Michael Stipe Recommends 10 Books for Anyone Marooned on a Desert Island

stipe books

Image by David Shankbone

Michael Stipe’s tenure as front­man and lyri­cist for R.E.M. cer­tain­ly revealed a lit­er­ate mind. A for­mer art major at the Uni­ver­si­ty of Geor­gia and cur­rent art teacher at NYU, his best lyrics scan well as poet­ry.  One can imag­ine being invit­ed over for a din­ner par­ty to Mr. Stipe’s place, and, glass of wine in hand, absolute­ly hav­ing to nose through his book­shelf. What does the writer of “Nightswim­ming” read? With the his­tor­i­cal ref­er­ences that course through those ear­ly albums, would he have socio-polit­i­cal books about Amer­i­ca? Would he pull a book off the shelf and say, here, “You have to read this. It will change your life”?

Won­der no more, because Stipe was recent­ly asked to write down his Top Ten list of books to take to a desert island. The list was pub­lished in The New York Times. Find a skele­tal ver­sion here:

Some of these are classics—for exam­ple Ker­ouac’s On the Road, which Stipe calls “my band’s template”—and the one poet on the list, Rim­baud, is very much an ear­ly influ­ence on his writ­ing. Dhal­gren was also a favorite of David Bowie’s, who based a lot of Dia­mond Dogs on the nov­el. The Copeland and Did­ion choic­es stand out, most­ly by being less obvi­ous selec­tions from their bib­li­ogra­phies. And as he says that he’s cur­rent­ly read­ing the Pat­ti Smith book (now being turned into a series on Show­time), we can’t take the selec­tion too seri­ous­ly. Maybe he just wants to take it to the desert island to fin­ish it.

Stipe has includ­ed a few sen­tences on each book to explain his choic­es. Find them here.

Relat­ed con­tent:

Pat­ti Smith’s List of Favorite Books: From Rim­baud to Susan Son­tag

David Bowie’s Top 100 Books

Bri­an Eno Lists 20 Books for Rebuild­ing Civ­i­liza­tion & 59 Books For Build­ing Your Intel­lec­tu­al World

Ted Mills is a free­lance writer on the arts who cur­rent­ly hosts the FunkZone Pod­cast. You can also fol­low him on Twit­ter at @tedmills, read his oth­er arts writ­ing at tedmills.com and/or watch his films here.

Pres. Obama Releases a Free Playlist of 40 Songs for a Summer Day (Plus 6 Books on His Summer Reading List)

obama summer playlist

Like much of the rest of the coun­try, Pres­i­dent Oba­ma is get­ting some down­time in August — in his case spend­ing 16 days in Martha’s Vine­yard. From that nice get­away spot, POTUS has launched on Spo­ti­fy (down­load the free soft­ware here) two playlists of music — 20 songs for a hot sum­mer day, and anoth­er 20 for a nice sum­mer evening. You can play the songs below, and fur­ther down the page, find six books on his sum­mer vaca­tion read­ing list.

Day­time lis­ten­ing fea­tures songs from Bob Dylan, Bob Mar­ley, Cold­play, Howl­in’ Wolf, Aretha Franklin, Flo­rence and the Machine, and The Rolling Stones. For night­time, he’s serv­ing up John Coltrane, Van Mor­ri­son, Joni Mitchell, Nina Simone and more. The man has taste. And for sum­mer read­ing you can do worse than offer Jhumpa Lahiri, James Salter and Eliz­a­beth Kol­bert.

“The Pres­i­den­t’s Sum­mer Playlist: Day”

“The Pres­i­den­t’s Sum­mer Playlist: Night”

Oba­ma’s Sum­mer Read­ing List:

All That Is, by James Salter

All The Light We Can­not See, by Antho­ny Doerr

The Sixth Extinc­tion, by Eliz­a­beth Kol­bert

The Low­land, by Jhumpa Lahiri

Between The World and Me, by Ta-Nehisi Coates

Wash­ing­ton: A Life, by Ron Cher­now

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Kurt Vonnegut Maps Out the Universal Shapes of Our Favorite Stories

Imag­ine a hat. Flip it upside down, and you’ve got your­self the out­line of a sto­ry the pub­lic will nev­er weary of, accord­ing to author Kurt Von­negut, who maps it on out a chalk­board in the video above.

