The Rich Get Busy and the Poor Get Poorer

Gre­go­ry Clarke, an eco­nom­ic his­to­ri­an at UC Davis, offers an unusu­al take on the Indus­tri­al Rev­o­lu­tion in his upcom­ing book, A Farewell to Alms. Most schol­ars argue that the chang­ing insti­tu­tions of industrialization–factories, cor­po­ra­tions, cities–worked togeth­er to drag us humans into the mod­ern world. Clarke turns that idea on its head.

As the New York Times put it in a recent review, Clarke “believes that the Indus­tri­al Rev­o­lu­tion — the surge in eco­nom­ic growth that occurred first in Eng­land around 1800 — occurred because of a change in the nature of the human pop­u­la­tion. The change was one in which peo­ple grad­u­al­ly devel­oped the strange new behav­iors required to make a mod­ern econ­o­my work. The mid­dle-class val­ues of non­vi­o­lence, lit­er­a­cy, long work­ing hours and a will­ing­ness to save emerged only recent­ly in human his­to­ry.”

The most fas­ci­nat­ing part of the argu­ment is that, accord­ing to Clarke, these val­ues spread in part because the upper class­es were more suc­cess­ful at breed­ing and mak­ing sure their off­spring sur­vived to adult­hood. By exam­in­ing his­tor­i­cal wills and prop­er­ty exchange, Clarke deter­mined that “[t]he mod­ern pop­u­la­tion of the Eng­lish is large­ly descend­ed from the eco­nom­ic upper class­es of the Mid­dle Ages.” Gen­er­a­tions of ille­git­i­mate off­spring, prof­li­gate par­ents and non-inher­it­ing prog­e­ny sal­lied forth and mar­ried into the low­er class­es, bring­ing their cap­i­tal­ist ways with them.

If this the­o­ry holds up, it might shed some light on the rise of the Eng­lish nov­el. The great Vic­to­ri­an nov­el-writ­ers have traced uncan­ni­ly sim­i­lar process­es of social inter­min­gling and dis­per­sion, and it’s a tru­ism that almost every sto­ry piv­ots around an inher­i­tance. We might visu­al­ize the process as hun­dreds of char­ac­ters cir­cling a few well-guard­ed piles of mon­ey. Most of them end up set­tling for less, and most of the dra­ma and ten­sion in the plot arcs stem from these com­pro­mis­es. And, of course, the nov­els trace the spread of just the bour­geois virtues Clarke is research­ing.

Clarke’s work rais­es a dis­turb­ing larg­er ques­tion: is this a form of Dar­win­ian selec­tion at work? Is cap­i­tal­ism hav­ing an evo­lu­tion­ary impact on human progress? Or is that a ridicu­lous propo­si­tion? To see for your­self, you can check out the first cou­ple of chap­ters for free on Clarke’s web­site, here.

Freakonomics Moves to The New York Times

A quick heads up: Steven Levitt and Stephen Dub­n­er, authors of the major best­seller Freako­nom­ics, have moved the relat­ed Freako­nom­ics blogs to the New York Times. You can now catch it here, and you’ll need to cre­ate a free user account with the Times if you (inex­plic­a­bly) don’t already have one. It looks like the Freako­nom­ics guys are off to a good provoca­tive start. Today’s post asks If You Were a Ter­ror­ist, How Would You Attack?

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Rowling Reads From New Harry Potter

This does­n’t need much in the way of an intro­duc­tion. On July 21, J.K. Rowl­ing pre­sent­ed a pub­lic read­ing of the first chap­ter of the new­ly-pub­lished Har­ry Pot­ter and the Death­ly Hal­lows. It took place at the Nat­ur­al His­to­ry Muse­um in Lon­don. Take it away J.K.

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Bestselling Novelist Sells Story Ideas for $1

lethem2.jpgBest­selling writer Jonathan Lethem — author of one of my favorite nov­els Moth­er­less Brook­lyn — has put togeth­er an offer that’s hard to beat. He’ll sell you a sto­ry for a book, play, or screen­play for a mere $1. Then you can take the sto­ry idea, make it your own, and move it in new and unex­pect­ed direc­tions.

