10 Rules for Writers by Etgar Keret, the Israeli Master of the Short and Strange

Etgar Keret, above, is a best sell­ing author and award-win­ning film­mak­er with the soul of a teenage zine pub­lish­er. He’s a mas­ter of the strange and short who plays by his own rules. This sounds like a recipe for out­sider sta­tus but Keret fre­quent­ly pops up in The New York Times, The New York­er, and on pub­lic radio’s This Amer­i­can Life.

The child of Holo­caust sur­vivors told Tikkun that he began writ­ing sto­ries as a way out of his mis­er­able exis­tence as a stut­ter­ing 19-year-old sol­dier in the Israeli army. This may explain why he’s so gen­er­ous with young fans, hand­ing his sto­ries over to them to inter­pret in short films and ani­ma­tions.

When Rook­ie, a web­site for teenage girls, invit­ed him to share ten writ­ing tips, he play­ful­ly oblig­ed. It’s worth not­ing that he refrained from pre­scrib­ing some­thing that’s a sta­ple of oth­er authors’ tip lists — the adop­tion of a dai­ly writ­ing prac­tice. As he told the San Fran­cis­co Bay Guardian:

For me, the term “writ­ing rou­tine” sounds like an oxy­moron. It is a bit like say­ing “hav­ing-a-once-in-a-life­time-insight-which-makes-you-want-to burst-into-tears rou­tine.”

With no fur­ther ado, here are his ten rules for writ­ers, along with a lib­er­al sprin­kling of some of my favorite Keret sto­ries.

1. Make sure you enjoy writ­ing.

You won’t find Keret com­par­ing his cho­sen pro­fes­sion to open­ing a vein. As he told Rook­ie:

Writ­ing is a way to live anoth­er life…be grate­ful for the oppor­tu­ni­ty to expand the scope of your life.

2. Love your char­ac­ters.

…though few will ever seem as lov­able as the girl in Goran Dukic’s charm­ing ani­ma­tion of  Keret’s sto­ry “What Do We Have In Our Pock­ets?” below.

3. When you’re writ­ing, you don’t owe any­thing to any­one.

Don’t equate lov­ing your char­ac­ters with treat­ing them nice­ly. See Keret’s sto­ry “Fun­gus.”

4. Always start from the mid­dle.

This is per­haps Keret’s most con­ven­tion­al tip, though his writ­ing shows he’s any­thing but con­ven­tion­al when it comes to locat­ing that mid­dle. His novel­la, Kneller’s Hap­py Campers (on which the film Wrist­cut­ters: A Love Sto­ry, star­ring Tom Waits, was based) man­ages to start at the begin­ning, mid­dle and end.

5. Try not to know how it ends.

At the very least, be pre­pared to dig your­self out to a dif­fer­ent real­i­ty, like the nar­ra­tor in Keret’s very short sto­ry “Mys­tique,” read below by actor Willem Dafoe.

6. Don’t use any­thing just because “that’s how it always is.”

Here, Keret is refer­ring to what he termed “the shrine of form” in an inter­view with his great admir­er, broad­cast­er Ira Glass, but his con­tent is sim­i­lar­ly unfet­tered.  If your writing’s become bogged down by real­i­ty, try intro­duc­ing a mag­ic fish who’s flu­ent in every­thing, as in â€śWhat, of This Gold­fish, Would You Wish?,” read by author Gary Shteyn­gart, below.

7. Write like your­self.

Leave the crit­ics hold­ing the bag on com­par­isons to Franz Kaf­ka, Kurt Von­negut and Woody Allen, Lydia Davis, Amos Oz, Don­ald Barthelme…

8. Make sure you’re all alone in the room when you write.

um…Etgar? Does this mean I have to give up my cof­fice?

9. Let peo­ple who like what you write encour­age you.

Nerts to under­min­ers, fren­e­mies, with­er­ing inter­nal edi­tors, and delib­er­ate­ly hate­ful review­ers!

