Search Results for "college"

Jane Austen’s Fiction Manuscripts Online

Togeth­er, Oxford Uni­ver­si­ty and King’s Col­lege Lon­don are lead­ing a three year effort to unite in one dig­i­tal archive the sur­viv­ing man­u­scripts of Jane Austen’s fic­tion. Since 1845, these texts have been dis­persed among libraries and pri­vate col­lec­tions. Now, they’re get­ting back togeth­er, at least vir­tu­al­ly. When fin­ished, the dig­i­tal col­lec­tion will include every man­u­script Austen pro­duced, start­ing dur­ing her youth (around 11 years old) and end­ing with her death at age 41. You can start review­ing some of the first man­u­scripts brought online here, and get more back­ground on the project here. Good find by Kot­tke.

Relat­ed Con­tent:

Jane Austen’s Fight Club

Dominic West (aka Jim­my McNul­ty) Reads Jane Austen

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Paradise Lost

It’s one part Bam­bi, nine parts Looney Tunes, and runs just under three min­utes. Dil­la, as the film is called, was cre­at­ed by four stu­dents at the Rin­gling Col­lege of Art and Design in Sara­so­ta, Flori­da. It was appar­ent­ly their senior project com­plet­ed ear­li­er this year. Nice work Mike, Stan­ley, Dominic and Mikey …

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China’s Open Courses & Other Tech Dispatches from Asia

Back in 2003, the Chi­nese gov­ern­ment launched its answer to MIT’s Open­Course­Ware project. The “Nation­al Qual­i­ty Course Plan” scoured Chi­na’s vast uni­ver­si­ty sys­tem and select­ed 3,000 best-of-breed cours­es in var­i­ous sub­ject areas. Then, mil­lions of dol­lars were ear­marked to put lec­tures and relat­ed course mate­ri­als online, with the hope that oth­er pro­fes­sors could draw inspi­ra­tion from these resources. But, things did­n’t go so well. Appar­ent­ly rough­ly 50% of these mate­ri­als nev­er made their way online. And the mate­ri­als that did were rarely updat­ed. (More on that here.) Will the project get renewed? Jeff Young, a reporter for The Chron­i­cle of High­er Edu­ca­tion, went to Chi­na to find out. His report (read it here) is part of a month long series of dis­patch­es that takes you inside Asi­a’s wired class­rooms and high-tech research labs. You can read Jef­f’s dai­ly posts from Sin­ga­pore, Chi­na, South Korea, and India through­out this entire month.

Update: One of our read­ers wrote a the­sis on Chi­na’s open­course­ware ini­tia­tive and offers much more detail on what went right, and what went wrong. You can down­load Stian Håk­lev’s the­sis (for free) here, and be sure to check out Stian’s oth­er brain­child, Peer2Peer Uni­ver­si­ty, oth­er­wise known more sim­ply as P2PU.

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William S. Burroughs Reviews a Led Zeppelin Concert for Crawdaddy! Magazine (1975)

jimmyandbill

Craw­dad­dy! It was the first US mag­a­zine of rock music crit­i­cism, pre­ced­ing both Rolling Stone and Creem. Paul Williams, then a stu­dent at Swarth­more Col­lege, first launched the mag­a­zine in 1966. And by the 1970s, Craw­dad­dy! hit its stride, pub­lish­ing exclu­sive con­tri­bu­tions by John Lennon, Joseph Heller, and Studs Terkel, to name a few. On one occa­sion, the self-described “first mag­a­zine to take rock and roll seri­ous­ly” sent William S. Bur­roughs, the great beat writer, to a Led Zep­pelin con­cert. He came back in June 1975 with a rather off­beat con­cert review. There’s a strange inno­cence, even naivete, to the whole piece (though we know bet­ter than to con­fuse Bur­roughs him­self with inno­cence). We give you an excerpt right below, and the rest here.

So there we sat, I decline earplugs; I am used to loud drum and horn music from Moroc­co, and it always has, if skill­ful­ly per­formed, an exhil­a­rat­ing and ener­giz­ing effect on me. As the per­for­mance got under­way I expe­ri­enced this musi­cal exhil­a­ra­tion, which was all the more pleas­ant for being eas­i­ly con­trolled, and I knew then that noth­ing bad was going to hap­pen. This was a safe and friend­ly area–but at the same time high­ly charged. There was a pal­pa­ble inter­change of ener­gy between the per­form­ers and the audi­ence which was nev­er fran­tic or jagged. The spe­cial effects were han­dled well and not over­done.

