The British Library Puts Online 1,200 Literary Treasures From Great Romantic & Victorian Writers

Earliest known writings of Charlotte Brontë

We’ve long known the inter­net’s pow­er to facil­i­tate access to the great books (see, for instance, our col­lec­tion of 600 eBooks free online), but recent projects like the British Library’s Dis­cov­er­ing Lit­er­a­ture have shown us that it can also help us engage with those great books. The site, says a MetaFil­ter user who goes under Horace Rumpole, offers “a por­tal to dig­i­tized col­lec­tions and sup­port­ing mate­r­i­al. The first install­ment, Roman­tics and Vic­to­ri­ans, includes work from Austen, the Bron­tësDick­ens, and Blake, and forth­com­ing mod­ules will expand cov­er­age of the site to encom­pass every­thing from Beowulf to the present day.” For now, if you enjoy clas­sic Eng­lish Roman­tic and Vic­to­ri­an nov­els, pre­pare to take that enjoy­ment to a high­er lev­el by immers­ing your­self in all man­ner of ear­ly man­u­scripts, authors’ papers and per­son­al effects, and relat­ed pieces of con­tem­po­rary media.

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If you count your­self a Jane Austen fan, for instance, you can now scroll down her Dis­cov­er­ing Lit­er­a­ture author page and find “a host of texts” to do with her life, her work, and the inter­sec­tion between them, “includ­ing the opin­ions — most­ly pos­i­tive — her friends and fam­i­ly had of her nov­els, copied out by the author (though ‘her imme­di­ate fam­i­ly is shown to have dis­agreed over which of her books was bet­ter’).” That comes from The Guardian’s Ali­son Flood, writ­ing up the site’s col­lec­tion of not just Austen accou­trements but items from writ­ers like William Wordsworth, Oscar Wilde, and Mary Shel­ley, “as well as diaries, let­ters, news­pa­per clip­pings from the time and pho­tographs, in an attempt to bring the peri­od to life.”

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Flood cites “a sur­vey of more than 500 Eng­lish teach­ers, which found that 82% believe sec­ondary school stu­dents ‘find it hard to iden­ti­fy’ with clas­sic authors” on their class­es’ syl­labi. In response, Dis­cov­er­ing Lit­er­a­ture appears to have giv­en spe­cial atten­tion to oft-assigned writ­ers like Charles Dick­ens, whose col­lec­tion of mate­ri­als on the site includes a lit­er­ary sketch pub­lished at age 23, col­or illus­tra­tions for both an 1885 and 1911 edi­tion of Oliv­er Twist (as well as the 1848 review that destroyed his rela­tion­ship with the book’s pre­vi­ous illus­tra­tor), and “The Ital­ian Boy,” an ear­ly work of jour­nal­ism on “a bru­tal crime that occurred in Lon­don in 1831, a ‘copy-cat’ mur­der fol­low­ing upon those of the infa­mous Burke and Hare in Edin­burgh.” The site’s archives also con­tain ana­lyt­i­cal essays on each writer’s body of work, like “Oliv­er Twist and the Work­house” and “Sta­tus, Rank, and Class in Jane Austen’s Nov­els” — ide­al for when these re-enthused stu­dents, pre­vi­ous­ly unable to con­nect to the Roman­tic and Vic­to­ri­an eras’ most respect­ed authors, reach grad school.

The image at the very top shows the ear­li­est known writ­ings of Char­lotte Bron­të.

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Relat­ed Con­tent:

15-Year-Old Jane Austen Writes a Satir­i­cal His­to­ry Of Eng­land: Read the Hand­writ­ten Man­u­script Online (1791)

Read Jane Austen’s Man­u­scripts Online

Charles Dick­ens’ Hand-Edit­ed Copy of His Clas­sic Hol­i­day Tale, A Christ­mas Car­ol

The British Library Puts 1,000,000 Images into the Pub­lic Domain, Mak­ing Them Free to Reuse & Remix

An Online Gallery of 30,000 Items from The British Library, Includ­ing Leonar­do da Vinci’s Note­books And Mozart’s Diary

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Philip K. Dick Takes You Inside His Life-Changing Mystical Experience

Image by Pete Welsch, via Wiki­me­dia Com­mons

Philip K. Dick’s mind was invad­ed in 1974.