10. Hear what every­one has to say but don’t lis­ten to any­one (except me).

Read the Rook­ie inter­view in which Keret expands on his rules.

via Rook­ie

Relat­ed Con­tent:

Stephen Kings’ Top 20 Rules for Writ­ers

Kurt Von­negut’s 8 Tips on How to Write a Good Short Sto­ry

Ray Brad­bury Gives 12 Piece of Writ­ing Advice to Young Authors (2001)

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

Read the First Chapter of Harper Lee’s New Book, Then Hear It Read by Reese Witherspoon

Go Set a Watchman

After much press and debate, Harp­er Lee’s new nov­el — a sequel of sorts to her beloved book, To Kill a Mock­ing­bird — will be released on July 14th. You can pre-order Go Set a Watch­man: A Nov­el (already #1 on Ama­zon’s best­seller list). But, even bet­ter, you can head over to the The Wall Street Jour­nal or The Guardian and read the first chap­ter online. The Guardian also fea­tures an audio ver­sion read by the Oscar-win­ning actress Reese With­er­spoon. Stream it right below. (And, fyi, you can always down­load a free audio copy of To Kill a Mock­ing­bird through the free tri­al pro­grams run by Audiobooks.com and Audible.com.)

Fol­low us on Face­book, Twit­ter, Google Plus and LinkedIn and share intel­li­gent media with your friends. Note: There’s now a way to make sure that our posts show up in your Face­book news­feed. Find info on that here.

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The 321 Books in David Foster Wallace’s Personal Library: From Blood Meridian to Confessions of an Unlikely Bodybuilder

Wallace_Books_Williamson_002_large

Not long after David Fos­ter Wal­lace died, his fans found them­selves with a new place of pil­grim­age: not his tomb­stone, in the man­ner of a Jim Mor­ri­son or a Kurt Cobain, but his lit­er­ary archives. You’ll find them at the Har­ry Ran­som Cen­ter at the Uni­ver­si­ty of Texas at Austin. From their col­lec­tion, we’ve pre­vi­ous­ly fea­tured Wal­lace’s fall 1994 Eng­lish 102 syl­labus from when he taught at Illi­nois State Uni­ver­si­ty, his Eng­lish 183A hand­out break­ing down (in the way that only he could) five com­mon usage mis­takes, and the lan­guage books con­tained in his per­son­al library.

Any read­er even casu­al­ly acquaint­ed with Wal­lace’s nov­els and essays will imme­di­ate­ly sense his deep inter­est in lan­guage. But if you browse through the Ran­som Cen­ter’s col­lec­tion of 321 books from the author of Infi­nite Jest and A Sup­pos­ed­ly Fun Thing I’ll Nev­er Do Again’s own shelves (most of them seem­ing­ly well-anno­tat­ed), you’ll find a good deal of evi­dence about what else inter­est­ed him. The Awl’s Maria Bustil­los did a post on the sur­pris­ing vari­ety of self-help books found there­in. Oth­er rep­re­sent­ed types of books include:

  • Mass-mar­ket thrillers like Thomas Har­ris’ The Silence of the LambsHan­ni­bal and Han­ni­bal Ris­ing, and Stephen King’s Car­rie
  • The nov­els of his peers like Rick Moody’s The Divin­ers, Richard Pow­ers’ GainGalatea 2.2, and Oper­a­tion Wan­der­ing Soul, Mark Leyn­er’s Et Tu, Babe and My Cousin, My Gas­troen­terol­o­gist, Jonathan Franzen’s Strong Motion, Cor­mac McCarthy’s Blood Merid­i­an and Nichol­son Bak­er’s Room Tem­per­a­ture
  • Books he wrote about like Bryan Gar­ner’s A Dic­tio­nary of Mod­ern Amer­i­can Usage, Edwin Williamson’s Borges: A Life, John Updike’s Toward the End of Time
  • Books on his own work like William C. Dowl­ing’s A Read­er’s Com­pan­ion to Infi­nite Jest
  • Books on the mid­west from which he came like A Place of Sense: Essays in Search of the Mid­west
  • Books clear­ly used as research mate­ri­als for his final, incom­plete, IRS-cen­tric nov­el The Pale King like Michael J. Graet­z’s The U.S. Income Tax: What It Is, How It Got That Way, and Where We Go from Here, William L. Raby’s The Reluc­tant Tax­pay­er, and Mar­ty Kaplan’s What the IRS Does­n’t Want You to Know: A CPA Reveals the Tricks of the Trade
  • My own favorite nov­els like Joseph Heller’s Some­thing Hap­pened, Richard Yates’ Rev­o­lu­tion­ary Road, and Alexan­der Ther­oux’s Dar­conville’s Cat

Have a look, and maybe you too can find a few of your own cur­rent or future favorite books. We could all do worse, after all, than to read like David Fos­ter Wal­lace did, even if it leads us to the occa­sion­al vol­ume like Mus­cle: Con­fes­sions of an Unlike­ly Body­builder; Barbed Wire: A Polit­i­cal His­to­ry; or Jack B. Nim­ble’s The Con­struc­tion and Oper­a­tion of Clan­des­tine Drug Lab­o­ra­to­ries. And for a week­end activ­i­ty, we could do worse than com­par­ing Wal­lace’s per­son­al library to that of Mar­i­lyn Mon­roe, which we fea­tured last year.

