video above, he has always been a visu­al per­son. And pho­tog­ra­phy has become more than a cre­ative out­let for Pete. It’s a per­son­al form of artis­tic expres­sion, the way he sees the world through sound.

Eck­ert was named the Grand Prize recip­i­ent of Artists Want­ed: Expo­sure in 2008, an inter­na­tion­al pho­tog­ra­phy com­pe­ti­tion. You can learn more about Pete Eck­ert in this video and on his web page.

Eugene Buchko is a blog­ger and pho­tog­ra­ph­er liv­ing in Atlanta, GA. He main­tains a pho­to­blog, Eru­dite Expres­sions, and writes about what he reads on his read­ing blog.

Bruce Lee’s Lost Interview


Bruce Lee’s act­ing career began on tele­vi­sion in 1966, when he land­ed a part in The Green Hor­net. (Watch his amaz­ing audi­tion here). But it took anoth­er five years before he gave his first (and only) tele­vi­sion inter­view. For 25 min­utes in Decem­ber 1971, the mar­tial arts star sat down with Pierre Berton, a Cana­di­an jour­nal­ist, in Hong Kong. And their con­ver­sa­tion cov­ered a fair amount of ground – Lee’s suc­cess star­ring in Man­darin films .… despite only speak­ing Can­tonese; his dif­fi­cul­ty devel­op­ing a career in a coun­try still hos­tile toward Chi­na; and his work train­ing oth­er Hol­ly­wood stars in the mar­tial arts. Berton prob­a­bly nev­er scored many points for his inter­view­ing style. But Berton is not the point here. It’s all about Lee. via Brain­Pick­ings

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Rauschenberg Erases De Kooning

In 1953, Willem De Koon­ing was one of the world’s most revered liv­ing painters, and Robert Rauschen­berg was a tal­ent­ed ris­ing star, just a year out of art school. In this clip, Rauschen­berg tells of how, armed with noth­ing but chutz­pah and a bot­tle of Jack Daniels, he knocked on De Koon­ing’s door and flat-out asked the mas­ter for an orig­i­nal draw­ing — so he could erase it. De Koon­ing not only acqui­esced, but even chose a draw­ing he par­tic­u­lar­ly liked. Though it was con­tro­ver­sial at the time, Erased De Koon­ing is now con­sid­ered a con­cep­tu­al art clas­sic. And its influ­ence endures: Last year a stu­dent at Brown out-Rauschen­berg’d Rauschen­berg by eras­ing De Koon­ing’s wikipedia entry.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

MoMA Puts Pol­lock, Rothko & de Koon­ing on Your iPad

The MoMA Teach­es You How to Paint Like Pol­lock, Rothko, de Koon­ing & Oth­er Abstract Painters

How the CIA Secret­ly Fund­ed Abstract Expres­sion­ism Dur­ing the Cold War

Kasparov Talks Chess, Technology and a Little Life at Google

Gar­ry Kas­parov, still the high­est-rat­ed play­er in the his­to­ry of chess, pulled through Google late last year and field­ed ques­tions from the Googlers. (Don’t miss Conan O’Brien’s hilar­i­ous riff on that term.) As you might expect, the ques­tions often drift­ed back to Kas­parov’s famous 1996–97 match­es against IBM’s Deep Blue (a pre­cur­sor to Wat­son) and more recent bat­tles between humans and com­put­ers. The 65 minute Q&A includes a lot more good chess talk, but it also gets into the cur­rent state of Russ­ian pol­i­tics (Kas­parov has opposed Vladimir Putin and ran for pres­i­dent in 2008), plus the chess mas­ter’s var­i­ous the­o­ries about lead­er­ship and strate­gic think­ing…

PS Be sure to read Kas­parov’s thoughts on Wat­son writ­ten imme­di­ate­ly after watch­ing the much pub­li­cized Jeop­ardy! pro­grams last week.

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A Free Archive of 85,000 Classical Music Scores

Worth a quick men­tion: The New York Times ran a sto­ry yes­ter­day pro­fil­ing the Inter­na­tion­al Music Score Library Project, a crowd­sourced web site that index­es clas­si­cal music scores (though not with­out rais­ing some copy­right con­cerns along the way). IMSL hosts 85,000 scores with sev­er­al thou­sand new ones com­ing online every month. You can find Bach’s Bran­den­burg Con­cer­tos, Mozart’s Eine kleine Nacht­musik, Beethoven’s Sym­pho­ny No. 5 – in short, the major ones along with the minor ones. And, in some cas­es, the archive includes audio record­ings. Tchaikovsky’s Nut­crack­er offers an exam­ple. You can find a full list of free audio record­ings (arranged by com­pos­er) here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

A Big Bach Down­load — All Bach Organ Works for Free

How a Bach Canon Works. Bril­liant

Stream 58 Hours of Free Clas­si­cal Music Select­ed to Help You Study, Work, or Sim­ply Relax

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TeclĂłpolis: Modernity in Stop Motion

I could­n’t say it much bet­ter than Fes­ti­val­Ge­nius did: This Argen­tine stop motion film (cre­at­ed by Can Can Club) recounts the “strug­gles of an anachro­nis­tic Super 8 cam­era to main­tain rel­e­van­cy in the face of dizzy­ing and over­whelm­ing effects of exces­sive con­sump­tion and waste on an increas­ing­ly plas­tic civ­i­liza­tion.” In 12 min­utes, every­day objects form increas­ing­ly com­plex, almost unimag­in­able land­scapes. A won­der to see. Teclópo­lis was released in 2009.…

via Drag­on Stop Motion

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Free Interactive Comic Book: Poe’s “Pit and the Pendulum”

First came the stop motion film. Now comes the inter­ac­tive dig­i­tal com­ic book that gives you a mod­ern take on Edgar Allan Poe’s clas­sic hor­ror sto­ry, “The Pit and the Pen­du­lum.” (Find Poe’s orig­i­nal text here or lis­ten in audio here.) The dig­i­tal Pit and the Pen­du­lum com­ic book is the brain­child of Marc Lougee and Susan Ma, who have lay­ered infor­ma­tive links, QR codes and social media into their visu­al design, adding a new mea­sure of inter­ac­tiv­i­ty to the tra­di­tion­al com­ic book expe­ri­ence. To get the most out of the expe­ri­ence, you will need to down­load a good PDF read­er and QR code read­er. Find those resources here. And, on a relat­ed note, don’t for­get to watch anoth­er favorite of ours: the 1953 ani­mat­ed film ver­sion of Poe’s “The Tell-Tale Heart,” nar­rat­ed by James Mason. A clas­sic!


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