It hap­pened fol­low­ing surgery for an impact­ed wis­dom tooth. While recov­er­ing, the author of Ubik and The Man in the High Cas­tle, received a deliv­ery of pain med­ica­tion. The deliv­ery girl wore a Jesus fish around her neck, which in Dick’s per­cep­tion was emit­ting a pink beam. Soon after, Dick­’s brain was invad­ed by… some­thing. Dick nev­er quite fig­ured out what.

He lat­er described the expe­ri­ence to inter­view­er Charles Platt as “an inva­sion of my mind by a tran­scen­den­tal­ly ratio­nal mind. It was almost as if I had been insane all of my life and sud­den­ly I had become sane.”

The expe­ri­ence pro­found­ly affect­ed him and it made up the core of his book VALIS. The title is an acronym for Vast Active Liv­ing Intel­li­gence Sys­tem, which pret­ty much describes how Dick thought of this mind.

In 1979, Platt inter­viewed Dick in depth for his book Dream Mak­ers. You can lis­ten to an extend­ed clip of Dick recount­ing his tran­scen­den­tal expe­ri­ence below:

“On Thurs­days and Sat­ur­days I’d think it was God,” he told Platt. “On Tues­days and Wednes­days, I’d think it was extrater­res­tri­als. Some times I’d think it was the Sovi­et Union Acad­e­my of Sci­ences try­ing out their psy­chotron­ic microwave tele­path­ic trans­mis­sions.”

What­ev­er it was, this mind took con­trol of Dick when he was at a low ebb and, like a lov­ing par­ent or an excep­tion­al­ly tal­ent­ed per­son­al assis­tant, cleaned up his life. “I was a spec­ta­tor,” said Dick. This mind, which Dick char­ac­ter­ized as female, fired his agent, tracked down edi­tors who were late send­ing checks and mod­i­fied his diet.

She also revealed that his young son had an undi­ag­nosed birth defect that was poten­tial­ly fatal. And the rev­e­la­tion proved to be true. The child’s life was saved.

That said, he did have a cou­ple minor com­plaints about the enti­ty: she kept call­ing his baf­fled wife “Ma’am” and she had a ten­den­cy to lapse into Koine Greek. Nobody, even a God-like vision, is per­fect. Above, we have a draw­ing by R. Crumb.

You can lis­ten to Platt’s full inter­view with Dick below:

Relat­ed Con­tent:

Robert Crumb Illus­trates Philip K. Dick’s Infa­mous, Hal­lu­ci­na­to­ry Meet­ing with God (1974)

Down­load 14 Great Sci-Fi Sto­ries by Philip K. Dick as Free Audio Books and Free eBooks

Philip K. Dick Pre­views Blade Run­ner: “The Impact of the Film is Going to be Over­whelm­ing” (1981)

Jonathan Crow is a Los Ange­les-based writer and film­mak­er whose work has appeared in Yahoo!, The Hol­ly­wood Reporter, and oth­er pub­li­ca­tions. You can fol­low him at @jonccrow.

Download 55 Free Online Literature Courses: From Dante and Milton to Kerouac and Tolkien

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Here at Open Cul­ture, we don’t just fea­ture edu­ca­tion in your rec­om­mend­ed dai­ly serv­ings of cul­tur­al­ly wide-rang­ing video, audio, text, and image — we also fea­ture it in a form that goes deep: whole cours­es you can down­load to your com­put­er or mobile device of choice and expe­ri­ence at your own pace. If you nev­er quite stud­ied all the lit­er­a­ture you want­ed to — or if you sim­ply can’t get enough study of the stuff — pay a vis­it to our col­lec­tion of over 50 free lit­er­a­ture cours­es online. Some of them may even cov­er the same tex­tu­al ground as the class­es you felt curi­ous about tak­ing in col­lege but could nev­er quite fit into your sched­ule: “Dante in Trans­la­tion” (Free Online Video — Free iTunes Audio - Free iTunes Video — Course Mate­ri­als), for instance, or “Intro­duc­tion to The­o­ry of Lit­er­a­ture” (Free Online Video — Free iTunes Audio – Free iTunes Video — Course Mate­ri­als), or “Intro­duc­tion to World Lit­er­a­ture (Free Online Video).