This is obvi­ous­ly not a get-rich-quick scheme. It’s actu­al­ly more about bring­ing Lar­ry Lessig’s notion of free cul­ture to the lit­er­ary domain. You can get more on Lethem’s ideas here, but the upshot is that Lethem, being a fan of “adap­ta­tions, appro­pri­a­tions, col­lage, and sam­pling,” wants artists to “make mate­r­i­al free and avail­able for [cre­ative] reuse.” (Some of this think­ing informs a recent piece in Harper’s called “The ecsta­sy of influ­ence: A pla­gia­rism.”) The ini­tia­tive, which he calls The Promis­cu­ous Mate­ri­als Project, offers a step in the right direc­tion.

Relat­ed Con­tent: Give a lis­ten to this engag­ing inter­view with Lethem where he talks about this project and more. Also check out Lethem and oth­er authors speak­ing at Google.

Tell us what books have changed your life. Three days left. We have over 30 con­tri­bu­tions so far. Keep them com­ing.

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How to Make Your Podcasts More Mobile

That sounds like a strange propo­si­tion. Pod­casts are inher­ent­ly mobile, so what can make them more mobile? Appar­ent­ly myPod­der can. It’s a free, cross-plat­form soft­ware pack­age put out by Pod­cast Ready that has two notable advan­tages. Once you reg­is­ter and install their free soft­ware, you’ll no longer need to down­load pod­casts first to your com­put­er and then to your mp3 play­er. Instead, you’ll be able to down­load them direct­ly to your MP3 play­er via the inter­net and cut out the mid­dle step. Beyond that, myPod­der lets you update your mp3 play­er from any­where you can get an inter­net con­nec­tion. Now, you’re no longer forced to update your pod­cast col­lec­tion from one loca­tion (as is the case with iTunes). It’s all free, so give it a good look.

If you have any oth­er good tips for work­ing with pod­casts, please send them our way. Drop them in our com­ments below, or send them **@******re.com”>via email.

If you’re gen­er­al­ly won­der­ing how to work with pod­casts in the first place, please see our Pod­cast Primer.

The Fifteen Minute Book Machine

A cou­ple of years ago I met Jason Epstein in pass­ing and he excit­ed­ly described his new project: a machine to print On Demand Books. The plan is final­ly bear­ing fruit: the Espres­so Book Machine was demon­strat­ed at the New York Pub­lic Library on Wednes­day. Three of the machines are out in the wild, and I sus­pect many more will appear if the pro­to­types live up to the hype.

The idea of books on demand is a lit­tle eerie but emi­nent­ly effi­cient. Pub­lish­ers and book­sellers waste mil­lions of dol­lars, tons of fuel and forests of paper ship­ping, return­ing and trash­ing unsold books every year. And if a machine like this isn’t too expen­sive to run, it could rev­o­lu­tion­ize edu­ca­tion in less acces­si­ble or wealthy parts of the world. The real ques­tion is whether such a machine might do to book­stores what Net­flix has done to video rental stores. The Espres­so machine can only print paper­backs, so for now I think Barnes and Noble is safe. And even if the shelves are replaced with dig­i­tal brows­ing dis­plays one day, many cus­tomers will still want to enjoy their pur­chas­es with an over­priced lat­te and pas­try. The social spaces of book-read­ing have yet to be destroyed by Amazon.com or the blo­gos­phere, so I think they’ll sur­vive a new kind of espres­so machine.

What Book Changed Your Life? Par­tic­i­pate in a Group Project. Tell Us and Become Eli­gi­ble for a Prize .

Check out our col­lec­tion of free audio­books.

What Books Made a Difference? (Yes, We’re Talking to You)

We’re try­ing out some­thing a lit­tle dif­fer­ent today, and we hope that you’ll par­tic­i­pate because by giv­ing more, you’ll get more in return. (So far we have 18 peo­ple par­tic­i­pat­ing, now it is your turn.)