Relat­ed Con­tent:

David Fos­ter Wallace’s 1994 Syl­labus: How to Teach Seri­ous Lit­er­a­ture with Light­weight Books

David Fos­ter Wallace’s Love of Lan­guage Revealed by the Books in His Per­son­al Library

David Fos­ter Wal­lace Breaks Down Five Com­mon Word Usage Mis­takes in Eng­lish

David Fos­ter Wal­lace: The Big, Uncut Inter­view (2003)

30 Free Essays & Sto­ries by David Fos­ter Wal­lace on the Web

Col­in Mar­shall writes on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Neil Gaiman & Famous Friends Read Aloud the Entirety of Coraline (and The Graveyard Book Too)

One of the many plea­sures of hear­ing a children’s author read­ing his or her own work is their over­whelm­ing lack of vocal sen­ti­ment. When my chil­dren were young, I always opt­ed for the horse’s mouth, over the more histri­on­ic char­ac­ter­i­za­tions of a hired nar­ra­tor, regard­less of what sit­com or Broad­way play he or she may have starred in. It might have tak­en author E.B. White 17 takes to lay down a track for Charlotte’s Web’s tit­u­lar character’s death scene, but he even­tu­al­ly achieved the healthy remove that lets the listener—not the reader—wallow in the val­ley of deep emo­tions.

Neil Gaiman’s Cora­line is not a weepie, like White’s best loved work. Instead, it rev­els in a sort of under­stat­ed creepi­ness en route to the hor­rif­i­cal­ly bizarre. It’s a tone his fel­low lit­er­ary celebs are bliss­ful­ly well equipped to deliv­er, read­ing chap­ters aloud in hon­or of the book’s 10th anniver­sary. You can see them read all of the chap­ters here and also above and below.

Gaiman him­self book­ends the pro­ceed­ings by claim­ing the first (above) and final chap­ter. Lucky that. One shud­ders to think of the myr­i­ad ways in which a nar­ra­tor of cute­si­er sen­si­bil­i­ties could have screwed up phras­es like “oom­pah oom­pah” and “squidy brown toad­stools” (thus blight­ing the entire book).

I con­ceive of these read­ings as a mul­ti­ple nar­ra­tor audio­book because the per­form­ers are read­ing, rather than attempt­ing to act out the text in their hands, but real­ly it’s more of a video sto­ry­time. Gaiman is def­i­nite­ly on point in front of the camera—his large brown eyes, promi­nent pro­boscis and stringy ster­n­oclei­do­mas­toid mus­cles adding to the pro­ceed­ings.

Sand­wiched in between the master’s per­for­mances, you will find such lumi­nar­ies as authors R.L. Stine, John Hodg­man, and Daniel “Lemo­ny Snick­et” Han­dler, framed so that he has no head. For­mer child star Fairuza Balk would’ve made a gim­crack Cora­line back in the day, but her ren­di­tion of the book’s penul­ti­mate chap­ter sug­gests that she’s even bet­ter suit­ed to the role of Coraline’s “Oth­er Moth­er,” or rather her dis­em­bod­ied hand. Bed­lam, indeed.

Lis­ten to the 10th Anniver­sary Cel­e­bra­tion of the book in its entire­ty here.

Should that leave you want­i­ng more, Harp­er Collins has com­piled a stem to stern playlist of Gaiman read­ing 2008’s The Grave­yard Book, culled from var­i­ous videos of the author on tour. You can watch it above, or find it in our col­lec­tion, 1,000 Free Audio Books: Down­load Great Books for Free.

Relat­ed Con­tent:

Neil Gaiman’s Free Short Sto­ries

Neil Gaiman Reads “The Man Who For­got Ray Brad­bury”

Where Do Great Ideas Come From? Neil Gaiman Explains

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

Download & Play The Shining Board Game

Shining game 1

Stephen King’s 1977 psy­cho­log­i­cal hor­ror nov­el The Shin­ing has inspired sev­er­al oth­er works, most notably Stan­ley Kubrick­’s 1980 film adap­ta­tion, a movie wide­ly con­sid­ered to have ele­vat­ed King’s sto­ry of the pos­sessed Over­look Hotel and its luck­less win­ter care­tak­ers, the Tor­rance fam­i­ly, to a high­er artis­tic plane. But King him­self nev­er real­ly approved of Kubrick­’s inter­pre­ta­tion: â€śParts of the film are chill­ing, charged with a relent­less­ly claus­tro­pho­bic ter­ror,” he said, “but oth­ers fall flat. A vis­cer­al skep­tic such as Kubrick just could­n’t grasp the sheer inhu­man evil of the Over­look Hotel.”

