A Complete Archive of Vincent van Gogh’s Letters: Beautifully Illustrated and Fully Annotated

van gogh to gauguin

 

First pub­lished in three vol­umes in 1914, only 24 years after his death, the let­ters of Vin­cent Van Gogh have cap­ti­vat­ed lovers of his paint­ing for over a cen­tu­ry for the insights they offer into his cre­ative bliss and anguish. They have also long been accord­ed the sta­tus of lit­er­a­ture. “There is scarce­ly one let­ter by Van Gogh,” wrote W.H. Auden, “which I do not find fas­ci­nat­ing.”

That first pub­lished col­lec­tion con­sist­ed only of the painter’s 651 let­ters to his younger broth­er, Theo, who died six months after Vin­cent. Com­piled and pub­lished by Theo’s wife, Johan­na, Van Gogh’s cor­re­spon­dence became instru­men­tal in spread­ing his fame as both an artist and as a chron­i­cler of deep emo­tion­al expe­ri­ences and reli­gious and philo­soph­i­cal con­vic­tions.

http://art-vangogh.com/

Now avail­able in a six-vol­ume schol­ar­ly col­lec­tion of 819 let­ters Vin­cent wrote to Theo and var­i­ous fam­i­ly mem­bers and friends—as well as 83 let­ters he received—the full cor­re­spon­dence shows us a man who “could write very expres­sive­ly and had a pow­er­ful abil­i­ty to evoke a scene or land­scape with well-cho­sen words.” So write the Van Gogh Muse­um, who also host all of those let­ters online, with thor­ough­ly anno­tat­ed Eng­lish trans­la­tions, man­u­script fac­sim­i­les, and more. The col­lec­tion dates from 1872—with a few mun­dane notes writ­ten to Theo—to Van Gogh’s last let­ter to his broth­er in July of 1890. “I’d real­ly like to write to you about many things,” Vin­cent begins in that final com­mu­ni­ca­tion, “but sense the point­less­ness of it.” He ends the let­ter with an equal­ly omi­nous sen­ti­ment: “Ah well, I risk my life for my own work and my rea­son has half foundered in it.”

http://art-vangogh.com/

In-between these very per­son­al win­dows onto Van Gogh’s state of mind, we see the pro­gres­sion of his career. Ear­ly let­ters con­tain much dis­cus­sion between him and Theo about the busi­ness of art (Vin­cent worked as an art deal­er between 1869 and 1876). End­less mon­ey wor­ries pre­oc­cu­py the bulk of Vin­cen­t’s let­ters to his fam­i­ly. And there are lat­er let­ters between Vin­cent and Paul Gau­g­in and painter Emile Bernard, almost exclu­sive­ly about tech­nique. Since he was “not in a depen­dent posi­tion” with artist friends as he was with fam­i­ly, in the few let­ters he exchanged with his peers, points out the Van Gogh Muse­um, “the sole focus was on art.”

http://art-vangogh.com/

And as you can see here, Van Gogh would not only “evoke a scene or land­scape” with words, but also with many dozens of illus­tra­tions. Many are sketch­es for paint­ings in progress, some quick obser­va­tions and rapid por­traits, and some ful­ly-com­posed scenes. Van Gogh’s sketch­es “basi­cal­ly served one pur­pose, which was to give the recip­i­ent an idea of some­thing that he was work­ing on or had fin­ished.” (See the sketch of his room in an 1888 let­ter to Gau­guin at the top of the post.) In ear­ly let­ters to Theo, the sketches—which Vin­cent called “scratches”—also served to con­vince his younger broth­er and patron of his com­mit­ment and to demon­strate his progress. You can peruse all of the let­ters at your leisure here. Click on “With Sketch­es” to see the let­ters fea­tur­ing illus­tra­tions.

http://art-vangogh.com/

And for much more con­text on the his­to­ry of Van Gogh’s cor­re­spon­dence, see the Van Gogh Museum’s site for bio­graph­i­cal infor­ma­tion, essays on Van Gogh’s many themes, his rhetor­i­cal style, and the state and appear­ance of the man­u­scripts.

Relat­ed Con­tent:

Down­load Hun­dreds of Van Gogh Paint­ings, Sketch­es & Let­ters in High Res­o­lu­tion

13 Van Gogh’s Paint­ings Painstak­ing­ly Brought to Life with 3D Ani­ma­tion & Visu­al Map­ping

The Unex­pect­ed Math Behind Van Gogh’s “Star­ry Night”

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Download Beautiful Free Vintage Easter Cards from the New York Public Library

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‘Tis the sea­son when bun­nies tem­porar­i­ly upend cats as rulers of the Inter­net.

There are scores of vin­tage snap­shots in which inno­cent chil­dren are pas­sive­ly men­aced by hideous, full body bun­ny cos­tumes—hope­ful­ly an inac­cu­rate reflec­tion of the adults encased there­in…

“Medieval rab­bits that hate East­er and want to kill you”

Some edi­ble DIY fails

And mer­ci­ful­ly, a bit of sweet nos­tal­gia from the New York Pub­lic Library, who is mak­ing its robust col­lec­tion of East­er greet­ings avail­able for free down­load.

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Each card comes with pub­li­ca­tion infor­ma­tion. Images of the flip sides reveal that the sender often con­sid­ered the pub­lish­ers’ preprint­ed sen­ti­ments cor­re­spon­dence enough. (It’s some­thing of a relief to real­ize that social media did not invent this kind of short­hand.)

