Conan O’Brien’s SilÂiÂcon ValÂley tour winds up at Google as part of his “LegalÂly ProÂhibÂitÂed From Being FunÂny on TeleÂviÂsion Tour.” In this setÂting, you can realÂly see his comic/improvisational talÂents come alive (more so than on late night TV). Give it a watch and tell me if you don’t get a good laugh…
The CBS Radio WorkÂshop was an “experÂiÂmenÂtal draÂmatÂic radio antholÂoÂgy series” that aired between 1956 and 1957. And it preÂmiered with a two-part adapÂtaÂtion of Aldous HuxÂley’s now clasÂsic 1932 novÂel, Brave New World. HuxÂley himÂself introÂduced and narÂratÂed the proÂgram, and now this clasÂsic radio draÂma has resurÂfaced online. You can lisÂten to Part 1 and Part 2 below. The mp3s will be perÂmaÂnentÂly housed in our colÂlecÂtion of Free Audio Books.
As he grows oldÂer, Woody Allen increasÂingÂly finds himÂself posiÂtioned as the philosoÂpher filmÂmakÂer. Fresh Air host TerÂry Gross asked him some heavy exisÂtenÂtial quesÂtions in an interÂview last year. (LisÂten here). And, more recentÂly, we have Allen grapÂpling with some big life quesÂtions in an interÂview conÂductÂed by Father Robert E. Lauder in the Catholic magÂaÂzine, ComÂmonÂweal. The conÂverÂsaÂtion begins:
RL: When IngÂmar Bergman died, you said even if you made a film as great as one of his, what would it matÂter? It doesn’t gain you salÂvaÂtion. So you had to ask yourÂself why do you conÂtinÂue to make films. Could you just say someÂthing about what you meant by “salÂvaÂtion”?
WA: Well, you know, you want some kind of relief from the agony and terÂror of human exisÂtence. Human exisÂtence is a bruÂtal expeÂriÂence to me…it’s a bruÂtal, meanÂingÂless experience—an agoÂnizÂing, meanÂingÂless expeÂriÂence with some oases, delight, some charm and peace, but these are just small oases. OverÂall, it is a bruÂtal, bruÂtal, terÂriÂble expeÂriÂence, and so it’s what can you do to alleÂviÂate the agony of the human conÂdiÂtion, the human predicaÂment? That is what interÂests me the most. I conÂtinÂue to make the films because the probÂlem obsessÂes me all the time and it’s conÂsisÂtentÂly on my mind and I’m conÂsisÂtentÂly tryÂing to alleÂviÂate the probÂlem, and I think by makÂing films as freÂquentÂly as I do I get a chance to vent the probÂlems. There is some relief. I have said this before in a faceÂtious way, but it is not so faceÂtious: I am a whinÂer. I do get a cerÂtain amount of solace from whinÂing.
William CarÂlos Williams – docÂtor by day, poet by night, and cerÂtainÂly one of AmerÂiÂca’s finest. In this 1954 audio clip, we hear Williams readÂing his own poetÂry at the stoÂried 92nd Street Y in New York City. Poems include: “A Sort of a Song,” “The ManeuÂver,” “SeaÂfarÂer,” “The Three Graces,” “PaterÂson, Episode 17,” “The Descent” and “Fish.” The reads are now added to the PoetÂry secÂtion of our Free Audio Books ColÂlecÂtion.
PoetÂry lovers take note: PeoÂple ReadÂing Poems is a very new web site where users can come to hear recordÂings of peoÂple readÂing poems they love, and also to share their own favorite poems. It’s all comÂpleteÂly free and easy to use. If you have a free moment, pay it a visÂit and help the site grow.
When you think Rome, you think the ColosÂseÂum. It’s one of the great strucÂtures of the Roman Empire, and it still domÂiÂnates the landÂscape of the modÂern city. But how deep does your knowlÂedge of the ColosÂseÂum actuÂalÂly go? Which emperÂor built the AmphitheÂatrum FlavÂiÂum (as it was origÂiÂnalÂly called)? For what purÂpose? And how, stylÂisÂtiÂcalÂly, was it origÂiÂnalÂly built and decÂoÂratÂed? All of this gets answered in an image-packed lecÂture by Yale proÂfesÂsor Diana E.E. KleinÂer, which forms part of her largÂer course on Roman ArchiÂtecÂture. (Find it on YouTube, iTunes and Yale’s Open Course web site). I queued up the lecÂture at the 20 minute, when KleinÂer starts talkÂing about the ColosÂseÂum itself. But you can move back to the very beginÂning if you want to get some more politÂiÂcal conÂtext.