We want to draw on the col­lec­tive wis­dom of our read­ers and find out what great books you’ve read, and which par­tic­u­lar one made a dif­fer­ence in your life. That is, what book has led you to look dif­fer­ent­ly at lit­er­a­ture, think­ing, career, love, friend­ship, death, or what­ev­er you con­sid­er impor­tant?

At some point lat­er next week, we’ll bun­dle the sub­mis­sions and post them for you. We’re hop­ing that this will give every­one a list of great and impor­tant books to read.

If you’d like to par­tic­i­pate, please make a sub­mis­sion in the com­ments below, or **@******re.com”>via email. In what­ev­er you write, please list the name of the book and the author, and then men­tion why the book mat­tered to you. (Your expla­na­tion can be as brief or as long as you like.) When we post the replies, we won’t use your names unless you oth­er­wise con­sent. And we’ll oth­er­wise pro­tect the pri­va­cy of your email address­es.

Final­ly, we’ll ran­dom­ly select one name from all of the sub­mis­sions, and send that con­trib­u­tor a nice $50 gift cer­tifi­cate from Amazon.com.

We look for­ward to hear­ing from you, and thanks for tak­ing part.

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The War of the Worlds on Podcast: How H.G. Wells and Orson Welles Riveted A Nation

Today, by pop­u­lar demand, we’re run­ning an updat­ed ver­sion of one of our more pop­u­lar posts to date. Enjoy…

At has­tened speeds dur­ing the past year, we have seen book lovers record­ing home­grown audio­books and post­ing them on sites like Lib­rivox (see our col­lec­tion of free audio­books here). For obvi­ous copy­right rea­sons, these audio texts large­ly come from the pub­lic domain, and, yes, they’re some­times of uneven qual­i­ty. Some good, some okay. Among the recent releas­es, you’d expect to find great clas­si­cal works — the major plays by Shake­speare, the essen­tial trea­tis­es by Pla­to and oth­er philoso­phers, etc. — and you do get some of those. How­ev­er, far more often you get texts by more mod­ern writ­ers who wrote with­in the thriller, sci fi and adven­ture gen­res. Here, I’m talk­ing about Wash­ing­ton Irv­ing, Robert Louis Steven­son, Edgar Allen Poe, Arthur Conan Doyle, and H.G. Wells. (Find these pod­casts here.)

It seems rather fit­ting that Wells, the father of sci­ence fic­tion, would be among the first to have his writ­ings dig­i­tal­ly record­ed and dis­trib­uted. Nowa­days, you can down­load, sync and lis­ten to his major works – The New Accel­er­a­tor (mp3), The Invis­i­ble Man (iTunes — feed), The Time Machine (iTunes — feed), and The War of the Worlds (iTunes). But what’s bet­ter than all of this, at least in our minds, is this vin­tage gem …

Here you can down­load the ver­sion of The War of the Worlds that Orson Welles famous­ly adapt­ed and aired on nation­al radio in Octo­ber 1938. Pre­sent­ed so that it sound­ed like an actu­al news broad­cast, the Orson Welles ver­sion was mis­tak­en for truth by many lis­ten­ers who caught the pro­gram mid­stream (more info here), and, soon enough, they found them­selves flee­ing an unfold­ing Mar­t­ian inva­sion, run­ning down into their base­ments with guns cocked and ready to fire. You can catch the mp3 ver­sion of the famous Welles record­ing here (and also alter­na­tive­ly here). Have fun with this broad­cast. It’s a clas­sic.

Relat­ed con­tent: For more old time, sci-fi radio broad­casts, check out this nice col­lec­tion on iTunes.

Also see: Vin­tage Radio Archive: The Lone Ranger, Abbott & Costel­lo, and Bob Hope

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The Digital Encyclopedia of Life

In 2003, the Har­vard biol­o­gist E.O. Wil­son wrote a wide­ly read essay that called for an “Ency­clo­pe­dia of Life.” Summed up sim­ply, Wil­son had in mind “an online ref­er­ence source and data­base” that cat­a­logued “every one of the 1.8 mil­lion species that are named and known on this plan­et,” not to men­tion the many organ­isms that aren’t yet known. When ful­ly com­piled, the web-based data­base would offer a “macro­scope” of sorts, a way to do com­par­a­tive biol­o­gy and ecol­o­gy on an unprece­dent­ed scale, allow­ing sci­en­tists to gain new insights into the immense bio­di­ver­si­ty of our plan­et.

