Noam Chomsky Almost Appeared on Saturday Night Live During the 90s

Noam_Chomsky_2

Image by jean­bap­tis­teparis

There are those guest hosts on Sat­ur­day Night Live who imme­di­ate­ly become exem­plary cast mem­bers they fit in so well. I’m think­ing most­ly of Alec Bald­win. Then there are those—certain pop stars and athletes—who are too awk­ward even to make for unin­ten­tion­al humor. Some­times the show will choose a host for obvi­ous cul­tur­al or polit­i­cal rea­sons, whether or not that per­son has any sense of humor what­so­ev­er. Lorne Michaels even once con­sid­ered ask­ing noto­ri­ous­ly stiff then-pres­i­den­tial can­di­date Mitt Rom­ney to host in 2012, a prospect that excit­ed no one except maybe Rom­ney.

Giv­en the show’s many ques­tion­able choic­es, it’s maybe not too sur­pris­ing that it would con­sid­er ask­ing an aca­d­e­m­ic to host. Some extro­vert­ed pub­lic intel­lec­tu­als, like Cor­nell West and Slavoj Zizeck, are nat­ur­al enter­tain­ers. But that they would think of Noam Chom­sky—known for his rum­pled sweaters and inci­sive, unspar­ing geopo­lit­i­cal analy­sis, deliv­ered in the dri­est monot­o­ne this side of Ben Stein’s Fer­ris Bueller’s Day Off char­ac­ter—is, well, pret­ty odd.

It does make a lit­tle bit more sense con­sid­er­ing that they only asked Pro­fes­sor Chom­sky to play him­self on the show, not deliv­er a mono­logue or do imper­son­ations. Accord­ing to his assis­tant Bev Stohl, the show called some­time in the late 90s and told her that the “writ­ers had writ­ten a loose script for Noam. The only thing he need­ed to do was show up on the set and play it straight, answer­ing the ques­tions that were put to him. Sort of like, ‘I’m Noam Chom­sky, and I play myself on TV.’” Most­ly, writes Stohl on her blog, “I liked the idea of Noam appear­ing in main­stream media, some­thing that was just begin­ning to hap­pen in small ways in the 1990’s.”

And how did Chom­sky him­self feel about the request? It seems he was vague­ly famil­iar with the show and open to the idea. His wife, on the oth­er hand, was not. “After a brief exchange” with her, writes Crit­i­cal The­o­ry, “he informed Stohl that ‘Car­ol says no.’” We’ll nev­er know if we were “robbed of either the great­est SNL skit ever” or spared “anoth­er ter­ri­bly unfun­ny seg­ment,” but the ques­tion of whether Chom­sky can be fun­ny is still an open one. Matthew Alford at The Guardian writes that dur­ing the Q&A after a lec­ture he attend­ed, “Chom­sky was suc­cess­ful not only at con­vey­ing his rad­i­cal polit­i­cal mes­sage but also at rais­ing bel­ly laughs from the audi­ence with dark-laced, insight­ful humour about his pol­i­tics.” Alford says he mea­sured “a laugh every cou­ple of minutes—very high for a pub­lic intel­lec­tu­al but of course not close to the pro­fes­sion­al comic’s bench­mark of one gag every 20 sec­onds.” He offers some typ­i­cal Chom­sky-an one-lin­ers, such as:

“[The Bush administration’s] moral val­ues are very explic­it: shine the boots of the rich and pow­er­ful, kick every­one else in the face, and let your grand­chil­dren pay for it.”

“If you’ve resist­ed the temp­ta­tion to tell the teacher ‘you’re an ass­hole’ which maybe he or she is, and if you don’t say ‘that’s idi­ot­ic’ when you get a stu­pid assign­ment… you will end up at a good col­lege and even­tu­al­ly with a good job.”