Shining game 2

Pre­sum­ably King had a bet­ter time play­ing the board game of The Shin­ing, which won the first Microgame Design Con­test in 1998, and about which you can read more at Board Game Geek. It has been said that King him­self helped with the game’s devel­op­ment and offered his ser­vices as an ear­ly play-tester, though some will con­test that. (See the claims in the com­ments sec­tion below.)

You can tell that the game’s faith lies with King’s nov­el rather than Kubrick­’s film by its use of things that nev­er made it from page to screen as game­play ele­ments, such as the hotel grounds’ hedge-sculp­ture ani­mals that come to vicious life.

Shining game 3

You can play The Shin­ing board game as the Tor­rance fam­i­ly, in which case you’ll have to fight those hedge ani­mals. Or you can play it as the Over­look Hotel itself, in which case you’ll con­trol them. Each play­er has a host of imple­ments at their dis­pos­al — ghosts, decoys, the famous axe and snow­mo­bile — all meant to help them accom­plish the task of dri­ving the oth­er side away. Think of it as a sim­pli­fied wargame set in a haunt­ed hotel.

If you’d like to see how you fare, whether in the shoes of the Tor­rances or the Indi­an-bur­ial-ground foun­da­tion of the Over­look, you’ll find all the game’s mate­ri­als freely avail­able on the Micro­grame Design Con­test’s site. Print them out, set them up, and pre­pare to feel some sheer inhu­man evil for your­self.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via Dan­ger­ous Minds

Relat­ed Con­tent:

Stan­ley Kubrick’s Anno­tat­ed Copy of Stephen King’s The Shin­ing

7 Free Stephen King Sto­ries: Pre­sent­ed in Text, Audio, Web Com­ic & a Graph­ic Nov­el Video

Stephen King Reveals in His First TV Inter­view Whether He Sleeps With the Lights On (1982)

Stephen King’s Top 20 Rules for Writ­ers

Stephen King Cre­ates a List of 96 Books for Aspir­ing Writ­ers to Read

Col­in Mar­shall writes on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Books in the Films of Wes Anderson: A Supercut for Bibliophiles

There’s some­thing about Wes Ander­son films that prompts peo­ple to get cre­ative — to start cre­at­ing their own video essays and super­cuts explor­ing themes in Ander­son­’s whim­si­cal movies. You can find a list below.

The lat­est comes from LuĂ­s Azeve­do, founder of The A to Z Review. â€śBib­lio­phil­ia – Books in the Films of Wes Ander­son” (above) tells this sto­ry:

In the work of Wes Ander­son, books and art in gen­er­al have a strong con­nec­tion with mem­o­ry. The Roy­al Tenen­baums (2001) begins with a homony­mous book, as does Fan­tas­tic Mr. Fox (2009). The Grand Budapest Hotel (2014) begins and ends with a book. Moon­rise King­dom (2012) ends with a paint­ing of a place which no longer exists. These movies have a clear mes­sage: books pre­serve sto­ries, for they exist with­in them and live on through them.

For a detailed expla­na­tion of the video, bib­li­og­ra­phy, fil­mog­ra­phy and more vis­it this page.

I would also encour­age you to watch the book ani­ma­tion that Ander­son him­self cre­at­ed for Moon­rise King­dom, which sad­ly nev­er made it into the film. Find it here.

Relat­ed Con­tent:

Watch 7 New Video Essays on Wes Anderson’s Films: Rush­moreThe Roy­al Tenen­baums & More

Wes Ander­son & Yasu­jiro Ozu: New Video Essay Reveals the Unex­pect­ed Par­al­lels Between Two Great Film­mak­ers

The Per­fect Sym­me­try of Wes Anderson’s Movies

A Glimpse Into How Wes Ander­son Cre­ative­ly Remixes/Recycles Scenes in His Dif­fer­ent Films

1,000 Free Audio Books: Down­load Great Books for Free.

800 Free eBooks for iPad, Kin­dle & Oth­er Devices

Artist Turns 24-Volume Encyclopedia Britannica Set into a Beautifully Carved Landscape

Not too long ago, an old­er rel­a­tive tried to donate the Funk & Wag­nalls ency­clo­pe­dia he’d owned since boy­hood to a local char­i­ty shop, but they refused to take it.