Wil­son is still push­ing this vision, and he laid it out most recent­ly at the TED Talks con­fer­ence in Mon­terey, Cal­i­for­nia. (Watch the video below.) The envi­sioned ency­clo­pe­dia will be a col­lab­o­ra­tive enter­prise, mod­eled some­what along the lines of Wikipedia (see some demon­stra­tion pages here). And it’ll be acces­si­ble any­where, any­time, to who­ev­er could ben­e­fit from it. It’s expect­ed to take close to a decade to com­plete the project, although some key com­po­nents of the data­base will be avail­able in 2008. (See this FAQ for more details.)

For more infor­ma­tion on E.O. Wil­son, I would encour­age you to lis­ten to Bill Moy­ers’ pro­file of Wil­son (iTunes — Feed — MP3) which recent­ly aired on PBS. You may also want to give some atten­tion to Wilson’s lat­est book, The Cre­ation: An Appeal to Save Life on Earth.

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The Worst Sentence Awards

Every year the folks at the Bul­w­er-Lyt­ton Fic­tion Con­test cel­e­brate their love for bad prose by run­ning “a whim­si­cal lit­er­ary com­pe­ti­tion that chal­lenges entrants to com­pose the open­ing sen­tence to the worst of all pos­si­ble nov­els.” They’ve just announced this year’s cham­pi­on sen­tences and they’re well worth a read. The con­test accepts entries year-round, so if you think you’ve got what it takes to write the worst sen­tence of 2008, feel free to take your shot.

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The New Yorker Magazine Crosses the Digital Divide

completeny2.gifWhen you think of The New York­er, you don’t gen­er­al­ly think of a mag­a­zine with a sub­stan­tial dig­i­tal foot­print. But, ever so grad­u­al­ly, under David Rem­nick­’s edi­to­r­i­al direc­tion, this insti­tu­tion in Amer­i­can jour­nal­ism and cul­tur­al com­men­tary has launched a series of dig­i­tal ini­tia­tives that com­ple­ment the tra­di­tion­al print jour­nal. And when you add them all up, you real­ize the mag­a­zine is pret­ty far along the dig­i­tal curve. How else can you look at it when The New York­er now offers a fair­ly robust web­site, which com­bines full pieces from the cur­rent print edi­tion with spe­cial­ized online fea­tures (take for exam­ple the new blog by George Pack­er)? And then con­sid­er the fact that you can now buy on DVD the com­plete his­tor­i­cal archive of the mag­a­zine, going back to 1925, and then search and read through it on your com­put­er — all for a fair­ly scant $63. (Get your own copy here.)

More minor, but nonethe­less inter­est­ing, for­ays into the dig­i­tal world include some recent exper­i­ments on the pod­cast front. Not long ago, we men­tioned that The New York­er’s trade­mark car­toons have been ani­mat­ed and can be watched as video pod­casts (iTunes — Feed). Then there’s The New York­er Fic­tion (iTunes — Feed), anoth­er rel­a­tive­ly new pod­cast that fea­tures famous fic­tion writ­ers read­ing out loud select­ed short sto­ries from the magazine’s fic­tion archives. (It’s issued only month­ly.) Final­ly, to round things out, anoth­er pod­cast has recent­ly emerged, and it’s sim­ply called Com­ment (iTunes — Feed) and that’s because it lets you lis­ten to a week­ly read­ing of the mag­a­zine’s “Com­ment” essay, often writ­ten by Hen­drik Hertzberg, Nicholas Lemann, or David Rem­nick him­self. For a com­plete list of New York­er RSS feeds, click here.

You can find the pod­casts men­tioned above, and oth­ers like them, in our Arts & Cul­ture Pod­cast Col­lec­tion.

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