A Mother Lode of Public Radio Podcasts

This is a pod­cast com­pi­la­tion that we almost wish we had put togeth­er. The “Pub­lic Radio Pod­cast Cat­a­logue” amaz­ing­ly gives you access to over 900 pub­lic radio pro­grams pod­cast­ed from around the globe, all of which are bro­ken down into neat cat­e­gories Busi­ness, Cul­ture, Lit­er­a­ture, Music, News, Pol­i­tics, etc. Quite con­ve­nient­ly, the orga­niz­ers of this col­lec­tion have pro­vid­ed a link to each indi­vid­ual pod­cast feed. So you only need to find the pod­cast you like whether its Fresh Air, Car Talk, BBC News, or what­ev­er pod­cast exists in the pub­lic radio uni­verse then paste the feed link into a pod­cast­ing pro­gram such as iTunes or Juice, and you’ll be on your way to down­load­ing, sync­ing and absorb­ing end­less amounts of enlight­en­ing radio con­tent.

See Open Cul­ture’s pod­cast col­lec­tions: Arts & Cul­ture;

Audio Books; For­eign Lan­guage Lessons;

News & Infor­ma­tion; Tech­nol­o­gy;

Uni­ver­si­ty — Gen­er­al; and

Uni­ver­si­ty — Busi­ness School.

 

 


Welcome to the Islamic Reformation (and How to Make Sense of bin Laden)


Speak­ing recent­ly on Stan­ford’s cam­pus, Reza Aslan, an Iran­ian-Amer­i­can schol­ar who has writ­ten for The New York Times, The Nation, and Slate, sketched out an inter­est­ing frame­work for mak­ing sense of recent trends with­in the Mid­dle East, and more par­tic­u­lar­ly with­in Islam itself (iTunes — feed N/A). His argu­ment is essen­tial­ly this: Islam is under­go­ing a ref­or­ma­tion that’s not ter­ri­bly unlike the one Chris­tian­i­ty under­went in the 16th cen­tu­ry. With­in Islam, we see indi­vid­u­als arro­gat­ing pow­er from the cler­i­cal estab­lish­ment, inter­pret­ing Islam for them­selves, and attempt­ing to return it to a more pure and orig­i­nal form. And what’s dri­ving all of this are three social and tech­no­log­i­cal inno­va­tions. First, the trans­la­tion of the Koran into many new lan­guages, which has made it acces­si­ble to wide­spread pop­u­la­tions, includ­ing non-Ara­bic-speak­ing peo­ple, for the first time.  Sec­ond, the par­tic­i­pa­tion in reformist move­ments by Mus­lims from the West, who bring their own indi­vid­u­al­is­tic per­spec­tives to the reli­gion. Third and most impor­tant­ly, the inven­tion of the Inter­net, which, much like the print­ing press dur­ing the 16th cen­tu­ry, has empow­ered new arbiters of Islam­ic law. Through the inter­net, new thinkers can get their ideas out there in unprece­dent­ed ways, mobi­lize sup­port behind a new body of reli­gious ideas, and com­pete effec­tive­ly with the old reli­gious order.

It is with­in this gen­er­al con­text of ref­or­ma­tion that Aslan places Usama bin Laden. Although the Islam­ic ref­or­ma­tion has been shaped by many mod­er­ate and pro­gres­sive fig­ures, there are, as with all refor­ma­tions, more rad­i­cal fig­ures who chal­lenge the tra­di­tion­al reli­gious insti­tu­tions and will resort to a patho­log­i­cal kind of vio­lence if nec­es­sary. In this instance, Aslan sees sim­i­lar­i­ties between bin Laden and more rad­i­cal fig­ures of the Protes­tant Ref­or­ma­tion. Give the talk a lis­ten. And let your­self get past the first 10 min­utes because it starts a lit­tle slow­ly.

See our Uni­ver­si­ty Pod­cast col­lec­tion.