And “It’s to the point where Ronald Rea­gan could put on his cow­boy boots and cow­boy hat and declare a nation­al emer­gency because the nation­al secu­ri­ty of the Unit­ed States was in dan­ger from the gov­ern­ment of Nicaragua… whose troops were two days from Texas.”

Above, you can catch a glimpse of the lighter side of Chom­sky.

via Crit­i­cal The­o­ry

Relat­ed Con­tent:

Noam Chom­sky Went Gang­nam Style … Ever So Briefly?

Film­mak­er Michel Gondry Presents an Ani­mat­ed Con­ver­sa­tion with Noam Chom­sky

Noam Chom­sky Spells Out the Pur­pose of Edu­ca­tion

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Animated Louis CK Shows Demonstrates How “Animation Lets You Do Anything”

Father­hood is a fer­tile sub­ject for come­di­an Louis C.K.

Kids do say the darnedest things, but Louis’ obser­va­tions reveal the depth of his invest­ment.

He lit out after stan­dard­ized test­ing and the Com­mon Core on Twit­ter.

He made a pas­sion­ate case against giv­ing kids smart­phones to Conan O’Brien.

Is it any won­der that the “dumb­er, fun­nier” ver­sion of him­self he cre­at­ed for his TV show is pre­oc­cu­pied and often thwart­ed by his respon­si­bil­i­ties as the sin­gle dad of two young daugh­ters?

(Real life may pro­vide inspi­ra­tion, but the writer and star dis­plays appro­pri­ate bound­aries when he says that his actu­al daugh­ters are marked­ly dif­fer­ent char­ac­ters than their TV coun­ter­parts.)

But the knife of father­hood cuts both ways. Louis’ trou­bled rela­tion­ship with his own dad gets less atten­tion than the father-daugh­ter bond, but it’s there in his work. The prospect of spend­ing time with his estranged father caus­es the fic­tion­al Louis to vom­it at the din­ner table in sea­son three.

The ani­mat­ed approach seen above, gives Louis more con­trol over the sit­u­a­tion. Ani­ma­tion, like read­ing, makes pos­si­ble flights of fan­cy where­in children—including grown ones like Louis—can do “absolute­ly any­thing.” Fly­ing and using a rain­bow as a slide are among the fan­tas­ti­cal activ­i­ties the 2‑D Louis sam­ples. Mean­while, the qual­i­ty of his nar­ra­tion con­veys an under­ly­ing dis­taste for the sort of canned “imag­i­na­tive” sug­ges­tions foist­ed on chil­dren by well-mean­ing edu­ca­tion­al pro­gram­mers.

Left to their own devices, most kids will come up with sce­nar­ios and pow­ers far weird­er than any­thing ped­dled to them by an adult. Why “swim through the ocean like a fish” when you can anthro­po­mor­phize your elder­ly father as a malev­o­lent spi­der, lodged in your chest, poop­ing out reg­u­lar lit­tle “infes­ta­tions of hate”?

Ani­ma­tion lets you go all the way, and C.K. cer­tain­ly does, lop­ping off heads, and (SPOILER!) inad­ver­tent­ly Bon­nie and Clyd­ing him­self from with­in.

Someone’s made a lot of progress since the 90’s, when he used his time on Dr. Katz’s ani­mat­ed couch to dis­cuss K‑Mart and Chips Ahoy.

Relat­ed Con­tent: 

The Sur­re­al Short Films of Louis C.K., 1993–1999

Sein­feld, Louis C.K., Chris Rock, and Ricky Ger­vais Dis­sect the Craft of Com­e­dy (NSFW)

20-Year-Old Louis CK Per­forms Stand Up (1987)

Ayun Hal­l­i­day is an author, home­school­er, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

Thug Notes Demystifies 60 Literary Classics (from Shakespeare to Gatsby) with a Fresh Urban Twist

Gen­tle read­er, if you feel your knee jerk­ing at Thug Notes, may I sug­gest tak­ing a moment to gaze beyond the gold bling and du-rag favored by its fic­ti­tious host, lit­er­a­ture lover Sparky Sweets, PhD.