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Bun­nies are not the only fruit here… sea­son­al flo­ra and fau­na abound, in addi­tion to more explic­it­ly reli­gious iconog­ra­phy.

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View the entire col­lec­tion here. Down­load as many as you’d like and do with them as you will.

Relat­ed Con­tent:

The New York Pub­lic Library Lets You Down­load 180,000 Images in High Res­o­lu­tion: His­toric Pho­tographs, Maps, Let­ters & More

New York Pub­lic Library Puts 20,000 Hi-Res Maps Online & Makes Them Free to Down­load and Use

Down­load 2,000 Mag­nif­i­cent Turn-of-the-Cen­tu­ry Art Posters, Cour­tesy of the New York Pub­lic Library

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

New Rosa Parks Archive is Now Online: Features 7,500 Manuscripts & 2,500 Photographs, Courtesy of the Library of Congress

It’s telling that the Library of Con­gress, in dig­i­tiz­ing its vast Rosa Parks Col­lec­tion in close to its entire­ty, had to resort to a “rep­re­sen­ta­tive sam­ple” of chil­dren’s greet­ing cards. The lady had no short­age of admir­ers at the ele­men­tary school lev­el.

Parks Kids Card

It’s not sur­pris­ing that Parks’ refusal to yield her bus seat to a white pas­sen­ger in Mont­gomery, Alaba­ma in 1955 res­onates with chil­dren. The sto­ry has the sim­plic­i­ty of a fable, and Parks’ pluck is irre­sistible. It’s as if she took a sling­shot and aimed it right between the eyes of the seg­re­gat­ed South.

It’s easy to con­vey how impor­tant her spon­ta­neous act of resis­tance was to the Civ­il Rights Move­ment. How­ev­er, those few min­utes on Bus 2857 can­not be all there is to a woman whose life spanned nine decades (1913–2005). They are just the his­tor­i­cal equiv­a­lent of a role that an actor can­not escape—great, but ulti­mate­ly lim­it­ing.

The online archive helps to flesh out this icon­ic fig­ure beyond the con­fines of a child’s cray­oned por­trait.

Among the trea­sures are:

Scanned book cov­ers from her per­son­al library

Parks Gandhi
A busi­ness card from her stint as a staffer for Con­gress­man John Cony­ers of Michi­gan… (Parks moved to Detroit short­ly after the Mont­gomery Bus Boy­cott, after both she and her hus­band were dis­missed from their jobs.)

Parks Business Card

Hand­writ­ten rem­i­nis­cences about her rur­al Alaba­ma child­hood…

Parks Childhood

Doc­u­men­ta­tion of speak­ing engage­ments and oth­er pub­lic appear­ances…

Parks Baltimore

A hand­writ­ten pan­cake recipe…

Parks Pancakes

Cor­re­spon­dence from a bevy of high­ly rec­og­niz­able names

And of course, many, many reflec­tions hav­ing to do with the most pub­licly mem­o­rable day in an extreme­ly long life.

Most of the col­lec­tion can be viewed online and the Library has a teach­ing aid with sug­ges­tions on using these pri­ma­ry sources in the class­room. The video below con­tains some high­lights of the col­lec­tion, as well as tech­ni­cal infor­ma­tion on how its con­tents have been pre­served for future gen­er­a­tions.

                        

Relat­ed Con­tent:

‘Tired of Giv­ing In’: The Arrest Report, Mug Shot and Fin­ger­prints of Rosa Parks (Decem­ber 1, 1955)

Mar­tin Luther King, Jr. Writes a List of 16 Sug­ges­tions for African-Amer­i­cans Rid­ing New­ly-Inte­grat­ed Bus­es (1956)

Read Mar­tin Luther King and The Mont­gomery Sto­ry: The Influ­en­tial 1957 Civ­il Rights Com­ic Book

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

Gandhi Writes Letters to Hitler: “We Have Found in Non-Violence a Force Which Can Match the Most Violent Forces in the World” (1939/40)

Gandhi Hitler

It must come up in every sin­gle argu­ment, from sophis­ti­cat­ed to sopho­moric, about the prac­ti­ca­bil­i­ty of non-vio­lent paci­fism. “Look what Gand­hi and Mar­tin Luther King, Jr. were able to achieve!” “Yes, but what about Hitler? What do you do about the Nazis?” The rebut­tal implies future Nazi-like enti­ties loom­ing on the hori­zon, and though this reduc­tio ad Hitlerum gen­er­al­ly has the effect of nul­li­fy­ing any con­tin­ued ratio­nal dis­cus­sion, it’s dif­fi­cult to imag­ine a sat­is­fy­ing paci­fist answer to the prob­lem of naked, implaca­ble hatred and aggres­sion on such a scale as that of the Third Reich. Even Gand­hi’s own pro­pos­al sounds like a joke: in 1940, Adolph Hitler aban­dons his plans to claim Leben­sraum for the Ger­man peo­ple and to dis­place, enslave, or erad­i­cate Ger­many’s neigh­bors and unde­sir­able cit­i­zens. He adopts a pos­ture of non-vio­lence and “uni­ver­sal friend­ship,” and Ger­man forces with­draw from Czecho­slo­va­kia, Poland, Den­mark, France, agree­ing to resolve dif­fer­ences through inter­na­tion­al con­fer­ence and com­mit­tee.