Malcolm X at Oxford University 1964

We love find­ing these vin­tage media gems. Last week, we served up Orson Welles’ famous radio broad­cast from 1938. This week, we’ve got anoth­er one — Mal­colm X speak­ing at Oxford Uni­ver­si­ty in 1964.In this clas­sic speech, you get a good feel for Mal­colm X’s pres­ence and mes­sage, not to men­tion the social issues that were alive dur­ing the day. You’ll hear X’s trade­mark claim that lib­er­ty can be attained by “what­ev­er means nec­es­sary,” includ­ing force, if the gov­ern­ment won’t guar­an­tee it, and that “intel­li­gent­ly direct­ed extrem­ism” will achieve lib­er­ty far more effec­tive­ly than paci­fist strate­gies. (He’s clear­ly allud­ing to Mar­tin Luther King.) You can lis­ten to the speech in its entire­ty here (Real Audio), some­thing that is well worth doing. But we’d also encour­age you to watch (see below) the dra­mat­ic clos­ing min­utes and pay some atten­tion to the nice rhetor­i­cal slide, to how we get from Ham­let’s doubts (“To be or not to be”) to tak­ing up arms:

“I read once, pass­ing­ly, about a man named Shake­speare. I only read about him pass­ing­ly, but I remem­ber one thing he wrote that kind of moved me. He put it in the mouth of Ham­let, I think, it was, who said, ‘To be or not to be.’ He was in doubt about something—whether it was nobler in the mind of man to suf­fer the slings and arrows of out­ra­geous fortune—moderation—or to take up arms against a sea of trou­bles and by oppos­ing end them. And I go for that. If you take up arms, you’ll end it, but if you sit around and wait for the one who’s in pow­er to make up his mind that he should end it, you’ll be wait­ing a long time. And in my opin­ion, the young gen­er­a­tion of whites, blacks, browns, what­ev­er else there is, you’re liv­ing at a time of extrem­ism, a time of rev­o­lu­tion, a time when there’s got to be a change. Peo­ple in pow­er have mis­used it, and now there has to be a change and a bet­ter world has to be built, and the only way it’s going to be built—is with extreme meth­ods. And I, for one, will join in with anyone—I don’t care what col­or you are—as long as you want to change this mis­er­able con­di­tion that exists on this earth.”

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Open Culture on Future Tense (American Public Media)

We have a short inter­view air­ing today on Future Tense, an Amer­i­can Pub­lic Media pro­gram host­ed by Jon Gor­don. This pro­gram offers a dai­ly jour­nal of the dig­i­tal age, and today we’re talk­ing about the past, present and future of audio books, par­tic­u­lar­ly the pod­cast­ed kind. The con­ver­sa­tion weaves togeth­er a few things that we’ve dis­cussed here this week — H.G. Wells, Cory Doc­torow, Cre­ative Com­mons, the skewed pric­ing of audio books sold to con­sumers, etc. If you don’t catch it on the radio, you can lis­ten in here: MP3iTunesBlog.

On a relat­ed note, we also talked with Future Tense not too long ago about what uni­ver­si­ties are doing on the pod­cast front. If you want to give it a lis­ten, you can access it here: Mp3Blog.

Final­ly, see our col­lec­tion of audio book pod­casts as well as Jon Gor­don’s blog, wavLength.


The War of the Worlds on Podcast: How H.G. Wells and Orson Welles Riveted A Nation

Today, by pop­u­lar demand, we’re run­ning an updat­ed ver­sion of one of our more pop­u­lar posts to date. Enjoy…

At has­tened speeds dur­ing the past year, we have seen book lovers record­ing home­grown audio­books and post­ing them on sites like Lib­rivox (see our col­lec­tion of free audio­books here). For obvi­ous copy­right rea­sons, these audio texts large­ly come from the pub­lic domain, and, yes, they’re some­times of uneven qual­i­ty. Some good, some okay. Among the recent releas­es, you’d expect to find great clas­si­cal works — the major plays by Shake­speare, the essen­tial trea­tis­es by Pla­to and oth­er philoso­phers, etc. — and you do get some of those. How­ev­er, far more often you get texts by more mod­ern writ­ers who wrote with­in the thriller, sci fi and adven­ture gen­res. Here, I’m talk­ing about Wash­ing­ton Irv­ing, Robert Louis Steven­son, Edgar Allen Poe, Arthur Conan Doyle, and H.G. Wells. (Find these pod­casts here.)

