If you’ve taken a good art history course on the Impressionists and Post-Impressionists, you’ve inevitably encountered Vincent van Gogh’s 1889 masterpiece “Starry Night,” which now hangs in the MoMA in New York City.[...]
We’ve previously featured the various pioneering efforts of The Getty — from freeing 4,600 high-resolution art images (and then 77,000 more) into the public domain, to digitally releasing over 250 art books. Now they’ve put their minds to those rare, beautiful, and highly edifying specimens known as art catalogues.[...]
By its very nature, propaganda distorts the truth or tells outright lies. It targets our basest impulses—fear and anger, flight or fight. While works of pure propaganda may pretend to make logical arguments, they eliminate nuance and oversimplify complicated issues to the point of caricature.[...]
Like all great writers, Leo Tolstoy has inspired a great many visual adaptations of his work, of varying degrees of quality. Just this past month, the Volgograd Fine Arts Museum in Russia held an exhibition of “92 graphic works from the collection of the Yasnaya Polyana Estate-Museum,” the author’s country estate and birthplace.[...]
René Clair’s 1924 avant-garde masterpiece Entr’Acte opens with a cannon firing into the audience and that’s pretty much a statement of purpose for the whole movie. Clair wanted to shake up the audience, throwing it into a disorienting world of visual bravado and narrative absurdity. You can watch it above.[...]
Ay que linda!
Long before the tumultuous marriage to Diego Rivera and the mortifications of the flesh occasioned by a horrific bus accident, and longer still before the avalanche of Frida-centric kitsch and tchotchkes and the Julie Taymor biopic starring Salma Hayek, there was a cherubic little girl named Magdalena Carmen Frieda Kahlo y Calder
Artists of the Bauhaus school—including founder Walter Gropius, Paul Klee, Wassily Kandinsky, Piet Mondrian and others—broke radically with familiar tradition and made minimalist, abstract, and sometimes shocking statements with their work.[...]
In Mexico on November 2, mortality is approached with music and laughter.
“On the Day of the Dead, when the spirits come back to us,” explains the Dr. Vigil character in the 1984 film of Malcolm Lowry’s Under the Volcano, “the road from heaven must be made easy, and not slippery with tears.
We’ve all got those friends or family members who consider “modern art” a form of torture.[...]
Every project starts with a brief.
From the layman’s perspective, the project above starts with a bit of self-mythologizing.
Bassett & Partners, the “award-winning, disruptive brand and design strategy firm” and maker of the video above, seems not to subscribe to TED-Ed’s practice of educating viewers from the get-go.