OC conÂtribÂuÂtor Seth HarÂwood has someÂthing excitÂing going on over at his site today: he’s launchÂing the pre-order sales of his new novÂel YOUNG JUNIUS, which is due out this fall. This is partÂly worth notÂing because Seth’s path to pubÂliÂcaÂtion involves givÂing away his work for free as MP3 audioÂbooks. You can even lisÂten to all of YOUNG JUNIUS before you make a buy. If you’re a fan of crime or mysÂtery ficÂtion, or you dig The Wire, you’ll love this book!
Now, Seth is partÂnerÂing with indeÂpenÂdent pubÂlishÂer Tyrus Books to break new ground in pubÂlishÂing strateÂgies. To read the full descripÂtion of what he’s up to, go here. The brief verÂsion involves the pre-order of speÂcial, limÂitÂed ediÂtion copies of the book that feaÂture cloth bindÂing, fan-creÂatÂed covÂer art, phoÂtos of the stoÂry’s locaÂtions, signed perÂsonÂalÂizaÂtion and more. By offerÂing these for a limÂitÂed time via his site, he and Tyrus are able to print just the quanÂtiÂty sold and balÂance some of the cost (reduce the risk) of the book’s full print run–hardcover, paperÂback AND speÂcial ediÂtion.
If you’d like to read more about this or order a copy, head over to sethharwood.com. When you do, use the code OC to save $3 off the covÂer price of the book! Enjoy!!
Seth HarÂwood is a voraÂcious readÂer, subÂverÂsive pubÂlishÂing maven and crime novÂelÂist.
AnothÂer great New York City moment. In the spring of 2009, conÂstrucÂtion workÂers buildÂing the new home for Poets House were treatÂed to a short poetÂry readÂing by the actor Bill MurÂray. We iniÂtialÂly encounter MurÂray (at the 59 secÂond mark) readÂing lines from BilÂly Collins’ AnothÂer ReaÂson I Don’t Keep a Gun in the House. Next up? Lorine NiedeckÂer’s very pithy poem, Poets Work, and then, of course, a litÂtle EmiÂly DickÂinÂson.
For more free poetÂry, visÂit our colÂlecÂtion of Free Audio Books.
LookÂing for free, proÂfesÂÂsionÂalÂÂly-read audio books from Audible.com? Here’s a great, no-strings-attached deal. If you start a 30 day free triÂal with Audible.com, you can downÂload two free audio books of your choice. Get more details on the offer here.
This year, Tim BurÂton’s proÂducÂtion of Alice In WonÂderÂland was welÂcomed by a flurÂry of media buzz and a rather polarÂized pubÂlic response debatÂing whether the iconÂic direcÂtor had butchered or reinÂventÂed the even more iconÂic chilÂdren’s clasÂsic. But disÂcusÂsion of the film’s creÂative merÂits aside, one thing it did do brilÂliantÂly was rekinÂdle the pubÂlic’s interÂest in what’s easÂiÂly the most beloved work of chilÂdren’s litÂerÂaÂture of the past two cenÂturies.
So beloved, in fact, that Lewis CarÂrolÂl’s 1865 novÂel has genÂerÂatÂed hunÂdreds of reprints, film adapÂtaÂtions and varÂiÂous derivÂaÂtive works over the years. Many of these works are now availÂable in the pubÂlic domain — even a simÂple search in the InterÂnet Archive sends you down a rabÂbit hole of adapÂtaÂtions and remakes, spanÂning from landÂmark earÂly cinÂeÂma treaÂsures to offÂbeat prodÂucts of conÂtemÂpoÂrary digÂiÂtal culÂture.
Today, we’ve curatÂed a selecÂtion of the most interÂestÂing and culÂturÂalÂly sigÂnifÂiÂcant — the “curiÂouser and curiÂouser,” if you will — free verÂsions of, tribÂutes to, and derivÂaÂtives of Alice’s AdvenÂtures In WonÂderÂland.
The funÂdaÂmenÂtals: A Project GutenÂberg free digÂiÂtal copy of CarÂrolÂl’s origÂiÂnal Alice’s AdvenÂtures In WonÂderÂland text
A 1916 abridged verÂsion intendÂed for younger chilÂdren, digÂiÂtized by the Library of ConÂgress, is availÂable from the InterÂnaÂtionÂal ChilÂdren’s DigÂiÂtal Library and feaÂtures some wonÂderÂful illusÂtraÂtion — though, regretÂtably, it lacks the Cheshire Cat
For a clasÂsic with a spin, try this audio verÂsion read by blogÂger extraÂorÂdiÂnaire, BoingÂBoÂing co-ediÂtor, PopÂuÂlar SciÂence columÂnist and vocal free conÂtent advoÂcate Cory DocÂtorow
The earÂliÂest cinÂeÂmatÂic adapÂtaÂtion of the book, directÂed by Cecil HepÂworth in 1903, is a silent film gem, clockÂing in at just 8 minÂutes and 19 secÂonds. Watch above.
