U2’s next album, No Line on the HoriÂzon, will be released interÂnaÂtionÂalÂly in earÂly March. But not terÂriÂbly surÂprisÂingÂly the album is already being cirÂcuÂlatÂed (not legalÂly) on BitÂTorÂrent. And this has motiÂvatÂed the band to give fans free access to a streamed verÂsion on MySpace. To lisÂten, just click here, scroll down to the music playÂer, and togÂgle the “FeaÂture Playlist” to No Line on the HoriÂzon. You should be able to access the album in its entireÂty.
SomeÂwhere back in the 1970s, Bob Dylan and Joan Baez teamed up again to sing Blowin’ in the Wind. Quite the duet, which we’ve added to our YouTube Favorites. As menÂtioned a few weeks back, Dylan recentÂly agreed to lend this clasÂsic song to a TV comÂmerÂcial for an ethÂiÂcal bankÂing and retail group in the UK. You can now see this rare comÂmerÂcialÂizaÂtion of a Dylan song over at the Guardian. Thanks Stephen for flagÂging that.
I didÂn’t think it would be posÂsiÂble, but it hapÂpened. I found my two least favorite intelÂlecÂtuÂals togethÂer on the same stage, and King’s ColÂlege in NYC made it all posÂsiÂble. So, to mark the occaÂsion, I bring you Dinesh D’Souza, the acadÂeÂmy’s dressed up verÂsion of Ann CoulÂter, debatÂing the ever surly ChristoÂpher Hitchens. The topÂic is faith and atheÂism. The debate is heatÂed. And as you watch, you’ll see the charmÂing perÂsonÂalÂiÂties come out. The video conÂtinÂues with Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8, Part 9, and Part 10. 90 minÂutes in total.
HarÂvard hisÂtoÂriÂan Niall FerÂguÂson has writÂten extenÂsiveÂly about the rise and fall of great empires and finanÂcial sysÂtems. WritÂing for ForÂeign PolÂiÂcy, FerÂguÂson now warns that the spiÂralÂing ecoÂnomÂic criÂsis may soon pose seriÂous threats to interÂnaÂtionÂal peace and AmerÂiÂcan secuÂriÂty. As we saw durÂing the late 1930s, ecoÂnomÂic criÂsis often sets the stage for full-blown politÂiÂcal and posÂsiÂbly milÂiÂtary criÂsis, and we’re already seeÂing the risk of upheaval in nine counÂtries, includÂing SomaÂlia, RusÂsia, and MexÂiÂco. FerÂguÂson closÂes by sayÂing: “EcoÂnomÂic volatilÂiÂty, plus ethÂnic disÂinÂteÂgraÂtion, plus an empire in decline: That comÂbiÂnaÂtion is about the most lethal in geopolÂiÂtics. We now have all three. The age of upheaval starts now.”
When we first creÂatÂed our TwitÂter feed, my hopes weren’t espeÂcialÂly high. And while I’m still not comÂpleteÂly sold on the perÂsonÂal uses of TwitÂter, I’m defÂiÂniteÂly likÂing the way that it works for a blogÂger. For starters, TwitÂter has givÂen us insight into who actuÂalÂly reads Open CulÂture. Since we startÂed things in OctoÂber 2006, I haven’t known much about who visÂits the site. I’ve been flyÂing in the dark, to be honÂest. But now TwitÂter gives us a snapÂshot of our regÂuÂlar readÂers. Because you can see who subÂscribes to your TwitÂter feed (someÂthing that doesÂn’t hapÂpen with RSS feeds), you can get a feel for readÂers’ geoÂgraphÂiÂcal locaÂtion, their genÂerÂal age range, and most imporÂtantÂly their proÂfesÂsionÂal and perÂsonÂal interÂests — all of which helps us taiÂlor the blog’s conÂtent a bit betÂter.
Still more perks come from our subÂscribers. TwitÂter gives you the abilÂiÂty to see who your “folÂlowÂers” also folÂlow. And that inevitably means that your subÂscribers, sharÂing simÂiÂlar tastes, will turn you on to new and difÂferÂent sources of information/inspiration. EssenÂtialÂly, your subÂscribers help you develÂop intelÂlecÂtuÂal affinÂiÂty groups that proÂvide good grist for the mill. In addiÂtion, our readÂers also do their own microblogÂging on TwitÂter, and, here again, their short, pithy 140 word “posts” have surÂfaced interÂestÂing conÂtent that we bring back to you … with propÂer attriÂbuÂtion, of course.
Based on our brief time with TwitÂter, we’ve put togethÂer an iniÂtial list of culÂturÂalÂly-redeemÂing TwitÂter feeds. Have a look, and feel free to let us know if we’re missÂing some good ones. Of course, this list will grow over time.
