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There are those guest hosts on Saturday Night Live who immediately become exemplary cast members they fit in so well. I’m thinking mostly of Alec Baldwin. Then there are those—certain pop stars and athletes—who are too awkward even to make for unintentional humor.
The Marxist Frankfurt School’s practice of negative dialectics put the “critical” in critical theory, and none of its loose band of philosopher-critics was as incisive as the dour, depressive Theodor Adorno.[...]
For many people, the arguments and analysis of Karl Marx’s three-volume Das Kapital (or Capital: A Critique of Political Economy) are as relevant as ever. For many others, the work is a historical curiosity, dated relic, or worse.[...]
By its very nature, propaganda distorts the truth or tells outright lies. It targets our basest impulses—fear and anger, flight or fight. While works of pure propaganda may pretend to make logical arguments, they eliminate nuance and oversimplify complicated issues to the point of caricature.[...]
And now, comedian Harry Shearer.
What role do these gifted performers have in common?
Langella and Sir Anthony resurrected the 37th president within the framework of carefully crafted screenplays. Shearer’s approach is just as actorly, but his material isn’t exactly scripted.
And you thought Ronald Reagan single-handedly brought down the Berlin Wall and ended the Cold War with his “Tear Down This Wall Speech” in 1987….[...]
When the Republican party struggles to determine its future direction, it often looks back often to its intellectual and political leaders of decades past. And while we often hear about novel ways to think of those figures, we rarely hear much about what they thought of each other.[...]
We well know of the most famous cases of banned books: James Joyce’s Ulysses, Henry Miller’s Tropic of Cancer, Allen Ginsberg’s Howl. In fact, a full 46 of Modern Library’s “100 Best Novels” have been suppressed or challenged in some way. The American Library Association maintains a page that details the charges against each one.[...]
Founded by William Phillips and Philip Rahv in February of 1934, leftist arts and politics magazine Partisan Review came about initially as an alternative to the American Communist Party’s publication, New Masses. While Partisan Review (PR) published many a Marxist writer, its politics diverged sharply from communism with the rise of Stalin.[...]