Or do we think YA author John Green should hold the monop­oly on wit­ty, break­neck decon­struc­tions of clas­sic lit­er­a­ture? No shade towards Green. The Crash Course empire he’s cre­at­ed with his sci­en­tist broth­er, Hank, pro­vides a great and enter­tain­ing ser­vice to stu­dents of all ages. His cute-nerd vibe makes him an appeal­ing host.

But there’s more than one way to skin a cat.

A poor choice of metaphor, giv­en the fic­ti­tious Dr. Sweets’ soft spot for baby felines. It’s not some­thing he talks about on the show, but he fre­quent­ly tweets pho­tos of him­self in their oh-so-cud­dly com­pa­ny, tag­ging them #kit­ten­ther­a­py.

He (or per­haps head writer / pro­duc­er Jared Bauer) also turns to Twit­ter to dis­sem­i­nate quotes by the likes of Cer­vantes (“Dili­gence is the moth­er of good for­tune”) and Orwell (“Either we all live in a decent world, or nobody does”).

Thug Notes’ tagline “clas­sic lit­er­a­ture, orig­i­nal gangs­ta” may be its punch­line, but the humor of incon­gruity is not its sole aim.

Come­di­an Greg Edwards, who plays Sparky Sweets, told The New York Times that the project is “triv­i­al­iz­ing academia’s attempt at mak­ing lit­er­a­ture exclu­sion­ary by show­ing that even high­brow aca­d­e­m­ic con­cepts can be com­mu­ni­cat­ed in a clear and open fash­ion.”

Amen. As Sparky Sweets observes fol­low­ing Simon’s mur­der in the Lord of the Flies above, “Whoo, this $hit (is) get­tin’ real!”

Is there a dan­ger that white teenage boys who love com­e­dy and hip hop, who are indif­fer­ent to lit­er­a­ture, and who know few black peo­ple and/or urban dwellers, might run around imi­tat­ing their favorite parts of these videos, not real­iz­ing that their attempt to embody the char­ac­ter is per­pet­u­at­ing a stereo­type in a bad way?

Yes.

Is there an equal or greater dan­ger that a reluc­tant stu­dent might be prod­ded in a pos­i­tive direc­tion by Sparky’s zesty, insight­ful take on their assigned read­ing?

Resound­ing­ly, yes.

Thug Notes’ dis­cus­sion of racism as por­trayed in To Kill a Mock­ing­bird is not the longest I’ve ever heard, but it is the most straight­for­ward and brac­ing. It got my blood going! I’m inspired to drag my dog eared paper­back copy out and give it anoth­er read! (Maybe I’ll have a Scotch and play some clas­si­cal music. Sparky does that too.)

I’m hop­ing the kids at the high school a cou­ple of blocks away — who, for the record, look and sound far more like Sparky than they do me — will be encour­aged to sup­ple­ment their read­ing of this book, and oth­ers, with Thug Notes.

As an out-of-char­ac­ter Greg Edwards, bear­ing as much resem­blance to Sparky Sweets as Stephen Col­bert does to his most famous cre­ation, told inter­view­er Tavis Smi­ley:

We don’t want to stop kids from read­ing the book. We just want to open up doors. Maybe teach­ers can use it. It’s hard being a teacher nowa­days. You’re under­paid, you’re over­worked, the class­rooms are full, the kids are crazy, so throw this on and maybe it’ll spark one kid’s atten­tion.

As of this writ­ing, Thug Notes has tack­led dozens of titles (you can watch them all here, or right below), a heap­ing help­ing of banned books, and four of Shakespeare’s plays (above).

New titles will be added every oth­er Tues­day. I can’t wait.

