Despite his onetime friend and mentor Sigmund Freud’s enormous impact on Western self-understanding, I would argue it is Carl Jung who is still most with us in our communal practices: from his focus on introversion and extroversion to his view of syncretic, intuitive forms of spirituality and his indirect influence on 12-Step programs[...]
Most of us have internalized the content of a fair few of Aesop’s fables but have long since forgotten the source — if, indeed, we read it close to the source in the first place.[...]
For a certain period of time, it became very hip to think of classic tattoo artist Norman “Sailor Jerry” Collins as the epitome of WWII era retro cool. His name has become a prominent brand, and a household name in tattooed households—or those that watch tattoo-themed reality shows.[...]
If you’ve ever played Call of Cthulhu, the tabletop role-playing game based on the writing of H.P. Lovecraft, you’ve felt the frustration of having character after painstakingly-created character go insane or simply drop dead upon catching a glimpse of one of the many horrific beings infesting its world.[...]
Millions watched as astronaut Neil Armstrong put boots to the moon in 1969.
It was, as he famously remarked, one “giant leap for mankind,” but from a scientific standpoint the territory was far from virgin.
Now free for the world to see on the Cambridge University Digital Library are some treasures from the library’s Chinese collections.[...]
Of all the philosophical concepts Immanuel Kant is known for, the one I’ve had to struggle the least to grasp is his description of the sublime, a state in which we are overawed by the scale of some great work of man or nature.[...]
What makes Pablo Picasso such a representative 20th-century artist? Most of it has to do with his particular achievements, such as the visual ground he broke with his Cubist painting, sure, but some of it also has to do with the fact that his interests extended so far beyond painting.[...]
The story of the avant-garde is never just one story. But it tends to get told that way, and we tend to think we know how modernist and post-modern literature and music have taken shape: through a series of great men who thwarted convention and remade language and sound in ways their predecessors never dreamed.[...]
Ralph Steadman will always best be known—and for good reason—as the visual interpreter of Hunter S. Thompson’s druggy gonzo vision of American excess and hubris.[...]