Hitler may have been a veg­e­tar­i­an, but that’s like­ly where any sym­pa­thy between him and Gand­hi began and end­ed.  And yet, the above is pre­cise­ly what Mahat­ma Gand­hi asked of the Fuhrer, in a let­ter dat­ed Decem­ber 24, 1940. Engaged ful­ly in the strug­gle for Indi­an inde­pen­dence, Gand­hi found him­self torn by the entry of Britain into the war against Ger­many. On the one hand, Gand­hi ini­tial­ly pledged “non­vi­o­lent moral sup­port” for the war, sens­ing an enemy–Germany–even more threat­en­ing to world peace and sta­bil­i­ty. (That stance would change in short order as the Indi­an Nation­al Con­gress revolt­ed and resigned en masse rather than par­tic­i­pate in the war). On the oth­er hand, Gand­hi did not see the British Empire as cat­e­gor­i­cal­ly dif­fer­ent from the Nazis. As he put it in his let­ter to Hitler, whom he address­es as “Friend” (this is “no for­mal­i­ty,” he writes, “I own no foes”): “If there is a dif­fer­ence, it is in degree. One-fifth of the human race has been brought under the British heel by means that will not bear scruti­ny.”

Gand­hi acknowl­edges the absur­di­ty of his request: “I am aware,” he writes, “that your view of life regards such spo­li­a­tions as vir­tu­ous acts.” And yet, he mar­shals a for­mi­da­ble argu­ment for non­vi­o­lence as a force of pow­er, not weak­ness, show­ing how it had weak­ened British rule: “The move­ment of inde­pen­dence has been nev­er so strong as now,” he writes, through “the right means to com­bat the most orga­nized vio­lence in the world which the British pow­er rep­re­sents”:

It remains to be seen which is the bet­ter orga­nized, the Ger­man or the British. We know what the British heel means for us and the non-Euro­pean races of the world. But we would nev­er wish to end the British rule with Ger­man aid. We have found in non-vio­lence a force which, if orga­nized, can with­out doubt match itself against a com­bi­na­tion of all the most vio­lent forces in the world. In non-vio­lent tech­nique, as I have said, there is no such thing as defeat. It is all ‘do or die’ with­out killing or hurt­ing. It can be used prac­ti­cal­ly with­out mon­ey and obvi­ous­ly with­out the aid of sci­ence of destruc­tion which you have brought to such per­fec­tion. It is a mar­vel to me that you do not see that it is nobody’s monop­oly. If not the British, some oth­er pow­er will cer­tain­ly improve upon your method and beat you with your own weapon. You are leav­ing no lega­cy to your peo­ple of which they would feel proud. They can­not take pride in a recital of cru­el deed, how­ev­er skill­ful­ly planned. I, there­fore, appeal to you in the name of human­i­ty to stop the war.

As an alter­na­tive to war, Gand­hi pro­pos­es an “inter­na­tion­al tri­bunal of your joint choice” to deter­mine “which par­ty was in the right.” His let­ter, Gand­hi writes, should be tak­en as “a joint appeal to you and Sign­or Mus­soli­ni…. I hope that he will take this as addressed to him also with the nec­es­sary changes.”

Gand­hi also ref­er­ences an appeal he made “to every Briton to accept my method of non-vio­lent resis­tance.” That appeal took the form of an open let­ter he pub­lished that July, “To Every Briton,” in which he wrote:

You will invite Herr Hitler and Sign­or Mus­soli­ni to take what they want of the coun­tries you call your pos­ses­sions. Let them take pos­ses­sion of your beau­ti­ful island, with your many beau­ti­ful build­ings. You will give all these, but nei­ther your souls, nor your minds. If these gen­tle­men choose to occu­py your homes, you will vacate them. If they do not give you free pas­sage out, you will allow your­self, man, woman and child, to be slaugh­tered, but you will refuse to owe alle­giance to them.

When Gand­hi vis­it­ed Eng­land that year, he found the viceroy of colo­nial India “dumb­struck” by these requests, writes Stan­ley Wolpert in his biog­ra­phy of the Indi­an leader, “unable to utter a word in response, refus­ing even to call for his car to take the now more deeply despon­dent Gand­hi home.”

Gand­hi’s 1940 let­ter to Hitler was actu­al­ly his sec­ond addressed to the Nazi leader. The first, a very short mis­sive writ­ten in 1939, one month before the ill-fat­ed Sovi­et Non-Aggres­sion Pact, strikes a con­cil­ia­to­ry tone. Gand­hi writes that he resist­ed requests from friends to pen the let­ter “because of the feel­ing that any let­ter from me would be an imper­ti­nence,” and though he calls on Hitler to “pre­vent a war which may reduce human­i­ty to a sav­age state,” he ends with, “I antic­i­pate your for­give­ness, If I have erred in writ­ing to you.” But again, in this very brief let­ter, Gand­hi appeals to the “con­sid­er­able suc­cess” of his non­vi­o­lent meth­ods. “There is no evi­dence,” The Chris­t­ian Sci­ence Mon­i­tor remarks, “to sug­gest Hitler ever respond­ed to either of Gand­hi’s let­ters.”

