Charles Bukowski: Depression and Three Days in Bed Can Restore Your Creative Juices (NSFW)


Pico Iyer once called Charles Bukows­ki the “lau­re­ate of Amer­i­can lowlife,” and that’s because he wrote poems for and about ordi­nary Amer­i­cans — peo­ple who expe­ri­enced pover­ty, the tedi­um and grind of work, and some­times frayed rela­tion­ships, bouts of alco­holism, drug addic­tion and the rest. Bukows­ki could write so elo­quent­ly about this because he came from this world. He grew up in a poor immi­grant house­hold with an abu­sive father, took to the bot­tle at an ear­ly age, worked at a Los Ange­les post office for a decade plus, and had a long and tumul­tuous rela­tion­ship with Jane Cooney Bak­er, a wid­ow eleven years his senior, who drank to excess and died at 51, leav­ing Bukows­ki bro­ken.

And then there’s the depres­sion. Bukows­ki expe­ri­enced that too. But he knew how to chan­nel it, how to turn days of dark­ness into sources of per­son­al and cre­ative renew­al. He explains it in some char­ac­ter­is­ti­cal­ly NSFW detail above.

To gain a more in-depth under­stand­ing of depres­sion and its bio­log­i­cal basis, we’d rec­om­mend watch­ing this lec­ture by Stan­ford’s Robert Sapolksy.

Here’s a tran­script of what Bukows­ki has to say:

I have peri­ods where, you know, when I feel a lit­tle weak or depressed. Fuck it! The Wheaties aren’t going down right. I just go to bed for three days and four nights, pull down all the shades and just go to bed. Get up. Shit. Piss. Drink a beer down and go back to bed. I come out of that com­plete­ly re-enlight­ened for 2 or 3 months. I get pow­er from that.

I think someday…they’ll say this psy­chot­ic guy knew some­thing that…you know in days ahead and med­i­cine, and how they fig­ure these things out. Every­body should go to bed now and then, when they’re down low and give it up for three or four days. Then they’ll come back good for a while.

But we’re so obsessed with, we have to get up and do it and go back to sleep. In fact there’s a woman I’m liv­ing with now, get’s around 12:30, 1pm, I say: “I’m sleepy. I want to go to sleep.” She says: “What? You want to go to sleep, it’s only 1pm!” We’re not even drink­ing, you know. Hell, there’s noth­ing else to do but sleep.

Peo­ple are nailed to the process­es. Up. Down. Do some­thing. Get up, do some­thing, go to sleep. Get up. They can’t get out of that cir­cle. You’ll see, some­day they’ll say: “Bukows­ki knew.” Lay down for 3 or 4 days till you get your juices back, then get up, look around and do it. But who the hell can do it cause you need a dol­lar. That’s all. That’s a long speech, isn’t it? But it means some­thing.

via Bib­liok­lept

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Relat­ed Bukows­ki:

Tom Waits Reads Charles Bukows­ki

The Last Faxed Poem of Charles Bukows­ki

Charles Bukows­ki Reads His Poem “The Secret of My Endurance”

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Neil Gaiman Gives Graduates 10 Essential Tips for Working in the Arts

Neil Gaiman, con­sid­ered one of the top ten liv­ing post-mod­ern writ­ers, nev­er went to col­lege. He nei­ther start­ed nor fin­ished his advanced stud­ies, but rather put him­self into the world and start­ed writ­ing. And write he did. He’s now the New York Times best­selling author of the nov­els Nev­er­where, Star­dust, and Amer­i­can Gods, among oth­ers, and he’s also the win­ner of the 2009 New­bery Medal and 2010 Carnegie Medal in Lit­er­a­ture. (We have gath­ered free ver­sions of Gaiman’s writ­ing in audio & text here.) This week­end, Gaiman spoke at The Uni­ver­si­ty of the Arts in Philadel­phia and told the grad­u­at­ing class all the things he wish he knew at their age. The talk runs 19 min­utes. The dis­tilled ver­sion appears below.

  1. Embrace the fact that you’re young. Accept that you don’t know what you’re doing. And don’t lis­ten to any­one who says there are rules and lim­its.
  2. If you know your call­ing, go there. Stay on track. Keep mov­ing towards it, even if the process takes time and requires sac­ri­fice.
  3. Learn to accept fail­ure. Know that things will go wrong. Then, when things go right, you’ll prob­a­bly feel like a fraud. It’s nor­mal.
  4. Make mis­takes, glo­ri­ous and fan­tas­tic ones. It means that you’re out there doing and try­ing things.
  5. When life gets hard, as it inevitably will, make good art. Just make good art.
  6. Make your own art, mean­ing the art that reflects your indi­vid­u­al­i­ty and per­son­al vision.
  7. Now a prac­ti­cal tip. You get free­lance work if your work is good, if you’re easy to get along with, and if you’re on dead­line. Actu­al­ly you don’t need all three. Just two.
  8. Enjoy the ride, don’t fret the whole way. Stephen King gave that piece of advice to Neil years ago.
  9. Be wise and accom­plish things in your career. If you have prob­lems get­ting start­ed, pre­tend you’re some­one who is wise, who can get things done. It will help you along.
  10. Leave the world more inter­est­ing than it was before.