His Y‑axis charts a range between good and ill for­tune. Von­negut rec­om­mends posi­tion­ing your main char­ac­ter slight­ly clos­er to the good (i.e. wealth and bois­ter­ous health) end of the spec­trum, at least in the begin­ning. He or she will dip below mid­line soon enough.

As for the X‑axis, Von­negut labels it B‑E, from begin­ning to end.

Now plot your points, remem­ber­ing that it’s all about the curves.

Some pop­u­lar themes include peo­ple get­ting in and out of trou­ble, and the ever­green boy gets girl. (The always pro­gres­sive Von­negut reminds his view­ers that the gen­ders in the lat­ter sce­nario are always open to inter­pre­ta­tion. Again, it’s the curves that count…)

Think­ing about my favorite books and films, it seems that most do fol­low Vonnegut’s upside-down hat nar­ra­tive arc.

Are there excep­tions?

Hor­a­tio Alger’s rags to rich­es sto­ries, for exam­ple. We should all be so lucky to find our­selves pow­er­ing up such a steep uphill grade.

Of course there are excep­tions!

Von­negut him­self iden­ti­fies a par­tic­u­lar­ly high pro­file one, whose geom­e­try is less an ele­gant curve than a stair­case that ter­mi­nates in a free fall. (SPOILER: it involves a fairy god­moth­er and ends in an infin­i­ty sym­bol.

Those weary of pars­ing sto­ry using the Hero’s Jour­ney tem­plate should inves­ti­gate Vonnegut’s graph­ic approach. It works!

Relat­ed Con­tent:

Kurt Vonnegut’s 8 Tips on How to Write a Good Short Sto­ry

Kurt Von­negut Explains “How to Write With Style”

Kurt Von­negut Urges Young Peo­ple to Make Art and “Make Your Soul Grow”

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

Read Online Haruki Murakami’s New Essay on How a Baseball Game Launched His Writing Career

wind pinball

For years, it was hard to come across Hear the Wind Sing and Pin­ball 1973, Haru­ki Murakami’s first and sec­ond nov­els, unless one want­ed to pony up some­thing between $250 and $400 at Ama­zon for their Kodan­sha Eng­lish edi­tions. The author has long dis­missed them as juve­nil­ia, though he was far from a juve­nile at that time, and was actu­al­ly man­ag­ing a jazz bar on the out­skirts of Tokyo with his wife and writ­ing his first works at their kitchen table. He was search­ing for a style as a nov­el­ist, and it was once he wrote A Wild Sheep Chase that Muraka­mi became the writer he envi­sioned.

On August 4, Knopf will pub­lish both nov­els in a sin­gle vol­ume with new trans­la­tions by Ted Goossen, so read­ers can make up their own minds on whether Muraka­mi is being too hard on him­self. A lot of the famil­iar Muraka­mi ele­ments and themes are there: a name­less nar­ra­tor who likes his beer and smokes, cats, music, lit­er­a­ture, spaghet­ti, mys­te­ri­ous appear­ances and dis­ap­pear­ances, lone­li­ness, and his poet­ic obser­va­tions of nature.

Now that Muraka­mi has relent­ed on the book’s pub­li­ca­tion, he has penned an intro­duc­tion that explores the begin­ning of his writ­ing career, chance deci­sions, his some­times blind search for a style, and the base­ball game that changed his life:

I think Hiroshima’s start­ing pitch­er that day was Yoshi­ro Sotoko­ba. Yakult coun­tered with Takeshi Yasu­da. In the bot­tom of the first inning, Hilton slammed Sotokoba’s first pitch into left field for a clean dou­ble. The sat­is­fy­ing crack when the bat met the ball resound­ed through­out Jin­gu Sta­di­um. Scat­tered applause rose around me. In that instant, for no rea­son and on no grounds what­so­ev­er, the thought sud­den­ly struck me: I think I can write a nov­el.

I can still recall the exact sen­sa­tion. It felt as if some­thing had come flut­ter­ing down from the sky, and I had caught it clean­ly in my hands. I had no idea why it had chanced to fall into my grasp. I didn’t know then, and I don’t know now. What­ev­er the rea­son, it had tak­en place. It was like a rev­e­la­tion. Or maybe epiphany is the clos­est word. All I can say is that my life was dras­ti­cal­ly and per­ma­nent­ly altered in that instant—when Dave Hilton belt­ed that beau­ti­ful, ring­ing dou­ble at Jin­gu Sta­di­um.

