Ten years ago, Jeff Antebi, the founder of the record company Waxploitation, asked musicians and contemporary painters to collaborate on a collection of children’s stories for grown-ups. Today, you can find the fruits of their labor collected in a new, 350-page book project called Stories for Ways & Means.[...]
With the rise of Far Right candidates in Europe and in America, along with creeping dictatorship in Turkey and authoritarianism in the Philippines, the idea of democracy and freedom of speech feels under threat more than ever.[...]
For at least half a decade now, New York’s Solomon R. Guggenheim Museum has been digitizing its exhibition catalogs and other art books. Now you can find all of the publications made available so far — not just to read, but to download in PDF and ePub formats — at the Internet Archive.[...]
With the coming savage cuts in arts funding, perhaps we’ll return to a system of noblesse oblige familiar to students of The Gilded Age, when artists needed independent wealth or patronage, and wealthy industrialists often decided what was art, and what wasn’t.[...]
Whether at the Museum of Modern Art, a dorm-room wall, or anywhere in between, we’ve all seen Salvador Dalí’s 1931 canvas The Persistence of Memory, and who among us wouldn’t want to own one of the “melting watches” it famously depicts? Alas, technology hasn’t quite caught up to that flamboyant Spanish surrealist’s vivid imagina[...]
In the first decade or so of the Soviet Union’s existence, “avant-garde experimenters emerged from obscurity to benefit from actual state sponsorship,” writes Harvard professor of Russian Literature Ainsley Morse. Their “aesthetic radicalism jibed nicely with political turmoil.[...]
Uruguayan-French poet Jules Laforgue, one of the young T.S. Eliot’s favorites, published his major work, The Imitation of Our Lady the Moon, in 1886, two years before his untimely death at 27 from tuberculosis.[...]
Note: There are a couple brief not-safe-for-work moments in this film.
Patronizing, ponderous, well-meaning, self-aggrandizing, incoherent… young artists are subjected to a lot of unsolicited advice, and not just from their parents.
From filmmaker Steve Olpin comes a short documentary (a “documentary poem”) called Earth and Fire, about artist and primitive potter Kelly Magleby.[...]
Anyone who watched Bob Ross’ The Joy of Painting from 1983 to 1994 knows the show had a bit of a surreal quality to it. With that soft voice, reduced often to a whisper, Ross slapped some paint onto the canvas, smeared it around, and eventually something magical appeared–a mountain, a stream, a forest, whatever.[...]