As the war unavoid­ably raged, Gand­hi redou­bled his efforts at Indi­an inde­pen­dence, launch­ing the  “Quit India” move­ment in 1942, which—writes Open Uni­ver­si­ty—“more than any­thing, unit­ed the Indi­an peo­ple against British rule” and has­tened its even­tu­al end in 1947. Non-vio­lence suc­ceed­ed, improb­a­bly, against the British Empire, though cer­tain oth­er for­mer colonies won inde­pen­dence through more tra­di­tion­al­ly war­like meth­ods. And yet, though Gand­hi believed non-vio­lent resis­tance could avert the hor­rors of World War II, those of us with­out his lev­el of total com­mit­ment to the prin­ci­ple may find it dif­fi­cult to imag­ine how it might have suc­ceed­ed against the Nazis, or how it could have appealed to their total­iz­ing ide­ol­o­gy of dom­i­na­tion.

Relat­ed Con­tent:

Tol­stoy and Gand­hi Exchange Let­ters: Two Thinkers’ Quest for Gen­tle­ness, Humil­i­ty & Love (1909)

Hear Gandhi’s Famous Speech on the Exis­tence of God (1931)

Watch Gand­hi Talk in His First Filmed Inter­view (1947)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

The New York Public Library Lets You Download 180,000 Images in High Resolution: Historic Photographs, Maps, Letters & More

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Most of us Open Cul­ture writ­ers and read­ers sure­ly grew up think­ing of the local pub­lic library as an end­less source of fas­ci­nat­ing things. But the New York Pub­lic Library’s col­lec­tions take that to a whole oth­er lev­el, and, so far, they’ve spent the age of the inter­net tak­ing it to a lev­el beyond that, dig­i­tiz­ing ever more of their fas­ci­nat­ing things and mak­ing them freely avail­able for all of our perusal (and even for use in our own work). Just in the past cou­ple of years, we’ve fea­tured their release of 20,000 high-res­o­lu­tion maps, 17,000 restau­rant menus, and lots of the­ater ephemera.

This week, The New York Pub­lic Library (NYPL) announced not only that their dig­i­tal col­lec­tion now con­tains over 180,000 items, but that they’ve made it pos­si­ble, “no per­mis­sion required, no hoops to jump through,” to down­load and use high-res­o­lu­tion images of all of them.

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You’ll find on their site “more promi­nent down­load links and fil­ters high­light­ing restric­tion-free con­tent,” and, if you have techi­er inter­ests, “updates to the Dig­i­tal Col­lec­tions API enabling bulk use and analy­sis, as well as data exports and util­i­ties post­ed to NYPL’s GitHub account.” You might also con­sid­er apply­ing for the NYPL’s Remix Res­i­den­cy pro­gram, designed to fos­ter “trans­for­ma­tive and cre­ative uses of dig­i­tal col­lec­tions and data, and the pub­lic domain assets in par­tic­u­lar.”

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And what do those assets include? Endur­ing pieces of Amer­i­can doc­u­men­tary art like the Farm Secu­ri­ty Admin­is­tra­tion pho­tographs tak­en dur­ing the Great Depres­sion by Dorothea Lange, Walk­er Evans, and Gor­don Parks. Lange’s shot of the Mid­way Dairy Coop­er­a­tive near San­ta Ana, Cal­i­for­nia appears at the top of the post. Arti­facts from the cre­ative process­es of such icons of Amer­i­can lit­er­a­ture as Hen­ry David Thore­auNathaniel Hawthorne, and Walt Whit­man, whose hand­writ­ten pref­ace to Spec­i­men Days you’ll find sec­ond from the top. The let­ters and oth­er papers of the Found­ing Fathers, includ­ing Thomas Jef­fer­son­’s list of books for a pri­vate library just above. And, of course, all those maps, like the 1868 Plan of New York and Brook­lyn just below.

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These selec­tions make the NYPL’s dig­i­tal col­lec­tion seem strong­ly Amer­i­ca-focused, and to an extent it is, but apart from host­ing a rich repos­i­to­ry of the his­to­ry, art, and let­ters of the Unit­ed States, it also con­tains such fas­ci­nat­ing inter­na­tion­al mate­ri­als as medieval Euro­pean illu­mi­nat­ed man­u­scripts16th-cen­tu­ry hand­scrolls illus­trat­ing The Tale of Gen­ji, the first nov­el; and 19th-cen­tu­ry cyan­otypes of British algae by botanist and pho­tog­ra­ph­er Anna Atkins, the first per­son to pub­lish a book illus­trat­ed with pho­tos. You can start your own brows­ing on the NYPL Dig­i­tal Col­lec­tions front page, and if you do, you’ll soon find that some­thing else we knew about the library grow­ing up — what good places they make in which to get lost — holds even truer on the inter­net.

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Relat­ed Con­tent:

100,000+ Won­der­ful Pieces of The­ater Ephemera Dig­i­tized by The New York Pub­lic Library

Food­ie Alert: New York Pub­lic Library Presents an Archive of 17,000 Restau­rant Menus (1851–2008)

New York Pub­lic Library Puts 20,000 Hi-Res Maps Online & Makes Them Free to Down­load and Use

The British Library Puts 1,000,000 Images into the Pub­lic Domain, Mak­ing Them Free to Reuse & Remix

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Jane Austen Writes a Letter to Her Sister While Hung Over: “I Believe I Drank Too Much Wine Last Night”

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In a time when peo­ple offer up every ges­ture as fod­der for their ador­ing social media pub­lic, it’s a lit­tle dif­fi­cult to imag­ine liv­ing a life as pri­vate as Jane Austen (1775–1817) did. And yet, the impres­sion we have of her as shy and retir­ing is mis­lead­ing. She did not achieve lit­er­ary fame dur­ing her life­time, it’s true, and it’s not clear that she desired it. As her nephew James Edward Austen-Leigh wrote in the Mem­oir of Jane Austen, the 1870 bio­graph­i­cal sketch that helped pop­u­lar­ize Austen in the 19th cen­tu­ry, “her tal­ents did not intro­duce her to the notice of oth­er writ­ers, or con­nect her with the lit­er­ary world, or in any degree pierce through the obscu­ri­ty of her domes­tic retire­ment.” Yet, reduc­ing Austen’s per­son­al­i­ty, as Austen-Leigh does, to “the moral rec­ti­tude, the cor­rect taste, and the warm affec­tions with which she invest­ed her ide­al char­ac­ters” miss­es her fierce intel­li­gence and com­plex­i­ty.