After the game (Yakult won as I recall), I took the train to Shin­juku and bought a sheaf of writ­ing paper and a foun­tain pen. Word proces­sors and com­put­ers weren’t around back then, which meant we had to write every­thing by hand, one char­ac­ter at a time. The sen­sa­tion of writ­ing felt very fresh. I remem­ber how thrilled I was. It had been such a long time since I had put foun­tain pen to paper.

Each night after that, when I got home late from work, I sat at my kitchen table and wrote. Those few hours before dawn were prac­ti­cal­ly the only time I had free. Over the six or so months that fol­lowed I wrote Hear the Wind Sing. I wrapped up the first draft right around the time the base­ball sea­son end­ed. Inci­den­tal­ly, that year the Yakult Swal­lows bucked the odds and almost everyone’s pre­dic­tions to win the Cen­tral League pen­nant, then went on to defeat the Pacif­ic League cham­pi­ons, the pitch­ing-rich Han­kyu Braves in the Japan Series. It was tru­ly a mirac­u­lous sea­son that sent the hearts of all Yakult fans soar­ing.

You can read the rest of Murakami’s intro­duc­tion over at Lithub. And pre-order the new trans­la­tion of Wind/Pinball here.

Relat­ed Con­tent:

A 56-Song Playlist of Music in Haru­ki Murakami’s Nov­els: Ray Charles, Glenn Gould, the Beach Boys & More

Haru­ki Muraka­mi Reads in Eng­lish from The Wind-Up Bird Chron­i­cle in a Rare Pub­lic Read­ing (1998)

Dis­cov­er Haru­ki Murakami’s Adver­to­r­i­al Short Sto­ries: Rare Short-Short Fic­tion from the 1980s

A Dream­i­ly Ani­mat­ed Intro­duc­tion to Haru­ki Muraka­mi, Japan’s Jazz and Base­ball-Lov­ing Post­mod­ern Nov­el­ist

Ted Mills is a free­lance writer on the arts who cur­rent­ly hosts the FunkZone Pod­cast. You can also fol­low him on Twit­ter at @tedmills, read his oth­er arts writ­ing at tedmills.com and/or watch his films here.

School Teachers Turn Old Lockers Into Literary Works of Art

At Biloxi Junior High School, the teach­ers are spend­ing their sum­mer pret­ty pro­duc­tive­ly. They’re tak­ing an entire hall­way lined with dull green (cur­rent­ly unused) lock­ers and they’re repaint­ing each and every­one of them — 189 in total. By the time stu­dents return in the fall, each lock­er will look like the spine of a famous book, and the hall­way will be known as the â€śAvenue of Lit­er­a­ture.” One teacher told WLOX, “We want stu­dents to come back to school in August and … be absolute­ly amazed with what we’ve done and be curi­ous. We want that to be the spark for read­ing in our class­rooms… We’re hop­ing the stu­dents come and they become com­plete­ly immersed in a col­lec­tion” that con­tains every­thing from Water­ship Down and John­ny Tremain to books in the Twi­light series, reports Elec­tric Lit.

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10 Rules for Writers by Etgar Keret, the Israeli Master of the Short and Strange

Etgar Keret, above, is a best sell­ing author and award-win­ning film­mak­er with the soul of a teenage zine pub­lish­er. He’s a mas­ter of the strange and short who plays by his own rules. This sounds like a recipe for out­sider sta­tus but Keret fre­quent­ly pops up in The New York Times, The New York­er, and on pub­lic radio’s This Amer­i­can Life.

The child of Holo­caust sur­vivors told Tikkun that he began writ­ing sto­ries as a way out of his mis­er­able exis­tence as a stut­ter­ing 19-year-old sol­dier in the Israeli army. This may explain why he’s so gen­er­ous with young fans, hand­ing his sto­ries over to them to inter­pret in short films and ani­ma­tions.