Our col­lec­tion offers cours­es with rel­a­tive­ly broad lit­er­ary sub­ject mat­ter, such as “Amer­i­can Pas­sages: A Lit­er­ary Sur­vey” (Free Online Video) and “Con­tem­po­rary Lit­er­a­ture” (Free Online Video – Free Video Down­load), and oth­ers spe­cif­ic to one peri­od or even one writer, like “Oscar Wilde” (Free Online Audio ). and the Allen Gins­berg-taught “Jack Ker­ouac” (Free Online Audio Part 1 and Part 2). Oth­er offer­ings in our col­lec­tion more close­ly resem­ble the cours­es you may have always want­ed to take, but nev­er found offered, like these from “Tolkien Pro­fes­sor” Corey Olsen:

And yes, for those tru­ly intent on con­tin­u­ing their edu­ca­tion in Mid­dle-Earth, Olsen also offers a “Sil­mar­il­lion Sem­i­nar” (Free Online Video & Audio). If none of these appeal to your own intel­lec­tu­al curios­i­ty, how­ev­er, do vis­it the col­lec­tion’s page for more options from exis­ten­tial­ism to George Eliot to Shake­speare. (Nor should you miss our com­plete list, 1,700 Free Online Cours­es from Top Uni­ver­si­ties, which includes oth­er sub­jects like phi­los­o­phycom­put­er sci­encepsy­chol­o­gy, physics, reli­gion and more.) And if you feel like some­thing lighter, might I sug­gest John Green’s crash course on lit­er­a­ture?

Relat­ed Con­tent:

Down­load 100 Free Online Phi­los­o­phy Cours­es & Start Liv­ing the Exam­ined Life

Crash Course on Lit­er­a­ture: Watch John Green’s Fun Intro­duc­tions to Gats­by, Catch­er in the Rye & Oth­er Clas­sics

800 Free eBooks for iPad, Kin­dle & Oth­er Devices

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Mark Twain Writes a Rapturous Letter to Walt Whitman on the Poet’s 70th Birthday (1889)

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May 31, 1889, Walt Whitman’s sev­en­ti­eth birth­day, occa­sioned a cel­e­bra­tion of the poet in his home­town of Cam­den, New Jer­sey, with a sev­er­al course din­ner called “The Feast of Rea­son” fol­lowed by a pro­gram called “The Flow of Soul,” a suc­ces­sion of tes­ti­mo­ni­al speech­es and read­ings by promi­nent politi­cians and a few minor lit­er­ary fig­ures. Whit­man him­self was in ill health, but he man­aged to attend dur­ing dessert, deliv­er a brief response, then stay for over two hours after­ward (see the event’s orig­i­nal pro­gram, with menu, here). While the event itself, writes Ed Fol­som in the Walt Whit­man Quar­ter­ly Review, was intend­ed as a “local cel­e­bra­tion of Camden’s most famous per­son­al­i­ty,” the occa­sion prompt­ed admir­ers world­wide to send birth­day wish­es by wire and let­ter. Some of the famous lit­er­ary fig­ures who wrote includ­ed John Adding­ton Symonds, William Dean How­ells, John Green­leaf Whit­ti­er, and Mark Twain.

Twain’s let­ter (first page above) is not only a deeply heart­felt appre­ci­a­tion of the great­est liv­ing Amer­i­can poet, it is also, as Let­ters of Note puts it, “a love let­ter to human endeav­or.” Twain enu­mer­ates with awe the astound­ing tech­no­log­i­cal advances Whit­man has wit­nessed in his life­time, from steam pow­er to pho­tog­ra­phy to elec­tric light. The let­ter is char­ac­ter­is­tic of the opti­mism of the age—so per­fect­ly cap­tured a lit­tle over a decade lat­er in Hen­ry Adams’ mem­oir chap­ter “The Dynamo and the Vir­gin.” Twain, hard­ly a reli­gious man, evinces an almost rap­tur­ous faith in progress, con­clud­ing with a Bib­li­cal allu­sion and a some­what obscure ref­er­ence to an apoc­a­lyp­tic figure—“him for whom the earth was made”—who would appear in thir­ty years time. One can’t help but think, in hind­sight, of Yeats’ 1919 occult med­i­ta­tion on the loss of that Vic­to­ri­an cer­tain­ty in “The Sec­ond Com­ing.” As Marc L. Roark observes at The Lit­er­ary Table, “Twain was cor­rect — thir­ty years from the let­ter would see tech­nol­o­gy like the world nev­er knew.  Unfor­tu­nate­ly, that tech­nol­o­gy was that of war.”