Relat­ed Con­tent:

Alexan­der Hamil­ton: Hip-Hop Hero at the White House Poet­ry Evening

The Can­ter­bury Tales Remixed: Baba Brinkman’s New Album Uses Hip Hop to Bring Chaucer Into the 21st Cen­tu­ry, Yo

Do Rap­pers Have a Big­ger Vocab­u­lary Than Shake­speare?: A Data Sci­en­tist Maps Out the Answer

Ayun Hal­l­i­day is an author, home­school­er, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

Neil Gaiman Reads Bad, Fake Neil Gaiman Stories

The Amer­i­can Pub­lic Media show, “Wits,” asked its lis­ten­ers to write their “poor­est imi­ta­tions of Neil Gaiman’s writ­ing.” And then they got Gaiman him­self to read the best/worst sub­mis­sions. You can watch the results above, and hear the com­plete radio show here.

To watch/listen to Gaiman read­ing sto­ries that he actu­al­ly wrote, see this col­lec­tion where Neil reads eight works, includ­ing the entire­ty of The Grave­yard Book.

via @Electric Lit­er­a­ture

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Neil Gaiman’s Free Short Sto­ries

Neil Gaiman Gives Grad­u­ates 10 Essen­tial Tips for Work­ing in the Arts

Where Do Great Ideas Come From? Neil Gaiman Explains

1,000 Free Audio Books: Down­load Great Books for Free

Stephen Fry Reads You Have To F**king Eat, the New Mock Children’s Book by Adam Mansbach

The sequel to Adam Mans­bach’s best-sell­ing mock children’s book, Go the F**k to Sleep is out. Say hel­lo to You Have to F**king Eat.

As men­tioned last week, you can down­load a free audio ver­sion read by Break­ing Bad star Bryan Cranston over at Audible.com through Decem­ber 12th. This week, we present a slight­ly more posh ver­sion read by Stephen Fry — the very same Stephen Fry who nar­rat­ed the UK ver­sion of the Har­ry Pot­ter series, not to men­tion an audio ver­sion of Oscar Wilde’s children’s sto­ry “The Hap­py Prince.”  Find more Fry favorites below.

Relat­ed Con­tent:

Stephen Fry: What I Wish I Knew When I Was 18

Stephen Fry Explains Human­ism in 4 Ani­mat­ed Videos: Hap­pi­ness, Truth and the Mean­ing of Life & Death

Shakespeare’s Satir­i­cal Son­net 130, As Read By Stephen Fry

Download Bryan Cranston’s Reading of You Have to F–king Eat as a Free Audio Book (NSFW)

Back in 2011, Adam Mans­bach and Ricar­do Cortés pub­lished the mock chil­dren’s book, Go the F**k to Sleep. And it gained nation­al atten­tion when pirat­ed PDF copies cir­cu­lat­ed on the inter­net, and a read­ing by Wern­er Her­zog made the rounds on YouTube, both of which turned the book into a #1 best­seller on Ama­zon. Now, three years lat­er, Mans­bach is back with a sequel, You Have to F–king Eat. The print edi­tion went on sale today, and, even bet­ter, the audio edi­tion, nar­rat­ed by Break­ing Bad star Bryan Cranston, can be down­loaded for free over at Audible.com. The irrev­er­ent, 4‑minute NSFW read­ing will remain free through 12/12/14.  You can hear a sam­ple above.

If you’re a Cranston fan, you won’t want to miss his more seri­ous read­ing fea­tured on OC last year: Bryan Cranston Reads Shelley’s Son­net “Ozy­man­dias”.