When Rook­ie, a web­site for teenage girls, invit­ed him to share ten writ­ing tips, he play­ful­ly oblig­ed. It’s worth not­ing that he refrained from pre­scrib­ing some­thing that’s a sta­ple of oth­er authors’ tip lists — the adop­tion of a dai­ly writ­ing prac­tice. As he told the San Fran­cis­co Bay Guardian:

For me, the term “writ­ing rou­tine” sounds like an oxy­moron. It is a bit like say­ing “hav­ing-a-once-in-a-life­time-insight-which-makes-you-want-to burst-into-tears rou­tine.”

With no fur­ther ado, here are his ten rules for writ­ers, along with a lib­er­al sprin­kling of some of my favorite Keret sto­ries.

1. Make sure you enjoy writ­ing.

You won’t find Keret com­par­ing his cho­sen pro­fes­sion to open­ing a vein. As he told Rook­ie:

Writ­ing is a way to live anoth­er life…be grate­ful for the oppor­tu­ni­ty to expand the scope of your life.

2. Love your char­ac­ters.

…though few will ever seem as lov­able as the girl in Goran Dukic’s charm­ing ani­ma­tion of  Keret’s sto­ry “What Do We Have In Our Pock­ets?” below.

3. When you’re writ­ing, you don’t owe any­thing to any­one.

Don’t equate lov­ing your char­ac­ters with treat­ing them nice­ly. See Keret’s sto­ry “Fun­gus.”

4. Always start from the mid­dle.

This is per­haps Keret’s most con­ven­tion­al tip, though his writ­ing shows he’s any­thing but con­ven­tion­al when it comes to locat­ing that mid­dle. His novel­la, Kneller’s Hap­py Campers (on which the film Wrist­cut­ters: A Love Sto­ry, star­ring Tom Waits, was based) man­ages to start at the begin­ning, mid­dle and end.

5. Try not to know how it ends.

At the very least, be pre­pared to dig your­self out to a dif­fer­ent real­i­ty, like the nar­ra­tor in Keret’s very short sto­ry “Mys­tique,” read below by actor Willem Dafoe.

6. Don’t use any­thing just because “that’s how it always is.”

Here, Keret is refer­ring to what he termed “the shrine of form” in an inter­view with his great admir­er, broad­cast­er Ira Glass, but his con­tent is sim­i­lar­ly unfet­tered.  If your writing’s become bogged down by real­i­ty, try intro­duc­ing a mag­ic fish who’s flu­ent in every­thing, as in â€śWhat, of This Gold­fish, Would You Wish?,” read by author Gary Shteyn­gart, below.

7. Write like your­self.

Leave the crit­ics hold­ing the bag on com­par­isons to Franz Kaf­ka, Kurt Von­negut and Woody Allen, Lydia Davis, Amos Oz, Don­ald Barthelme…

8. Make sure you’re all alone in the room when you write.

um…Etgar? Does this mean I have to give up my cof­fice?

9. Let peo­ple who like what you write encour­age you.

Nerts to under­min­ers, fren­e­mies, with­er­ing inter­nal edi­tors, and delib­er­ate­ly hate­ful review­ers!

10. Hear what every­one has to say but don’t lis­ten to any­one (except me).

Read the Rook­ie inter­view in which Keret expands on his rules.

via Rook­ie

Relat­ed Con­tent:

Stephen Kings’ Top 20 Rules for Writ­ers

Kurt Von­negut’s 8 Tips on How to Write a Good Short Sto­ry

Ray Brad­bury Gives 12 Piece of Writ­ing Advice to Young Authors (2001)

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

Read the First Chapter of Harper Lee’s New Book, Then Hear It Read by Reese Witherspoon

Go Set a Watchman

After much press and debate, Harp­er Lee’s new nov­el — a sequel of sorts to her beloved book, To Kill a Mock­ing­bird — will be released on July 14th. You can pre-order Go Set a Watch­man: A Nov­el (already #1 on Ama­zon’s best­seller list). But, even bet­ter, you can head over to the The Wall Street Jour­nal or The Guardian and read the first chap­ter online. The Guardian also fea­tures an audio ver­sion read by the Oscar-win­ning actress Reese With­er­spoon. Stream it right below. (And, fyi, you can always down­load a free audio copy of To Kill a Mock­ing­bird through the free tri­al pro­grams run by Audiobooks.com and Audible.com.)

