I’m proud to say my first nov­el, JACK WAKES UP, is avail­able in hun­dreds of book­stores nationwide—Barnes & Nobles, Bor­ders, Inde­pen­dent Book­sellers, and most-like­ly the store clos­est to you. Three Rivers Press (Ran­dom House) has sent out 6,000 copies of the book for peo­ple to buy.

So now what? And how does it feel?

Well, appar­ent­ly, I keep blog­ging, pod­cast­ing, and doing my damn­d­est to get the book to sell. That’s fine with me. I’m com­fort­able in the social media/Web 2.0 space and I can tweet my head off and Face­book-share with the best of them. But is this the nir­vana I’ve pined for, worked hard toward and wait­ed to achieve? In a word: No.

My main point is this: as writ­ers we bet­ter enjoy the climb as we’re going up the moun­tain; the process has to be enjoy­able. For me, this hap­pened when I built an audi­ence by pod­cast­ing my fic­tion as free, seri­al­ized audio­books. Once I devel­oped a rela­tion­ship with fans, I had the feel of being a real writer, a suc­cess, way before my book ever hit a sin­gle store or shelf.

Why was that good? Because the old mod­el toward writ­ing suc­cess (get­ting fans by find­ing read­ers in stores, in print) takes a very, very long time. Even for the luck­i­est of us—and I now count myself among these (see para­graph one)—this takes mul­ti­ple books and at least a few years after your first major-mar­ket pub­li­ca­tion. I know many of us come to writ­ing for what it gives us in our rooms, the lit­tle vac­u­ums in which we work, but in all hon­esty it just feels bet­ter when you know there are peo­ple who actu­al­ly want to read what you’re work­ing on—especially peo­ple who aren’t relat­ed to you or going to cri­tique you. Let’s just accept that. It doesn’t make us bad writ­ers to admit we want read­ers. (more…)