And if you love audio books, you might be inter­est­ed to know that you can down­load anoth­er free audio book of your choice through Audi­ble’s 30-day free tri­al pro­gram. We have details on that here. More free audio books can be found in our col­lec­tion, 1,000 Free Audio Books: Down­load Great Books for Free.

via Laugh­ing Squid

Relat­ed Con­tent:

Watch the Orig­i­nal Audi­tion Tapes for Break­ing Bad Before the Final Sea­son Debuts

Wern­er Her­zog Reads “Go the F**k to Sleep” in NYC (NSFW)

Ricky Gervais Creates Outlandish Comedy with David Bowie

Ricky Ger­vais’s first brush with fame, at least on the oth­er side of the pond, was as the front man of the ‘80s synch pop band Seona Danc­ing. If you watch the music video below of the band’s near-hit “Bit­ter Heart” from 1983, you can see a skin­nier, svel­ter Ger­vais with over-moussed hair croon­ing like he was David Bowie. He indeed does sounds a bit like Bowie. He moves like Bowie. And if you squint your eyes, you can almost con­vince your­self that Ger­vais even looks like Bowie (or the lead singer of A‑ha).

Seona Danc­ing fold­ed in 1984 because they ulti­mate­ly failed to crack the Top 40. So after drift­ing around the music indus­try, Ger­vais turned to com­e­dy. But that didn’t mean that he for­got about Bowie. Before he struck fame and for­tune with The Office, he made a one-off show called Gold­en Years in 1998. He played Clive Mead­ows, an obliv­i­ous, Bowie-obsessed cor­po­rate mid­dle man­ag­er who pre­pares for an appear­ance on the British tal­ent series Stars In Their Eyes by dress­ing up as the rock star dur­ing his Aladdin Sane peri­od, com­plete with satin pants, red wig and light­ning bolt face paint.

Not long after The Office pre­miered, Ger­vais got a chance to meet his idol when the BBC invit­ed him to a con­cert. “David Bowie has been a hero of mine for 25 years,” he told the Dai­ly Mir­ror. “He is quite spe­cial and you meet him and you think he is going to come out of some weird tube and say ‘hel­lo, I’m a space boy’. But he does­n’t, he says ‘hel­lo I’m David’.” Of course, when Ger­vais was intro­duced, Bowie had no idea who he was.

Then a few weeks lat­er, Ger­vais received an email from Bowie, who clear­ly caught up on his TV view­ing. “So I watched that Office. I laughed. What do I do now?”

That sparked a friend­ship between the two. As Ger­vais recount­ed in an inter­view in GQ Mag­a­zine:

I remem­ber, I think, the first time that I knew him when it was his birth­day, I sent him an e‑mail that said “57???? Isn’t it about time that you got a prop­er job? Ricky Ger­vais, 42, come­di­an.” He sent back: “I have a prop­er job. David Bowie, 57, Rock God.”

Their rela­tion­ship cul­mi­nat­ed in a guest appear­ance on Gervais’s HBO series Extras. In the episode, which you can watch above, Ger­vais plays Andy Mill­man, an obliv­i­ous, des­per­ate movie extra look­ing to break into the big time. When he annoys Bowie, play­ing him­self, at a posh bar with his self-absorbed whin­ing, the rock star turns to a piano and starts to toss off a damn­ing, but catchy, lit­tle dit­ty on the spot about Ger­vais called “Lit­tle Fat Man.” (Lyrics include: ““Pathet­ic lit­tle fat man / No one’s bloody laugh­ing / The clown that no one laughs at / They all just wish he’d die”)

While mak­ing the episode, he and Bowie worked togeth­er on mak­ing the song:

“Have you got the lyrics?” and he went, “Yeah.” I said, “Can you do some­thing quite retro, like ‘Life on Mars’?” And he went [dead­pan], “Oh, of course, yeah, sure. I’ll knock off a quick ‘Life on Mars,’ shall I?”

via Net­work Awe­some

Relat­ed Con­tent:

David Bowie Recalls the Strange Expe­ri­ence of Invent­ing the Char­ac­ter Zig­gy Star­dust (1977)

Ricky Ger­vais Presents “Learn Gui­tar with David Brent”

“Learn Eng­lish With Ricky Ger­vais,” A New Pod­cast Debuts (NSFW)

Sein­feld, Louis C.K., Chris Rock, and Ricky Ger­vais Dis­sect the Craft of Com­e­dy (NSFW)

Jonathan Crow is a Los Ange­les-based writer and film­mak­er whose work has appeared in Yahoo!, The Hol­ly­wood Reporter, and oth­er pub­li­ca­tions. You can fol­low him at @jonccrow. And check out his blog Veep­to­pus, fea­tur­ing lots of pic­tures of vice pres­i­dents with octo­pus­es on their heads.  The Veep­to­pus store is here.

