The Tyranny of The New Yorker (And More Culture Around the Web)

I feel your pain, broth­er, I feel your pain.…

Now a semi seri­ous ques­tion: How long until some­one buys the url newyorkertyranny.com? We’ll keep an eye on it.

More Cul­ture Around the Web (all pre­vi­ous­ly aired on our Twit­ter Stream):

Here’s Your Brain on Fic­tion

Steven Spiel­berg Talks About the Influ­ence of Stan­ley Kubrick.

Cel­e­brate Nation­al Nov­el Edit­ing Month with Kurt Von­negut Sto­ry Grids

New York Times Series on the Art & Craft of Writ­ing Begins with Jhumpa Lahiri

A Boom Time for Edu­ca­tion Start-Ups. Sil­i­con Val­ley Final­ly Think­ing About Edu­ca­tion

Bob Dylan Released His Debut Album 50 Years Ago. Record­ed in 6 hours for $402.

The Life of Rumi in Rare Islam­ic Man­u­script Paint­ings from the 1590s

Paul McCart­ney Gives Bass Lessons

Why Fin­ish Books?

Andy Warhol Get­ting His 15 Min­utes in Asia

ParaHawking in Nepal: What It’s Really Like to Fly with Birds

We’ve always had the desire to leave our earth-bound bod­ies and take flight with the birds. We achieved the mir­a­cle of flight over a cen­tu­ry ago. But only recent­ly did we cre­ate a robot that can mechan­i­cal­ly repro­duce the beau­ty of birds in flight. And now we’ve tak­en the next step, actu­al­ly join­ing birds high in the air. Above you can watch Para­Hawk­ing in action, a fusion between fal­con­ry and paraglid­ing that lets you inter­act with birds of prey in their own envi­ron­ment. It all takes place in Nepal. And it’s all part of an effort to con­serve Asi­a’s threat­ened vul­ture pop­u­la­tion. Learn more about these con­ser­va­tion efforts and Para­Hawk­ing itself at, of course, Parahawking.com.

And if you want to see what hap­pens when a paraglid­er (not affil­i­at­ed with this project) acci­den­tal­ly runs into an eagle, watch below:

H/T Metafil­ter

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Hitchcock on Happiness

It’s a sim­ple recipe for hap­pi­ness. Elim­i­nate all neg­a­tive emo­tions, any­thing that cre­ates bad feel­ings and dis­tracts from the project at hand. Clear it all away, and what’s left? The space for cre­ativ­i­ty pure and sim­ple. That’s hap­pi­ness for Hitch. Watch 20 Free Hitch­cock Films online here.

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‘This Is Water’: Complete Audio of David Foster Wallace’s Kenyon Graduation Speech (2005)

Last month, on the occa­sion of the author’s 50th birth­day, we post­ed a large col­lec­tion of free essays and sto­ries by David Fos­ter Wal­lace. But we missed a rare item: the com­plete audio record­ing of the com­mence­ment address Wal­lace gave at Keny­on Col­lege, in Ohio, on May 21, 2005–three years before he took his own life. The text of the speech has been pub­lished on the Inter­net and as a book called This Is Water: Some Thoughts, Deliv­ered on a Sig­nif­i­cant Occa­sion, about Liv­ing a Com­pas­sion­ate Life, but the com­plete audio ver­sion has been hard to find.

In the speech, Wal­lace talks about the chal­lenge of mov­ing beyond the super­fi­cial kind of free­dom that can be acquired through pow­er and wealth, toward a truer lib­er­a­tion that aris­es only when we become more ful­ly con­scious of the world out­side our “tiny skull-sized king­doms.” He says:

The real­ly impor­tant kind of free­dom involves atten­tion, and aware­ness, and dis­ci­pline, and effort, and being able tru­ly to care about oth­er peo­ple and to sac­ri­fice for them, over and over, in myr­i­ad pet­ty lit­tle unsexy ways, every day. That is real free­dom. The alter­na­tive is uncon­scious­ness, the default set­ting, the “rat race”–the con­stant gnaw­ing sense of hav­ing had and lost some infi­nite thing.

You can lis­ten to the first half of the speech above. And to delve deep­er into Wal­lace’s world­view, be sure to watch the fas­ci­nat­ing 84-minute inter­view he gave in 2003 to a Ger­man tele­vi­sion sta­tion. H/T Avi Burstein.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

30 Free Essays & Sto­ries by David Fos­ter Wal­lace on the Web

The 321 Books in David Fos­ter Wallace’s Per­son­al Library: From Blood Merid­i­an to Con­fes­sions of an Unlike­ly Body­builder

David Fos­ter Wal­lace on What’s Wrong with Post­mod­ernism: A Video Essay

How the Great George Carlin Showed Louis CK the Way to Success (NSFW)

There’s prob­a­bly not a standup come­di­an big­ger than Louis CK right now. His FX tele­vi­sion show, Louie, earned him two Emmy Award nom­i­na­tions in 2011, and his recent com­e­dy spe­cial, Live at the Bea­con The­ater, made his­to­ry when CK dis­trib­uted the show via the web (not HBO) and net­ted $1,000,000 in sales in a mat­ter of days.

