Etgar Keret, above, is a best sellÂing author and award-winÂning filmÂmakÂer with the soul of a teenage zine pubÂlishÂer. He’s a masÂter of the strange and short who plays by his own rules. This sounds like a recipe for outÂsider staÂtus but Keret freÂquentÂly pops up in The New York Times, The New YorkÂer, and on pubÂlic radio’s This AmerÂiÂcan Life.
The child of HoloÂcaust surÂvivors told Tikkun that he began writÂing stoÂries as a way out of his misÂerÂable exisÂtence as a stutÂterÂing 19-year-old solÂdier in the Israeli army. This may explain why he’s so genÂerÂous with young fans, handÂing his stoÂries over to them to interÂpret in short films and aniÂmaÂtions.
When RookÂie, a webÂsite for teenage girls, invitÂed him to share ten writÂing tips, he playÂfulÂly obligÂed. It’s worth notÂing that he refrained from preÂscribÂing someÂthing that’s a staÂple of othÂer authors’ tip lists — the adopÂtion of a daiÂly writÂing pracÂtice. As he told the San FranÂcisÂco Bay Guardian:
For me, the term “writÂing rouÂtine” sounds like an oxyÂmoron. It is a bit like sayÂing “havÂing-a-once-in-a-lifeÂtime-insight-which-makes-you-want-to burst-into-tears rouÂtine.”
With no furÂther ado, here are his ten rules for writÂers, along with a libÂerÂal sprinÂkling of some of my favorite Keret stoÂries.
1. Make sure you enjoy writÂing.
You won’t find Keret comÂparÂing his choÂsen proÂfesÂsion to openÂing a vein. As he told RookÂie:
WritÂing is a way to live anothÂer life…be grateÂful for the opporÂtuÂniÂty to expand the scope of your life.
2. Love your charÂacÂters.
…though few will ever seem as lovÂable as the girl in Goran Dukic’s charmÂing aniÂmaÂtion of Keret’s stoÂry “What Do We Have In Our PockÂets?” below.
3. When you’re writÂing, you don’t owe anyÂthing to anyÂone.
Don’t equate lovÂing your charÂacÂters with treatÂing them niceÂly. See Keret’s stoÂry “FunÂgus.”
4. Always start from the midÂdle.
This is perÂhaps Keret’s most conÂvenÂtionÂal tip, though his writÂing shows he’s anyÂthing but conÂvenÂtionÂal when it comes to locatÂing that midÂdle. His novelÂla, Kneller’s HapÂpy Campers (on which the film WristÂcutÂters: A Love StoÂry, starÂring Tom Waits, was based) manÂages to start at the beginÂning, midÂdle and end.
5. Try not to know how it ends.
At the very least, be preÂpared to dig yourÂself out to a difÂferÂent realÂiÂty, like the narÂraÂtor in Keret’s very short stoÂry “MysÂtique,” read below by actor Willem Dafoe.
6. Don’t use anyÂthing just because “that’s how it always is.”
Here, Keret is referÂring to what he termed “the shrine of form” in an interÂview with his great admirÂer, broadÂcastÂer Ira Glass, but his conÂtent is simÂiÂlarÂly unfetÂtered. If your writing’s become bogged down by realÂiÂty, try introÂducÂing a magÂic fish who’s fluÂent in everyÂthing, as in “What, of This GoldÂfish, Would You Wish?,” read by author Gary ShteynÂgart, below.
7. Write like yourÂself.
Leave the critÂics holdÂing the bag on comÂparÂisons to Franz KafÂka, Kurt VonÂnegut and Woody Allen, Lydia Davis, Amos Oz, DonÂald Barthelme…
8. Make sure you’re all alone in the room when you write.
um…Etgar? Does this mean I have to give up my cofÂfice?
9. Let peoÂple who like what you write encourÂage you.
Nerts to underÂminÂers, frenÂeÂmies, withÂerÂing interÂnal ediÂtors, and delibÂerÂateÂly hateÂful reviewÂers!
10. Hear what everyÂone has to say but don’t lisÂten to anyÂone (except me).
Read the RookÂie interÂview in which Keret expands on his rules.
via RookÂie
RelatÂed ConÂtent:
Stephen Kings’ Top 20 Rules for WritÂers
Kurt VonÂnegut’s 8 Tips on How to Write a Good Short StoÂry
Ray BradÂbury Gives 12 Piece of WritÂing Advice to Young Authors (2001)
Ayun HalÂlÂiÂday is an author, illusÂtraÂtor, and Chief PriÂmaÂtolÂoÂgist of the East VilÂlage Inky zine. FolÂlow her @AyunHalliday