Austen’s nephew’s por­trait of her seems con­cerned with pre­serv­ing those canons of pro­pri­ety that she scrupu­lous­ly doc­u­ment­ed and sat­i­rized in her nov­els. Per­haps this is part­ly why he char­ac­ter­izes her as a very shy per­son. But we know that Austen main­tained a live­ly social life and kept up reg­u­lar cor­re­spon­dence with fam­i­ly and friends. Her let­ter-writ­ing, some of it excerpt­ed in Austen-Leigh’s biog­ra­phy, gives us the dis­tinct impres­sion that she used her let­ters to prac­tice the sharp por­traits she drew in the nov­els of the mores and stric­tures of her social class. Thus it is sur­pris­ing when her nephew tells us we are “not to expect too much from them.” “The style is always clear,” he opined, “and gen­er­al­ly ani­mat­ed, while a vein of humour con­tin­u­al­ly gleams through the whole; but the mate­ri­als may be thought infe­ri­or to the exe­cu­tion, for they treat only of the details of domes­tic life. There is in them no notice of pol­i­tics or pub­lic events; scarce­ly any dis­cus­sions on lit­er­a­ture, or oth­er sub­jects of gen­er­al inter­est.”

What Austen’s nephew seems not to under­stand is what her legions of ador­ing read­ers and crit­ics have since come to see in her work: in Austen, the “details of domes­tic life” are revealed as micro­cosms of her soci­ety’s pol­i­tics, pub­lic events, lit­er­a­ture, and “sub­jects of gen­er­al inter­est.” Austen-Leigh almost admits as much, despite him­self, when he com­pares his aun­t’s let­ters to “the nest some lit­tle bird builds of the mate­ri­als near­est at hand, of the twigs and moss­es sup­plied by the tree in which it is placed; curi­ous­ly con­struct­ed out of the sim­plest mat­ters.” In Austen’s hands, how­ev­er, the small domes­tic dra­mas pro­ceed­ing on the coun­try estates around her were any­thing but sim­ple mat­ters. Let­ter-writ­ing plays a cen­tral role in nov­els like Pride and Prej­u­dice, as in most fic­tion of the peri­od. The sur­viv­ing Austen let­ters are worth read­ing as source mate­r­i­al for the novels—or worth read­ing for their own sake, so enjoy­able are their turns of phrase and with­er­ing char­ac­ter­i­za­tions.

Take a Novem­ber, 1800 let­ter Austen wrote to her sis­ter Cas­san­dra (pre­served in the so-called “Brabourne edi­tion” of her let­ters). Austen begins by con­fess­ing, “I believe I drank too much wine last night at Hurst­bourne; I know not how else to account for the shak­ing of my hand to-day.” To the “venial error” of her hang­over she attrib­ut­es “any indis­tinct­ness of writ­ing.” She then goes on to describe in vivid and very wit­ty detail the ball she’d attend­ed the night pre­vi­ous, tak­ing the risk of bor­ing her sis­ter “because one is prone to think much more of such things the morn­ing after they hap­pen, than when time has entire­ly dri­ven them out of one’s rec­ol­lec­tion.” Read an excerpt of her descrip­tion below and see if the scene does­n’t come alive before your eyes:

There were very few beau­ties, and such as there were were not very hand­some. Miss Ire­mon­ger did not look well, and Mrs. Blount was the only one much admired. She appeared exact­ly as she did in Sep­tem­ber, with the same broad face, dia­mond ban­deau, white shoes, pink hus­band, and fat neck. The two Miss Cox­es were there: I traced in one the remains of the vul­gar, broad-fea­tured girl who danced at Enham eight years ago; the oth­er is refined into a nice, com­posed-look­ing girl, like Cather­ine Bigg. I looked at Sir Thomas Champ­neys and thought of poor Ros­alie; I looked at his daugh­ter, and thought her a queer ani­mal with a white neck. Mrs. War­ren, I was con­strained to think, a very fine young woman, which I much regret. She has got rid of some part of her child, and danced away with great activ­i­ty look­ing by no means very large. Her hus­band is ugly enough, ugli­er even than his cousin John; but he does not look so very old. The Miss Mait­lands are both pret­ty­ish, very like Anne, with brown skins, large dark eyes, and a good deal of nose. The Gen­er­al has got the gout, and Mrs. Mait­land the jaun­dice. Miss Debary, Susan, and Sal­ly, all in black, but with­out any stature, made their appear­ance, and I was as civ­il to them as their bad breath would allow me.