Hart­ford, May 24/89

To Walt Whit­man:

You have lived just the sev­en­ty years which are great­est in the world’s his­to­ry & rich­est in ben­e­fit & advance­ment to its peo­ples. These sev­en­ty years have done much more to widen the inter­val between man & the oth­er ani­mals than was accom­plished by any five cen­turies which pre­ced­ed them.

What great births you have wit­nessed! The steam press, the steamship, the steel ship, the rail­road, the per­fect­ed cot­ton-gin, the tele­graph, the phono­graph, the pho­to­graph, pho­to-gravure, the elec­trotype, the gaslight, the elec­tric light, the sewing machine, & the amaz­ing, infi­nite­ly var­ied & innu­mer­able prod­ucts of coal tar, those lat­est & strangest mar­vels of a mar­velous age. And you have seen even greater births than these; for you have seen the appli­ca­tion of anes­the­sia to surgery-prac­tice, where­by the ancient domin­ion of pain, which began with the first cre­at­ed life, came to an end in this earth for­ev­er; you have seen the slave set free, you have seen the monar­chy ban­ished from France, & reduced in Eng­land to a machine which makes an impos­ing show of dili­gence & atten­tion to busi­ness, but isn’t con­nect­ed with the works. Yes, you have indeed seen much — but tar­ry yet a while, for the great­est is yet to come. Wait thir­ty years, & then look out over the earth! You shall see mar­vels upon mar­vels added to these whose nativ­i­ty you have wit­nessed; & con­spic­u­ous above them you shall see their for­mi­da­ble Result — Man at almost his full stature at last! — & still grow­ing, vis­i­bly grow­ing while you look. In that day, who that hath a throne, or a gild­ed priv­i­lege not attain­able by his neigh­bor, let him pro­cure his slip­pers & get ready to dance, for there is going to be music. Abide, & see these things! Thir­ty of us who hon­or & love you, offer the oppor­tu­ni­ty. We have among us 600 years, good & sound, left in the bank of life. Take 30 of them — the rich­est birth-day gift ever offered to poet in this world — & sit down & wait. Wait till you see that great fig­ure appear, & catch the far glint of the sun upon his ban­ner; then you may depart sat­is­fied, as know­ing you have seen him for whom the earth was made, & that he will pro­claim that human wheat is worth more than human tares, & pro­ceed to orga­nize human val­ues on that basis.

Mark Twain

See Let­ters of Note for the remain­ing images of Twain’s let­ter. You can peruse all of the speech­es, let­ters, and telegrams addressed to Whit­man on his 70th birth­day in the col­lec­tion Camden’s Com­pli­ment to Walt Whit­man, pub­lished that same year.

For many more fas­ci­nat­ing his­tor­i­cal let­ters, be sure to check out Let­ters of Note’s new book, Let­ters of Note: Cor­re­spon­dence Deserv­ing of a Wider Audi­ence.

Relat­ed Con­tent:

Hear Walt Whit­man (Maybe) Read­ing the First Four Lines of His Poem, “Amer­i­ca” (1890)

Mark Twain Writes a “Gush­ing,” “Self-Dep­re­cat­ing” Wed­ding Announce­ment to His Fam­i­ly (1869)

Mark Twain Drafts the Ulti­mate Let­ter of Com­plaint (1905)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

Hear the Voice of Arthur Conan Doyle After His Death

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We’ve pre­vi­ous­ly doc­u­ment­ed the strange case of Arthur Conan Doyle’s fer­vent Spir­i­tu­al­ism, which Mark Strauss of io9 apt­ly describes as “hard to rec­on­cile [with] the man who cre­at­ed the lit­er­ary embod­i­ment of empir­i­cal think­ing,” Sher­lock Holmes. Conan Doyle was so eager to believe in the exis­tence of fairies and what he called “psy­chic mat­ters” that he was fre­quent­ly tak­en in by hoax­es. But the physi­cian and novelist’s seem­ing­ly odd views obtained wide­ly among his con­tem­po­raries who sought con­fir­ma­tion of the after­life and com­mu­nion with their dead rel­a­tives, mil­lions of whom were lost in the Civ­il War, then World War I.