Watch Harry Shearer’s Faithful Recreation of Nixon’s Resignation

Antho­ny Hop­kins.

Frank Lan­gel­la.

And now, come­di­an Har­ry Shear­er.

What role do these gift­ed per­form­ers have in com­mon?

Lear?

Nope. Nixon.

Lan­gel­la and Sir Antho­ny res­ur­rect­ed the 37th pres­i­dent with­in the frame­work of care­ful­ly craft­ed screen­plays. Shearer’s approach is just as actor­ly, but his mate­r­i­al isn’t exact­ly script­ed. Instead, he and Nixon schol­ar Stan­ley Kut­ler pieced it togeth­er from unof­fi­cial ban­ter on the 3,700 hours of audio­tape Nixon secret­ly record­ed while in office, sup­ple­ment­ing with notes by those who were there.

The result is Nixon’s The One, a fly-on-the-wall web series in which vir­tu­oso impro­vis­er Shear­er sticks scrupu­lous­ly to the script, recre­at­ing every pause and awk­ward chuck­le. Com­pare Shearer’s lead up to Nixon’s tele­vised res­ig­na­tion above, to the real thing, below.

It’s uncom­fort­able, uncan­ny, dis­so­cia­tive, and strange­ly human.

The only false note is Shearer’s glar­ing­ly obvi­ous pros­thet­ic nose, though giv­en the pro­fes­sion­al, peri­od-accu­rate set, this may have been a delib­er­ate choice. Despite his insis­tence on authen­tic­i­ty, a biopic is clear­ly not what cre­ator Shear­er had in mind.

He’s been in train­ing for this project for close to half a cen­tu­ry, long before the idea itself was hatched. His first turn as Nixon came as a young, make-up free mem­ber of the L.A. com­e­dy group, the Cred­i­bil­i­ty Gap.

The next was on Sun­day Best, a 1991 mid-sea­son replace­ment on NBC. “I did a sketch I don’t think ever aired,” he told the Wall Street Jour­nal, “Nixon as a guest on an infomer­cial demon­strat­ing a mag­i­cal teeth-whiten­ing prepa­ra­tion.”

Le Show, Shearer’s extreme­ly fun­ny radio show, pro­vid­ed a forum for yet anoth­er ridicu­lous exer­cise at Tricky Dick’s expense.

The one-time polit­i­cal sci­ence major has elect­ed to play it straight with this ver­ba­tim, long form labor of love, in order let the weird, unin­ten­tion­al com­e­dy of Richard Nixon shine through. Find all the videos in the Nixon’s the One series here.

Relat­ed Con­tent:

Richard Nixon’s Tips For Get­ting Pan­das to Have Sex, Caught on New­ly-Revealed Audio Tape (1972)

The Moon Dis­as­ter That Wasn’t: Nixon’s Speech In Case Apol­lo 11 Failed to Return

Nixon and Kissinger: Best of Allies and Rivals

Ayun Hal­l­i­day is an author, home­school­er, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. She embar­rassed her par­ents on a child­hood tour of the Nixon White House unchar­ac­ter­is­ti­cal­ly bois­ter­ous demands to see Tricky Dick and a queasy stom­ach that  healed itself in time for a vis­it to a Lafayette Square hot dog ven­dor. Fol­low her @AyunHalliday

« Go BackMore in this category... »
Quantcast