She is 14 years old, and appar­ent­ly French. Not much else is known about this pre­co­cious young gui­tarist who goes by the name “Tina S” on her YouTube chan­nel.

Tina became an Inter­net sen­sa­tion in late May, when she post­ed an aston­ish­ing cov­er ver­sion of “Erup­tion,” from Van Halen’s debut album. Eddie Van Halen’s son Wolf­gang was so impressed he tweet­ed, “I need to meet this girl!!!”

Writ­ing as “@Tina_Guitare,” the young musi­cian replied, “I need to meet you too! Haha :))” Talk show host Ellen DeGeneres also went on Twit­ter and said, “This girl is incred­i­ble. If you know where she is, I want her on my show imme­di­ate­ly.” There was no reply to that one — at least not on Twit­ter.

Now Tina is back with a new video, made by her teacher Renaud Louis-Ser­vais, in which she rips through a cov­er of “Vival­di Trib­ute,” Patrick Ron­dat’s speed met­al adap­ta­tion of the cli­mac­tic “Presto” (very fast) move­ment of the Baroque com­pos­er Anto­nio Vivaldi’s “Sum­mer” con­cer­to from The Four Sea­sons. It’s an amaz­ing per­for­mance for a 14-year-old, although you should also see her play­ing clas­si­cal gui­tar when she was nine.

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I recent­ly read an arti­cle in which a music crit­ic argued for Bob Dylan’s 1970 dou­ble album Self Por­trait as his best. This pro­voked so much deri­sion and out­rage in the com­ments that I almost felt sor­ry for the author. But this is not unusu­al. Rolling Stone’s Greil Mar­cus opened his review of the record with a surly “What is this shit?” Dylan him­self explained in a 1984 inter­view with the mag­a­zine that the record was inten­tion­al­ly bad, a “screw you” to his less dis­cern­ing fans. And why not? Bob Dylan can do what­ev­er he wants.

Well, the album The Onion’s AV Club calls “almost uni­ver­sal­ly loathed” is being reis­sued in a four-disc set that includes out­takes and bootlegs, as well as alter­nates and demo takes from Nashville Sky­line and 1970’s New Morn­ing. You’ll find the full track­list of what will be released on August 27 as Anoth­er Self Por­trait here. (The album itself can be pre-ordered here.) For a pre­view, watch the video above of “Pret­ty Saro,” an 18^th cen­tu­ry Eng­lish folk tune Dylan record­ed for Self Por­trait but nev­er released. As with Mar­cus’ review and Dylan’s explana­to­ry inter­view, this comes to us via the stal­wart Rolling Stone.

Film­mak­er Jen­nifer Lebeau made the video, which con­sists of care­ful­ly select­ed pho­tos from the Farm Secu­ri­ty Admin­is­tra­tion and which Lebeau says “lit­er­al­ly goes from women on farms with wag­ons to Rosie the Riv­et­er.” It’s a cool con­cept and a beau­ti­ful song. Might it per­suade you to re-eval­u­ate Self Por­trait? If you nev­er loathed it but defend­ed it, does this out­take enhance your appre­ci­a­tion of its genius? Maybe you’re in need of a refresh­er on the con­fused, amused, and infu­ri­at­ed reac­tions that this record gen­er­ates. If so, you may wish to vis­it this site for “24 min­utes of footage of peo­ple talk­ing about Bob Dylan’s puz­zling” 1970 album.

Relat­ed Con­tent:

Bob Dylan and The Grate­ful Dead Rehearse Togeth­er in Sum­mer 1987. Lis­ten to 74 Tracks.

Two Leg­ends Togeth­er: A Young Bob Dylan Talks and Plays on The Studs Terkel Pro­gram, 1963

Andy Warhol Shoots “Screen Tests” of Bob Dylan, Nico & Sal­vador Dalí

Bob Dylan and Van Mor­ri­son Sing Togeth­er in Athens, on His­toric Hill Over­look­ing the Acrop­o­lis

Josh Jones is a writer and musi­cian based in Wash­ing­ton, DC. Fol­low him at @jdmagness