Spir­i­tu­al­ism pro­vid­ed a com­fort to the bereaved, as well as ample oppor­tu­ni­ty for grifters and char­la­tans. And yet, Strauss points out, the rise of Spir­i­tu­al­ism in the 19th cen­tu­ry may also have been due to the ris­ing influ­ence of sci­ence in pop­u­lar cul­ture, as more and more peo­ple sought exper­i­men­tal evi­dence for their super­nat­ur­al beliefs. Conan Doyle wrote twen­ty books on the sub­ject, includ­ing the two-vol­ume 1924 His­to­ry of Spir­i­tu­al­ism. In a speech he gave in May of 1930, just before his death, he explained the appeal. Hear the audio above and read a tran­scrip­tion below:

Peo­ple ask, what do you get from spir­i­tu­al­ism? The first thing you get is that it absolute­ly removes all fear of death. Sec­ond­ly, it bridges death for those dear ones whom we may lose. We need have no fear that we are call­ing them back, for all that we do is to make such con­di­tions as expe­ri­ence has taught us, will enable them to come if they wish. And the ini­tia­tive lies always with them.

Two months lat­er at a séance attend­ed by thou­sands at the Roy­al Albert Hall, a medi­um claimed to have com­mu­ni­cat­ed with the Sher­lock Holmes author. And four years after that, anoth­er medi­um, Noah Zerdin, held a séance attend­ed by hun­dreds, and Conan Doyle is said to have been one of 44 who spoke from the beyond. This time, the event was record­ed, on 26 acetate disks, which were only dis­cov­ered 67 years lat­er in 2001 by Zerdin’s son, who donat­ed them to the British Library. The 1934 record­ings fea­tured in a 2002 BBC radio doc­u­men­tary called What Grandad Did in the Dark.

Just above, you can hear the sup­posed voice of Arthur Conan Doyle speak­ing from the spir­it world. The audio is seri­ous­ly spooky, but I’m not inclined to believe that it’s any­thing more than a hoax, although the tech­nol­o­gy of the time would make manip­u­la­tion of the direct record­ings dif­fi­cult. So-called “spir­it voic­es” in record­ings such as this are known as EVP (“elec­tron­ic voice phe­nom­e­non”), and there are many such exam­ples of the genre at the British Library, includ­ing a batch of 60 tapes made by a Dr. Kon­stan­tin Rau­dive, “who believed that the dead could com­mu­ni­cate with the liv­ing through the medi­um of radio waves.”

A post on the British Library site com­ments that “the record­ed evi­dence is not espe­cial­ly con­vinc­ing, being short com­ments or frag­ments that with­out the accom­pa­ny­ing spo­ken ‘trans­la­tion’ would prob­a­bly not strike the lis­ten­er as hav­ing any mean­ing­ful con­tent.” The Conan Doyle audio seems a lit­tle more coher­ent, though it’s dif­fi­cult to make out exact­ly what the voice says. Com­pare the two sam­ples and draw your own con­clu­sions. Or bet­ter yet, con­sid­er what Sher­lock Holmes would make of this alleged “evi­dence.”

You can find Sher­lock Holmes texts in our col­lec­tions: 600 Free eBooks for iPad, Kin­dle & Oth­er Devices and 550 Free Audio Books: Down­load Great Books for Free.

via io9

Relat­ed Con­tent:

Arthur Conan Doyle & The Cot­tin­g­ley Fairies: How Two Young Girls Fooled Sher­lock Holmes’ Cre­ator

Arthur Conan Doyle Dis­cuss­es Sher­lock Holmes and Psy­chics in a Rare Filmed Inter­view (1927)

Arthur Conan Doyle Fills Out the Ques­tion­naire Made Famous By Mar­cel Proust (1899)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

What Was It Like to Have Philip Roth as an English Prof?

