Introducing “Book Oven”

The folks who brought you Lib­rivox (one of our favs) are now rolling out a new site: Book Oven. The beau­ty of Lib­rivox is that it has used crowd­sourc­ing to pro­duce the largest col­lec­tion of free audio books on the web (and we’ve fea­tured many of them in our col­lec­tion of Free Audio Books). Book Oven takes crowd­sourc­ing and does some­thing a lit­tle dif­fer­ent with it. It gives book lovers the pow­er to par­tic­i­pate in the writ­ing, sales and dis­tri­b­u­tion of new books. Above, Hugh McGuire, founder of Lib­rivox, explains the con­cept of Book Oven more ful­ly. (You’ll need to turn up the vol­ume a bit.) The site is cur­rent­ly in alpha, and I sus­pect that you can watch it evolve dur­ing the months ahead. Watch Book Oven Blog to track its devel­op­ment.

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Top Ten Reasons Why the Kindle Won’t Be an iPod for Books

A lit­tle side­bar to our pre­vi­ous post that won­ders whether Ama­zon’s Kin­dle can rev­o­lu­tion­ize the book indus­try…

1) When you buy an iPod, you can trans­fer all of your cur­rent music onto it. With Kin­dle you have to start buy­ing all new books.

2) The paper-form book (aka “dead tree ver­sion”) is still the best tech­nol­o­gy for read­ing: ful­ly portable, a nice thing to own and put on shelves, great for shar­ing, good in bed, at beach, etc. If you lose it or get it wet, no big deal—easily replace­able.

3) Music has con­stant­ly found new for­mats that improve on the old. Same for the iPod. It’s unques­tion­ably bet­ter than that big­ger, skip­ping CD play­er. Books haven’t been able to improve on the form for cen­turies.

4) Hold­ing 100 albums in your hand is great. Hold­ing 100 books? Not as much.

5) How often do you real­ly go away for so long that you need 10+ books? (Book­stores are every­where.)

6) Kin­dle is too expen­sive (see #1) and too big.

7) Books take much longer to con­sume, don’t work well in indi­vid­ual (shuf­fled) parts, and we often only read them once.

8.) Now that you can car­ry music on your phone, and the iPhone has bun­dled music, email, inter­net, and tele­phone in one small size, is any­one real­ly will­ing to buy a big­ger iPhone or Kin­dle just to read books on it?

9) Most of us spend more time lis­ten­ing to music than read­ing. We just do; it’s eas­i­er to do while we’re involved with oth­er things.

10) Books: they’re bet­ter!

Seth Har­wood pod­casts his ideas on the pub­lish­ing indus­try and his fic­tion for free at sethharwood.com. He is cur­rent­ly fig­ur­ing out how pub­lish­ers should best approach the new, emerg­ing e‑book mar­ket. Hear his ideas in his lat­est Hot Tub Cast™ and read them here soon. His first nov­el is JACK WAKES UP, in stores now.

Will Amazon (or Apple) Cut Publishers Out of the Loop?

If you’re won­der­ing where the book/publishing mar­ket is head­ing, then you’ll want to give this insight­ful arti­cle a read.  Fast for­ward five years, here’s what you’ll like­ly find: Ama­zon, using the Kin­dle and on-demand pub­lish­ing, starts work­ing direct­ly with authors and cut­ting tra­di­tion­al pub­lish­ers out of the loop. It will dom­i­nate the book/e‑book mar­ket, much as Apple does the music mar­ket. The only thing stand­ing in Jeff Bezos’ way? Steve Jobs. Why? Because Apple can pro­duce an e‑book read­er that actu­al­ly appeals to a mass mar­ket, and Ama­zon can’t. And guess what? Apple is rumored to have a new device com­ing out this year. More on that here. Thanks to Seth Har­wood for send­ing this along.

Science Catches the Eye of the Police

Rather humor­ous. You can catch more of Steve Span­gler’s sci­en­tif­ic work on his YouTube chan­nel and web site. We’ve also added him to our list of Intel­li­gent YouTube Col­lec­tions.