It seems rather fit­ting that Wells, the father of sci­ence fic­tion, would be among the first to have his writ­ings dig­i­tal­ly record­ed and dis­trib­uted. Nowa­days, you can down­load, sync and lis­ten to his major works – The New Accel­er­a­tor (mp3), The Invis­i­ble Man (iTunesfeed), The Time Machine (iTunesfeed), and The War of the Worlds (iTunes). But what’s bet­ter than all of this, at least in our minds, is this vin­tage gem …

Here you can down­load the ver­sion of The War of the Worlds that Orson Welles famous­ly adapt­ed and aired on nation­al radio in Octo­ber 1938. Pre­sent­ed so that it sound­ed like an actu­al news broad­cast, the Orson Welles ver­sion was mis­tak­en for truth by many lis­ten­ers who caught the pro­gram mid­stream (more info here), and, soon enough, they found them­selves flee­ing an unfold­ing Mar­t­ian inva­sion, run­ning down into their base­ments with guns cocked and ready to fire. You can catch the mp3 ver­sion of the famous Welles record­ing here (and also alter­na­tive­ly here). Have fun with this broad­cast. It’s a clas­sic.

Relat­ed con­tent: For more old time, sci-fi radio broad­casts, check out this nice col­lec­tion on iTunes.

Also see: Vin­tage Radio Archive: The Lone Ranger, Abbott & Costel­lo, and Bob Hope

Sub­scribe to Our Feed and peruse our col­lec­tion of Free Audio­book Pod­casts

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Pirating The Long Tail: The Audio Book Dilemma

Longtail See Open Cul­ture’s col­lec­tion of Audio Book Pod­casts.

Let us quick­ly excerpt from the lat­est blog entry by Chris Ander­son, the author of the best-sell­ing
busi­ness book (and now over-used expres­sion), The Long Tail. This is Chris speak­ing:

“I know I should­n’t say this, but I’m frankly delight­ed to see that my book has been pirat­ed and is avail­able on Bit­tor­rent. (Pre­sum­ably this is the audio book ver­sion, even though it claims to be an “ebook”, which I was­n’t aware exist­ed).

My pub­lish­ers want to make mon­ey, and I like them so I usu­al­ly do what it
takes to keep them hap­py, but in truth I just want to be read/listened
to by the largest num­ber of peo­ple. Leave it to me to fig­ure out how to
con­vert that rep­u­ta­tion­al cur­ren­cy into cash –just get me in front of the biggest audi­ence and I’ll do the rest…

As Tim O’Reil­ly puts it, “Obscu­ri­ty is a far greater threat to authors and cre­ative artists than pira­cy”.

Of the near­ly 200,000 books pub­lished last year, only about 2,000 (1%)
made any mon­ey for any­one. The rest of them were pub­lished for oth­er
rea­sons, which range from mar­ket­ing con­sult­ing ser­vices to sim­ple
expres­sion. Out­side of a rel­a­tive hand­ful of celebri­ty authors and
self-help ped­dlers, almost nobody writes books for a liv­ing.