What an igno­min­ious end to an insti­tu­tion that had fol­lowed him for sev­en decades and twice as many moves. Like many such weighty pos­ses­sions, its prove­nance was sen­ti­men­tal, a grad­u­a­tion gift I believe, bestowed all at once, rather than pur­chased piece­meal from a trav­el­ing ency­clo­pe­dia sales­man.

By the time I came along, its func­tion had been reduced to the pri­mar­i­ly dec­o­ra­tive. Every now and then, he’d find some pre­text to pull one of its many vol­umes from the shelf.

Did I know that Tan­za­nia was once called Tan­ganyi­ka?

And Thai­land was once Siam!

The vin­tage Funk & Wag­nalls’ many facts, maps, and illus­tra­tions were not the only aspects in need of an update. Its pre-Women’s Lib, pre-Civ­il Rights atti­tudes were shock­ing to the point of camp. There was unin­ten­tion­al com­ic gold in those pages. A col­lage artist could’ve had a ball. Wit­ness the suc­cess of the Ency­clo­pe­dia Show, an ongo­ing per­for­mance event in Chica­go.

encyc brit carved

Mul­ti­dis­ci­pli­nary artist Guy Laramée takes a much more sober approach, above. Adieu, his sculp­tur­al repur­pos­ing of a 24-vol­ume Ency­clo­pe­dia Bri­tan­ni­ca feels like a memen­to mori for a dim­ly recalled ances­tor of the infor­ma­tion age.

Quoth the artist:

I carve land­scapes out of books and I paint roman­tic land­scapes. Moun­tains of dis­used knowl­edge return to what they real­ly are: moun­tains. They erode a bit more and they become hills. Then they flat­ten and become fields where appar­ent­ly noth­ing is hap­pen­ing. Piles of obso­lete ency­clo­pe­dias return to that which does not need to say any­thing, that which sim­ply IS. Fogs and clouds erase every­thing we know, every­thing we think we are.

An ene­my of 3D print­ing and oth­er 21st-cen­tu­ry tech­no­log­i­cal advances, Laramée employs old fash­ioned pow­er tools to accom­plish his beau­ti­ful, destruc­tive vision. What’s left is a delib­er­ate waste­land.

Kudos to film­mak­er Sébastien Ven­tu­ra for tran­scend­ing mere doc­u­men­ta­tion to deliv­er the befit­ting ele­gy at the top of the page. He presents us with a beau­ti­ful ruin. What­ev­er hap­pened there, nature will reclaim it.

You can see more of LaramĂ©e’s work at This Is Colos­sal.

Relat­ed Con­tent:

Artist Takes Old Books and Gives Them New Life as Intri­cate Sculp­tures

The Sketch­book Project Presents Online 17,000 Sketch­books, Cre­at­ed by Artists from 135 Coun­tries

The Met­ro­pol­i­tan Muse­um of Art Puts 400,000 High-Res Images Online & Makes Them Free to Use

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

Italian Astronaut Reads The Hitchhiker’s Guide to the Galaxy on the International Space Station

On Fri­day, to help cel­e­brate Dan­te’s 750th birth­day, Col­in Mar­shall pre­sent­ed for you Saman­tha Cristo­fore­t­ti, Italy’s first female astro­naut, read­ing lines from The Divine Com­e­dy aboard the Inter­na­tion­al Space Sta­tion. Lit­tle did we know that, just a few days lat­er, we could serve up a new video of Cristo­fore­t­ti read­ing lines (this time in Eng­lish) from a much more mod­ern text — Dou­glas Adams’ The Hitch­hik­er’s Guide to the Galaxy (1979). The video was filmed as part of Tow­el Day, a cel­e­bra­tion held every May 25th, where fans across the uni­verse car­ry a tow­el in Adams’ hon­our. Above you can see Cristo­fore­t­ti, float­ing upside down, doing just that, and read­ing the sec­tion of the book that touch­es on tow­els, the “most mas­sive­ly use­ful thing an inter­stel­lar hitch hik­er can have.”

via

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Relat­ed Con­tent:

Astro­naut Reads The Divine Com­e­dy on the Inter­na­tion­al Space Sta­tion on Dante’s 750th Birth­day

William Shat­ner Nar­rates Space Shut­tle Doc­u­men­tary

Won­der­ful­ly Kitschy Pro­pa­gan­da Posters Cham­pi­on the Chi­nese Space Pro­gram (1962–2003)

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