Tall Painting

If I have this right, you’re look­ing at the drip­ping, flow­ing art of Holton Row­er, a New York-based artist, who also hap­pens to be the grand­son of Alexan­der Calder. The film itself was direct­ed and edit­ed by Dave Kauf­man. Enough said, I will let you sit back and watch grav­i­ty, paint and Holton do their thing…

Relat­ed Con­tent:

Cirque Calder

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Star Wars is a Remix


Kir­by Fer­gu­son is back. Last Sep­tem­ber, the writer/director released the first of a four-part film series – Every­thing is a Remix – that teas­es apart the long his­to­ry of artis­tic “remix­ing.” This first short film con­cen­trat­ed on the artis­tic bor­row­ings of musi­cians and writ­ers, with Led Zep­pelin and the Beat writ­ers get­ting the major focus. Now, with his sec­ond film, the atten­tion turns to film, and par­tic­u­lar­ly to the homages and bor­row­ings of George Lucas’ Star Wars. Aki­ra Kuro­sawa films, Spaghet­ti west­erns and John Wayne west­erns, clas­sic wartime movies, Leni Riefen­stahl pro­pa­gan­da films, Fritz Lang’s Metrop­o­lis – they’re all remixed into the epic space dra­ma. The film wraps up with Fer­gu­son look­ing at Quentin Taran­ti­no and his own remix­ing ten­den­cies. And that sets the stage for parts 3 and 4 – a project that you can help finance in your own mod­est way. I’m sure Kir­by will appre­ci­ate your gen­eros­i­ty…

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Cave of Forgotten Dreams

The first Wern­er Her­zog 3D film will hit the cin­e­ma screens this spring, and the new trail­er paves the way for it. The 89 minute doc­u­men­tary, Cave of For­got­ten Dreams, brings Her­zog down into the Chau­vet-Pont-d’Arc Cave dis­cov­ered in 1994. Locat­ed in South­ern France, this cave, nor­mal­ly kept off lim­its to the pub­lic, hous­es the old­est cave paint­ings ever dis­cov­ered. We’re talk­ing paint­ings dat­ing back over 30,000 years and all still pre­served in pris­tine con­di­tion. Just as Las­caux left Picas­so in awe, the Chau­vet cave paint­ings inspired Her­zog to use 3D tech­nol­o­gy to cap­ture the char­coal fig­ures, the ear­li­est expres­sion of our artis­tic yearn­ings.

Don’t miss our ear­li­er post, An Evening with Wern­er Her­zog.

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Google “Art Project” Brings Great Paintings & Museums to You

More good­ness out of Google­plex. Today, Google is rolling out a new tool called “Art Project,” which gives you access to more than 1,000 works of art appear­ing in 17 great muse­ums across the world. Using Google’s Street View tech­nol­o­gy, you can now tour col­lec­tions at the MoMA and Met in New York City, the Uffizi Gallery in Flo­rence, the Her­mitage in St. Peters­burg, the Van Gogh Muse­um and Rijksmu­se­um in Ams­ter­dam, the Nation­al Gallery in Lon­don â€“ just to name a few muse­ums now vir­tu­al­ly open to you. And you can vis­it count­less paint­ings, some ren­dered in super high res­o­lu­tion. (We’re talk­ing 7 bil­lion pix­els!) Take for exam­ple, Ver­meer’s Offi­cer and Laugh­ing Girl (see above) or Van Gogh’s The Bed­room. When you view Van Gogh’s paint­ing, make sure you zoom in and look at the brush­work.

Although you won’t have access to the entire­ty of every muse­um (actu­al­ly the selec­tions are rather lim­it­ed in many cas­es), Google’s Art Project does put 385 rooms on dis­play. Not a bad start.  You can read more about the new ini­tia­tive on Google’s blog here. H/T to @eugenphoto

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Smarthistory: Help Kickstart 100 New Art History Videos

Last week, Smarthis­to­ry, the mak­ers of out­stand­ing free art his­to­ry videos, launched a nov­el fundrais­ing cam­paign using Kick­starter, a fundrais­ing plat­form for the arts world. The goal? To raise $10,000 to fund 100 new art his­to­ry videos (like these), which will col­lec­tive­ly cre­ate a free alter­na­tive to the tra­di­tion­al and very expen­sive art his­to­ry text­book. Below, the founders of Smarthis­to­ry (Beth Har­ris, Juliana Kreinik and Steven Zuck­er) tell you more about the cam­paign. If you per­son­al­ly ben­e­fit from open edu­ca­tion­al resources, or sup­port the idea of democ­ra­tiz­ing knowl­edge, we’d strong­ly encour­age you to make a con­tri­bu­tion to the Smarthis­to­ry cam­paign, which can be as small as $10. Take it away Beth and Steven…

A WEEK AGO, we launched a Kick­starter cam­paign to raise $10,000 to help us cre­ate 100 more videos for Smarthistory.org, the Web­by-award win­ning art his­to­ry open edu­ca­tion­al resource (OER). It was a great week thanks to our amaz­ing com­mu­ni­ty of sup­port­ers, and although we’ve raised near­ly 50% of our goal, we need to keep this momen­tum going and would be extreme­ly grate­ful for your sup­port. These addi­tion­al videos will make Smarthis­to­ry a tru­ly viable, free alter­na­tive to the tra­di­tion­al and very expen­sive art his­to­ry text­book. If you haven’t watched the video, or looked at our page on Kick­starter, take a moment to do that—it explains every­thing.