via Metafil­ter

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Adam Savage (Host of Mythbusters) Tells Sarah Lawrence Grads to Think Broadly … and Don’t Work for Fools

Adam Sav­age was born in New York City, not far from Sarah Lawrence Col­lege, the lib­er­al arts school where he deliv­ered the com­mence­ment speech this past week­end. Sav­age nev­er went to Sarah Lawrence. Nor did he fin­ish his own degree at NYU. But he had plen­ty to tell the grad­u­at­ing class. On his own web site, Sav­age calls him­self “a mak­er of things.” As a kid, he made his own toys. As a young adult, he began exper­i­ment­ing with spe­cial effects for films, then served stints as an “ani­ma­tor, graph­ic design­er, rig­ger, stage and inte­ri­or design­er, car­pen­ter, scenic painter, welder, actor, writer, and tele­vi­sion host.” (Per­haps you have seen his pop­u­lar Dis­cov­ery Chan­nel show, Myth­busters.) In short, Sav­age is a “col­lec­tor of skills, a poly­math. How did he get this way? By cast­ing his intel­lec­tu­al net wide­ly and by con­tin­u­ing to learn through­out life — which is pret­ty much what we’re all about here. There’s a lot of good advice in this short, feel-good speech. Some of my favorite bits include:

“Don’t work for fools. It’s not worth it. Get­ting paid less to work for peo­ple you like and believe in is much bet­ter for you (and your career) in the long run.”

“Stay obsessed. That thing you can’t stop think­ing about? Keep indulging it. Obses­sion is the bet­ter part of suc­cess. You will be great at the things that you can’t not do.”

“F. Scott Fitzger­ald wrote The Great Gats­by and is one of our nation­al trea­sures. A true giant of writing.The sil­li­est thing he ever wrote is the quote, “There are no sec­ond acts in Amer­i­can lives.” This is insane. If there’s one thing that typ­i­fies the Amer­i­can expe­ri­ence it is that rein­ven­tion and rebirth are intrin­sic to it. Ray­mond Chan­dler did­n’t write a sin­gle word of any con­se­quence until his 40s. Julia Child learned to cook at 40! Clint East­wood direct­ed his first film at 41. Don’t be afraid to be a late bloomer. Repeat­ed­ly.”

Good thoughts, all of them. You can find the full tran­script here. H/T @opedr

More Com­mence­ment Speech­es: 

‘This Is Water’: Com­plete Audio of David Fos­ter Wallace’s Keny­on Grad­u­a­tion Speech (2005)

Conan O’Brien Kills It at Dart­mouth Grad­u­a­tion

J.K. Rowl­ing Tells Har­vard Grads Why Suc­cess Begins with Fail­ure

Brussels Express: The Perils of Cycling in Europe’s Most Congested City

The Bel­gians take their cycling seri­ous­ly. After all, it’s the birth­place of Eddy Mer­ckx, the five time cham­pi­on of the Tour de France. And it’s a coun­try that plays host to some of the great short races in the sport: La Flèche Wal­lonne, E3 Harel­beke, Gent–Wevelgem, and Liège–Bastogne–Liège. If you’re famil­iar with these races, you know they’re not for the faint of heart, see­ing that they some­times take rid­ers across long sec­tions of dan­ger­ous cob­ble­stones. (Get a feel for that here.) But when you watch this new doc­u­men­tary, Brus­sels Express, you start to won­der whether the real risks are not being tak­en by bike mes­sen­gers in Brus­sels, one of the most con­gest­ed cities in Europe. As David Byrne recent­ly showed us, some mod­ern cities (New York, Copen­hagen, Mod­e­na) try to make cyclists feel at home. Not so in Brus­sels. Direct­ed and shot by Sander Van­den­broucke, Brus­sels Express offers a com­men­tary on some­thing larg­er than cycling itself. It’s real­ly a tale about moder­ni­ty, the auto­mo­bile, the choic­es we make in our con­tem­po­rary, mech­a­nized lives, and their social costs. The film runs 20 min­utes, and it appears in our col­lec­tion of Free Doc­u­men­taries, part of our col­lec­tion of 635 Free Movies Online.

Relat­ed Con­tent:

David Byrne: From Talk­ing Heads Front­man to Lead­ing Urban Cyclist

The Physics of the Bike

A Young Frank Zap­pa Plays the Bicy­cle on The Steve Allen Show (1963)

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Henry Rollins Tells Young People to Avoid Resentment and to Pursue Success with a “Monastic Obsession”

How to explain Hen­ry Rollins to some­one who does­n’t know his work? Twen­ty years ago, you could’ve just called him a musi­cian, the guy who used to sing with Black Flag. At that point he had moved on to front his own band, one which also show­cased the per­son­al­i­ty that rou­tine­ly dri­ves jour­nal­ists through their syn­onyms for “intense.” Hav­ing sworn off singing, Rollins these days con­cen­trates on col­umn writ­ing, tele­vi­sion host­ing, radio broad­cast­ing, and polit­i­cal­ly charged spo­ken-word per­form­ing. (You can watch him par­tic­i­pate in a live read­ing of David Fos­ter Wallace’s The Pale King here.) His per­son­al­i­ty remains in full effect and, unen­cum­bered by ear­ly punk rock­’s demand for emo­tion­al blunt­ness, he now projects a more com­pli­cat­ed, hard­er-to-car­i­ca­ture image. He still seems dri­ven by seething anger at soci­ety’s short­com­ings, but his cur­rent mid­dle-aged mix­ture of rage and benev­o­lence (though some­times unset­tling in its own way) avoids the raw aggres­sion with which music his­to­ry has asso­ci­at­ed him.