Image by Thier­ry Ehrmann, via Flickr Com­mons

Writ­ing in The New York Times this week­end, author Lisa Scot­to­line remem­bers her days at the Uni­ver­si­ty of Penn­syl­va­nia, back dur­ing the 1970s, when she took sem­i­nars with then-vis­it­ing pro­fes­sor, Philip Roth. One course the famous nov­el­ist taught was called ““The Lit­er­a­ture of Desire,” which prompt­ed stu­dents to think, “Who wouldn’t want to read dirty books with Philip Roth?”  It turns out the class did­n’t get very sexy. But stu­dents did learn quite a bit. Scot­to­line writes:

Look­ing back, I’ve come to under­stand that he was the best pro­fes­sor I ever had, not only because of his genius, but also because of his dis­tance. We were a group of girls eager to please, to guess at what he want­ed us to say, and to say that for him. We all want­ed to hear about him, or have him tell us how to write, but that was some­thing he stead­fast­ly denied us. By with­hold­ing his own per­son­al­i­ty, thoughts and opin­ions, he forced us back on our own per­son­al­i­ties, thoughts and opin­ions. He made us dis­cov­er what we want­ed to write about, and to write about it the way we want­ed to.

You can read the rest of her account here.

Relat­ed Con­tent:

Free Online Lit­er­a­ture Cours­es from Great Uni­ver­si­ties

Watch Philip Roth, Now 80, Read from His Irrev­er­ent Clas­sic, Portnoy’s Com­plaint

Philip Roth Pre­dicts the Death of the Nov­el; Paul Auster Coun­ters

Philip Roth Reads “In Mem­o­ry of a Friend, Teacher & Men­tor” (A Free Down­load Ben­e­fit­ing a Pub­lic Library)

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Vintage Footage of Leo Tolstoy: Video Captures the Great Novelist During His Final Days

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“My life came to a stand­still,” wrote Leo Tol­stoy in his 1882 con­ver­sion mem­oir A Con­fes­sion, “I could not breathe, eat, drink, and sleep, and I could not help doing these things.” So Tolstoy’s described his “arrest of life,” a peri­od of severe depres­sion that led to a very deep, per­son­al brand of faith in his late mid­dle age. The tow­er­ing Russ­ian nov­el­ist renounced world­ly desires and came to iden­ti­fy with the poor, the for­mer serfs of his aris­to­crat­ic class. Tolstoy’s rad­i­cal reli­gious anar­chism in his final years spread his fame far among the peas­antry just as his lit­er­ary achieve­ments had brought him world­wide renown among the read­ing pub­lic. So famous was Tol­stoy, William Nick­ell tells us, that Russ­ian crit­ic Vasi­ly Rozanov wrote that “to be a Russ­ian and not have [seen] Tol­stoy was like being Swiss and not hav­ing seen the Alps.”

Nick­ell describes the occa­sions that Tol­stoy appeared on film, the new medi­um that allowed the author’s mil­lions of ador­ing fans to get a glimpse of him. Just as his life was punc­tu­at­ed by a rad­i­cal depar­ture from his ear­li­er atti­tudes, his medi­um was in for a shock as film for­ev­er changed the way sto­ries were told.

In those ear­ly days, how­ev­er, it was very often sim­ply a means of record­ing his­to­ry, and we should be glad of that. It means we too can see Tol­stoy, at the top on his 80th birth­day. We see him vig­or­ous­ly saw­ing logs and pious­ly giv­ing alms to the poor. Also includ­ed in the ini­tial footage are Tolstoy’s wife Sofya, his daugh­ter Alek­san­dra, and aide and edi­tor Vladimir Chertkov. Then, at 1:04, the scene shifts to Tolstoy’s deathbed and scenes of his funer­al. The remain­ing 11 min­utes give us some uniden­ti­fied footage of the author. (If you’re able to read the title cards in Russ­ian, please let us know!).

Just above, see a more com­plete film of Tolstoy’s death and funer­al pro­ces­sion. The author died at age 82 after he abrupt­ly decid­ed to leave his wife, tak­ing only a few pos­ses­sions and his doc­tor. Read the dra­mat­ic sto­ry of Tolstoy’s last ten days in this trans­lat­ed excerpt from Pavel Basinsky’s award win­ning Leo Tol­stoy: Escape from Par­adise.