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English and its Evolution

A lit­tle some­thing for the lan­guage buffs among us. The Struc­ture of Eng­lish Words (iTunes) is anoth­er Stan­ford course. To be exact, it comes out of the Stan­ford Con­tin­u­ing Stud­ies pro­gram (my day job), and we’re open­ing enroll­ments for our Fall term next Mon­day. (If you live in the San Fran­cis­co Bay Area, give our offer­ing a look. If you live out­side the Bay Area, then you may want to check out our pop­u­lar series of online writ­ing cours­es.) You can find the course descrip­tion for The Struc­ture of Eng­lish Words, taught by Pro­fes­sor Will Leben, direct­ly below. To find hun­dreds of oth­er free cours­es, then check out our col­lec­tion of Free Online Uni­ver­si­ty Cours­es:

Thanks to his­tor­i­cal, cul­tur­al, and lin­guis­tic fac­tors, Eng­lish has by far the world’s largest vocabulary—leading many of us to have greater than aver­age dif­fi­cul­ty with words, and some of us to have greater than aver­age curios­i­ty about words.

Our his­tor­i­cal and lin­guis­tic study will cov­er both eru­dite and every­day Eng­lish, with spe­cial atten­tion to word mean­ing and word use, to both rules and excep­tions. Most words orig­i­nat­ed with an image. “Reveal” = “pull back the veil,” “depend” = “hang down from.”

Change is con­stant. “Girl” once meant “a young child of either sex;” an ear­ly syn­onym for “stu­pid” was “nice.” Despite resis­tance to change among some experts and some mem­bers of the gen­er­al pub­lic, new words are enter­ing at an accel­er­at­ing rate, from “Franken­food” to “ungoogleable.” Are there good changes and bad ones? And who gets to decide? Explor­ing the his­tor­i­cal and con­tem­po­rary rich­ness of Eng­lish will sug­gest some answers.

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Hendrix Plays the National Anthem

In hon­or of the 40th anniver­sary of the Wood­stock Fes­ti­val, we have Jimi Hen­drix play­ing the U.S. nation­al anthem. It’s not your usu­al anthem. Nope, this is the anthem played dis­so­nant­ly in a new counter-cul­ture style, the anthem turned into a blis­ter­ing com­men­tary on the Viet­nam War. No doubt, con­ser­v­a­tives and the silent major­i­ty did­n’t like it. But, like it or not, it remains one of the mem­o­rable rock state­ments of the 60s. For more Hen­drix at Wood­stock, check out here, here, and here.

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Plastics Out, Statistics In

A mem­o­rable scene from The Grad­u­ate (1967). But, as the New York Times tells us today, plas­tics is out; sta­tis­tics is now in.

John Hughes: Backdrop for an Adolescence

John Hugh­es films. The Who. Now you’ve got the back­drop for my teenage years. This is for me, and per­haps even for you… (Sor­ry to those who can’t relate. We’ll be back on track soon enough.)

Caravaggio and Rembrandt Side by Side

Straight from Metafil­ter. Seemed worth pass­ing along to our read­ers:

The Rijksmu­se­um in Ams­ter­dam invites you to com­pare Car­avag­gio and Rem­brandt. For an overview of Rem­brandt’s work here are Rem­brandt van Rijn: Life and Work and A Web Cat­a­logue of Rem­brandt Paint­ings. For Car­avag­gio there’s caravaggio.com which makes use of the Ital­ian web­site Tut­ta l’opera del Car­avag­gio.

Junot Díaz Reads From “Drown”

Junot_DĂ­az

Image by Christo­pher Peter­son, via Wiki­me­dia Com­mons

I first heard about Junot DĂ­az in the ear­ly 90s. He was only in his 20s, already pub­lish­ing in The New York­er, and get­ting a lot of wun­derkind talk. By 1996, he pub­lished, Drown, a best­selling col­lec­tion of short sto­ries that earned high praise. And then, things slowed down. It took a good eleven years for him to pub­lish The Brief Won­drous Life of Oscar Wao. But the patience paid off. The nov­el won him a Pulitzer in fact. And it’s an excel­lent read. Real­ly.

Hav­ing said this, I want to high­light DĂ­az read­ing one of his ear­ly New York­er sto­ries that also found its way into Drown. It’s called How to Date a Brown Girl (Black Girl, White Girl, or Hal­fie). The free audio clip, which is list­ed in our col­lec­tion of Free Audio Books (and pro­duced by The New York­er), has some col­or­ful lan­guage, but it’s not gra­tu­itous.

Look­ing for free, pro­fes­sion­al­ly-read audio books from Audible.com? Here’s a great, no-strings-attached deal. If you start a 30 day free tri­al with Audible.com, you can down­load two free audio books of your choice. Get more details on the offer here.

Martin Sheen’s Senior Moment

On the lighter side. Thanks Rachel for send­ing this along…

Find the link to the orig­i­nal video here.


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