You can read the let­ter in full at Let­ters of Note, who have includ­ed it in their excel­lent fol­low-up cor­re­spon­dence col­lec­tion, More Let­ters of Note. For more con­text and oth­er let­ters to Cas­san­dra from this peri­od, see this sec­tion of the Brabourne Austen let­ters.

via Let­ters of Note

Relat­ed Con­tent:

15-Year-Old Jane Austen Writes a Satir­i­cal His­to­ry Of Eng­land: Read the Hand­writ­ten Man­u­script Online (1791)

Jane Austen Used Pins to Edit Her Aban­doned Man­u­script, The Wat­sons

Down­load the Major Works of Jane Austen as Free eBooks & Audio Books

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Charles Dickens (Channeling Jorge Luis Borges) Created a Fake Library, with 37 Witty Invented Book Titles

dickensshelf

I don’t know about you, but I’ve sort of always asso­ci­at­ed Charles Dick­ens with the kind of humor­less moral­ism and didac­tic sen­ti­men­tal­i­ty that are hall­marks of so much Vic­to­ri­an lit­er­a­ture. That’s prob­a­bly because the work of Dick­ens con­tains no small amount of humor­less moral­ism and didac­tic sen­ti­men­tal­i­ty. But it also con­tains much wit and absur­di­ty, inven­tive char­ac­ter­i­za­tion and rich descrip­tion. While nov­els like the short Hard Times, pub­lished in 1854, can seem more like thin­ly veiled tracts of moral phi­los­o­phy than ful­ly real­ized fic­tions, oth­ers, like the strange and whim­si­cal Pick­wick Papers—Dick­ens’ first—work as fan­ci­ful, light­heart­ed satires. The big, bag­gy nov­els like Great Expec­ta­tions, Bleak House, and A Tale of Two Cities (find in our col­lec­tion of Free eBooks) man­age to skill­ful­ly com­bine these two impuls­es with his own twist on the goth­ic, such that Dick­ens’ work is not over­whelmed, as it might be, by ser­mo­niz­ing.

For all of this tidy sum­ma­tion of that giant of Vic­to­ri­an let­ters, one adjec­tive now comes to mind that I would nev­er have pre­vi­ous­ly thought to apply at any time to the writer of A Christ­mas Car­ol: Bor­ge­sian, as in pos­sessed of the scholas­tic wit of 20th cen­tu­ry Argen­tine writer Jorge Luis Borges. I’m not the first to note a resem­blance, but I must say it nev­er would have occurred to me to think of the two names in the same sen­tence were it not for an extra-cur­ric­u­lar activ­i­ty Dick­ens engaged in while out­fit­ting his Lon­don home, Tavi­s­tock House, in 1851. Let­ters of Note’s sis­ter site Lists of Note brings us the fol­low­ing anec­dote:

[Dick­ens] decid­ed to fill two spaces in his new study with book­cas­es con­tain­ing fake books, the wit­ty titles of which he had invent­ed. And so, on Octo­ber 22nd, he wrote to a book­binder named Thomas Robert Eeles and sup­plied him with the fol­low­ing “list of imi­ta­tion book-backs” to be pro­duced.

You can see the complete—completely Borgesian—list below. Borges is of course well known for invent­ing titles of books that have nev­er exist­ed, but seem like they should, in anoth­er dimen­sion some­where. His inven­tion of alter­nate real­i­ties, and pub­li­ca­tions, man­i­fests in most all of his sto­ries, as well as in odd­i­ties like the Book of Imag­i­nary Beings. Like Borges’ made-up books, Dick­ens’ con­tain just the right mix of the self-seri­ous and the ridicu­lous, so as to make them at once plau­si­ble, cryp­tic, exot­ic, and hilarious—both Pick­wick­ian and, indeed, pro­to-Bor­ge­sian.

His­to­ry of a Short Chancery Suit
Cat­a­logue of Stat­ues of the Duke of Welling­ton
Five Min­utes in Chi­na. 3 vols.
Forty Winks at the Pyra­mids. 2 vols.
Aber­nethy on the Con­sti­tu­tion. 2 vols.
Mr. Green’s Over­land Mail. 2 vols.
Cap­tain Cook’s Life of Sav­age. 2 vols.
A Car­pen­ter’s Bench of Bish­ops. 2 vols.
Toot’s Uni­ver­sal Let­ter-Writer. 2 vols.
Orson­’s Art of Eti­quette.
Downeast­er’s Com­plete Cal­cu­la­tor.
His­to­ry of the Mid­dling Ages. 6 vols.
Jon­ah’s Account of the Whale.
Cap­tain Par­ry’s Virtues of Cold Tar.
Kan­t’s Ancient Hum­bugs. 10 vols.
Bow­wow­dom. A Poem.
The Quar­rel­ly Review. 4 vols.
The Gun­pow­der Mag­a­zine. 4 vols.
Steele. By the Author of “Ion.”
The Art of Cut­ting the Teeth.
Matthew’s Nurs­ery Songs. 2 vols.
Pax­ton’s Bloomers. 5 vols.
On the Use of Mer­cury by the Ancient Poets.
Drowsy’s Rec­ol­lec­tions of Noth­ing. 3 vols.
Heavyside’s Con­ver­sa­tions with Nobody. 3 vols.
Com­mon­place Book of the Old­est Inhab­i­tant. 2 vols.
Growler’s Gruffi­ol­o­gy, with Appen­dix. 4 vols.
The Books of Moses and Sons. 2 vols.
Burke (of Edin­burgh) on the Sub­lime and Beau­ti­ful. 2 vols.
Teaz­er’s Com­men­taries.
King Hen­ry the Eighth’s Evi­dences of Chris­tian­i­ty. 5 vols.
Miss Bif­fin on Deport­ment.
Mor­rison’s Pills Progress. 2 vols.
Lady Godi­va on the Horse.
Mun­chausen’s Mod­ern Mir­a­cles. 4 vols.
Richard­son’s Show of Dra­mat­ic Lit­er­a­ture. 12 vols.
Hansard’s Guide to Refresh­ing Sleep. As many vol­umes as pos­si­ble.