The OER com­mu­ni­ty has has turned its focus to the ques­tion of sus­tain­abil­i­ty, how often cost­ly projects, can be sus­tained for the long term. Smarthistory.org was designed to be sus­tain­able and to have min­i­mal ongo­ing costs from the out­set; our back-end uses MODx, an open-source con­tent man­age­ment sys­tem, and all of our con­tent comes from vol­un­tar­i­ly con­tri­bu­tions. Last week, Philipp Schmidt, of Peer to Peer Uni­ver­si­ty, wrote a blog post about the pos­si­bil­i­ties of using Kick­starter to help sup­port the OER and OCW (open course­ware) com­mu­ni­ties. It will be inter­est­ing to see if Kick­starter is a viable means of sup­port for open edu­ca­tion ini­tia­tives like Smarthis­to­ry.

From incep­tion, we have sought to be a syn­thet­ic resource that push­es beyond insti­tu­tion­al boundaries—in terms of the col­lec­tions we draw from, our aca­d­e­m­ic con­trib­u­tors, and the stu­dents we serve. It’s worth not­ing that, in addi­tion to being a means to raise funds, Kick­starter is also a mea­sure of our project’s val­ue for oth­ers. For us there is an impor­tant para­dox, how­ev­er, since the bulk of the peo­ple we serve—college students—are per­haps the least like­ly to sup­port us with dona­tions, and are less like­ly to have the finan­cial means to do so. So far, the bulk of our dona­tions have come from fac­ul­ty, infor­mal users, the OER and education/technology com­mu­ni­ty, and our sup­port­ers.

In 2010, Smarthistory.org was vis­it­ed more than half a mil­lion times by vis­i­tors from more than 150 coun­tries. Near­ly one hun­dred uni­ver­si­ties, libraries and muse­ums now rec­om­mend Smarthis­to­ry and instruc­tors are increas­ing­ly adopt­ing it in place of the expen­sive text­book. The ques­tion is, can we trans­form this user base into a donor base. Please help us turn this goal into a real­i­ty (con­tribute here) and spread the word about Kick­starter. Maybe crowd­sourced fund­ing can offer a real alter­na­tive for open ini­tia­tives.

The Sandy River Flood

On Jan­u­ary 16th, the Sandy River flood­ed, spilling over its banks in Ore­gon, and Tyler Malay and Alexan­dra Erick­son cap­tured it all. Nature’s tor­rent ren­dered beau­ti­ful with a Canon 60d and Canon 7d…

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The Photography of The Sartorialist & Musings on the Creative Life

In the lat­est video appear­ing in Intel’s Visu­al Life series, we get a look inside the cre­ative approach of Scott Schu­man, the edi­tor of the very pop­u­lar fash­ion pho­tog­ra­phy blog The Sar­to­ri­al­ist. On the sur­face, this is all about how an influ­en­tial fash­ion pho­tog­ra­ph­er goes about his craft. But the mes­sage – it’s more about doing and refin­ing your per­son­al approach, than for­mal school­ing – eas­i­ly extends to most any oth­er artis­tic endeav­or. Along sim­i­lar lines, if you’re look­ing for insight into the cre­ative process, you will want to revis­it come­di­an John Cleese talk­ing about The Ori­gins of Cre­ativ­i­ty itself…

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Beyond the Still: The Largest Online Collaborative Film Contest

A year ago, Canon launched a con­test called “The Sto­ry Beyond the Still,” which encour­aged pho­tog­ra­phers to become film­mak­ers, and help view­ers see “beyond the still” image. Fast for­ward twelve months and we have the final result: A col­lab­o­ra­tive film, now being pre­miered at the Sun­dance Film Fes­ti­val, that stitch­es togeth­er “chap­ters” (or film sequences) cre­at­ed by six con­test-win­ning artists, all under the direc­tion of Vin­cent Laforet. Each chap­ter ends with a still image that cre­ates the jump­ing-off point for the next chap­ter, giv­ing one artist the chance to pick up where a pre­vi­ous artist left off. The com­plete col­lab­o­ra­tive film (above) runs 37 min­utes. You can find more con­test-win­ning video on Vimeo right here.

via @webacion

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