A few spe­cial effects are much bet­ter than too many. I can see the laser beams cut­ting dry ice smoke, which drew an appre­cia­tive cheer from the audi­ence. Jim­my Page’s num­ber with the bro­ken gui­tar strings came across with a real impact, as did John Bonham’s drum solo and the lyrics deliv­ered with unfail­ing vital­i­ty by Robert Plant. The per­form­ers were doing their best, and it was very good. The last num­ber, “Stair­way to Heav­en”, where the audi­ence lit match­es and there was a scat­ter­ing of sparklers here and there, found the audi­ence well-behaved and joy­ous, cre­at­ing the atmos­phere of a high school Christ­mas play. All in all a good show; nei­ther low nor insipid. Leav­ing the con­cert hall was like get­ting off a jet plane.

The Bur­roughs piece con­tin­ues here.

Relat­ed Con­tent:

Delet­ed Scene from Almost Famous: Mom, “Stair­way to Heav­en” is Based on the Lit­er­a­ture of Tolkien

‘Stair­way to Heav­en’: Watch a Mov­ing Trib­ute to Led Zep­pelin at The Kennedy Cen­ter

Led Zep­pelin Plays One of Its Ear­li­est Con­certs (Dan­ish TV, 1969)

Hear Led Zeppelin’s Mind-Blow­ing First Record­ed Con­cert Ever (1968)

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Where to Find Free Textbooks

Life­hack­er just ran a new fea­ture today “Five Best Places to Buy Cheap Text­books.” Cheap is good, no doubt. But free is even bet­ter. So we fig­ured why not take the wraps off of a new Open Cul­ture col­lec­tion: 100+ Free Text­books: A Meta Col­lec­tion.

This new and grow­ing col­lec­tion pulls togeth­er an assort­ment of free text­books avail­able online. The list is most­ly slant­ed toward sci­ence and math (that’s what is out there), and the texts are almost entire­ly writ­ten by col­lege pro­fes­sors or qual­i­fied high school teach­ers. In some instances, these texts were orig­i­nal­ly pub­lished in book for­mat, and now the authors have decid­ed to pub­lish them online. In oth­er cas­es, authors join­ing the “open text­book” move­ment (see Flat World Knowl­edge, CK-12Cur­ri­ki, etc.) have pub­lished their works for the first time in elec­tron­ic for­mat, often under a Cre­ative Com­mons license. We will update the list con­tin­u­al­ly. But if you see good texts miss­ing, please feel free to ping us. You can access 100+ Free Text­books: A Meta Col­lec­tion here, and please for­ward the link to any young stu­dents or life­long learn­ers who might ben­e­fit…

P.S. This col­lec­tion will always appear in the top nav­i­ga­tion of the web site. Just look for “Text­books” in the top nav bar.

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Is TED the New Harvard?

Next mon­th’s edi­tion of Fast Com­pa­ny (avail­able online now) brings you a big, glow­ing trib­ute to TED and its TED Talks. It’s a love­fest in print, the kind that sells mag­a­zines. And, along the way, Anya Kamenetz (author of DIY U) makes some big claims for TED. Let me start with this one:

I would go so far as to argue that [TED’s] cre­at­ing a new Har­vard — the first new top-pres­tige edu­ca­tion brand in more than 100 years.

Of course TED does­n’t look like a reg­u­lar Ivy League col­lege. It does­n’t have any build­ings; it does­n’t grant degrees. It does­n’t have singing groups or secret soci­eties, and as far as I know it has­n’t inspired any strange drink­ing games.

