A mere twenty months after Joan Didion’s husband, John Gregory Dunne, died of a heart attack, Didion’s only child, Quintana Roo Dunne, contracted pneumonia, lapsed into septic shock and passed away. She was only 39 years old. Didion grappled with the first death in her 2005 bestseller, The Year of Magical Thinking. Now, with her new memoir Blue Nights, she turns to her child’s passing, to a parent’s worst fear realized. In this short film shot by her nephew, director Griffin Dunne, Didion reads from Blue Nights. The scene opens with memories from her daughter’s wedding and ends with some big existential questions and the refrain, “When we talk about mortality we are talking about our children.”
This “audiobook for the eyes,” as Griffin Dunne calls it, runs six plus minutes. The actual Blue Nights audio book is now available on Audible.
A big thanks goes to @opedr for sending the Didion clip our way…
Back by popular demand, and certainly the right video for today’s holiday — the 1953 animated film version of Poe’s “The Tell-Tale Heart,” narrated by James Mason. Upon its release, the film was given a bizarre reception. In the UK, the British Board of Film Censors gave the film an “x” rating, deeming it unsuitable for adult audiences. Meanwhile, “The Tell-Tale Heart” was nominated for the Academy Award for Best Animated Short Film in the US, though it ultimately lost to a Disney production. The film runs a short 7:24, and now appears in our collection of Free Movies Online.
And then we have another small Halloween treat — your favorite actor, Christopher Walken, reading another classic Poe story, The Raven. It’s now added to our collection of Free Audio Books, and don’t miss other readings by Walken right below.
This month marks the 50th anniversary of Catch-22, Joseph Heller’s exuberantly surreal comedy about the insanity of war. The novel grew out of Heller’s experiences as an Air Force bombardier in Europe during World War II. Surprisingly, the author’s own attitude toward the war bore little resemblance to the views of his immortal protagonist, John Yossarian.
“I have no complaints about my service at all,” Heller told Allan Gregg of Canadian public broadcasting in an interview (see above) recorded not long before the author’s death in 1999. “If anything, it was beneficial to me in a number of ways.” Catch-22, he says, was a response to what transpired during the novel’s 15-year gestation: the cold war, the McCarthy hearings–“the hypocrisy, the bullying that was going on in America.”
As E.L. Doctorow told a reporter the day after Heller’s death, “When ‘Catch-22’ came out, people were saying, ‘Well, World War II wasn’t like this.’ But when we got tangled up in Vietnam, it became a sort of text for the consciousness of that time.” The novel went on to sell more than 10 million copies, and its title, as The New York Times wrote in Heller’s obituary, “became a universal metaphor not only for the insanity of war but also for the madness of life itself.”
In the story, Yossarian strives to get himself grounded from future missions, only to come up against the genius of bureaucratic logic:
There was only one catch and that was Catch-22, which specified that a concern for one’s safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn’t, but if he were sane he had to fly them. If he flew them he was crazy and didn’t have to; but if he didn’t want to he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle.
Heller went on to write six more novels, three plays, two memoirs and a collection of short stories, but none were as successful as his debut novel. In later years when Heller was asked why he hadn’t written another book like Catch-22, his stock response was: “Who has?”
Close the doors. Shut the blinds. Turn out the lights. Make that room dark. Get ready for Alfred Hitchcock Presents Ghost Stories for Young People. Originally recorded in 1962, the album features 11 ghost stories introduced by Hitchcock himself and then read by actor John Allen. If you were a kid during the early 60s, this may bring back some very good memories. The recording is available on YouTube and Spotify, embedded below. (Download Spotify’s software for free here.)
Here’s a playlist of the tracks:
The Haunted And The Haunters (The Pirate’s Curse)
Novels — they’re in inevitable decline. They can’t compete with the movie screen, the TV screen and now the computer screen. Give things 25 years, and there will be just a small cult of readers left. That’s the prediction of American author, Philip Roth, who has 27 novels to his credit. And apparently, Roth is personally hastening the process. Earlier this year, he told a reporter for the Financial Times: “I’ve stopped reading fiction. I don’t read it at all. I read other things: history, biography. I don’t have the same interest in fiction that I once did.” When asked why, he quipped: “I don’t know. I wised up … ”
For Paul Auster, another productive novelist, the reports of the novel’s death are greatly exaggerated. Humans hunger for stories. They always will. And, the novel, it knows how to adapt and survive. Will it survive with the help of technology? Auster might not be the best person to ask. He owns neither a computer nor a mobile phone. Lucky man.
Bonus: You can listen to Paul Auster read The Red Notebook, a collection of short stories published in 2002, right here. (He starts reading at around the 8:30 mark.) We have it listed in our collection of Free Audio Books.
In 1956, Italo Calvino, one of Italy’s finest postwar writers, published Italian Folktales, a series of 200 fairy tales based sometimes loosely, sometimes more strictly on stories from a great folk tradition. When first published, The New York Times named Italian Folktalesone of the ten best books of the year, and, more than a half century later, the stories continue to delight. Case in point: in 2007, John Turturro, the star of numerous Coen brothers and Spike Lee films, began working on Fiabe italiane, a play adapted from Calvino’s collection of fables. Last year, Turturro’s play enjoyed a sold-out run in Turino.
Calvino, who died far too young, would have celebrated his 88th birthday this past Saturday.
Bonus: You can listen to Jeanette Winterson read Calvino’s short story, The Night, online here. The reading is also listed in our collection of Free Audio Books.
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Look what the vintage video gods have delivered today. Filmed in 1965, the black and white documentary Ladies and Gentlemen… Mr. Leonard Cohen introduces viewers to a young Leonard Cohen. Then only 30 years old (and looking a little like Dustin Hoffman), Cohen had already established himself as a poet and novelist. But his legendary career as a singer-songwriter was just barely getting underway. The 44 minute documentary all takes place in his hometown of Montreal, the city to which Cohen continually returns “to renew his neurotic affiliations” with family and old friends.
Ladies and Gentlemen… Mr. Leonard Cohen appears in our collection of Free Movies Online, where you will also find Lian Lunson’s 2005 documentary, Leonard Cohen: I’m Your Man, a fascinating retrospective of Cohen’s life and work that features tribute performances by famous artists, including Beth Orton, Nick Cave, Martha and Rufus Wainwright, and U2.
If you would like to sign up for Open Culture’s free email newsletter, please find it here. It’s a great way to see our new posts, all bundled in one email, each day.
If you would like to support the mission of Open Culture, consider making a donation to our site. It’s hard to rely 100% on ads, and your contributions will help us continue providing the best free cultural and educational materials to learners everywhere. You can contribute through PayPal, Patreon, and Venmo (@openculture). Thanks!
Now it’s time for something a little more modern — Mike McCubbins offers an animated adaptation of Albert Camus’ classic, The Fall, published in 1957, the same year that Camus won the Nobel Prize for Literature for his work that “illuminates the problems of the human conscience in our times.” Give McCubbins five minutes and he’ll give you the visual essence of the philosophical novel. You can watch it here.
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