As for my own book, I imag­ine that approx­i­mate­ly zero (give or take a few dozen) peo­ple who would have oth­er­wise bought the prop­er audio book ver­sion will put up with the incred­i­bly slow down­load required to pirate it (cur­rent­ly five days, accord­ing to my Bit­tor­rent client)…

But all that said, I have mixed feel­ing about pur­pose­ly dis­trib­ut­ing a free
audio­book in its cur­rent incar­na­tion (the pirat­ed ver­sion on Bit­torent
isn’t going to mat­ter one way or anoth­er). On one hand, I think that
zero-mar­gin­al costs ought to result in zero price. On the oth­er, this
is not an infe­ri­or ver­sion serv­ing as mar­ket­ing for a supe­ri­or
experience–for peo­ple who like audio­books, it is the expe­ri­ence. As such it real­ly does appear to be a replace­ment for the CD/Audible.com ver­sion. Hype­r­i­on put a lot of mon­ey into pro­duc­ing that audio­book and they deserve a return. I’m con­fi­dent that a free ebook would sell more of the print ver­sions, but I’m less sure that peo­ple would buy a dig­i­tal audio­book if there was a free ver­sion cir­cu­lat­ing wide­ly online.

Any for­ward-think­ing book indus­try folks out there who want to explore the eco­nom­ics of this a bit fur­ther with me?”

In read­ing his post, sev­er­al ques­tions came to mind. Who knew that writ­ing books had become such a depress­ing propo­si­tion, an exer­cise in cre­at­ing loss lead­ers? And how hard did some VP at Hype­r­i­on (the pub­lish­er of Ander­son­’s audio book) swal­low when see­ing Chris pub­li­cize, even take some delight in dis­cov­er­ing, a pirat­ed ver­sion of their audio book prod­uct?

Ander­son­’s com­men­tary under­scores an impor­tant prob­lem in the audio book mar­ket. Where­as Lawrence Lessig and Cory Doc­torow have demon­strat­ed that tra­di­tion­al book sales can be stim­u­lat­ed by mak­ing avail­able free dig­i­tal copies of the work (read: e‑books), there’s no par­al­lel in the audio book mar­ket. Dig­i­tal copies of audio books, pirat­ed ver­sions or oth­er­wise, pret­ty much only lead to can­ni­bal­iza­tion of the orig­i­nal audio books. Pira­cy presents a prob­lem for the indus­try. And it’s all exac­er­bat­ed by the fact that audio book prices are almost illog­i­cal­ly high. Con­sid­er this: Although the main virtue of the inter­net is that it low­ers the cost of deliv­er­ing infor­ma­tion-based goods, and allows for prices to come down in kind, the audio book ver­sion of the Long Tail runs $31.95 on iTunes and $27.99 on Audi­ble, which com­pares very poor­ly to the $16.47 that you pay for the paper copy on Ama­zon. This skewed pric­ing struc­ture not only sti­fles demand, but also cre­ates an incen­tive for knock-offs, leav­ing the audio book world in a bind. At this point, the audio book indus­try should have every incen­tive to do some­thing cre­ative with the dig­i­tal tools avail­able to it, much as the music indus­try has done over the past sev­er­al years. We’ll keep an eye on whether any for­ward-think­ing pub­lish­ers take up Ander­son­’s invi­ta­tion to sort this one out.

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New Italian and German Audio Lessons (Plus English as a Second Language)

Here’s a good catch by one of our read­ers: The folks at Radio Lin­gua

Inter­na­tion­al, who pro­duce the very pop­u­lar pod­cast, “Cof­fee Break Span­ish,” haven’t wast­ed their momen­tum. They have recent­ly released two new pod­casts that will help you learn Ital­ian (iTunes Feed Web Site) and Ger­man (iTunes Feed Web Site). Each pod­cast teach­es you smalls bits of the lan­guage over the course of 20 weeks, giv­ing you the vocab­u­lary you’ll need to trav­el around Italy and Ger­many and get the most out of it.

Mean­while, it’s worth men­tion­ing that our col­lec­tion of ESL pod­casts is get­ting a bit rich­er. Here are the titles that you’ll now find:

To learn more lan­guages, please vis­it Learn Lan­guages for Free: Span­ish, Eng­lish, Chi­nese & Beyond.