Still, if you were start­ing a top uni­ver­si­ty today, what would it look like? You would start by gath­er­ing the very best minds from around the world, from every dis­ci­pline. Since we’re liv­ing in an age of abun­dant, not scarce, infor­ma­tion, you’d curate the lec­tures care­ful­ly, with a focus on the new and orig­i­nal, rather than offer a course on every pos­si­ble top­ic. You’d cre­ate a sus­tain­able eco­nom­ic mod­el by focus­ing on tech­no­log­i­cal rather than phys­i­cal infra­struc­ture, and by get­ting peo­ple of means to pay for a spe­cial­ized expe­ri­ence. You’d also con­struct a robust net­work so peo­ple could access resources when­ev­er and from wher­ev­er they like, and you’d give them the tools to col­lab­o­rate beyond the lec­ture hall. Why not ful­fill the uni­ver­si­ty’s mil­len­ni­um-old mis­sion by shar­ing ideas as freely and as wide­ly as pos­si­ble?

TED, the new Har­vard. The new uni­ver­si­ty. It’s a nice idea … until you think about it for a few moments. Will watch­ing 18 minute lec­tures – ones that bare­ly scratch the sur­face of an expert’s knowl­edge – real­ly teach you much? And when the 18 min­utes are over, will the experts stick around and help you become a crit­i­cal thinker, which is the main under­tak­ing of the mod­ern uni­ver­si­ty after all? (Will they assign the papers where you grap­ple with the dif­fi­cult ideas? Will they make sure your argu­ments are sound? That your writ­ing is lucid? Or will they even expand on their brief lec­tures and teach you some­thing in-depth?) Nope, you’ll get none of that. The experts will give their 18 minute talks, and then they’re gone. Ulti­mate­ly, Kamenetz seems to know she’s over­reach­ing. She even­tu­al­ly cir­cles around to say, “Sure, these talks have their lim­its as an edu­ca­tion­al medi­um. An 18-minute pre­sen­ta­tion, no mat­ter how expert, can’t accom­mo­date any­thing over­ly the­o­ret­i­cal or tech­ni­cal — the for­mat is more con­ge­nial to Freako­nom­ics than eco­nom­ics.” And so the whole ini­tial, catchy premise falls apart. (Mau­ra John­ston right­ly makes this point too, among oth­er good ones, in her must-read reac­tion to the “breath­less” Fast Com­pa­ny arti­cle.)

I have no beef with TED. Quite the con­trary, I’m a big fan of their open lec­tures. (Get the full list here.) And you can’t blame TED when oth­ers read too much into what they do. But, echo­ing points made last week, I do have an issue with com­men­ta­tors reduc­ing edu­ca­tion to watch­ing TV. So a quick request to the “edupunks” and “edupre­neurs” out there. As you’re democ­ra­tiz­ing edu­ca­tion and low­er­ing tuition through tech­nol­o­gy, could you make sure that what­ev­er you’re final­ly offer­ing is an edu­ca­tion in more than mere name? You feel me?

NOTE: Anya Kamenetz, the author of the Fast Com­pa­ny arti­cle, offers a response in the com­ments below. In fair­ness to her, please give them a read. We also have a lit­tle fol­low up.

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200 Free Textbooks: A Meta Collection


Free text­books (aka open text­books) writ­ten by knowl­edgable schol­ars are a rel­a­tive­ly new phe­nom­e­non. Below, find a meta list of 200 Free Text­books, and check back often for new addi­tions. Also see our online col­lec­tion1,700 Free Online Cours­es from Top Uni­ver­si­ties.

Art His­to­ry

Biol­o­gy

Busi­ness and Man­age­ment




Chem­istry

Clas­sics

Com­put­er Sci­ence & Infor­ma­tion Sys­tems

Earth Sci­ence

Eco­nom­ics & Finance

Edu­ca­tion

Elec­tri­cal Engi­neer­ing

Engi­neer­ing

His­to­ry

Lan­guages

Law

Lin­guis­tics

Math­e­mat­ics

Music

Phi­los­o­phy

Physics

Psy­chol­o­gy

Soci­ol­o­gy 

Sys­tem The­o­ry 

Find more texts in our Free eBooks and Free Audio Books col­lec­tions

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Bill Gates: The Internet Will Displace the Traditional University in 5 Years

Speak­ing at the Techon­o­my con­fer­ence in Lake Tahoe last week, Bill Gates argued that the cost of col­lege needs to come down, and the only way to accom­plish this is through tech­nol­o­gy and less­en­ing the impor­tance of “place-based” col­leges. That’s how you keep col­lege edu­ca­tion open to all. Dur­ing the talk, he went fur­ther and assert­ed, “Five years from now, on the Web for free, you’ll be able to find the best lec­tures in the world. It will be bet­ter than any sin­gle uni­ver­si­ty.”