LastÂly, if you’re not on TwitÂter, it’s time to get on and see if it works for you. Join here. And if you want to subÂscribe to our feed, click here and then click “FolÂlow.”
In 1907, execÂuÂtives from the GramoÂphone ComÂpaÂny headÂed to the baseÂment of the Paris Opera and sealed up some wax recordÂings of famous opera singers. Now, a cenÂtuÂry latÂer, these recordÂings have been opened, dustÂed off, and (yes) even comÂmerÂcialÂized. LatÂer this month, EMI will release the recordÂings under the title, “TreaÂsures From the Paris Opera Vaults.” If you click on this NYTimes artiÂcle and scroll down a litÂtle to the MulÂtiÂmeÂdia secÂtion, you can samÂple these cenÂtuÂry old recordÂings. The Times colÂlecÂtion feaÂtures outÂtakes from Verdi’s Aida, OtelÂlo and RigoÂletÂto. Find them here.
Here’s a handy way to weathÂer the recesÂsion with your intelÂlect and pockÂet book intact…
In this very down econÂoÂmy, you can keep feedÂing your readÂing habit by book swapÂping. Yes, that’s right, book swapÂping. What goes on here is fairÂly straightÂforÂward. You give away books that you’ve already read. In exchange, you get books that you want to read. And the cost (aside from shipÂping fees) is zero. Plus you’ll save more than a few trees.
On the web, you’ll find two major online book swapÂping serÂvices. The first is PaperBackSwap.com. The secÂond is BookÂMooch. You can learn more about each serÂvice (respecÂtiveÂly) here and here.
John CheevÂer’s stoÂry “Of Love: A TesÂtiÂmoÂny” hasÂn’t been antholÂoÂgized or reprintÂed since it was origÂiÂnalÂly pubÂlished in 1943. Now, you can find it online at Fivechapters.com. ThroughÂout the week, FivechapÂters will roll out the stoÂry in nice daiÂly installÂments, as is their genÂerÂal cusÂtom.
Now there’s a nice alterÂnaÂtive to the traÂdiÂtionÂal, expenÂsive art hisÂtoÂry textÂbook. The folks at smARThisÂtoÂry have creÂatÂed a free mulÂti-media web-book that offers a dynamÂic surÂvey of art hisÂtoÂry. The online resource comÂbines traÂdiÂtionÂal images with audio and videos, and the beauÂty is that you don’t have to read this web-book in a linÂear fashÂion. Rather, you can sort through things by time periÂod, style and artist and find the inforÂmaÂtion that you want. In case you’re wonÂderÂing about the credÂiÂbilÂiÂty of this resource, it doesÂn’t hurt to menÂtion that one of its founders, Beth HarÂris, is the DirecÂtor of DigÂiÂtal LearnÂing at the MuseÂum of ModÂern Art in New York City, and the othÂer, Steven ZuckÂer, is Dean of the School of GradÂuÂate StudÂies at the FashÂion InstiÂtute of TechÂnolÂoÂgy, part of the State UniÂverÂsiÂty of New York. Have a look.
This chart comes from a new Pew Research CenÂter study that looks at the worldÂwide accepÂtance of evoÂluÂtion 150 years after DarÂwin’s On the OriÂgin of Species by Means of NatÂurÂal SelecÂtion. At least in the UnitÂed States, only a minorÂiÂty of the pubÂlic believes in evoÂluÂtion, largeÂly because evanÂgelÂiÂcal protesÂtants (a large porÂtion of the AmerÂiÂcan popÂuÂlaÂtion) resist DarÂwin’s thinkÂing far more strongÂly than othÂer world popÂuÂlaÂtions. (The chart makes that simÂple fact fairÂly clear.) A piece newÂly pubÂlished by the Pew CenÂter goes on to add:
Recent pubÂlic opinÂion polls indiÂcate that chalÂlenges to DarÂwinÂian evoÂluÂtion have subÂstanÂtial supÂport among the AmerÂiÂcan peoÂple. AccordÂing to an August 2006 surÂvey by the Pew Research CenÂter’s Forum on ReliÂgion & PubÂlic Life and the Pew Research CenÂter for the PeoÂple & the Press, 63 perÂcent of AmerÂiÂcans believe that humans and othÂer aniÂmals have either always existÂed in their present form or have evolved over time under the guidÂance of a supreme being. Only 26 perÂcent say that life evolved soleÂly through processÂes such as natÂurÂal selecÂtion. A simÂiÂlar Pew Research CenÂter poll, released in August 2005, found that 64 perÂcent of AmerÂiÂcans supÂport teachÂing creÂationÂism alongÂside evoÂluÂtion in the classÂroom.
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