The affinities between England and Japan go far beyond the fact that both are tea-loving nations with a devotion to gardens; far beyond the fact that both drive on the left, are the world’s leading overseas investors, and are rainy islands studded with green villages.[...]
For many of us, washi paper is the art supply equivalent of a dish that’s “too pretty to eat.” I love to look at it, but would be loathe to mar its beauty with my amateur creative efforts.[...]
If modern paint companies’ pretentiously-named color palettes gall you to the point of an exclusively black-and-white existence, the Harvard Art Museums’ Forbes pigment collection will prove a welcome balm.
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As depicted above, ink making is as voluptuous a process as making a high end candy bar. Having grown up around the printing floor of a daily newspaper, I know that ink’s pungent aroma is the opposite of chocolate-y, but my mouth still started to water.[...]
In a pretty great gif. That’s all.
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Stanford University’s been in the news lately, what with expanding its tuition waiver last year and now facing renewed scrutiny over its ultra-low admissions rate.[...]
No need to scramble to the fallout shelter, friends.
That massive boom you just heard is merely the sound of thousands of crafters’ minds being blown en masse by the University of Southhampton’s Knitting Reference Library, an extensive resource of books, catalogues, patterns, journals and magazines—over seventeen decades worth.
How to market a book like Lolita, which, upon its publication in 1955, promptly found itself banned in France, Britain, New Zealand, Argentina and other countries? Carefully. At least at first.
Over at Covering Lolita, you can see an archive of the designs that have adorned the cover of the famously controversial book.
Here we have a poster for a film many of you will have heard of, and some of you will have watched right here on Open Culture: Stalker, widely considered the most masterful of Soviet auteur Andrei Tarkovsky’s career full of masterpieces.[...]
First published in three volumes in 1914, only 24 years after his death, the letters of Vincent Van Gogh have captivated lovers of his painting for over a century for the insights they offer into his creative bliss and anguish. They have also long been accorded the status of literature. “There is scarcely one letter by Van Gogh,” wrote W.