As Fla­vor­wire reports, design­er Ann Sap­pen­field cre­at­ed her own fake book­bind­ings with Dick­ens’ titles (see some at the top of the page, cour­tesy of the NYPL). These are part of a New York Pub­lic Library exhib­it called Charles Dick­ens: The Key to Char­ac­ter that ran in 2012–13. You can read Dick­ens orig­i­nal let­ter to Thomas Robert Eeles in The Let­ters of Charles Dick­ens here.

via Lists of Note/Fla­vor­wire

Relat­ed Con­tent:

Charles Dick­ens Gave His Cat “Bob” a Sec­ond Life as a Let­ter Open­er

Charles Dick­ens’ Hand-Edit­ed Copy of His Clas­sic Hol­i­day Tale, A Christ­mas Car­ol

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Freed Slave Writes Letter to Former Master: You Owe Us $11,680 for 52 Years of Unpaid Labor (1865)

Jordan_Anderson_Image

No mat­ter how long I live, the dehu­man­iz­ing insan­i­ty of racism will nev­er fail to aston­ish and amaze me. Not only does it vis­it great phys­i­cal and psy­cho­log­i­cal vio­lence upon its vic­tims, but it leaves those who embrace it unable to feel or rea­son prop­er­ly. Con­tem­po­rary exam­ples abound in excess, but many of the most egre­gious come from the peri­od in U.S. his­to­ry when an entire class of peo­ple was deemed prop­er­ty, and allowed to be treat­ed any way their own­ers liked. In such a sit­u­a­tion, odd­ly, many slave mas­ters thought of them­selves as humane and benev­o­lent, and thought their slaves well-treat­ed, though they would nev­er have trad­ed places with them for any­thing.

One such exam­ple of this bewil­der­ing log­ic comes from a let­ter written—or dic­tat­ed, rather—by a man named Jor­dan Ander­son (or some­times Jour­dan Ander­son), pic­tured above: a man enslaved to one Colonel Patrick Hen­ry Ander­son in Big Spring, Ten­nessee. When he was freed from sub­jec­tion in 1864, Jor­dan moved to Ohio, found work—was paid for it—and set­tled down for the next 40 years to raise his chil­dren with his wife Aman­da. As Allen G. Breed and Hil­lel Ital­ie write, “he lived qui­et­ly and would like­ly have been for­got­ten, if not for a remark­able let­ter to his for­mer mas­ter pub­lished in a Cincin­nati news­pa­per short­ly after the Civ­il War.”

As did many for­mer slave own­ers, Colonel Ander­son found that he could not keep up his hold­ings after los­ing his cap­tive labor force. Des­per­ate to save his prop­er­ty, he had the temer­i­ty to write to Jor­dan and ask him to return and help bring in the har­vest. We do not, it seems, have the Colonel’s let­ter, but we can sur­mise from Jordan’s response what it contained—promises, as the for­mer slave writes, “to do bet­ter for me than any­body else can.” We can also sur­mise, giv­en Jordan’s sar­don­ic ref­er­ences, that the for­mer mas­ter may have shot at him—and that some­one named “Hen­ry” intend­ed to shoot him still. We can sur­mise that the Colonel’s sons may have raped Jordan’s daugh­ters, Matil­da and Cather­ine, giv­en the har­row­ing descrip­tion of them “brought to shame by the vio­lence and wicked­ness of their young mas­ters.”

And, of course, we know for cer­tain that Jor­dan received no rec­om­pense for his many years of hard work: “there was nev­er any pay-day for the negroes,” he writes, “any more than for the hors­es and cows.” Despite all this—and it is beyond my com­pre­hen­sion why—Colonel Ander­son expect­ed that his for­mer slave would return to help prop up the fail­ing plan­ta­tion. On this score, Jor­dan pro­pos­es a test of the Colonel’s “sin­cer­i­ty.” Tal­ly­ing up all the wages he and his wife were owed for their com­bined 52 years of work, less “what you paid for our cloth­ing” and doctor’s vis­its, he presents his for­mer own­er with a bill for “eleven thou­sand six hun­dred and eighty dol­lars” and an address to which he can mail the pay­ment. “If you fail to pay us for faith­ful labors in the past, we can have lit­tle faith in your promis­es in the future,” he writes. You can read the full letter—which appeared at Let­ters of Note—below.

Day­ton, Ohio,

August 7, 1865

To My Old Mas­ter, Colonel P.H. Ander­son, Big Spring, Ten­nessee

Sir: I got your let­ter, and was glad to find that you had not for­got­ten Jour­don, and that you want­ed me to come back and live with you again, promis­ing to do bet­ter for me than any­body else can. I have often felt uneasy about you. I thought the Yan­kees would have hung you long before this, for har­bor­ing Rebs they found at your house. I sup­pose they nev­er heard about your going to Colonel Mar­t­in’s to kill the Union sol­dier that was left by his com­pa­ny in their sta­ble. Although you shot at me twice before I left you, I did not want to hear of your being hurt, and am glad you are still liv­ing. It would do me good to go back to the dear old home again, and see Miss Mary and Miss Martha and Allen, Esther, Green, and Lee. Give my love to them all, and tell them I hope we will meet in the bet­ter world, if not in this. I would have gone back to see you all when I was work­ing in the Nashville Hos­pi­tal, but one of the neigh­bors told me that Hen­ry intend­ed to shoot me if he ever got a chance.