To be sure, I don’t dis­pute this par­tic­u­lar point. You can already find hun­dreds of free cours­es online, and that’s part of our rea­son for being. But, as I have fre­quent­ly remind­ed peo­ple, lis­ten­ing to lec­tures does­n’t mean you’re get­ting a round­ed edu­ca­tion. Lec­tures inform you. They’re great in that way. But you get an edu­ca­tion when you cou­ple lec­tures with read­ings, when you chew over ideas in a dis­cus­sion sec­tion, when you ana­lyze the lec­tures and read­ings in crit­i­cal papers, when you take exams that force you to syn­the­size every­thing you’ve learned dur­ing the entire semes­ter, etc. Right now, it is very hard to accom­plish this online. On a rel­a­tive basis, e‑learning tools have evolved strik­ing­ly slow­ly dur­ing the past decade. The wide­ly deployed tools are often still klunky and rudi­men­ta­ry. And it still takes con­sid­er­able time, mon­ey and labor to pro­duce a tru­ly excel­lent online course. (At least that’s what I have found dur­ing my ten years in the space.) Will we make progress here? Yes. Would I wel­come it? Of course. But will we offer a sub­stan­tive and high­ly scal­able online alter­na­tive in five years? Very doubt­ful, unless a cat­a­lyst comes along who can dra­mat­i­cal­ly sweep away the exist­ing major play­ers (who just bog things down) and intro­duce some seri­ous inno­va­tion. Mr. Gates, are you that cat­a­lyst?

via Wired Cam­pus

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US Government Opens Tech/Culture

Today’s rul­ing is bound to get a lot of buzz, but prob­a­bly for the wrong rea­sons. Accord­ing to new rules set forth by The Library of Con­gress (which over­sees the Copy­right Office), iPhone own­ers can now legal­ly “jail­break” their device and down­load soft­ware that Apple/AT&T dis­ap­proves of. That will get the head­lines. But we should­n’t lose sight of this: This far-reach­ing rul­ing goes well beyond the iPhone itself and also allows (among oth­er things) “col­lege pro­fes­sors, film stu­dents and doc­u­men­tary film­mak­ers to break copy-pro­tec­tion mea­sures on DVDs so they can embed clips for edu­ca­tion­al pur­pos­es, crit­i­cism, com­men­tary and non­com­mer­cial videos.” (The quot­ed mate­r­i­al comes from the AP, not the rul­ing itself). In short, these new guide­lines give con­sumers greater lat­i­tude to decide how they want to use com­put­ers, gad­gets and media they’ve pur­chased.  And they clear up some legal murk­i­ness that has sur­round­ed these issues, par­tic­u­lar­ly with­in uni­ver­si­ties, for some time. A good day for gov­ern­ment … and the Elec­tron­ic Fron­tier Foun­da­tion, which pushed for these pro­tec­tions.

PS Does this still mean that Apple can void your war­ran­ty if you jail­break your iPhone? I’m not sure whether that goes away or not…

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The Civil War & Reconstruction: A Free Course from Yale University

The Civ­il War was a water­shed moment in US his­to­ry, and it fig­ures cen­tral­ly in any Amer­i­can his­to­ry cur­ricu­lum. If you missed this course dur­ing high school or col­lege, not to wor­ry. Now, thanks to Yale Uni­ver­si­ty, you can revis­it this his­tor­i­cal moment with Prof. David Blight, one of the nation’s lead­ing Civ­il War schol­ars. The Civ­il War and Recon­struc­tion “explores the caus­es, course, and con­se­quences of the Amer­i­can Civ­il War, from the 1840s to 1877,” look­ing at how the Unit­ed States was trans­formed on mul­ti­ple lev­els: racial­ly, social­ly, polit­i­cal­ly, con­sti­tu­tion­al­ly and moral­ly. You can access the 27 free lec­tures, pre­sent­ed in audio and video, via YouTubeiTunes, and the Yale web site (plus a syl­labus). We also have it on the list of our Free His­to­ry Cours­es, a sub­set of our col­lec­tion 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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