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The 321 Books in David Foster Wallace’s Personal Library: From Blood Meridian to Confessions of an Unlikely Bodybuilder

Wallace_Books_Williamson_002_large

Not long after David Fos­ter Wal­lace died, his fans found them­selves with a new place of pil­grim­age: not his tomb­stone, in the man­ner of a Jim Mor­ri­son or a Kurt Cobain, but his lit­er­ary archives. You’ll find them at the Har­ry Ran­som Cen­ter at the Uni­ver­si­ty of Texas at Austin. From their col­lec­tion, we’ve pre­vi­ous­ly fea­tured Wal­lace’s fall 1994 Eng­lish 102 syl­labus from when he taught at Illi­nois State Uni­ver­si­ty, his Eng­lish 183A hand­out break­ing down (in the way that only he could) five com­mon usage mis­takes, and the lan­guage books con­tained in his per­son­al library.

Any read­er even casu­al­ly acquaint­ed with Wal­lace’s nov­els and essays will imme­di­ate­ly sense his deep inter­est in lan­guage. But if you browse through the Ran­som Cen­ter’s col­lec­tion of 321 books from the author of Infi­nite Jest and A Sup­pos­ed­ly Fun Thing I’ll Nev­er Do Again’s own shelves (most of them seem­ing­ly well-anno­tat­ed), you’ll find a good deal of evi­dence about what else inter­est­ed him. The Awl’s Maria Bustil­los did a post on the sur­pris­ing vari­ety of self-help books found there­in. Oth­er rep­re­sent­ed types of books include:

  • Mass-mar­ket thrillers like Thomas Har­ris’ The Silence of the LambsHan­ni­bal and Han­ni­bal Ris­ing, and Stephen King’s Car­rie
  • The nov­els of his peers like Rick Moody’s The Divin­ers, Richard Pow­ers’ GainGalatea 2.2, and Oper­a­tion Wan­der­ing Soul, Mark Leyn­er’s Et Tu, Babe and My Cousin, My Gas­troen­terol­o­gist, Jonathan Franzen’s Strong Motion, Cor­mac McCarthy’s Blood Merid­i­an and Nichol­son Bak­er’s Room Tem­per­a­ture
  • Books he wrote about like Bryan Gar­ner’s A Dic­tio­nary of Mod­ern Amer­i­can Usage, Edwin Williamson’s Borges: A Life, John Updike’s Toward the End of Time
  • Books on his own work like William C. Dowl­ing’s A Read­er’s Com­pan­ion to Infi­nite Jest
  • Books on the mid­west from which he came like A Place of Sense: Essays in Search of the Mid­west
  • Books clear­ly used as research mate­ri­als for his final, incom­plete, IRS-cen­tric nov­el The Pale King like Michael J. Graet­z’s The U.S. Income Tax: What It Is, How It Got That Way, and Where We Go from Here, William L. Raby’s The Reluc­tant Tax­pay­er, and Mar­ty Kaplan’s What the IRS Does­n’t Want You to Know: A CPA Reveals the Tricks of the Trade
  • My own favorite nov­els like Joseph Heller’s Some­thing Hap­pened, Richard Yates’ Rev­o­lu­tion­ary Road, and Alexan­der Ther­oux’s Dar­conville’s Cat

Have a look, and maybe you too can find a few of your own cur­rent or future favorite books. We could all do worse, after all, than to read like David Fos­ter Wal­lace did, even if it leads us to the occa­sion­al vol­ume like Mus­cle: Con­fes­sions of an Unlike­ly Body­builder; Barbed Wire: A Polit­i­cal His­to­ry; or Jack B. Nim­ble’s The Con­struc­tion and Oper­a­tion of Clan­des­tine Drug Lab­o­ra­to­ries. And for a week­end activ­i­ty, we could do worse than com­par­ing Wal­lace’s per­son­al library to that of Mar­i­lyn Mon­roe, which we fea­tured last year.

Relat­ed Con­tent:

David Fos­ter Wallace’s 1994 Syl­labus: How to Teach Seri­ous Lit­er­a­ture with Light­weight Books

David Fos­ter Wallace’s Love of Lan­guage Revealed by the Books in His Per­son­al Library

David Fos­ter Wal­lace Breaks Down Five Com­mon Word Usage Mis­takes in Eng­lish

David Fos­ter Wal­lace: The Big, Uncut Inter­view (2003)

30 Free Essays & Sto­ries by David Fos­ter Wal­lace on the Web

Col­in Mar­shall writes on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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