Rollins seem­ing­ly nev­er swal­lowed punk’s youth­ful nihilism, but now, in full matu­ri­ty, he some­times sounds down­right moti­va­tion­al. Case in point: his “Let­ter to a Young Amer­i­can” from Big Think, a warn­ing about the debil­i­tat­ing effects of feel­ing spite toward the priv­i­leged. “You will encounter peo­ple who nev­er have to pay in full,” he says. “They get to wreck the room and nev­er have to clean it. They can get all the way through high school and nev­er under­stand where a dol­lar comes from, because they just get it giv­en to them.” While acknowl­edg­ing the exis­tence of such peo­ple, often in posi­tions of pow­er, Rollins rec­om­mends the strat­e­gy of ignor­ing them: “You can­not let these peo­ple make you feel that you have in any way been dwarfed or out­classed. You must real­ly go for your own and real­ize how short life is. You got what you got, so you’ve got to make the most of it. You real­ly can’t spend a whole lot of time wor­ry­ing about his.” Like or dis­like the Hen­ry Rollins per­sona, how often have you seen a high-pro­file activist take such a firm stand against resent­ment? A tran­script for his “Let­ter to a Young Amer­i­can” can be found here.

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture. Fol­low him on Twit­ter at @colinmarshall.

The Man Who Quit Money — and Lived to Tell About It

If you’re get­ting ready to start yet anoth­er work week, let us give you some food for thought.

12 years ago, Daniel Sue­lo walked into a phone booth, left his only mon­ey there ($30), and has­n’t touched any since — no cash, no loans, no cred­it cards, no bank accounts, no wel­fare pay­ments — nada. Instead, he sleeps in caves in the Utah desert (rent free), lives the life of a hunter-gath­er­er, remains active in his Moab com­mu­ni­ty and proves that much of what we con­sid­er a neces­si­ty real­ly isn’t at all.

Sue­lo was pro­filed in a 2009 piece in Details. He’s now the sub­ject of Mark Sun­deen’s new book, The Man Who Quit Mon­ey.

via Laugh­ing Squid

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An Easy, Scientifically-Proven Way to Make Yourself Smarter. Go for a Good Walk or Swim Every Day

This week, The New York Times gave us some good news. Accord­ing to an arti­cle by Gretchen Reynolds, a decade of research by neu­ro­sci­en­tists and phys­i­ol­o­gists shows fair­ly con­vinc­ing­ly that exer­cise can make you smarter. She writes:

Using sophis­ti­cat­ed tech­nolo­gies to exam­ine the work­ings of indi­vid­ual neu­rons — and the make­up of brain mat­ter itself — sci­en­tists in just the past few months have dis­cov­ered that exer­cise appears to build a brain that resists phys­i­cal shrink­age and enhance cog­ni­tive flex­i­bil­i­ty. Exer­cise, the lat­est neu­ro­science sug­gests, does more to bol­ster think­ing than think­ing does.

There’s appar­ent­ly a lot to be gained from a sim­ple dai­ly walk (assum­ing it checks out with your doc­tor). And, as the video below shows, the gains goes beyond cog­ni­tion itself:

The pho­to above was pro­vid­ed cour­tesy of Big­Stock­Pho­to

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John Cleese, Monty Python Icon, on How to Be Creative

A cou­ple of years ago, Maria Popo­va high­light­ed for us a 2009 talk by John Cleese that offered a hand­book for cre­at­ing the right con­di­tions for cre­ativ­i­ty. Of course, John Cleese knows some­thing about cre­ativ­i­ty, being one of the lead­ing forces behind Mon­ty Python, the beloved British com­e­dy group.

Now, we have anoth­er talk, record­ed cir­ca 1991, where Cleese uses sci­en­tif­ic research to describe what cre­ativ­i­ty is … and what cre­ativ­i­ty isn’t. He starts by telling us, cre­ativ­i­ty is not a tal­ent. It has noth­ing to do with IQ. It is a way of doing things, a way of being — which means that cre­ativ­i­ty can be learned. The rest he explains in 37 thought-filled min­utes.

Relat­ed Con­tent:

Mal­colm McLaren: The Quest for Authen­tic Cre­ativ­i­ty

Amy Tan: The Sources of Cre­ativ­i­ty

The Uni­ver­sal Mind of Bill Evans: Advice on Learn­ing to Play Jazz & The Cre­ative Process

Fol­low us on Face­bookTwit­ter and now Google Plus and share intel­li­gent media with your friends! They’ll thank you for it.

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