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New Cory Doctorow Book Available for Free Download (Under Creative Commons)

Overclocked_2A cou­ple weeks ago, we told you about
45 recent­ly pub­lished books, most of them of very high
qual­i­ty, that you can down­load for free under a Cre­ative Com­mons license. Giv­en the exu­ber­ant response to that post, it seemed worth men­tion­ing that Cory Doc­torow — the sci-fi author, Boing­Bo­ing blog­ger, and advo­cate of open­ing up copy­right restric­tions — is now releas­ing a new col­lec­tion of short sto­ries called Over­clocked. As usu­al, you can buy the book, down­load the short sto­ries for free, or do both. It’s your call. He fig­ures he’ll win either way. And, by the way, you can freely down­load the rest of Doc­torow’s books here.

Now, final­ly, it’s worth point­ing out that the Boing­Bo­ing (iTunesfeed) crowd has a pod­cast worth check­ing out. The lat­est episode — the first 10 min­utes, in fact — gives you some of Doc­torow’s thoughts on what the future of e‑books looks like, the pros and cons, etc.  Cer­tain­ly worth a lis­ten. Enjoy.


Apple Warns iPod Users Against Using Vista … For Now

Itunesimage_1Here’s a quick warn­ing for our read­ers who enjoy lis­ten­ing to pod­casts on iPods.

From CNET:

“Apple has warned Win­dows users run­ning its iTunes soft­ware that they should wait for its next update before upgrad­ing their PCs to Microsoft­’s new Win­dows Vista oper­at­ing sys­tem.

The Cuper­ti­no, Calif.-based com­pa­ny cit­ed a vari­ety of com­pat­i­bil­i­ty issues that may cause fric­tion between the media play­er soft­ware, its accom­pa­ny­ing iPod play­er, and Vista. Among these prob­lems is an inabil­i­ty to play music or video pur­chased from the iTunes Store, prob­lems syn­chro­niz­ing address book con­tact and cal­en­dar func­tions, and slowed run­time. Addi­tion­al­ly, there is a chance that plug­ging an iPod into a com­put­er run­ning Vista may cor­rupt the device.”

Click here to read the full arti­cle.


A Brief Audio History of Iraq


FlagiraqDespite being 4 years into the Iraq war, most Amer­i­cans still could­n’t tell you very much about the
his­tor­i­cal back­ground of the coun­try in which we’ve invest­ed so much. Iraq will be with us for a good long time, so it would­n’t hurt to spend 30 min­utes get­ting famil­iar with the broad brush strokes his­to­ry of the frac­tured nation, espe­cial­ly since the past holds clues as to why this cam­paign nev­er went as smooth­ly as some first antic­i­pat­ed.

In this audio seg­ment from The Leonard Lopate Show (iTunesFeedWeb Site), Bar­ry Lan­do, a for­mer inves­tiga­tive reporter for 60 Min­utes and the author of a new book on Iraq, gives a half-hour overview of Iraq’s his­to­ry — of how the British fash­ioned an inde­pen­dent nation in 1932 out of the frag­ments of the Ottoman Empire, and how, from there, the des­tiny of this arti­fi­cial meld­ing of three eth­nic groups has been con­stant­ly inter­twined with the for­eign pol­i­cy ambi­tions of Eng­land, Rus­sia, and even­tu­al­ly the Unit­ed States, which, of course, leads us to today.

P.S. You may want to check out Lan­do’s blog, and, on the lighter side, and espe­cial­ly if you’re bummed by the whole Iraq affair, you may want to take a look at Lan­do’s recent appear­ance on The Col­bert Report:

 

NPR’s Fresh Air Now Available as a Podcast

A quick fyi: As of this week, Fresh Air, the pop­u­lar pro­gram host­ed by Ter­ry Gross, is now avail­able as a free pod­cast on iTunes or via feed. Along with Fresh Air, NPR has just issued many oth­er new pod­cast offer­ings, includ­ing Xeni Tech, a dai­ly pro­gram fea­tur­ing Boing­Bo­ing blog­ger Xeni Jardin, who explores the inter­sec­tion between tech­nol­o­gy and con­tem­po­rary cul­ture (iTunesFeed). For the com­plete list­ing of NPR pod­casts, see this web page or vis­it NPR’s main page on iTunes.


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