I want to know par­tic­u­lar­ly what the good chance is you pro­pose to give me. I am doing tol­er­a­bly well here. I get twen­ty-five dol­lars a month, with vict­uals and cloth­ing; have a com­fort­able home for Mandy,—the folks call her Mrs. Anderson,—and the children—Milly, Jane, and Grundy—go to school and are learn­ing well. The teacher says Grundy has a head for a preach­er. They go to Sun­day school, and Mandy and me attend church reg­u­lar­ly. We are kind­ly treat­ed. Some­times we over­hear oth­ers say­ing, “Them col­ored peo­ple were slaves” down in Ten­nessee. The chil­dren feel hurt when they hear such remarks; but I tell them it was no dis­grace in Ten­nessee to belong to Colonel Ander­son. Many dark­eys would have been proud, as I used to be, to call you mas­ter. Now if you will write and say what wages you will give me, I will be bet­ter able to decide whether it would be to my advan­tage to move back again.

As to my free­dom, which you say I can have, there is noth­ing to be gained on that score, as I got my free papers in 1864 from the Provost-Mar­shal-Gen­er­al of the Depart­ment of Nashville. Mandy says she would be afraid to go back with­out some proof that you were dis­posed to treat us just­ly and kind­ly; and we have con­clud­ed to test your sin­cer­i­ty by ask­ing you to send us our wages for the time we served you. This will make us for­get and for­give old scores, and rely on your jus­tice and friend­ship in the future. I served you faith­ful­ly for thir­ty-two years, and Mandy twen­ty years. At twen­ty-five dol­lars a month for me, and two dol­lars a week for Mandy, our earn­ings would amount to eleven thou­sand six hun­dred and eighty dol­lars. Add to this the inter­est for the time our wages have been kept back, and deduct what you paid for our cloth­ing, and three doc­tor’s vis­its to me, and pulling a tooth for Mandy, and the bal­ance will show what we are in jus­tice enti­tled to. Please send the mon­ey by Adams’s Express, in care of V. Win­ters, Esq., Day­ton, Ohio. If you fail to pay us for faith­ful labors in the past, we can have lit­tle faith in your promis­es in the future. We trust the good Mak­er has opened your eyes to the wrongs which you and your fathers have done to me and my fathers, in mak­ing us toil for you for gen­er­a­tions with­out rec­om­pense. Here I draw my wages every Sat­ur­day night; but in Ten­nessee there was nev­er any pay-day for the negroes any more than for the hors­es and cows. Sure­ly there will be a day of reck­on­ing for those who defraud the labor­er of his hire.

In answer­ing this let­ter, please state if there would be any safe­ty for my Mil­ly and Jane, who are now grown up, and both good-look­ing girls. You know how it was with poor Matil­da and Cather­ine. I would rather stay here and starve—and die, if it come to that—than have my girls brought to shame by the vio­lence and wicked­ness of their young mas­ters. You will also please state if there has been any schools opened for the col­ored chil­dren in your neigh­bor­hood. The great desire of my life now is to give my chil­dren an edu­ca­tion, and have them form vir­tu­ous habits.

Say howdy to George Carter, and thank him for tak­ing the pis­tol from you when you were shoot­ing at me.

From your old ser­vant,

Jour­don Ander­son.

Sev­er­al his­to­ri­ans have researched the authen­tic­i­ty of Jordan’s dic­tat­ed let­ter and the his­tor­i­cal details of his life in Ten­nessee and Ohio. As Kot­tke report­ed, a man named David Gal­braith found infor­ma­tion about Jordan’s life after the letter’s pub­li­ca­tion, includ­ing ref­er­ences to him and his wife and fam­i­ly in the 1900 Ohio cen­sus. Kot­tke pro­vides many addi­tion­al details about Jordan’s post-slav­ery life and that of his many chil­dren and grand­chil­dren, and the Dai­ly Mail has pho­tographs of the for­mer Ander­son plan­ta­tion and Jor­dan Anderson’s mod­ern-day descen­dants. They also quote his­to­ri­an Ray­mond Win­bush, who tracked down some of the Colonel’s descen­dants still liv­ing in Big Spring.

Colonel Ander­son, it seems, was forced to sell the land after his plea to Jor­dan failed, and he died not long after at age 44. (Jor­dan Ander­son died in 1907 at age 81.) “What’s amaz­ing,” says Win­bush, “is that the cur­rent liv­ing rel­a­tives of Colonel Ander­son are still angry at Jor­dan for not com­ing back.” Yet anoth­er exam­ple of how the ignominy of the past, no mat­ter how much we’d pre­fer to for­get it, nev­er seems very far behind us at all.

via Let­ters of Note

Relat­ed Con­tent:

1.5 Mil­lion Slav­ery Era Doc­u­ments Will Be Dig­i­tized, Help­ing African Amer­i­cans to Learn About Their Lost Ances­tors

Visu­al­iz­ing Slav­ery: The Map Abra­ham Lin­coln Spent Hours Study­ing Dur­ing the Civ­il War

Watch Vet­er­ans of The US Civ­il War Demon­strate the Dread­ed Rebel Yell (1930)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

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