In 1915, W. W. Young directÂed the secÂond AmerÂiÂcan adapÂtaÂtion of Alice — a masÂsive six-reel proÂducÂtion that showÂcased the rapid evoÂluÂtion of filmÂmakÂing in just a decade since the first proÂducÂtion. Though much of the film is now lost, 42 minÂutes of it can be seen at the InterÂnet Archive for free
A 1966 British adapÂtaÂtion by direcÂtor Jonathan Miller for the BBC feaÂtures an ambiÂtious cast — includÂing Peter SellÂers as the King of Hearts, Sir John GielÂguld as Mock TurÂtle, Michael RedÂgrave as The CaterÂpilÂlar and Peter Cook as the Mad HatÂter — and its soundÂtrack, scored by the legÂendary Ravi Shankar, exudes the borÂderÂline folk-psyÂcheÂdelia sound of the WoodÂstock era. The film, dividÂed into sevÂen parts, is availÂable for free on YouTube.
This 2‑minute verÂsion of Alice In WonÂderÂland shot in the virÂtuÂal world SecÂond Life is an eerie tesÂtaÂment to just how wideÂly CarÂrolÂl’s clasÂsic resÂonates.
PerÂhaps the biggest treaÂsure of all, Lewis CarÂrolÂl’s origÂiÂnal manÂuÂscript, availÂable from the British Library — 91 pages of preÂcious litÂerÂary hisÂtoÂry, with origÂiÂnal illusÂtraÂtions from artist John TenÂniel. The online gallery also feaÂtures a prefÂace telling the fasÂciÂnatÂing stoÂry of the Oxford mathÂeÂmatiÂcian’s real-life inspiÂraÂtion for the book and the fate of the real Alice
Maria PopoÂva is the founder and ediÂtor in chief of Brain PickÂings, a curatÂed invenÂtoÂry of eclecÂtic interÂestÂingÂness and indisÂcrimÂiÂnate curiosÂiÂty. She writes for Wired UK, GOOD MagÂaÂzine and HuffÂinÂgÂton Post, and spends a disÂturbÂing amount of time curatÂing interÂestÂingÂness on TwitÂter.
Ken Loach is Britain’s most famous – and often conÂtroÂverÂsial – direcÂtor, known for his social realÂist directÂing style and socialÂist polÂiÂtics. GivÂen his approach, it’s quite fitÂting that he has made some of his finest films availÂable on YouTube – for free. The Ken Loach YouTube chanÂnel gives you access to his earÂly major films, includÂing Cathy Come Home, a 1966 BBC docuÂdÂraÂma that porÂtrays a young couÂple grapÂpling with poverÂty, unemÂployÂment, and homeÂlessÂness, and also Kes, a 1970 movie that’s now ranked sevÂenth on the British Film InstiÂtute’s list of the Top Ten (British) Films.
But you wouldÂn’t want to miss Loach’s more recent films. And the new YouTube colÂlecÂtion doesÂn’t disÂapÂpoint. It feaÂtures HidÂden AgenÂda (1990), a politÂiÂcal thriller that won the Jury Prize at the Cannes Film FesÂtiÂval; Riff Raff (1991), anothÂer prize winÂner that takes a hard look at the workÂing class in the UK; and Ae Fond Kiss (2004), which delves into what hapÂpens when a young PakÂistani man enters into a relaÂtionÂship with a CauÂcasian woman in GlasÂgow.
Filmed in 1986, Meetin’ WA is a short (26 minute) film that not many have seen. What you get is Godard, one of the driÂving forces behind La NouÂvelle Vague, in conÂverÂsaÂtion with Woody Allen. The tradeÂmark Godard approach to film, the expectÂed dose of Woody Allen neuÂroses — they’re all there. You’ll find this gem and 340+ othÂer films (includÂing many clasÂsics) listÂed in our colÂlecÂtion of Free Movies Online.
We take you back to July 16, 1969 and the launch of ApolÂlo 11, which landÂed humans on the moon for the first time. The footage slows things down, stretchÂing 30 secÂonds of action to over eight minÂutes of viewÂing time. Here’s what it looked like in real time.
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