Louis CK is rid­ing a good wave. But times weren’t always so easy. Back in 2010, CK spoke at a trib­ute to George Car­lin (host­ed at the ven­er­a­ble New York Pub­lic Library) and revis­it­ed his ear­ly days in the pro­fes­sion. For years — actu­al­ly 15 long years — CK per­formed the same old act and spun his wheels. Then he looked to Car­lin and turned his career around. As you might expect, the sto­ry is laced with some pro­fan­i­ty. (Come on, it’s Louis CK talk­ing about George Car­lin!) But, when you strip the lan­guage away, you get a good life les­son. Per­se­ver­ance counts. But so does per­spec­tive, get­ting the right per­spec­tive.

Louis CK’s talk appears above. You can find the full Car­lin trib­ute here. And don’t miss a very relat­ed video where Car­lin describes the turn­ing point in his own life — the moment when he learned “not to give a shit” and his com­ic genius came into full bloom.

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Mr. Happy Man


Matt Mor­ris, an award-win­ning film­mak­er liv­ing in Win­ter Park, Flori­da, came across John­ny Barnes in the same way he has dis­cov­ered all of his film sub­jects — by com­plete acci­dent. One day, while flip­ping through images on Flickr, Mor­ris stum­bled upon a tourist’s pho­to of the 88-year-old Bermu­di­an. He then read the cap­tion attached to the pho­to and knew he had to make a film about Barnes. “Aside from the fact that I tend to make films about elder­ly folks,” Mor­ris told us, “I’m fas­ci­nat­ed with peo­ple who have cho­sen unique ways of liv­ing their lives and as a result are irre­press­ibly hap­py.” “I want to make films about them in part so that I can learn from them.” And so, Matt head­ed to Bermu­da to cap­ture “Mr. Hap­py Man” work­ing his mag­ic on Crow Lane each day.

In Decem­ber, we fea­tured a 2008 film by Mr. Mor­ris — Pickin’ & Trim­min’, an ele­gant doc­u­men­tary that show­cas­es the blue­grass music made in a down-home North Car­oli­na bar­ber­shop. It’s not to be missed. Mor­ris’ next film, Mark & Lor­na, will take as its sub­ject a lounge singing duo based out of Orlan­do, Flori­da.

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The Internet Imagined in 1969

The gen­der stereo­types might be back­ward-look­ing (we’ll make up for it lat­er in the day), but the tech­no­log­i­cal vision is on the mark, right down to email, e‑commerce and online bank­ing. Of course, these weren’t the only peo­ple imag­in­ing an elec­tron­ic, con­nect­ed world dur­ing the 1960s.

In 1964, the futur­ist Arthur C. Clarke peered into the future and saw our con­nect­ed­ness com­ing. By 2000, he pre­dict­ed, “We could be in instant con­tact with each oth­er, wher­ev­er we may be,” and “it will be pos­si­ble in that age … for a man to con­duct his busi­ness from Tahi­ti or Bali just as well as he could from Lon­don.”

And then Mar­shall McLuhan under­stood the trend too. He saw elec­tron­ic media turn­ing our world into a social one, a world where ser­vices like Face­book and Twit­ter would make com­plete sense. You can watch the pre­scient Mar­shall McLuhan right here.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Arthur C. Clarke Pre­dicts the Future in 1964 … And Kind of Nails It

The Inter­net Imag­ined in 1969

Mar­shall McLuhan: The World is a Glob­al Vil­lage

1930s Fash­ion Design­ers Imag­ine How Peo­ple Would Dress in the Year 2000

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The Instant Mongolian Home

The nomadic peo­ple of Mon­go­lia don’t stay put very long. They’re always on the move. They trav­el light. And they build a yurt, their home away from home, wher­ev­er they go. The yurt (or “ger” as they call it) takes but an hour to build — some­thing that Daniel Gross­man (Nation­al Geo­graph­ic) and Julia Kumari Drap­kin (The Nature Con­ser­van­cy) cap­ture won­der­ful­ly in a two-minute time lapse video. The sound­track was record­ed at the Choi­jin Lama Tem­ple Muse­um in Ulaan­ba­tor, the Mon­go­lian cap­i­tal.

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