Relat­ed Con­tent:

Rare Record­ing: Leo Tol­stoy Reads From His Last Major Work in Four Lan­guages, 1909

The Com­plete Works of Leo Tol­stoy Online: New Archive Will Present 90 Vol­umes for Free (in Russ­ian)

Study Finds That Read­ing Tol­stoy & Oth­er Great Nov­el­ists Can Increase Your Emo­tion­al Intel­li­gence

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

Albert Camus Wins the Nobel Prize & Sends a Letter of Gratitude to His Elementary School Teacher (1957)

Image by Unit­ed Press Inter­na­tion­al, via Wiki­me­dia Com­mons

What would you do if you won a Nobel Prize? Who would you thank? We’ve all won­dered about it, per­haps not about the Nobel specif­i­cal­ly, but about some poten­tial­ly lega­cy-con­firm­ing prize or oth­er — maybe an Oscar, maybe a MacArthur Fel­low­ship. When Albert Camus, the short-lived French nov­el­ist-philoso­pher who wrote such endur­ing works as The Stranger and The Myth of Sisy­phus, won the Nobel for Lit­er­a­ture in 1957for his impor­tant lit­er­ary pro­duc­tion, which with clear-sight­ed earnest­ness illu­mi­nates the prob­lems of the human con­science in our times,” he thanked an ele­men­tary-school teacher. “One could argue that, in the his­to­ry of the field, few teacher-pupil rela­tion­ships have had more dra­mat­ic impact than that of Louis Ger­main on his young pupil Albert Camus,” says Chica­go Tri­bune arti­cle pub­lished dur­ing an upswing in Amer­i­can inter­est in Camus’ work. That hap­pened soon after the pub­li­ca­tion of his unfin­ished auto­bi­o­graph­i­cal nov­el The First Man, a “clas­sic sto­ry of a poor boy who made good” whose appen­dix includes the author’s real-life cor­re­spon­dence with his for­mer teacher.

One of these let­ters Camus wrote to Ger­main not long after win­ning the Nobel. (You can hear his actu­al accep­tance speech here.) He no doubt saw the old­er man’s for­ma­tive influ­ence as essen­tial to the work that brought that pres­ti­gious prize his way, since, as Let­ters of Note puts it, “he was just 11-months-old when his father was killed in action dur­ing The Bat­tle of the Marne; his moth­er, par­tial­ly deaf and illit­er­ate, then raised her boys in extreme pover­ty with the help of his heavy-hand­ed grand­moth­er. It was in school that Camus shone, due in no small part to the encour­age­ment offered by his beloved teacher.” Though nev­er thrilled about pub­lic hon­ors of this type, Camus nonethe­less knew a chance to express long-felt grat­i­tude when he saw it, and to Ger­main he wrote these sen­tences as brief and as pow­er­ful as many in his books: 

19 Novem­ber 1957

Dear Mon­sieur Ger­main,

I let the com­mo­tion around me these days sub­side a bit before speak­ing to you from the bot­tom of my heart. I have just been giv­en far too great an hon­our, one I nei­ther sought nor solicit­ed.

But when I heard the news, my first thought, after my moth­er, was of you. With­out you, with­out the affec­tion­ate hand you extend­ed to the small poor child that I was, with­out your teach­ing and exam­ple, none of all this would have hap­pened.

I don’t make too much of this sort of hon­our. But at least it gives me the oppor­tu­ni­ty to tell you what you have been and still are for me, and to assure you that your efforts, your work, and the gen­er­ous heart you put into it still live in one of your lit­tle school­boys who, despite the years, has nev­er stopped being your grate­ful pupil. I embrace you with all my heart.

Albert Camus

For more such mem­o­rable cor­re­spon­dence, do con­sid­er hav­ing a look at Let­ters of Note’s new­ly pub­lished book, Let­ters of Note: An Eclec­tic Col­lec­tion of Cor­re­spon­dence Deserv­ing of a Wider Audi­ence.

Relat­ed Con­tent:

On His 100th Birth­day, Hear Albert Camus Deliv­er His Nobel Prize Accep­tance Speech (1957)

Albert Camus Writes a Friend­ly Let­ter to Jean-Paul Sartre Before Their Per­son­al and Philo­soph­i­cal Rift

Albert Camus Talks About Adapt­ing Dos­toyevsky for the The­atre, 1959

The Fall by Albert Camus Ani­mat­ed

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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