Mark Linsenmayer, Erica Spyres, and Brian Hirt finally cover a current film, and of course use it as an entry point in discussing the social function of super-hero films more generally, how much realism or grittiness is needed in such stories, whether to repeat or bypass the origin story, everlasting franchises, the use of multi-verses as a storytelling device, exaggerating the potential in a story of new technologies that the audience doesn’t really understand, and more.
We touch on other bits of the Marvel Universe and the other Spider-Man films, the original Amazing Spider-Man #13 comic that introduced Mysterio, The Lion King, Watchmen, The Boys, Star Trek, Electric Dreams, the Rob Lowe “John Smith’s Bachelor Party” scene in Austin Powers, the recurring henchman in Spider-Man (actually Peter Billingsley, i.e. Ralphie in A Christmas Story), and the Exiles comic (a Marvel team that travels between multi-verses).
Some articles we looked at for this episode include:
- “Jake Gyllenhaal Thinks Far From Home‘s Post-Credits Scene Is Part of Spider-Man’s Evolution” by Charles Pulliam-Moore
- “‘Spider-Man: Far From Home’ Gives Fans What They Want — But Asks Some Tough Questions, Too” by Noah Berlatsky
- “Review: ‘Spider-Man: Far From Home’ Is the Latest Iron Man Movie” by A.O. Scott.
This episode includes bonus content that you can only hear by supporting the podcast at patreon.com/prettymuchpop. This podcast is part of the Partially Examined Life podcast network.
Pretty Much Pop is the first podcast curated by Open Culture. Browse all Pretty Much Pop posts or start with the first episode.
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