It’s clear that amaÂteur saxÂoÂphonÂist and Johns HopÂkins surÂgeon Charles Limb has an abidÂing interÂest in the neuÂroÂscience of creÂativÂiÂty.
He’s also an unabashed fanÂboy. I’ll bet the spirÂit of sciÂenÂtifÂic inquiry is not the only motiÂvatÂing facÂtor behind this jazz fan’s experÂiÂments on jazz improÂvisÂers.
Sure, he has them play sponÂtaÂneous variÂaÂtions on a MIDI keyÂboard in a funcÂtionÂal MRI tube in order to study blood oxyÂgen levÂels in varÂiÂous parts of their brains.
But he also gets to hang out in the technologist’s booth, ”tradÂing fours” with capÂtive musiÂcian Mike Pope, whom he describes in his TED Talk, above, as “one of the world’s best bassists and a fanÂtasÂtic piano playÂer.”
Is this an experÂiÂment or a DIY fanÂtaÂsy camp?
I’m not sure one needs thouÂsands of dolÂlars’ worth of medÂical equipÂment to conÂclude that improÂviÂsaÂtion thrives when the inner critÂic is banÂished. But that’s exactÂly what Dr. Limb’s findÂings reveal. ActivÂiÂty in the latÂerÂal preÂfrontal corÂtex, an area assoÂciÂatÂed with self-monÂiÂtorÂing, dropped draÂmatÂiÂcalÂly, while that in the mediÂal preÂfrontal cortex—a strucÂture assoÂciÂatÂed with the self-expression—spiked.
The same thing hapÂpened when a rapÂper named Emmanuelle was in the tube, free-styling on a set of prompts conÂtained in a rhyme Dr. Limb comÂposed for the occaÂsion:
My pasÂsion’s not fashÂion, you can see how I’m dressed
PsyÂchoÂpathÂic words in my head appear
WhisÂper these lyrics only I can hear
The art of disÂcovÂerÂing and that which is hovÂerÂing
Inside the mind of those unconÂfined
All of these words keep pourÂing out like rain
I need a mad sciÂenÂtist to check my brain
(For me, the best part of the TED Talk was when a nerÂvous Dr. Limb gameÂly perÂformed his rap for the crowd, the lyrics proÂjectÂed on a giant screen in case they wantÂed to chime in. What I wouldn’t give to have a scan of his brain in this moment…)
The ultiÂmate valÂue of Dr. Limb’s research remains to be seen. If nothÂing else, we may get a bit more insight into the workÂings of this most mysÂteÂriÂous of organs. But I was struck by a remark he made in an interÂview with AbilÂiÂty, a magÂaÂzine focusÂing on health, disÂabilÂiÂty and human potenÂtial:
At some point, every musiÂcian grapÂples with whether they’re going to purÂsue it as a proÂfesÂsion, or do someÂthing else to make a livÂing. Some musiÂcians absoluteÂly feel that there’s no othÂer road for them. And then there are othÂer peoÂple, like me, who could have gone into music, but I didn’t feel like I deserved to. And what I mean by that is I wasn’t willÂing to sufÂfer for my art. You have to have the conÂvicÂtion, that you can ride out the lows, to be a realÂly sucÂcessÂful musiÂcian.
PerÂhaps in the future, those with the temÂperaÂment for a career in improÂviÂsaÂtionÂal jazz will use an fMRI to douÂble check that their deoxyÂheÂmoÂgloÂbin conÂcenÂtraÂtions are also up to the task.
RelatÂed ConÂtent:
Free Online PsyÂcholÂoÂgy & NeuÂroÂscience CoursÂes
Why We Love RepÂeÂtiÂtion in Music: Explained in a New TED-Ed AniÂmaÂtion
PlayÂing an InstruÂment Is a Great WorkÂout For Your Brain: New AniÂmaÂtion Explains Why
SonÂny Rollins Describes How 50 Years of PracÂticÂing Yoga Made Him a BetÂter MusiÂcian
Ayun HalÂlÂiÂday is an author, homeÂschoolÂer, and Chief PriÂmaÂtolÂoÂgist of the East VilÂlage Inky zine. She studÂied comÂeÂdy improÂviÂsaÂtion with Del Close and plays the piano poorÂly. FolÂlow her @AyunHalliday





